When your "Hobby" is sitting by your right and you don't want to say it out loud.

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@locuas642
When your "Hobby" is sitting by your right and you don't want to say it out loud.

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House martins are the cutest because they have fuzzy lion paws that make them look like fierce little griffins.
oh no
The whole "but what about making sure artists receive credit for their work?" objection to copyright reform is especially irritating because treating moral rights (i.e., the right to attribution, etc.) as descending from or strictly subordinate to commercial exploitation rights is a uniquely American perspective. Not only are these two things separable, they are in fact separated in the vast majority of intellectual property regimes – it's basically just the United States that treats attribution rights as a strict subset of commercial rights. Hell, the US schema is arguably worse in terms of ensuring that artists are properly credited than nearly any conceivable alternative, as treating the right to attribution as a subset of commercial rights means that the right to attribution can be signed away. There are lots of places where it's simply inalienable!
(Of course, this also goes for US copyright abolitionists banging on about how giving up the right to attribution is a necessary sacrifice – like, no, it isn't. These things are separable. Treating them like the one inherently descends from the other is literally just you guys.)
a really really really underrated feeling in learning a different language is when you start to hear words. as in it's no longer a string of sounds, you can parse through where words start and stop as you're hearing them. even words that you don't know what they mean yet but you can distinctly hear it as a whole word
there is nothing a corporation hates more than having employees, but a close second is having to provide a good or service in order to make money. these two reasons concisely explain is why the ai bubble formed in the first place.

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Something I appreciate about Nishi's writing is how she understands the story elements she uses and how to give them a creative spin.
It was a given that, when Iruma finally revealed he was a human, Alice would accept him. In fact, it would not have made sense for Alice to get upset at Iruma, given his character. It may even have felt tiresome for him to get angry at Iruma for it.
It would have also been so easy for Nishi to have Alice not care nore make a big deal out of it. This is a trick she has done in this series before, after all.
However, rather than doing either, she decided to let Alice have a messy emotional turmoil based on the reveal, that nonetheless still has Alice not upset at Iruma over it.
Because it is a massive revelation that completely changes how Alice sees Iruma. But which can't shake the bedrock foundation that is Iruma's relationship with both Alice and Clara.
And rather than ignoring the "lying", the manga has Alice not only quickly understand that Iruma was justified in keeping his status as a human a secret for reasons other than him, but point out that the fear of being marked as deceitful and untrustworthy would in turn feed Iruma's fears of being found out, making it even harder to speak of it
Instead, Alice sees it as his own personal failure for not noticing the burden Iruma was carrying (his own personal flaw) and questions if he is worthy of being Iruma's soulmate.
Concluding with the final note of reinforcing his desire to be by Iruma's side no matter what.
Truly there never has been and never will be an anime protag more relatable than Aijo Rentaro
"Ugh. Now the jean grey tag will be filled with MCU shit!"
*me, who had to stop following Marvel Rivals tag when it seemed to be all x-men fans asking for more mutants* gee, sounds rough buddy
SAY IT LOUDER FOR THE PEOPLE IN THE BACK
Wizards announced a world of warcraft crossover. so I guess my question is obvious. what's the origin of Chromatic Dragons Vs. Metallic Dragons?
The idea of colour-coded dragons basically began as a convenience thing. Fantasy minifigs were very hard to come by when D&D was first starting out – remember, tabletop RPGs did not branch off from fantasy wargames as is sometimes claimed; they developed in parallel with them, both having budded off from traditional historical re-creation wargames at roughly the same time – so groups often resorted to buying bags of cheap plastic dinosaurs from dime stores and just re-painting them. Customising a plastic figurine is hard; slapping a coat of red paint on a spinosaurus and saying "that's a Red Dragon" is easy.
(Amusingly, this is also where we got several other iconic D&D monsters. Dime stores were not always conscientious about the origins of their toys, and bootlegs of licensed characters frequently ended up in the mix. The owlbear, the bulette, and the rust monster are all the product of D&D's creators coming up with stats for some shitty recasts of several Ultraman kaiju they found mixed in with their dinosaurs!)
As for the further subdivision into chromatics versus metallics, it seems to have been a symmetry thing. Metallic dragons per se are not present in OD&D; it has the five familiar chromatics in their minifig-primer hues, plus a singular lawful-aligned gold dragon, which Gary Gygax claimed in a 2003 interview had been modelled after "Oriental dragons" (his words) in order to suggest that it was a separate kind of critter and not necessarily related to its Western-inspired chromatic counterparts. It's likely that it's gold simply because long are often described by historical sources as having golden-hued scales.
The lone gold dragon was later expanded in AD&D 1E into the set of five we have today; as far as I'm aware, they don't have specific media inspirations, instead being designed mainly to provide each existing chromatic dragon with an assigned opposite number. If you wanted to be especially annoying about it, you can thus assert with complete technical accuracy that D&D's metallic dragons are anti-Warios.
(As an aside, a claim you might bump into in some sources is that Anne McCaffrey's Dragonriders of Pern series is the ultimate inspiration for D&D's chromatic dragons; however, while the first Pern novel does pre-date OD&D by six years, as far as I know there's no evidence that D&D's creators were aware of McCaffrey's work. Gygax in particular wasn't keen on "women's fantasy", for reasons I trust are obvious!)

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Redraw old art
Story-driven roguelike where you actually resolve the central problem with no contrived shooting-our-own-themes-in-the-foot excuse for why you just keep iterating on it forever after the credits roll, and any runs after that are framed as PTSD dreams about all the shit the protagonist went through.
Just imagine all the fucked up postgame difficulty modifiers you could easily justify in this framing. Nightmare mode mod where all the trash mobs have the face of your dad.
Is this a dig on Hades 2 or is "shooting-our-own-themes-in-the-foot" really that common in roguelike narrative games?
Since Prokopetz likes to speak broadly when speaking about multiple things and not wanting to single-out the obvious example, I will assume you can say any roguelike that feels the need to have an in-universe explanation as to how you keep playing despite the credits rolling is guilty of this, regardless of some being better at handling it than others.
The new Odyssey adaptation has inevitably gotten people talking about a Muppet version of it, and they’re frequently suggesting Kermit as Odysseus, Miss Piggy as Penelope.
I’m sorry but that’s thinking way too small, hear me out:
We need to have Miss Piggy as Odysseus, and Kermit as Penelope.
Think about it… who’s the more fickle, prideful, warlike one in that relationship? Who is absolutely ready to go ham, at a moment’s notice?
It ain’t Kermit
Miss Piggy tied to the mast while Statler and Waldorf heckle her from the sea
But who is the single human cast member in this tale? Who gets to put in an Oscar-worthy performance alongside the Muppets and what role are they to play?
There’s no single human, everyone is a Muppet except for one scene. Circe, played by Janice, turns Odysseus’s crew into humans who still behave animalistic and are all played by Academy Award winning actors.
all these fucking fools on my dashboard talk about how they love bats but only show pictures of fruit bats fuck you start posting pictures of all bats i can’t stand this fucking bat erasure
look at him he’s not your conventionally attractive bat but he deserves just as much love
Yo, you want some adorable non-fruit bats? Gotcha covered, pals!
Long Eared Bat, huge ears and an adorable face!
Mexican Free Tailed Bat, named for the fact that their uropatagium (back leg membrane) doesn’t cover their tail, leaving them with a teeny mouse-like tail.
Gould’s Wattled Bat, they got some pearly white sharp teeth, but they tell great jokes and always laugh at yours too.
“HAHAHAHAHA!”
Hoary Bat, AKA the bat that looks like they’re covered in powdered sugar.
Bulldog Bat, a bulldog… with wings <3
Vampire Bat, often seen as creepy, but they’re actually really cute. Also fun fact, vampire bats live in a social structure where able-bodied bats go out and feed and then share part of their meal with old/weak/sick members who cannot forage themselves. No survival of the fittest here, every bat helps every bat out <3
And lastly, the Painted Bat, and yes, those are its actual colors. Can’t get any more Halloween than that <3
Let me add a couple more!!
A personal favorite of mine: Honduran White Fruit Bat, also known as ‘Marshmallow Bats’! These tiny cuties make tents by nibbling on the leaves until they fold down, and they snuggle close underneath it!
Bumblebee Bat! The smallest bat species and often considered the smallest mammal on Earth!
And the newly discovered Pied Bat!! I couldn’t find much about them, but gosh, they are adorable!!
@spacebatisluvd
I love them all.
In silksong, Motherhood is one of the themes present in the game. But one interesting aspect on it is how it exists in conflict to Instinct.
"Maternal Instinct", as generally understood, is the idea there is a group of people in our society who "naturally" have the need and inherent ability to be mothers (This is a myth and there is no such thing as someone having it hard-wired into their DNA the need to have babies).
In silksong, we do see multiple mentions of one's nature and natural instincts and having to fight against them. Even Hornet admits, her weaver nature is one that seeks power and to conquer, which is a bad thing and she has to fight it.
This is Huntress,
She is an NPC who the player meets surrounded by her eggs, which are about to hatch. After some dialogue, she will task Hornet with gathering meat for her babies to eat when they are finally born.
Once we finish the quest we learn the truth: In her species, when the babies are born, they are so hungry they eat their mom. Her tasking Hornet was about surviving her babies.
Except, interestingly enough, her reason for survival are so she can raise her children herself. Be present in their lives and actually be a mother for them.
Her dialogue suggests this is odd for her species. Like her being eaten is the expected outcome and her desire is against the norm. Almost like she is going against her own nature.
And the thing that is against her nature... is wanting to be a mom.
Hornet was born because her mother Herrah made a deal with the Pale King: she would go along with his plan to stop Radiance, but in exchange she would spawn a child with him.
But we are never explained why she wanted a child.
Herrah is a weaver. That is to say, it is in her nature to "bind her opponents", to conquer and dominate. In the original game, she even was queen to the most dangerous zone in all of Hallownest. So it would make sense, almost be expected, that Hornet be a part of some sort of plan or a desire to grow Deepnest stronger with her in charge.
But nothing in her dialogue suggests that is the case.
In the original game, her dying words imply Hornet herself was the point.
In Hornet's memories, she encourages to go crave her own path. While fully expecting for Hornet to forget her. She is a weaver, a selfish species, yet she is selfless in her actions towards Hornet.
Which is in contrast with Grandmother Silk,
She is a higher being who very much embodies the nature of weavers. Pharloom's current state are the result and consequence of her desire to dominate.
And she is extremely possessive of her family of weavers. She sees them and Lace as hers to own and possess. She might care for them, but in that selfish nature, in that instinctual need to control them, she can only hurt them.
It is fitting then that her name, Hornet, was probably given by the Hive. To whom she was an outsider, yet was welcomed and raised as one of her own.
It is fitting that she was raised in the courts of The White Lady, her father's wife, who treated her fondly as the child she never had.
And that the key to save Lace is given by her memory.
In Silksong, To give birth and to be a mother are two different things. The latter can only be from a conscious decision to be so, not from any sort of "natural instinct" you may have

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Fanart commission of Desscaras, the Abyssal witch from Ichi the Witch for @locuas642!
There is a group of people who, out of all the things they could critique Oppenhaimer over, obsessed over the radio scene and reading it not as a grim note, but as a failure of the movie to "show the victims" of the tragedy.
This is what people mean by saying there is a problem of literacy.