When Jane Austen said 'Which of all my important nothings shall I tell you first?', I felt that.
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@literaryaustenn
When Jane Austen said 'Which of all my important nothings shall I tell you first?', I felt that.

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Imagine me, during regency era, no tumblr around and I am reading the Austen books
You would not have got me married because everytime i would met a man I would go: SooooooooooâŚ. Have you read this awesome novel Persuasion?â
this video is making me SOB
Fuck
The woman taking out a pin from her own hair to give it to a little girl
The lady who decided she was not just gonne make a pony tail, she was gonne braid that little girlâs hair using a five strand method
The husband of the older lady pointing out she missed a piece of hair and being so attentive
All of them asking where her mom was and telling her not to talk to strangers
Just all these people not just helping her out but trying to comb her hair and make sure it looks nice and that she likes it
Im sobbing
Oh to be an academic waltzing through the old streets of Edinburgh!
love should not be the source of your anxiety, dread, self-loathing, hopelessness, sense of entrapment or exhaustion. love should be your place of reprieve from these thingsâwhere you go for assurance and consolation. i was once loved so poorly that i held little else in my body and wondered if that was the true face of love, sometimes doubting the existence of anything other. i didn't know then that love could be nourishingâmagical evenâand i still struggle with depression and PTSD but the love that i have now? i am held by it, nurtured, encouraged to be myself, enchanted and on my toes in a good way. i am also never maimed into smallnessâin fact, my heart is growing ever larger. this is all to say that love should never feel cataclysmic or unsafe and all of us are deserving of more despite what our abusers tell us. there is hopeâthere is always hopeâand if it hasn't yet, i pray that it finds you.

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the theme that always resonates me the most in stories is âthe world is cruel; therefore I wonât be.â
IDK who needs to hear this, but hang in there, ok?
My good people, I give you: Amatonormativity.
Please make a post about the story of the RMS Carpathia, because it's something that's almost beyond belief and more people should know about it.
Carpathia received Titanicâs distress signal at 12:20am, April 15th, 1912. She was 58 miles away, a distance that absolutely could not be covered in less than four hours.
(Californianâs exact position at the time isâŚcontroversial. She was close enough to have helped. By all accounts she was close enough to see Titanicâs distress rockets. Itâs uncertain to this day why her crew did not respond, or how many might not have been lost if she had been there. This is not the place for what-ifs. This is about what was done.)
Carpathiaâs Captain Rostron had, yes, rolled out of bed instantly when woken by his radio operator, ordered his ship to Titanicâs aid and confirmed the signal before he was fully dressed. The man had never in his life responded to an emergency call. His goal tonight was to make sure nobody who heard that fact would ever believe it.
All of Carpathiaâs lifeboats were swung out ready for deployment. Oil was set up to be poured off the side of the ship in case the sea turned choppy; oil would coat and calm the water near Carpathia if that happened, making it safer for lifeboats to draw up alongside her. He ordered lights to be rigged along the side of the ship so survivors could see it better, and had nets and ladders rigged along her sides ready to be dropped when they arrived, in order to let as many survivors as possible climb aboard at once.
I donât know if his making provisions for there still being survivors in the water was optimism or not. I think he knew they were never going to get there in time for that. I think he did it anyway because, god, you have to hope.
Carpathia had three dining rooms, which were immediately converted into triage and first aid stations. Each had a doctor assigned to it. Hot soup, coffee, and tea were prepared in bulk in each dining room, and blankets and warm clothes were collected to be ready to hand out. By this time, many of the passengers were awakeâprepping a ship for disaster relief isnât quietâand all of them stepped up to help, many donating their own clothes and blankets.
And then he did something I tend to refer to as diverting all power from life support.
Hereâs the thing about steamships: They run on steam. Shocking, I know; but that steam powers everything on the ship, and right now, Carpathia needed power. So Rostron turned off hot water and central heating, which bled valuable steam power, to everywhere but the dining roomsâwhich, of course, were being used to make hot drinks and receive survivors. He woke up all the engineers, all the stokers and firemen, diverted all that steam back into the engines, and asked his ship to go as fast as she possibly could. And when sheâd done that, he asked her to go faster.
I need you to understand that you simply canât push a ship very far past its top speed. Pushing that much sheer tonnage through the water becomes harder with each extra knot past the speed it was designed for. Pushing a ship past its rated speed is not only recklessâitâs difficult to maneuverâbut it puts an incredible amount of strain on the engines. Ships are not designed to exceed their top speed by even one knot. They canât do it. It canât be done.
Carpathiaâs absolute do-or-die, the-engines-canât-take-this-forever top speed was fourteen knots. Dodging icebergs, in the dark and the cold, surrounded by mist, she sustained a speed of almost seventeen and a half.
No one would have asked this of them. It wasnât expected. They were almost sixty miles away, with icebergs in their path. They had a respondibility to respond; they did not have a responsibility to do the impossible and do it well. No one would have faulted them for taking more time to confirm the severity of the issue. No one would have blamed them for a slow and cautious approach. No one but themselves.
They damn near broke the laws of physics, galloping north headlong into the dark in the desperate hope that if they could shave an hour, half an hour, five minutes off their arrival time, maybe for one more person those five minutes would make the difference. I say: three people had died by the time they were lifted from the lifeboats. For all we know, in another hour it might have been more. I say they made all the difference in the world.
This ship and her crew received a message from a location they could not hope to reach in under four hours. Just barely over three hours later, they arrived at Titanicâs last known coordinates. Half an hour after that, at 4am, they would finally find the first of the lifeboats. it would take until 8:30 in the morning for the last survivor to be brought onboard. Passengers from Carpathia universally gave up their berths, staterooms, and clothing to the survivors, assisting the crew at every turn and sitting with the sobbing rescuees to offer whatever comfort they could.
In total, 705 people of Titanicâs original 2208 were brought onto Carpathia alive. No other ship would find survivors.
At 12:20am April 15th, 1912, there was a miracle on the North Atlantic. And it happened because a group of humans, some of them strangers, many of them only passengers on a small and unimpressive steam liner, looked at each other and decided: I cannot live with myself if I do anything less.
I think the least we can do is remember them for it.
wow okay iâm crying now
âAnd even as he watched the rescue unfolding that morning, he would have understood that for the living, everything which could have been done had been done: not a single survivor was lost or injured being brought aboard the Carpathia. For those who had gone down with the Titanic, save for reverencing their memory at the service later that day, there was nothing more that he or anyone could do. Rostronâs duty now was as he always saw it: to the living.â
I looked up a bit about this because the post is so movingly written that when I read it aloud to my husband and mother they both wept like babies, and something else really struck me about this story.
So Carpathia was not a top-end luxury liner. Her reputation was for being Jolly Comfortable - she was very broad in her proportions, and not super-duper fast, and the result was that she didnât rock so much on the waves and you couldnât particularly hear/feel the engines. She was solid and dependable, and lots of people liked using her, but she therefore occupied a lesser niche than Titanic or Olympian or whatever - and crucially, as a result of that, she only had one radio operator on board. This means she only had radio ops for a certain window in the day, unlike Titanic, which had 24 hour radio ops.
So on that night, when Titanic went down, Carpathiaâs wireless operator - one Harold Cottam - clocked off his shift at midnight, and went to bed. While he was getting ready for bed, though, he left the transmitter on for the hell of it, and therefore picked up a transmission from Cape Race in Newfoundland, the closest transmitting tower sending messages to the ships. They told him that they had a backlog of private traffic for Titanic that wasnât getting through. So, even though his shift was over, and it was now 11 minutes past bloody midnight, and he just wanted to go to bed, Harold Cottam decided that nonetheless, heâd be helpful, and let the Titanic know they had messages waiting.
And thatâs how he received the Titanicâs distress signal. In spite of no longer being on shift to receive it, and therefore in order to send Carpathia galloping to Titanicâs rescue, and thus saving 705 people.
All because Harold Cottam decided one night to be kind.Â
I dunno. Thatâs just really stuck with me.
Cottam also ended up staying awake for something like 48 hours straight trying to send survivors messages and a list of survivors home, but due to Carpathiaâs limited radio frequency range and with no other ships to act as a relay, this was rather patchy. However, he tried his damn best to make sure the survivorâs messages got home, and was also bombarded with incoming messages of bribes to spill the details of the disaster to the press.
Rostrum had ordered that no messages to the press be sent out of respect to the survivors, for they would have their privacy destroyed as soon as they reached New York. Cottam respected this order, even under extreme duress of fatigue, stress, and the knowledge that in some cases the bribes were almost three times his annual salary.
He eventually went to bed but not before working with one of the rescued Titanicâs radio operators, Harold Bride, to transmit as many messages as possible. Bride was injured (his feet had been crushed in a lifeboat) and had just passed the body of the second of Titanicâs radio operators aboard (Jack Phillips), so neither of them were really in the best shape to keep working, but they did.
In the face of extreme adversity, both men refused to do anything but their duty (and exceeding their duty) not just because Rostrum had ordered it, but because it was the right thing to do. They could have profited considerably from the disaster and they refused for the dignity of the survivors.
This is hopepunk. This is what we can be, what we are, when instinct takes over. This is what we are when we choose to care about each other. Weâre not profit machines or units of production or lone fierce wolves in a bitter wilderness. We are people, and we care about people.
This is human nature. Donât give up on it.
Hopepunk is best punk.
This just made my entire year
rewatching clips from âemmaâ for fun and fic researchâright now, specifically, the scene where emma draws harrietâs portraitâand man, in the 1996 film adaptationâŚ
right after mr. knightley comments on how emmaâs drawn harriet too tall (and emma gives mr, knightley a solid âwell, screw you too, buddyâ look), mr. elton gets this line:
âit may not be miss smithâs height in terms of measurement, but it is surely the height of her character.â
that is a HELL of a line right thereâŚ
imo, the 1996 film does maybe the best job of leading the audience to believe, as emma does, that mr. elton seems quite enamored of harriet (at least, that was always the impression i got when i first watched it at the age of, like, nine), as opposed to other adaptations, where it seems more obvious that his feelings lie with emma and not with harriet.
and lines such as the line above really help to give that impression. in hindsight, we know he means it as a compliment solely towards emmaâs drawing skills. but in the moment, it seems like a genuine compliment towards harriet herself.

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emma + cher
Mrs. Bennet chilling in the house while Lizzy and Lady Catherine were in the garden fighting over whether Lizzy was boning Darcy or not:
Do you have a list or something of your favourite academic/theory books? đĽş
sure! all of them should be available on libgen, so enjoy đ§đťââď¸ i did focus on cultural histories though, rather than theory, otherwise it would get too long. virtually all of them are published by the academic presses, and well-sourced and peer-reviewed. no pseudoscience in this household, no sirree! (also, none of them have anything to do with my actual field of study. iâm just like that)
â Medieval Ghost Stories: An Anthology of Miracles, Marvels and Prodigies, â Fallen Bodies: Pollution, Sexuality, and Demonology in the Middle Ages, â After Lives: A Guide to Heaven, Hell, and Purgatory, â Darkness: A Cultural History, â Eccentricity and the Cultural Imagination in Nineteenth-Century Paris, â Angels & Angelology in the Middle Ages, â Enchanted Europe: Superstition, Reason, and Religion 1250-1750, â Bedeviled: A Shadow History of Demons in Science, â The Extraordinary and the Everyday in Early Modern England, â Landscapes of Fear, â Strangers, Gods and Monsters: Interpreting Otherness, â The Severed Head: Capital Visions, â Gothicka: Vampire Heroes, Human Gods, and the New Supernatural, â Frauds, Myths, and Mysteries: Science and Pseudoscience in Archaeology, â When the Dead Rise: Narratives of the Revenant, from the Middle Ages to the Present Day, â Mystics and Messiahs: Cults and New Religions in American History, â Religion and Its Monsters, â On Monsters: An Unnatural History of Our Worst Fears, â The Prince of Darkness: Radical Evil and the Power of Good in History, â Visions of the End: Apocalyptic Traditions in the Middle Ages, â Medieval Robots: Mechanism, Magic, Nature, and Art, â Gods and Robots: Myths, Machines, and Ancient Dreams of Technology, â From Gods to God: How the Bible Debunked, Suppressed, Or Changed Ancient Myths and Legends, â A Cabinet of Byzantine Curiosities: Strange Tales and Surprising Facts from History's Most Orthodox Empire, â Women Who Fly: Goddesses, Witches, Mystics, and Other Airborne Females, â The Spectral Arctic: A History of Dreams and Ghosts in Polar Exploration, â Strange Histories: The Trial of the Pig, the Walking Dead, and Other Matters of Fact from the Medieval and Renaissance Worlds, â Discerning Spirits: Divine and Demonic Possession in the Middle Ages, â Grimoires: A History of Magic Books, â Dark Tongues: The Art of Rogues and Riddlers,
etc, etc, etc.Â
Reposting for myself thankyou đ
Today's topic: hand holding
Just Between Lovers | Doom at Your Service
Favourite scenes from Pride and Prejudice (BBC 1995)
#i donât think i can ever properly articulate the exquisite brain-melting drama of a pre-internet cliffhanger that this was at the time #picture the scene: youâre 12 years old the internet is not in your house yet - the book is merely a title on the family shelf #(which in fact youâre still unaware of at that time anyway - itâs a big shelf) #if youâve never personally read it it may as well be brand new at that point #and then your mumâs like âwatch this show with meâ and youâre like ok #and you get to wickham telling his story and youâre like âoh noes this darcy guy is terribleâ  #and then he proposes and youâre like âholy shitâ and then the explanatory letter comes and youâre like HOLY ACTUAL SHIT #and your world is ROCKED like physically cannot take the drama #and Jane and Lizzy at that point are like âoh well weâll die aloneâ and you figure this is how grown-up novels just are #this must be how adults stories go - itâll probably be sisterly flower-arranging for the next few eps but youâre cool with that sounds fun #and then. she goes. to derbyshire. and youâre like wait wait wait waaaaaait a minute hotdamn #will be be there??? what are the odds?????? low right???? #and then!!!! she runs into him!!! at his house!!!!! and youâre like MUM TELL ME WHAT HAPPENS #and she like lol no I will tell you NOTHING you must SUFFER #AND HEâS MAKING SUCH AN EFFORT #AND THEYâRE ALL WALKING!! TOGETHER!! and youâre CLAWING at the CURTAINS at this point #and then lizzy and the gardiners go to leave and theyâre all talking!!! heâs by the carriage saying goodbye!!!! #and then they drive off and he STANDS there ALONE and PINING and youâre like âwill she turn around?â #and then! she turns! around! AND THE CREDITS ROLL AND YOU WONT KNOW WHAT HAPPENS UNTIL NEXT SUNDAY NIGHT #AND YOUâRE LOSING YOUR ENTIRE TINY MIIIIIIIIIIND #HOW CAN I WAIT A WEEK TO KNOW WHAT HAPPENS NEXT - MUM WHY DO YOU HATE ME #and that sadist and long-term austen fan is just âno. shanât. iâm enjoying your tiny meltdown too much. youâll just have to wait and seeâ #and you have to wait a WHOLE WEEK and you have NO IDEA what happens #as no one has literally ever mentioned this novel to you nor has it ever once appeared in any part of your life either print or audiovisual #the sheer exquisite pre-internet struggle of a 200 year old story being BRAND NEW AND LETHAL #cause of death: expired as a pre-teen due to having to wait a week until the australian broadcasting corporation showed the next ep

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