main two creative mediums/tags: my web weaves & my writing
writing wips below the cut
George Luz and Joseph Toye, in five acts. From Aldbourne to Georgia; from Pennsylvania to Rhode Island.
TUMBLR TAG
â when i fall asleep - complete on ao3
â an old voice - complete on ao3
â the stairs creak - 2/5 chapters on ao3
â buried with our past - unposted
â safe to shore - unposted
PINTEREST BOARD
Eugene Roe and the ice of war, family, and religion.
TUMBLR TAG
â prophet - complete on ao3
â marrow - complete on ao3
â messiah - unposted
PINTEREST BOARD
George Luz and Joe Toye can't be friends. Twelve years and three months. Starting from the beginning and going right up to the end.
TUMBLR TAG
â let's call the whole thing off - 6/10 chapters on ao3
PINTEREST BOARD
Meeting in the summer of 1967. Meeting again in 1969. A study of being broken and finding the sun.
TUMBLR TAG
â the morning sun - complete on ao3
â the night is new - unposted
PINTEREST BOARD
â psychic tape loop - 7/23 chapters on ao3
â branches of white light - 2/5 chapters on ao3
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working on a oneshot right now that is now 30k and not even halfway done.... sooo scared to read it back because you know it will be a real Who's Reading All That moment. and yet we persist
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The poll has spoken and once again Band of Brothers wins, so take a propaganda poster as an offering.
I literally had to stop myself from adding the whole cast. So for now we have Winters, Nixon, Speirs, Lipton, Doc Roe, Liebgott and Webster (I may add more later).
1 - Make absolutely anything you want to! Moldboards, fanvideos, fan fiction, head canons, fanart, playlists, and more are all welcome.
2 - It is NOT required to follow all or any of the prompts to participate in the week. Anything created for the week that is properly tagged will be accepted. These prompts function so that you can pick/choose which prompts for the days you like best, but aren't required to follow.
3 - Tag either @luztoyeweek in everything you make and/or use the tag #luztoyeweek2026 in the creations you post so that it can be reblogged from here!
4 - No AI content of any shape, kind, or form will be accepted for Luztoye Week. Anyone that uses AI for the week will be blocked on Tumblr and removed from the Ao3 collection.
5 - Check the bottom of the post for any other information. Have fun with creating, and reach out with any questions!
PROMPTS:
Sunday, July 26
- Song: Like Real People Do by Hozier
- Theme: Firsts/Lasts
- AU: Alternate Canon (different theater of war/roles in war/etc.)
- Color Palette:
Monday, July 27
- Song: Godlight by Noah Kahan
- Theme: Performance
- AU: Alternate History (Regency/Edwardian/Sixties/Nineties/etc.)
- Color Palette:
Tuesday, July 28
- Song: Frozen Pines by Lord Huron
- Theme: Film
- AU: Entertainer/USO AU
- Color Palette:
Wednesday, July 29
- Song: Still by Daughter
- Theme: Fight
- AU: Post-War
- Color Palette:
Thursday, July 30
- Song: Slow Show by The National
- Theme: Music
- AU: Different First Meeting
- Color Palette:
Friday, July 31
- Song: Picture Me Better by Weyes Blood
- Theme: Haunting
- AU: Canon with a Supernatural Twist
- Color Palette:
Saturday, August 1
- Song: Once More to See You by Mitski
- Theme: Poetry
- AU: Soulmates
- Color Palette:
OTHER INFORMATION/REMINDERS:
- The Archive of Our Own collection for fanfiction for the week can be found HERE. It is open and unmoderated, so any authors who wish to add their work to the page are free to do so.
- To learn how to post to an Ao3 collection, find an informational guide HERE. For other questions relating to fanfiction, find the tag for it HERE, and reach out if you have more questions.
- The grace period for this event will run for one week after it, meaning from Sunday, August 2 to Saturday, August 8. During this time, you will still be able to submit prompts for the week, both on Tumblr and on Ao3. After the grace period ends, both the blog and Ao3 will become closed/moderated/
- To go through what was created for other weeks, blog information, or to find any questions that might have already been answered, you can go to the pinned post for the blog in order to find tag navigation and all other details.
As early as 1930 Schoenberg wrote: "Radio is an enemy, a ruthless enemy marching irresistibly forward, and any resistance is hopeless"; it "force-feeds us music . . . regardless of whether we want to hear it, or whether we can grasp it," with the result that music becomes just noise, a noise among other noises.
for the hbo wwii rewatch week five prompt: radios (with help from the war department's 1943 scr-300 technical manual)
ocean vuong in "eurydice" // lorde in "perfect places" // jeffrey eugenides in "the virgin suicides" // s. jane sloat in "in the voice of a minor saint" // sandy ward bell in "in zoey's head" // hari kunzru in "white tears" // neil hilborn in "our numbered days" // milan kundera in "ignorance"
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Hi, I need an outsider's pov of postwar luztoye please, if that seems interesting enough to distract you from other tasks. đ Maybe a little old lady who lives next door and brings those nice boys a pie sometimes because George fixed her radio while Joe let her talk his ear off about her son who doesn't visit?
bestie i took this and RAN with it, so i'm hoping this is okay and/or what you were thinking! it got... longer, than i was expecting, but i hope you enjoy <3
---
Itâs been lonely, since Lulu died.
The mutt managed to make it seventeen years before kicking it, so she counts it as a victory as best she can.Â
Still, the apartment is often too quiet, so sheâs grateful for the book club, even if her guest is quieter than the dead dog.Â
Book club is probably pushing it, as at best itâs a mangy meeting to discuss books that neither of them necessarily enjoy.Â
Still, theyâre classics, and sheâd like to read them at least once before she herself kicks it. Toye doesnât seem prone to disagree with her, anyways, just sits grudgingly in the chair across from her, one crutch propped up against the armrest and the other in his lap
She looks over at him, amused. Thereâs a dark dip between his brows, a telltale sign of focus where focus isnât necessarily wanted.Â
âYou can just pretend to read it, you know.â She says. It takes him a moment to look up at her, to pull away from the page.
âWhat? Oh.â He looked down at the open book in his lap. Her own was kept steady with her palm to its spine. âNo, itâs fine.â Silence, for a beat. A pause. âItâs okay. Itâs â this is Georgeâs favorite.â He goes back to reading.Â
Sheâd figured as much. The copy of The Picture of Dorian Gray that heâd shown up with was obviously well-loved: the spine cracked and pressed white, yellowing pages littered with pencil markings. Toye treats it like a landmine, like it's liable to break completely in his hands.
She presses back her smile and looked down at her own copy, newly bought. âAlright.â She murmurs, and that's that.Â
---
Theyâd moved in maybe a year and a half ago, and the only reason she knew who either of them were at all was because sheâd tripped down the last two steps outside of her own building and the one with two legs had seen her and helped her back up and to her own place.
The rest didnât really matter, and she found it rather boring. What matters is that she invited the one with two legs up for dinner as a form of gratitude and heâd shown up with the one with one leg that looked a little rougher around the edges and that was that.
---
The one with two legs was Luz, who worked every day, and the other one was Toye, who worked every three days. On Fridays, Toye would come over for her self proclaimed book club with whatever sheâd deigned best to read.
âI think itâs a load of crock.â She tells Toye on one of these Fridays, flipping through her pick of the week distastefully. âOverall written alright, but underall itâs garbage. What a worthless read.â
Toye is always generous enough not to mention that sheâs always the one to choose the books. âI think there could be a point to it.â He says, always hoarser than sheâd think heâd sound, and he talks so very little that she should probably be less tetchy. Still, bad habits are hard to break, and she scoffs.
âYeah, and what would that be? Fate or Godâs plan? Because neither seem to be good and neither are anything close to happening, no matter how much you pray.â She flipped through another few pages disdainfully. Toyeâs own copy sat carefully in his lap, and he deigned not to touch it, tapping his fingers instead against the wood of the crutch that stayed across his lap.
âI donât know.â He said, glanced out of her window. She knew why, and didnât have to follow his gaze. The only reason that Luz had seen her at all when she had fallen was because they lived directly across from each other, right down to the building's story and window make. âThereâs a testament to things falling into place.â
Thereâs something fragile resting along the lines of his face, and she has to pause for a moment, remind herself how utterly young he is. How young the both of them are.
She has a husband in a cemetery she isnât able to get to anymore, because the streets are too crowded and her knees are too bad, and a son thatâs lost forever in the mud in some godforsaken island in the Pacific, and if praying could have prevented that, theyâd still be with her.Â
She doesnât say any of that. She watches Toyeâs face carefully before huffing and looking back down to her own book. âI want to read another Shakespeare, next.â She says. âI think heâs an overrated ratsâ ass, and you can quote me on that.â
---
On the same Fridayâs where she hosts book club, Luz will come by after heâs done at wherever he works with some sort of tupperware of something and theyâll eat dinner with her.
Sheâd never tell them, but it feels less like an embarrassing sort of pity, when one of them only has one leg.Â
âI think that he was a hack, God rest his soul.â She tells them one day, because theyâll listen to her, and she was thinking about it earlier, and there wasnât even Lulu to tell. âI mean, do all you want and bow to him in whatever, but he was a right fool. I think that it was that wife of his that kept him in line, more than anything.â
Luz is smiling into his own bowl of food, and heâs prone to doing that. He wonât look at her, like heâs worried heâll burst out laughing if he does, but she doesnât mind. She came to the conclusion a long time ago that he just likes laughing, and she wonât care much if he does so because of her.
Toyeâs always more serious, nods and is able to meet her face and send annoyed looks at the man at his elbow, who usually sits on the floor next to her stuffed armchair. âEleanorâs a hell of a lady.â He says, and she nods at him, approving.
âShe was the real one, if you ask me.â She says, and Luz coughs a bit into his bowl and coughs a bit more lightheartedly when Toyeâs hand comes down to shove at his shoulder.
---
On the days that Toye works, and only in the wintertime, Luz sometimes visits by himself.
She has a sneaking suspicion that heâs intimidated by her, in some way, or something about her apartment is off putting. She doesnât care all that much. Heâs a nice enough boy, and he helped her back up the stairs, but sheâs always had more of a proclivity for the quiet ones.
In the winter, he tends to be more of one of those himself, paler and usually scruffier than usual.
He looks so on the day that he knocks on her door and when she opens it, he looks like he hasnât shaved in three days and eaten in six.Â
âDear God.â She says, and steps back from the door to usher him in before he can freeze her apartment. âYou look like a transient.â
She never paid much attention to what was going on in the Atlantic, other than the newsreels (which she never went to) and by word of mouth from her friends (which she didnât have) and newspapers and magazines (which she rarely left the house to get).
Her war, like it was her boy's war, was with the islands, and when he died, her study of it died with him.Â
Still, she knew enough to recognize that Europe could get cold and that hollow eyes are often related to that ice.Â
Luz doesnât laugh nearly as much in the wintertime, or smile, and she canât even get him to crack half of one, even when she deigns to instead criticize Toye, which usually works.
âOh, for Godsâ sake.â She ends up saying today, hips aching and irritated. âNow I have to waste coffee on you. Perfectly good waste, most of it is going to end up in that⌠thing, on your face.â
She doesnât like beards. Never did like it when her boy grew one, said it made him look more grown-up than sheâd allow.
Luz still doesnât smile.
Fifteen minutes later, she sits with him in the overstuffed armchairs and wonders about what boys still find funny when he asks her, quite out of the blue, âWhat do you do when you miss someone?â
She blinks.
âWell, Iâm sad about it.â She says, and when Luz just stares down at the mug sheâd pushed onto him, rather desolate looking, she sighs and tries to think of something else to say. âI get angry. Or I knit. Or I look through my photos. Missing someone isnât a glove. Why?â
Luz huffs, but it isnât exactly happy. She doesnât like it when Toye has to leave. He always seems happier, when the other one is around. The creases around his eyes arenât so frustratingly deep.
âNothing.â He says, and his voice is hoarse. âJust thinking about people whoâre gone.â
She watches him, critical. God, she hopes he shaves before she sees him again. Itâs really just improper.Â
âThey never found my son's body.â She tells him. âOr they did, and they lied to me. Either way, he left and heâs gone and I barely have anything of him but what I remember and what he wore. So you find things that help you do more than obsess over those things.â She thinks of Lulu, of her soft fur and the way that sheâd lick at her face. âAnd thatâll be gone before you know it, too, so you have to appreciate it all. You canât afford to stop loving things in the world just because someone you love is no longer in it.â
She stares back down at her cup.Â
Luz clears his throat, and when she looks up, he cracks half of a smile at her awkwardly. His eyes are dark, there isnât much light there. âThank you.â He says, and she wishes she hadnât told him about her boy. Still, she feels warm.
âGood god, child.â She says, anyways. âGo home and shave. You look like some sort of Hungarian.â
Luz doesnât laugh, but looks like he might have, if it wasnât wintertime.
---
Later on in the same night, theyâre up later than they usually are, and she only knows it because sheâs trying to get through a chapter for book club on Friday and she can see their silhouettes through their lit up window, light and orange and slightly blurry.
She doesnât watch them for long, doesnât want to pry.
Luzâs arms are around Toyeâs neck, his face dropped down to his shoulder. Toyeâs arms are wrapped fully around him, maybe more for balance than anything else. The way theyâre turning, it looks like they're dancing. She wonders to what music.
She used to dance like that, with her husband. That was how she taught her boy, as he stood on top of her shoes and she held his little hands.Â
She shuffles back over to the armchair and goes back to reading her book. She doesnât like this one either.
---
One day, she thinks they might be arguing.Â
Toye comes over on a Thursday night, instead of a Friday, and looks rather tired. Itâs springtime, which is why sheâs more hesitant about letting him in, but heâs shaved, so she allows it.
âCould I stay over for the night?â He asks her, voice raspy. âIâd â I hate to ask, butââ
She squints at him. âYouâre the one with one leg.â She says. âShouldnât he be leaving?â Toye coughs. He shifts on his crutches, glances vaguely over his shoulder in a way that makes him look rather guilty.
âNo, itâsââ He starts, and cuts himself off. âI want him to stay in the apartment.â He looks vaguely embarrassed. She squints at him again, but in the end just starts moving back towards her armchair.
âFine.â She says. âI like you better than I like him, anyways.â
---
She tosses a bunch of moth-eaten blankets from the closet onto the floor and tells Toye good luck with standing back up and gets to bed. Toye looks strangely pleased about her rudeness, so she keeps that in mind and makes note to tell him that he needs a haircut tomorrow.
---
Toye stays over the whole day and helps her with small things and she tells him that he needs a haircut, and needs to shave, and needs to go outside more, and needs to get a better job, and needs better crutches, and should wear his fake leg more often, and a dozen other things before they sit down to read and do so for hours.
Book club lasts much longer than it usually does, but when thereâs the usual knock at the door, albeit more tentative, Toye looks up and looks, again, so painfully young that she sort of wants to smack him for it.
She doesnât. She pushes to her feet and complains the whole way to the door.
Luz doesnât have food, and he barely says hello, just looks right past her to Toye, says in a soft, hoarse voice that she thinks means that heâs been smoking and that he wants to talk.
She looks from him, to Toye, to him again, and decides to stay out of it. âGet out of here, the both of you.â She says. âAnd clean up, before I see you again. You both have jobs, you know.â
---
She doesnât see them for maybe three or four days after that, doesnât even see them entering or exiting their own building. She wonders if one or both of them are sick, but thinks they might just be locked up in their own apartment for some godforsaken reason.Â
They donât emerge for days and Luz is the first one that she sees, looking more relaxed than he has since the wintertime. He waves at her, but doesnât spend too much time outside. Just pitches a cigarette over his shoulder and skips back up to the apartment, and thatâs the last she sees of either of them for another two days.Â
She supposes theyâve made up.
---
She only goes over to their apartment once.Â
Itâs alright. Rather homely.
Thereâs only one chair in the sitting room, which is rather ridiculous, though every time sheâs seen him, Luz usually insists on sitting on the floor, so she supposes that may be a part of it. The kitchen is small, rather boring. A whiteboard sits on top of the fridge, tracking something by tally marks that sheâs not privy to knowing. They donât let her into either of the bedrooms, and she doesnât care much to investigate.
âYou, uh.â Luz tells her awkwardly, hands in his pockets, mouth quirked up in his forever-grin. âWe could start eating here, if youâd like.â
She wrinkles her nose at the cracked open fire escape and the dishes in the sink and the crooked blanket on the chair. âIâm quite alright.â She says, and decides not to come back.Â
(Thereâs one of those song-players on a table off to the side, however. It looks more expensive than anything else in the apartment. Underneath it is a basket, and the only vinyl sheâs able to make out is one of Billie Holliday.
Ugh. Figures.)
---
They come over every Friday for two years and she sees them more often than that, and as soon as something changes, she can tell immediately. It annoys her.
She knows right off the bat because Toyeâs wearing his prosthetic, which he never does, and Luz is shaved, which doesnât matter much, because his hair is still much too long.Â
âWhereâs the house at?â She asks him, after barely another two minutes, because sheâs connected the dots and doesnât want to wait for them to be explained to her.Â
Luz is the one, for once, to pause. Toye turns to look at him, face doing the same sort of lined, barely held back guarded emotion that it often throws up around the other man before he looks back at her, hesitates.
âItâs, uh.â He says. She sighs, wants to tell him to knock it off with the pausing. âIn Bedford. Itâsââ
He keeps talking, and she deigns to ignore him to instead watch Luz, the way he looks at Toye. Itâs the same sort of emotion, barely lined, making him heavier.
She wonders if her boy got to care so much about someone, before he was killed.
âAlright.â She says, maybe with a sigh, holds up a hand and decides thatâs that. Sheâll miss book club, but if she truly gave a rats ass, sheâd join a real one. Maybe she will, now. âMake sure you pack enough. And shave. You have jobs.âÂ
Toyeâs smile is a crooked curve, and Luzâs takes over his whole face. She looks at both of them, unimpressed.Â
âWrite to me, if you want.â She says. âOr visit. God knows Iâm not going anywhere.â
Sheâs not, either. Maybe sheâll get another Lulu.
---
They leave on a Wednesday, which annoys her only because itâs such a random day to leave somewhere, with some sort of boring car packed with trunks in the middle of the summer.
She watches from the steps of her own building, arms crossed, and gives them advice on how to best stack the luggage, which they donât follow.Â
âTheyâre all going to fall out and youâll be left with broken and dirty things, and then youâll see whoâs in the right.â She tells Toye, whoâs closer, annoyed. His mouth twitches, but he doesnât say anything.
Luz looks back at them and smiles, but she knows heâs not looking at her.
---
She stands on the steps until itâs time for them to leave, and she hates dilly-dallying, so she rushes through the goodbyes by patting Luzâs cheek and grimacing at the stubble there. He looks like he might laugh at her.Â
She lets Toye get a step further and give her half of a hug, which sheâs also not a fan of but allows anyways.
He watches her with those careful, dark eyes and says, very punctually, âThanks, Moira.â
She waves him off. âYou should be thanking me for trying to help you with the luggage.â She says, pointed. âOff you go. Get a dog. God knows thereâs enough of them running around.â
From a few feet behind Toye, Luz laughs.Â
---
She can see their silhouettes, as they get in the car. Can see what looks like Toye kissing Luz on the cheek. She grimaces.
It must have been a horrid kiss. He never does shave enough.
luztoye but toye's sitting in front of a mirror trying to fix a rumpled tie because they're going to an easy co. reunion and luz is helping So Much by leaning against him with his arms over toye's shoulders and his chin on top of his head watching their reflections and explaining in depth why he believes he needs to work on his john wayne voice because he's beginning to lose it in the nose
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