some of you cute little brussels sprouts just need to have the bitterness bred out of you, don't you

romaā
Mike Driver
he wasn't even looking at me and he found me

@theartofmadeline

ā

⣠Chile in a Photography ā£
Not today Justin

if i look back, i am lost
trying on a metaphor

Kaledo Art
Xuebing Du
š

titsay

shark vs the universe
sheepfilms
untitled
PUT YOUR BEARD IN MY MOUTH
Cosimo Galluzzi
Noah Kahan
occasionally subtle

seen from United States

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seen from Türkiye

seen from Malaysia
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@lubefairy
some of you cute little brussels sprouts just need to have the bitterness bred out of you, don't you

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Brennan Lee Mulligan literally offered up the Clown and folks are upset Ally Beardsley picked it up. Folks are welcome to talk about not liking the finale, of course! but I will never understand why I see Beardsley get so much ire directed at them, when Mulligan (or the others at the table) are the ones setting these bits up.
Beardsley doing unhinged shit in a D20 finale is damn near part of the brand at this point.
Sometimes my brain does what I call a split second mental ārefreshā which leads to me abruptly getting disoriented and going āah! I just had a refresh.ā It is unclear what to make of this because I made the term up
Itās so normal probably maybe potentially
The woman in her thirties being referenced:
she is just like me fr
what is with the cop hate??
Oh sorry for the confusion. Itās because I hate cops

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Commenters praise the girls frugality
nouvelle copypasta franƧaise vient de drop
translation for the english speakers:
"yesterday. the youth. they'd rather go to the JAPANšÆšµ expo. rather than celebrate our national holiday. our great and beautiful country. they buy. yaoi. yes you heard me right. yaoi. on the 14th of july our great nation's national holiday. on that day they buy yaoi."
nhl commentators love to be like āand how did you know he would be there to receive that pass? did you feel him? would you know him by touch alone, by smellā and then the guyās like āi lookedā
Have you guys noticed how much the internet/technology just does not listen to you anymore? I click ādonāt show this artistā on Spotify and I get recommended a music video by them on the front page. I click āskip this updateā on a pop up every time I open a file organization app and itās right back there every time. O click unsubscribe on a newsletter and it keeps showing up in my inbox!! I click ādelete my accountā and the next time I open the website they suggest I āreactivateā.
Power is a funny thing.
By wearing this watch you confirm that you are not Anish Kapoor
The Fence has published an exposƩ on Stuart Semple (of Anish Kapoor 'feud' notoriety) which they have been working on for six months.
investigation reveals Semple / his studio / his partner Emily Mann (who's described as acting as his 'enforcer' in his business) :
mishandled £400k grant of public money intended for a public gallery, allowing the money to flow freely between the public project, his own personal studio and personal projects such as Culture Hustle (his online business selling paint etc)
underpaid or failed to pay many of his assistants to the tune of several thousand pounds each.
former assistants have taken him to court and he simply hasn't bothered to show up and he's threatened to sue former assistants who asked for their back pay
repeatedly funds ambitious projects that never see release eg Abode, an 'Adobe-rivalling' suite of creative software (he claims he still intends to release this)
encouraged a cult-like atmosphere at his studio in Bournemouth
was frequently in debt and having to negotiate with bailiffs etc for his debts while at the same time crowdfunding various projects
ran fake social media accounts boosting Semple and his work
The portrait that emerges is one of decades-long scam artistry tbh and someone who's juvenile, manipulative, narcissistic.
The Fence btw is a decent fairly small-circulation quarterly magazine from the UK which specialises in satire, investigative journalism, culture, and fiction. You can read the piece in its entirety if you register (which is free).
a few links:
The Fence's newsletter from April discusses this article & how Semple has tried to muddy the SEO waters
Semple threatened to sue The Fence for publishing this story - many of you are American so here's the relevant UK law on defamation.
& the subreddit r/culturehustle is worth a look to get an idea of just how badly run his paint business is
Holy fuck.
I had a feeling something was up with him, but like, I assumed it was going to be something slightly sketchy, not...this.
I got some of his paints when he first announced the mirrored paint.
The first thig that put up a solid red flag was the shipping material. It's cool that he has custom boxes for his studio, it looked really neat. Then I opened it and saw things like "Not for bean boy" printed all over the inside of the box.
Between Mirror, hyper pigments, and black 2.0, none of them were as extremely out there as the videos on his site made them seem. The colors are vibrant, the black is dark, and the mirror is shiny. But the level the videos showed them at are not levels I can recreate.
So like, he exaggerated as an advertising scheme. Alright, shame on him.
But reading that... Yeah. I don't expect him to sell anymore stuff.
*stares into the camera*
@tikkunolamorgtfo

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Just saw on Quora a guy asking if Poland was more German or Russian and every reply was a Polish guy detailing the ways they wanted to kill him
Iām not entirely sure you can write a āfeminist retellingā of the odyssey from the perspective of a single female character because where the position of women becomes so interesting in the context of the epic is as a collective and how simply inescapable the presence of women is as the major scaffolding of the entire story. it is not imho the physical journey home that is the major backbone of the odyssey nor Odysseus on his boat with his men, but the consistent metaphor of weaving which reflects womanhood as an identity that is actively constructed and physically tangible in the cloth and clothes he is constantly having to receive from the xenia of other people, and this forms the connecting sinews between a lot of parts of that are slightly smaller but that ultimately do end up forming the physical bulk of the narrative - Athene, penelope, eurycleia, melantho, Helen, calypso, ino, nausicaa, arete, Circe, Persephone. The story starts with Athenaās actions and it ends with her too. Odysseus is undoubtedly gendered as male but he moves through a world in which the individual actions of diverse women stitch into an inescapable web. Even when Odysseus goes to the land of the dead its Persephoneās land. He meets the blind seer but he also meets his mother
I guess Iām not against the specific point of view limitation and I have fiddled with it myself and find it interesting, so much as the current publishing need to do this at the same time I donāt think Iāve seen a single modern adaptation/retelling that really includes what a major presence women as a whole are in the odyssey. I think Iām haunted now Iām actually reading it by how the retelling tends to restructure the story specifically in a way that limits their centrality in the narrative (to focus on Odysseusās quests before Ithaka! Which is fine! Not a bad thing! But has lead to a social construction of the odyssey in which women collectively hold less space in the text than in the original odyssey, and itās from this perspective of semi-erasure the new retellings are working from. You canāt put a voice back into the story in the space of the erasure of the voices already there
the reason I put feminist retelling in quotation marks is that I am not against the feminist retelling per se as a thing that exists!!! Just the execution
but I think the actual under discussed elephant in the room here is not the issue of the āfeminist retellingā but the inverse, the normalized āmasculinist retellingā that forms the majority of adaptations and popular consciousness about Homerās odyssey specifically, where the version that the general public is aware of and thatās formed the bedrock of general retellings for a while one is not a slight deviation but a significant reworking of the entire structure of the text that centers a (more) linear retelling of odysseys and an all-male crew having present-tense adventures among islands instead of the past-tense recalled narrative amidst a complex array of mixed-gendered domestic environs in which women are far more actively present in every way. Iām generally kind of wary of people talking about the Correct Text versus the wrong text or Rewritten versions because it can leave out the operative fact that everything is retelling and interpretation but in the case of Homerās odyssey it is really undeniable that the base structure of the whole text has been rewritten to fit a more pleasingly male-centric narrative about men doing adventures in a way that has really worked to recenter Odysseus as only and sole lead of the work and sideline the collective voices of women and their social world from being active and central members of the text! The entire thing has to be gutted and resewn to make Odysseus into that! Ironically this series of versions does just as much as say Madeline miller to restrict the entire text but while EVERYTHING is obviously a perspective itās a very very certain perspective on how to adapt Homer thatās become very mainstream and idk, even stuff like epic the musical or Nolanās odyssey doing this at least as intensely as any feminist retelling
(also like hmmmm i think this isnāt a men versus women thing so much as a way we tell this narrative but I think also!!!! These tellings really do Odysseus a disservice from what a complex character he really is in the odyssey and one we largely learn about from how he interacts with other people, particularly women! So much of who he is and what he does is about being this survivor who is no longer really a cool sexy war soldier because there is no war and yet he has the trauma, itās just that as per Homerās original text much of that trauma is due to the combined effects of years of rape and imprisonment and isolation and this has definite effects on the ways he contextualises the world and the people around him! So Iād really love to see and odyssey that digs into Odysseus himself in this wider and largely female context and that like, focuses on the fact heās a male survivor of rape and a refugee who washes up naked on other peopleās shores and that this has a massive impact on his narrative and how he views people)
the thing about the omg why are the women in the odyssey just sitting and weavinggg thing is that like I am absolutely not here to argue they are NOT living patriarchally confined lives! But the social situation in the odyssey is not a divide between getting to go on a cool YA anime magic quest with a sword or sit home and do nothing. The social setting in the odyssey is that the war is over and the war was a real war, which means it fucking sucked and people died. Odysseusās men have died. āWhy doesnāt she get to pick up the cool swordy thing?ā Because the men who picked the cool swordy thing up are literally dead and often for reasons far beyond their personal sphere of control and they arenāt here any more and who is are women with their looms
float like a butterfly (nervously forgets end of quote) green like a pea
Regarding last reblog: one technique you can use IRL is that when you're in a group passing around vague ideas about Where to Go Next with no consensus, if your preference has been brought up and no one made strong objections, you can often get your way by waiting a few minutes for nothing to change and then go "so everyone is good with X, right?" And act as if the decision is mostly made.
Another way of putting it is that forcing people to make a fucking decision is in many ways the same as making the decision for the group, if no one steps up to do the same

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does she actually think men are inherently biologically evil or does she think they are empowered by misogyny and have a higher chance of facing no consequence for mistreating her and are taught that its their prerogative to do so?
lil wip for a carte blanche commission lol
LINES ARE ON THERE BAYBEEEEEEE OUGH GOD MY FUCKIN WRIST
(i kinda wanna scan this through as is for colouring page purposes lol. might do so after cleaning up the pencil)
hopefully i made the silly little details quite clear but:
there's a devil's tail coming out of the 'angel' 's gown as they tempt you with takeout treats
tried to emphasize the roundness of the delivery driver helmet with the aureole behind
it will hopefully be clearer upon colouring it in but the cornucopia is supposed to be made out of thermal delivery bag material. it's why there's a lid and a zipper
(original post is this one btw)
oh hello ur back
reminder that i've actually got this as a pay-what-you-want colouring page on the kofi
by popular demand, a little kitchen deco/colouring page to download! a reminder that takeout is the wallet killer. I've included the trans