lupine-teddy

Author/illustrator Trung Le Nguyen has been live posting reading Pride and Prejudice for the first time on bluesky and just hit the first proposal. The replies are basically the sickos meme

- hold your horses: from horseback riding/horse-drawn carriages. Holding the reins up to stop the horse from going forward. Making you halt in place.

- be there or be square: phrase that started popping up in the 1930’s in jazz music spaces. A ‘square’ is a boring conformist normie. Hip cool youngin’s listening to jazz music wouldn’t want to be square.

Anything by NK Jemisin. She is the best speculative fiction writer of her generation and probably the best speculative fiction writer alive. She is easily one of the best writers working right now, across all genres. That’s not hyperbole. She deserves all the hype.

Anything by Octavia Butler. She needs no introduction. Her short fiction is incredible; “Bloodchild” is one of the pieces that inspired me to write.

An Unkindness of Ghosts by Rivers Solomon. Excellent. Just read it.

The Radiant Emperor duology by Shelley P. Chan. It broke my heart and it'll break yours.

Babel by RF Kuang. You’ve probably already heard of this book because Harper Voyager marketed the shit out of it and was right to do so. It’s very, very good. Kuang writes a compulsively readable story, that’s for sure.

The Empress of Salt and Fortune by Nghi Vo.

So Long Been Dreaming: Post-Colonial Science Fiction and Fantasy (anthology) edited by Nalo Hopkinson.

Dark Matter: A Century of Speculative Fiction from the African Diaspora (anthology) edited by Nalo Hopkinson.

Severely underhyped books of assorted speculative genres:

The Blood Trials by NE Davenport. Given the current chokehold romantasy has on the public it’s insane to me that this book hasn’t sold a billion copies.

The Vanished Birds by Simon Jimenez. It’ll change you.

The Tiger’s Daughter by K. Arsenault Rivera.

The Lesson by Caldwell Turnbull.

Read widely. Read diversely. People of the Caucasian persuasion need to stop getting pissy when the story doesn’t immediately center them and they don’t automatically relate to everything the character says and does and is. Just let yourself get swept in the story—even if it touches on (gasp!) racism—and maybe, just maybe, it’ll reveal something to you.

Or maybe not! Marginalized sff authors do not have to and should not have to educate their readers. But if I see one more white person complain about how Black characters are fundamentally annoying because they complain too much I’m going to fling myself into the sun

Brown Girl in the Ring by Nalo Hopkinson is so intricately plotted, I really enjoyed the world building in it, the back of book blurb says "The rich and privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways — farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, and the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends."

Dread Nation by Justina Ireland is a YA alternative historical fiction zombie novel in which the American Civil War is interrupted by a zombie apocalypse, and a young Black woman must find her way in a world where the living may be more dangerous than the undead. (it's the first of a duology)

Everfair by Nisi Shawl is a steampunk alternative history, which explores the question of what might have come of Belgium's disastrous colonization of the Congo if the native populations had adopted steam technology as their own. (also part of a series)

The Marrow Thieves by Cherie Dimaline is a great ya dystopian book about a world where people have lost the ability to dream and the dreamlessness has led to widespread madness. The only people still able to dream are North America's Indigenous people, and it is their marrow that holds the cure for the rest of the world. But getting the marrow, and dreams, means death for the unwilling donors.

The Getaway by Lamar Giles is a very intense YA dystopian horror that takes place in the future, in which a teen boy and his family work and live at a Disney-esque resort, which provides safety from the upheaval in the outside world.... until the trouble in the outside world gets worse and the most rich members of the board and up moving in and locking the resort down, leaving the families who live & work on the resort at the mercy of the wealthy board owners who control it.

Not a book and not exactly scifi (although some of the stories are scifi) and not always anti-colonial (but a lot of the stories have anti-colonial themes) , I really love the Nightlight Podcast hosted by Tonia Ransom, which is a podcast of horror stories by Black writers and performed by Black actors

Absolutely seconding NK Jemisin with a pounding gavel just finished the series starting at The Fifth Season and am downloading everything my library has from them. NOT light but so good I am chewing at the rocks over this.