You have to separate the art from the Garfunkel
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@literarymagpie
You have to separate the art from the Garfunkel

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Ye knowe eek, that in forme of speche is chaunge With-inne a thousand yeer, and wordes tho That hadden prys, now wonder nyce and straunge Us thinketh hem; and yet they spake hem so, And spedde as wel in love as men now do.
chaucer, Troilus and Criseyde c. 1380
glossary: eek also and even tho at the time prys great value wonder a cause for astonishment nyce stupid spedde succeeded
You know the form of language, too, can change. Within a thousand years, even the words that were most precious then, seem strange and foolish to us; yet they spoke them so and did no worse in love than we now do.
How to catch a fish in 4 easy steps by Nindiri the jaguar (pics by Nancie Cunningham Casey)
animated fantasy films just don’t make fucked up evil castles like they used to
[ID: king haggard’s castle from the last unicorn (1982), the horned king’s castle from the black cauldron (1985), and maleficent’s castle from sleeping beauty (1959) /end ID]
aesthetic of the day is fucked up evil castles
Wizards (1977)
Anyway, a lotta ink has been spilled about the lie of Ballerina Farm/Hannah Neeleman and her JetBlue-heir husband pretending that a small farm is financially viable without significant outside income. She sells that pioneer myth by actually selling something called bone broth hot cocoa at $46 a bag. (Gross.)
But in all the outrage about Neeleman, I haven't seen anyone compare her to the original tradwife liar, Laura Ingalls Wilder.
I'm not referring to the Little House on the Prairie children's book series, which were actually pretty open about how poor the Ingalls family was and how many times they almost died through illness/extreme weather/starvation on that homestead stolen from Native Americans. Those novels include plenty of nostalgia and manifest destiny and libertarianism, but Ma Ingalls clearly hates being out on the homestead isolated from their neighbors. That's not trad-wife content. Maybe trad-child content.
No, long before Wilder published her first children's in 1932, she had a regular column in papers like the Missouri Ruralist and Farmer's Week in the 1910s/20s, where she would write 500-word pieces such as:
"The March of Progress"
"Classed as Illiterates"
"The Wanton Destruction of Trees"
"Kinfolks or Mere Relations?"
"Let's Not Depend on Experts"
"When Proverbs Quarrel"
"The Hidden Cost of Getting What We Want"
"Don't Call on The Government All of the Time"
"The Armor of a Smile"
Those are all real essay titles -- I've read them; you can too -- and the content is exactly what you'd expect: folksy, gently humorous, self-effacing, lite-Christian inspirational, suspicious of city life, glorifying backbreaking physical labor, full of housekeeping tips. Any single one of them could be easily repurposed into a Ballerina Farm IG caption or a TikTok voiceover with a quick edit: nothing new under the sun.
And just like Neeleman lies by omission about how their farm books are balanced, Wilder lied by omission about her own account books. Her husband Almanzo Wilder was partially paralyzed by diphtheria after their marriage and couldn't physically manage a farm alone. Caroline Fraser notes that Almanzo's parents (themselves wealthy farmers) had to pay off the mortgage on the Missouri farm or Laura and Almanzo would not have kept the property. Even with that financial help, they had a lot of rough years and it was Laura's side hustles -- selling eggs, clerking, writing columns lying about the rewarding joy of farming -- that kept them afloat. Eventually she started publishing full-length novels and their success finally put them in the black.
I don't expect every modern cottagecore critic to memorize the biographies of historical farmfluencers like Wilder. I do want an acknowledgement that social media is a new vehicle for a very old phenomenon. Tradwife farming content is part of the foundational myth of USAmerican culture, not late-stage capitalism brainrot or whatever. We have always been like this, and canceling Ballerina Farm or deleting TikTok off your phone won't solve it. We've got to address Christian patriarchal settler-colonialism at the root.

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there's something so deeply dystopian to me how tech companies don't understand that a forced convenience is not a convenience at all. i'm sure autocorrect is helpful for many, but a function that forcibly changes my actual written words and punctuation is taking away my language. photo filters can be nice but i need to choose using them myself or else i have lost the ability to take the picture i want. i don't want a machine to draw or write for me. taking away the option for me to do things manually feels like violence!!!! all this talk of endless opportunity, why are you RESTRICTING me
disgustedly throws youtube autodubbing onto the pyre pile
just saw someone say they were "hyperfixated" on cooking with seasonal squash i love that nothing means anything
i’m seriously traumadumping pepper all over these boiled eggs
I’m gaslighting my stove
JUSTICE FOR BIG CHALLENGES I LOVE YOU BIG CHALLENGES
im obsessed with whatever the hell demi is doing this episode
Pretty Priscilly

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I would like to say as an editor that when I edit someone's work I am not thinking, "WOW what an idiot this person is, can't construct a sentence to save their life!!"
What I am thinking is, "does this mean what the author intends it to mean, and if not, how can we adjust it so it does?" and also usually, "wow I'm so glad I get to read this, what a privilege it is to help people say exactly what they mean to say."
I think a lot of people get frightened by the prospect of editing and I won't pretend there aren't some editors who come at the task with a suboptimal attitude but a good editor just wants to help. They want the piece to mean exactly what you intended it to mean when they're done. They do not, if they are worth their asking rate, want to scold you for being a bad writer. They do want to make you a better one. It is a helping profession.
nothing going on, just wanted to show you my roommates
Mouseland in Portland! Come see a collection of mousy vignettes on display through the month at Green Bean Books! 1600 NE Alberta St, Portland, OR

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How deep does it go? The answer may surprise you. Or not.
Probably not.
Dispatches from my July Playlist:
Metric - Help I'm Alive: My brother was listening to a lot of Metric while I was visiting, and, look, this song's one of their most popular for a reason.
Sprint - Trickle Down: While my brother and I were putting together some baby furniture, we let his Apple music algorithm go, and it spun off of the riot grrrl-esque groups he'd been listening to. From the minute the song opened with "Has anyone ever tried to explain trickle down economics to you in a bar?" I cracked up.
Pom Pom Squad - Spinning: I hate it when algorithms get it right, but I guess it's better than getting it wrong. Anyhow, this was recommended to me because I've been listening to a lot of SASAMI, and it was correct. They're an all-woman indie rock group bursting with "navigating your 20s" energy in a way that plays as endearing and nostalgic to me (not in my 20s). Also having a lot of fun with "Street Fighter."
T.O.P - A SMALL, FILTHY SHOW WINDOW: I've been sitting with T.O.P's album more. It's just nice to see him come back to music without even really an attempt to do something idol-esque, and instead do something firmly artistic and vulnerable. T.O.P has a great flow in his rap (the steady, driving rhythm of the chorus is why I use it for strength training in the gym), but the emotion of this song is what gets me.
SHINee - Spoiler: SHINee kick going strong. Their harmonies never fail to hit. Though the beginning of it will have you asking, "Sherlock (Clue + Note)"!?
Bonnie Pink - Do You Crash?: Been on a bit of a Bonnie Pink kick since last month. There's also just something very summer afternoon about a lot of her 90s work, which leans a little folkier with less slick production.
Ichon - Pas Facile: I found this account on instagram (@mindyossi) that recommends so much great music from around the world, and I hit it off with this Cameroonian-French r&b/rap artist immediately. This song is really beautiful and melancholy. I think it'll be on my rotation for a while. I still have to look through all of Mindy Ossi's recs though because her taste is great!
Ichon - LA BEAUTÉ DES MAUX: I usually try to only share one song per artist on these lists, but this funkier, poppier song really showcases Ichon's range.
Satellite Lovers - Natsuno Tsuduki: I think the thesis really is I just like a lot of 90s Japanese music. This was another Mindy Ossi rec, and it really is delightfully jazzy and summery.
NMIXX - Crescendo: When JYP lets NMIXX make songs that are sonically interesting and show off their vocals, they're one of my fave newer k pop girl groups.
LUCY - Chameleon: Groovy, anthemic, awesome violin usage, vaguely anime-opening-coded. It may be a b-side, but it's classic LUCY.
LUNA SEA - Rosier: Classic 90s Luna Sea, classic 90s viskei. Chewing on it.