Planet Earth II: Episode 05 - Grasslands

❣ Chile in a Photography ❣
sheepfilms

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roma★
occasionally subtle

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Not today Justin
art blog(derogatory)
Monterey Bay Aquarium

Kiana Khansmith
Game of Thrones Daily
Claire Keane

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Stranger Things
"I'm Dorothy Gale from Kansas"

#extradirty
RMH
he wasn't even looking at me and he found me

shark vs the universe

seen from United States
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@thejollywriter
Planet Earth II: Episode 05 - Grasslands

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This zine, and I cannot over emphasize how funny this is, is for Anne Rice’s Interview with the Vampire
These people blocked me on both Twitter and Tumblr, and then someone used a burner account to go off on me on Twitter. This person insisted that I was singlehandedly responsible for the project falling.
I made one comment, and it was this:
No clue how my single comment did this. But okay.
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
The photo in this tweet is not Margaret Rossiter.
It’s Dame Jocelyn Bell Burnell, an astrophysicist who discovered the first evidence for pulsars as a graduate student.
Her PhD advisor, Anthony Hewish, was awarded the Nobel Prize for the discovery.
by: ともたかサーフ

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Always look for confounding variables and special interests
this is like the green comics if the symbolism wasn't even symbolism anymore its just as overt as it needs to be
when a woman points out that sports fans hate women and sports leagues hate women and athletes hate women people will often go "just watch women's sports" and it's a stupid fucking response every single time
women should be respected in every single sports space, none of these structural issues are solved by just ... sending them somewhere else + the way people say this always comes across as demeaning; watching womens sports is worthwhile on its own, it shouldn’t be prescribed as exile for women who notice that the wider sports world hates them
must feel so good to be soil absorbing rain

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in 2026 DO NOT ask yourself whether your art is GOOD
instead ask:
is it SINCERE
was it CATHARTIC
was it FUN TO MAKE
is it MADE BY ME
and don't forget to stay silly
“project hail mary (2026) using an orange-yellow-blue color palette in the majority of its lighting, set design, and wardrobe (except for the detour to the green planet with a purple aurora) is an intentional choice potentially based on the colors of the aroace (and aro and ace) flag(s) which may have been made in part because someone on the production staff realized that a story about a guy whose life is considered lesser explicitly because his relationships do not follow an amatonormative hierarchy, structured specifically to show that it is NOT romance which brings out the best in him but the love of/for a friend who similarly forgoes amatonormative expectations, and who is shown to be happy and fulfilled at the end for that very reason might be extremely resonant with aroaces” is a sentence which makes you sound like an insane person until you realize that project hail mary (2026) is a lord & miller production and those are the same guys who did this
Karlach 🔥
Decided to jump on this GTA 6 trend and draw Baldur’s Gate’s best girl
#realShit

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there is something viscerally satisfying with going back to read my writing, adding a line of detail, or a modifying statement, only to discover the almost exact same idea one or two paragraphs later.
Like. Past me had it sorted, but current me's still on the fucken case. LFG.