b r e a d W a V E

I read this, and I can tell from the “review” that the package was NOT shipped by a professional.

One: two inch tape. Professional establishments use three inch. It’s MUCH easier to seal boxes with, especially around the edges. Two inch is what you can buy from office depot or lowe’s. It’s fine for moving house, but it’s definitely not professional grade.

Two: no edge tape. Just seal your edges, people. UPS basically plays soccer with your packages. Even the light ones, just on principal, give them the structural support you can offer.

Three: centered label. Looks pretty on a package, sure, but it makes it very likely that the label will be covered up when the box is sitting in a stack or a pile, and that increases the chance that it will be manhandled to get to that label or even potentially mis-scanned or missed altogether in a stack. Label the SIDE of the box if at all possible! And put it to the side if you can’t! Visibility!

One: two inch tape. Professional establishments use three inch.

Nope. For packages I see, two inch packing tape is the norm. Today I had one package with three-inch water-activated reinforced paper tape and one (from Uline) with 2.75" packing tape. Everything else used 2" packing tape. Yes, it's exactly the same kind of stuff that you can get at Office Depot or Lowe's, and people use it because it gets the job done.

Two: no edge tape.

Not uncommon for small, light packages. I just don't see box failures on packages under a pound where more tape would have helped. Where I do see failures is overloaded boxes, thirty pounds and up, where the corrugate simply ripped, and no amount of tape would have saved the package.

PSA: please don't fill an 8x8x6 single-wall box with machine screws and expect it to arrive intact. Fastenal, I'm looking at you.

Three: centered label.

Label on top is standard. I had only one box today with the label on the side, and all the rest on top.

Looks pretty on a package, sure, but it makes it very likely that the label will be covered up when the box is sitting in a stack or a pile, and that increases the chance that it will be manhandled

Your package will get manhandled, regardless of where you put the label. Plan on it.

to get to that label or even potentially mis-scanned or missed altogether in a stack. Label the SIDE of the box if at all possible!

Heck no! I expect labels to be on top and that's the first place I look for them. If it's on the side, that's potentially four other places I have to look, which is a pain in the ass when I'm busy. And I'm always busy.

UPS, incidentally, says you should put the label on the largest surface. For the packages I get, that's usually the top.

Someone who has shipped too many boxes would comment on whether the box was new or reused,

Okay, that's legit. I do see a fair number of reused boxes.

whether there was any special hazmat (mostly lithium-ion battery) labeling

Hazmats aren't common enough to mention it every time when there isn't one present. (My hazmats are usually solvents or paint, and that's not something I get every day.)

the condition of the package post shipping

Not usually noteworthy. My internal monolog (which is what the above fanciful review is based on) doesn't bother to mention it unless something unusual happened to the box.

whether or not the weight of the package matched the stated weight on the label

Although I ship just as many packages as I receive, if not more, it never would have occurred to me to check. And I don't have a scale in the receiving department, so it would be guesswork anyway.

AND they’d have commented on the two-inch packing tape.

Which everyone uses. There's not much need to comment when it's far and away the most common type of tape.

Ownership meant a physical copy. Now you own nothing and can't find what you want across multiple streaming platforms.

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.