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@lottafeelingsinhere

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“thank you for loving him the way he needed to be loved.”
Never forget the gang-rape of 14-year old Abeer Qassim Hamza al-Janabi on March 12, 2006 in Iraq by five US Army soldiers who then shot her in the head and set her body on fire. Never forget that they first murdered her mother Fakhriyah Taha Muhsin, father Qasim Hamza Raheem, and younger sister Hadeel Qasim Hamza.
Of the perpetrators, Steven Green said, “I didn’t think of Iraqis as humans.” James Barker took a plea deal and immediately after, smoked a cigarette and grinned as reporters passed by.
May Abeer and her family rest in peace while the monsters who did this and allowed it to happen suffer for eternity.
Never forget what western imperialism does to countries it claims to help by sending rapists, pedophiles, and murderers to the doorsteps of innocent people [x].
Well as a "fan" I would be "serviced" by some THEMES AND MOTIFS #themesandmotifs #artwithmeaning
Tatiana Maslany as Helena in Orphan Black (2013-2017)

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Jimoteè Chamameé
Who wants a Jimothy tattoo 🤣
last night like 4am I still couldn’t sleep so I wrote a song while tired as death. will probably take this down tomorrow when better judgement sets in.
If you projected more I would put this on my music library
please refer to mitski.bandcamp.com for songs where i am projecting more
im in love
oh! my face showed up on my dash
I’m losing it🤯🤯 The original A Burning Hill demo right here on tumblr. I feel like I’m looking at a delicate ancient scroll with sacred information or an original painting by a renaissance artist that must be preserved for all that time.
On this day, 22 July 1946, actor and activist Danny Glover was born. The son of two postal workers who were also activists in the National Association for the Advancement of Coloured People, Glover took part in the longest student strike in US history in 1968. As a student at San Francisco State University, Glover took part in the successful strike of the Black Students Union and Third World Liberation Front demanding the creation of a School of Ethnic Studies. He worked in the Black Panthers free breakfast for children programme and helped them organise their newspaper. He later lived in a commune for a year, fought against the Vietnam war and colonialism in Africa and more recently has supported migrant workers, the occupy movement and Black Lives Matter. In 2004, in an interview with AARP magazine, Glover explained how he remains optimistic: 'I try to find hope in struggle and resistance in small places as much as I can. The progressive movement against the war of occupation in Iraq is a reason for hope, as is resistance to free trade agreements in Latin America. Those are moments that we have to celebrate: that people still find the resolve and energy to resist.' You can learn more about the Black Panthers in these books by former members: https://shop.workingclasshistory.com/collections/books/black-panthers Pictured: Glover being arrested at a labour union protest in Maryland, 2010
I wish he could makr the Haitian Revolution movie he's been trying to make for decades, but Hollywood says it's "too political"
hey btw, since i saw somebody asking what the significance of the butcher's shop is: textually there is no significance. the significance is meta-textual. it is a kosher butcher, where they practice shechita (butchering of an animal to make it kosher.) infringing on the laws of shechita renders meat inedible (treif) to jews as a sin against G-d. the butcher's shop has to be so clean you can lick the floor and certified kosher by a rabbi or kashrut supervision agency (kashrut are the dietary laws.) nothing can be slaughtered except by the shochet (butcher who understands kashrut) with the chalaf (very sharp knife designed to kill with one cut.) spilling human (or vampire) blood in the kosher butcher shop would make any meat prepared there treif (unkosher) possibly permanently? to be honest i don't know. edit: i looked this up, and it wouldn't permanently make any meat prepared there treif, but it's still a hate crime in all directions.
my read on this scene is that we're seeing armand and fareed (armand is muslim-coded although his religion is never specified or explained which is a seperate issue of orientalism, and fareed is pretty presumably muslim edit: @knight-in-shimmering-armour made a really good point, i assumed this is about islamophobia because they’re both shown in proximity to islam in dubai and that’s the only time religion comes up other than with tcod with armand, but by both fareed’s last name and when/where armand was enslaved, they should both be hindu/raised hindu, so we don’t actually know if the intent behind the scene was islamophobia or hinduphobia,) torture louis and regina (both Black) in a kosher butcher's shop as a nod to white supremacist ideologies pitting people against each other along racial/ethnic and religious lines. because i can't see any other reason for it. and it might also be a subtle nod that yes, they are going to adapt the anti-semitic lore from the later books that is universally regarded as stupid (the reptlimoids, for one.) so. AND i recently found out that hannah moscovitch (who was the only jewish person in the room when they wrote this, afaik) is a zionist.
second edit: i had a lovely conversation with @bratboymolloy about this, where they pointed out i kinda tacked that last sentence on and people might misunderstand. there's been some anti-semitic rhetoric around this one, so just to clarify, /i/ believe hannah moscovitch is a zionist for a couple reasons i'll elaborate on, but i don't think she's a zionist because she went to israel, which i have seen a couple people say, or because she's jewish. i personally, as a jew, have kind of a hard-ass take on going to israel at all, but it's a much longer conversation about occupation and privilege and how living on a kibbutz is something mostly teenagers do, not everybody who's been to israel is automatically a zionist, nor should all jews be seen as zionists until proven otherwise. that's anti-semitic. just randomly assuming every jewish person is pro-ethnic cleansing and genocide is pretty close to blood libel, don't do that.
the reason i think hannah moscovitch is a zionist is because she says /to the times of israel/ (which is a zionist publication that's defined as 'centrist' but i would call um. Other Things.) that "there are enough works out there about north american jews who go to israel and discover how much more complex the situation is than they thought or were taught to believe," when It Most Cetainly Is Not. zionism is just the belief that there should be a state of israel in palestine, so to say it's complicated as to whether or not there should be a state of israel falls into the 'strong suspicion she's a zionist' category /to me./ she also wrote a play based on a guy at her kibbutz whose grandfather was a nazi who was there to make amends. the plot of east of berlin explores the legacy of genocide and the effect it has on survivors/perpetrators' children and grandchildren. but she didn't take into account her privilege as a white jew from the diaspora who was living on palestinian land at the time, or the inherent privilege of that experience, the systemic violence and oppression that allowed that to happen.
https://nitter.net/ariesmandeo/status/2078651331905028178#m
she also wrote a play about canadian soldiers who committed war crimes in afghanistan that is entirely about their experience (this is war,) rather than the people whose land they were occupying, who they committed the atrocities against. this stands out to me as a pattern she was bringing into the room. i don't actually know for a fact that hannah moscovitch is a zionist, but i /think/ she is, and the writing in this scene is definitely coming from the whole writers' room pulling from an orientalist bias against south asian men, where it's unclear which specific stereotypes they're pulling from, but they clearly have these biases. also, idk how hyperbolic people are being, but when people say armand was written like a nazi, i humbly disagree. very specifically the writers' room was pulling from this school of pitting people against each other along racial, ethnic and religious lines to absolve a white guy of his egregious behavior. that might sound a little nit-picky, but to say they wrote him like a nazi i think absolves them of how bad it is, and is also kind of anti-semitic. just because they're letting all of their biases poison the show doesn't mean we need to devolve into anti-semitism to critique their writing.
one of iwtv's key narrative themes was "love and abuse can coexist in the same relationship" but tvl has seemingly replaced that with "love redeems abuse"- instead of engaging with the weight of louis as a survivor of antiblack violence/gaslighting/psychological abuse or engaging with the weight of lestat as a survivor of incestuous sexual/emotional abuse, the narrative condemns loumand and gabistat bc armand and gabriella didn't truly love their victims. the show has this really weird and problematic idea that as long as there's love in a relationship, that can make up for all kinds of harm and violence...but if there's a lack of love that's the breaking point. and i just find that really weak as a theme and disconnected from the emotional reality of abuse survivors- it also feels like a cop-out for the writers to avoid confronting the nature of the abuse of either fan favorite (armand) or author's darling (gabriella) characters.
textually engaging with the fact that armand is a lyncher and the violence he does to louis is often directly pulled from the violence done to black people under enslavement and segregation would mean the nonblack writers would have to textually engage with blackness as a central theme and question their own impulses like why the show disproportionately and voyeuristically depicts the brutalization of black bodies- textually engaging with the fact that gabriella has been raping her own son for over 200 years would mean the misogynistic writers would have to engage with the subject of sexual abuse and assault beyond "louis the pimp" and question their own impulses like why so many of gabriella's scenes with lestat are played for taboo titillation or "comic relief". it's a lot easier to sidestep all of that and go "oh these relationships were fucked up and doomed bc there's no real love there".
and this reductive and anti-survivor take on "love conquers all" even reflects in how the writers approach relationships that aren't meant to be narrative dead-ends. the lack of care in how they wrote loustat this season makes a lot of sense when you realize the writers think they can depict lestat doing and saying all kinds of shit to louis and it doesn't matter, they don't have to show lestat expressing true contrition or growth bc they love each other (or so we're told) abuse doesn't matter if there's love ok

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Before the season started there was a lot of talk about how beautiful and romantic it would be to see Louis through Lestat's eyes. Especially remembering that it's kind of striking how most of the season Lestat's perspective of Louis is so lacking of warmth, romance, even basic respect for him as a person. Lestat doesn't often sound just angry but downright disdainful, even in his subconscious. Louis' narration in s1 and s2 was so full of love for Lestat even after everything Lestat did to him and Claudia, while Louis hasn't even done anything to deserve such loathing. Liar, pimp, whore, is this really how Lestat views Louis? It's sad to think about how in the very first episode Louis says that with Lestat for the first time in his life he was seen
For everyone who was (fairly) asking, 'the vampire piss, when are they going to explain the narrative function of the vampire piss?'
This was the narrative function:
Bonus reaction image:
Proof:
rolin is so pathetic he begged to be allowed to adapt those books but then all of a sudden his writers room was full of Minorities who overruled his opinions and seemed to mostly agree with each other about how to handle the sticky parts of writing toxic relationships between nonwhite nonstraight characters and he was just seething seething seething watching them build something watching it be about voices he can't identify with that it made him go from like an average tolerable white guy to a frustrated manbaby that yells I HATE STORIES ABOUT IDENTITY! I HATE PEOPLE SITTING IN ROOMS TALKING ABOUT FEELINGS! I HATE VAMPIRISM TOO ACTUALLY! and aligning himself with artistically inept amc execs and punishing other writers for unionizing and firing/ghosting them under the guise of downsizing and promoting a man who is known for irl racist trolling from the music department to just take over the entire tvl season and sighing in relief like FINALLY no more of that whiny gayass minority shit! dude spent 2-3 years sitting in a room with black people and queer people and women listening to them riff and philosophise and craft a story and it made him go from #ally to just straight up white supremacist. i am not making any of this shit up i couldn't if i tried it's so cartoonish and yet so pathetically unsurprising
Jacob released his S3 LDPDL playlist
Channeling my TVL hate into recommending quality Bipoc and/or Queer Horror Recs Part 3:
If you like getting meta about the horror genre, particularly its history of creators and representation for queer and black folks, check out the documentaries and books below:
Horror Noire: Both the book, and the Jordan Peele produced documentary based on it, explore the history of black characters and creators in the horror genre. I haven't read the book, yet, but the documentary is amazing. They start with the origins of black characters in horror which arguably starts with Birth of a Nation up to Get Out in 2017. Talking heads include: Jordan Peele, Rachel True (The Craft), Keith David ((Every)The Thing), Tony Todd (Candyman), Tananarive Due (author of The Reformatory), and tons more. A great movie to watch to introduce you to more horror cinema from black creators. You can find the documentary on Shudder or currently it's free on youtube but I imagine that won't last long. I'll link below anyway:
Watch it while you can. If you subjected yourself to an AMC subscription for TVL, you might have Shudder included in that.
It Came From the Closet: A series of essays about horror movies written by various queer horror creatives delving into how the movies were personally significant to them. Includes my fave Cameron Maria Machado, recommended in my last post, writes about Jennifer's Body and bisexuality.
Queer For Fear: a four part series on the history of queer horror produced by Bryan Fuller (of Hannibal fame). Part 1 gets into queer horror lit from Mary Shelly, Bram Stoker, and Oscar Wilde and the authors own personal lives. Part 4 gets into lesbian vampires. Can also be found on Shudder. This series will give you tons of movie recs for your list. Talking heads include Cameron Maria Machado (she's EVERYWHERE), Jasmin Savoy Brown (Yellowjackets, baby Taissa), Tawny Cypress (Yellowjackets, Adult Taissa), Liv Hewson (Yellowjackets, baby Van), Justin Simien (Dear White People, Bad Hair, Haunted Mansion), Jennifer Tilly (Bridge of Chucky, Bound), Doug Jones (everything involving a creature), tons more.
Couldn't fine a sneaky full doc on youtube but linking the trailer below:
Going to keep doing horror recs but I'll drop the iwtv/tvl/tvl critical tags next time.
If you'd like to check out the other horror recs: Part 1: Rivers Solomon I Part 2: Carmen Maria Machado or you can just click on the tag "lottafeelingsinhere recs"

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The NYT review, good review
IWTVL S3 Ep7 Musings - DARVO, the "Mutual Abuse" myth, and The Armends
[x x] Hannah Moscovitch said that Armand "had been done wrong" and "used in all sorts of ways by Louis."
[x] Rolin Jones said that Louis only "rightfully" hurt Armand 5-10%; and that he's 90-95% "partially responsible" for his own predicament (read: torture & abuse) and "owes" something to Armand for having his head up his own arse (read: grieving & PTSD).
[x] Rolin Jones said "the twist" of Armand planning this elaborate years-long revenge was to for "Louis to finally understand the depth of the damage he’s inflicted on Armand, which prompts him to make genuine amends to Armand." "'What am I actually accountable for when I froze this guy out?.... What didn't [Louis] say when he threw him into the wall in Dubai?" Rolin feels "very empathetic towards Armand at that moment."
[x] Rolin Jones said that Louis found out what Armand did (read: sold him out to the coven, directed the play, lied on Lestat to Louis about killing Claudia, driving Louis to suicide, mindwiping him, more lies, Fred Steins, lied on Daniel about forging the real Trial script, etc), and because Louis "never apologized for the 50 years" of Loumand's failmarriage, that's why Armand's a gremlin now.
[x] Rolin Jones confirmed that the plan happened as Armand sat in the debris of the wall Louis shoved him onto (after Daniel exposed his Seismic Lie about "Banishment"). Since there were "two people in that relationship" (despite there not being two people who knew Armand lied about everything....)
[x] Rolin Jones said that Louis is the "most prideful" of the three vamps given Armends, and because he needs humbling Armand "is owed" an apology from Louis in the most brutal way imaginable.
[x] Rolin Jones said that Louis' humbling requires that he "owe[s]...some accountability for why we are here."
[x x] Rolin Jones said that Louis' "growth" requires that Louis finally realize that there is "some part of me, of what i did in my life" that "made" Armand decapitate him & scam him with Regina; Louis clearly had "something to do with that."
[x] Rolin Jones said that Louis actually has "culpability" in how he "ended up here" because of what he "did to this person for 77 years of shutting him out" (after Armand not only sold him out to the coven but also deliberately lied to him about his daughter's death that he has never stopped grieving and told Armand to his face "You'll never make it up to me.").
[x] Rolin Jones said something Louis owes Armand for having "iced out for 77 years," and is "culpable for having brought him to this level of extremity."
[x] Rolin Jones says Louis reminding Armand about the Seismic Lie is just him "playing the victim card."
[x x] Rolin Jones said that the first step towards Louis needing to "work on" himself (read: be humbled) is to apologize to Armand (read: for not loving or forgiving him post-Paris).
[x] Jacob Anderson said that Rolin told him he would "never put anything in the show" that the actors weren't happy with.
[x x] Jacob Anderson said that 3x7 was Louis' smaller way of taking accountability that "the fault" was his for being tportured.
[x] Jacob Anderson said "I don’t know that I agree that Louis would be like, it’s my fault that you chopped off my head."
[x] Jacob Anderson hopes that Louis doesn't believe what he says, that his "withholding is what led to" Louis to deserve Armand torturing him.
[x] Jacob Anderson said he "wholly disagrees" that Louis withholding love & affection from Armand post-Trial "led to this moment"; that it's his fault he was being tortured by Armand
[x x] Jacob Anderson says he doesn't think Louis means all of that; Louis' just under duress & "trying to stay alive."
[x] Jacob Anderson agreed that Louis' willingness to shoulder the blame saved himself and Regina.
[x x x] Jacob Anderson said that abuse is also part of Loumand's relationship, but that it comes from "different angles"--as if it was mutually abusive.
[x] Jacob Anderson said that Louis' confession "is real to a certain extent," but was still "under extreme duress, so there is an element of self-preservation."
What DEEPLY horrifies me about Rolin Jones' rhetoric in S3 is that not ONCE does he ever couch these ruminations of Louis' within the broader context of abuse victims who blame themselves or are gaslit into blaming themselves for being abused.
For all the seriousness with which they want us to treat Lestat's abuse by his mother and how that affects his propensity to shirk accountability for his own cycles of abuse, not ONCE does Rolin or Hannah step back from the vapid Teehee Armand is such a Gremlin aren't you all glad to finally see him acting crazy in our Horror™ show~!? 🤭 to actually have a serious conversation about the ways that he weaponizes Reverse-Victim-Offender to put the onus on the other person: "You drove me to this; you made me do this!"
Not ONCE in S3 does he discuss the complex psyche of survivor's guilt, or abuse survivors, or Stockholm Syndrome. Not ONCE does he acknowledge Louis' self-hared and tendency to internalize the awful things Armand has levied against him, as a way of rationalizing what Armand is even "owed."
Not ONCE does Rolin factor in what those 77 years was even based on, and how Louis would have never spared Armand his wrath in Paris had he known Armand lied about "Banishment."
Not ONCE is Armand's own culpability addressed, knowing even before he and Louis started having sex that Louis was hallucinating DreamStat all over the city and already deep in the throes of mental illness--even admitting to Daniel that he knew DreamStat was there, (albeit not as vividly as Louis saw/felt him), and that he would only be entering a relationship with Louis as a rebound still hung up on his ex.
Not ONCE does Rolin give Louis the grace to acknowledge that although there is no such thing as a perfect victim on this show Louis was always at a far bigger disadvantage because there was so much he didn't know about Armand's machinations--let alone the true history of his dynamic with Lestat (and even Nicki & GabriellA). Which flies in the face of any attempt to dress up Loumand's dynamic as "mutual abuse" (which does not exist); even if one nobly tries to be diplomatic and see things neutrally or try to avoid the Perfect Victim Frying Pan by landing in the Mutual Abuse Fire.
As such, the OBVIOUS biases Hannah & Rolin have towards Armand--and the BLATANT disdain and resentment they have towards Louis who needs to be "humbled"--is loud and clear. And it is truly heartbreaking to see Jacob Anderson visibly struggling to make sense of it all, contradicting himself when left & right; Rolin and Hannah have been VERY consistently doubling down on their own explanations. 🤦♂️
Dishonorable Mentions: Rolin Jones pre-S3 on Armand "Apologists"
I've already shared my thoughts on these post-S2 / pre-S3 quotes, and how problematic they were even then.
[x] Rolin Jones "hoped Armand Apologists would multiply" by the end of S3.
[x] Rolin Jones said that "in our writers' room, we ended up landing a very empathetic place for Armand," based on "how much he has thrown himself at Louis and Louis just couldn't" reciprocate Armand's callous desperation to put Paris behind them in the wake of Louis' crippling grief over his daughter's death (unknowingly by Armand's own hand).