reblog to save a liFE
Up to now, I have been drawing random generic suit jackets.
Never again.
cc: @petermorwood
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@literallemon
reblog to save a liFE
Up to now, I have been drawing random generic suit jackets.
Never again.
cc: @petermorwood

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Bookshelf Brushset (Free brushset for Photoshop CC, Clip Studio Paint, Procreate)
 Download here: https://gum.co/OXJRt
disorganised thoughts
âINSTANT LINE ARTâ TRICK FOR THIN AND NOODLY THINGS:
Just draw your thin, noodly things as thick brush lines
Select their whole area
Find the âincrementâ feature if itâs present in your art program, which expands the size of a selection. I clicked it a couple times to make an increment of a couple pixels.
On a lower layer, fill that area in black.
Now it looks like your shapes had line art all along!!!
On an UPPER layer, try fleshing out little details and touching up anything that came out wonky.
Not to go on a tangent, butâŚ

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How to Make Home Made Puzzle Feeders
Are yâall bored as I am while stuck inside? Are your cats driving you crazy? A good way to keep you and your cats sane during quarantine is to create some home-made puzzle feeders!
All of the puzzle feeders I will be making today are created using scrap recycling and cat toys found around my house. If you donât have all the materials, get creative and see if thereâs anything else you can repurpose!
Egg Carton Enrichment
Materials Needed:
Egg carton
Cat toys
Treats
Step 1: Place treats or dry kibble in the bottom of each compartment of the carton.
Step 2: Cover each compartment with cat toys.
Step 3: Enjoy!
Modifications: To make this easier for some cats, remove the toys so the treats are visible. To make this puzzle harder, keep the lid on the carton so your cat has to tear through it first.
Treat Tube
Materials Needed:
Toilet paper roll
Newspaper
Cat treats
Step 1: Put treats into the toilet paper roll
Step 2: Stuff newspaper in both ends
Modifications: To make this easier for some cats, loosen the newspaper or use smaller pieces that can fall out on their own. For a more difficult toy, crumple the ends of the tube so it is more difficult to get the paper and treats out.
Treat Roller
Materials:
Toilet paper roll
Scissors
Tape
Small treats
Step 1: Cut some holes in the tube (large enough for treats to come out with movement).
Step 2: Tape one end of the tube.
Step 3: Add treats.
Step 4: Tape the other end of the tube.
Modifications: For an easier toy, add more/larger holes. Add fewer holes to increase difficulty.
Treat Digger
Materials:
Cardboard
Paper towel/toilet paper tubes
Scissors
Glue
Tape
Treats
Step 1: Cut your toilet paper tubes into varying heights. Make sure to cut them to a length shorter than your catâs legs.
Step 2: Glue the tubes onto your large cardboard piece.
Step 3: Tape your cardboard piece onto a flat surface to prevent it from moving.
Step 4: Fill the tubes with treats!
Modifications: Cut the tubes shorter to make this puzzle easier. For added difficulty, stuff newspaper or toys into the tubes.
As a note: always watch your cats while they are using puzzle feeders to ensure they do not eat anything they are not supposed to!
Love me some puzzle feeders! Also recommend: http://foodpuzzlesforcats.com/
Welcome to Food Puzzles for Cats, a one stop resource for information about feeding your cat using foraging toys! We were inspired to create
Resources for Mending Clothes
We toss out over 80 pounds of textiles each year. These textiles are often made of plastic materials (polyester, nylon), made in unethical conditions, dyed with harsh dyes that often get put into the rivers, etc. Even a single cotton shirt releases carbon emissions and uses tons of water.Â
So the best thing to prevent the unsustainable growth of the fashion industry is to make sure that your clothing lasts as long as possible. To do so, mending clothing is a must. So here are some resources to help you learn how to do various things, such as sewing a button, to tailoring clothes, or even upcycling old clothing into new styles.Â
* How to sew on three different types of button
* How to hand sew on a patch on a torn pair of jeans
* How to sew up a hole in an old shirt
* How to sew a simple T-shirt
* How to upcycle old clothing into new clothing
* More upcycle and sewing techniques
* How to repair a damaged sock
* How to do an invisible stitch
* 3 different stitches to work with for different results
* How to make a T-shirt smaller so it fits you better
* How to make repairs to your shoes
These are just a few of the things that you can do in order to make sure that your clothing lasts for a long time. Nobody wants to keep buying new clothing, as it is expensive and wasteful.Â
So making alterations to your clothing, or fixing small holes hen you see them can be hugely beneficial to your wallet, to garment workers, and to the environment in the long term.Â
teach me?? how to draw?? the action of kissing????
Step 1. yearn
thanks op for letting me add on to this post!
have fun drawing kisses now!!!!!!
more detailed tutorial by another person: x
â Nezukoâs eyes appreciation post
how to draw arms ? ?Â
holy fuck
holy fuck is right⌠but⌠does it work with legs???
yes !!
but how much extend
^^^^^^^^^^
I NEARLY CHOKED
ENJFDFNFATFVFDF
finally. i can be accurate
This is too fucking great to not reblog
I give it MASCLES
BIG MACHO
đ¤Łđ¤Ł
LMAOOOOOO
Okay but for anyone who legit wants to know how to calculate it correctly:
The elbow joint on average rests a couple inches higher than the navel, so if you measure how long the distance is from the middle of the shoulder to that point then you have the length of the upper and fore arms!
So if anyoneâs wondering about legs too, the simplest rule of thumb is that the length from the top of the leg to the knee is equal to the distance between the top of the leg and the bottom of the pectorals:
And I wanna stress that when i say âtop of the legâ iâm not talking about the crotch (please donât flag me tumblr itâs an anatomical term) iâm talking about the point where the femur connects to the pelvis, which is higher up on the hips:
Itâs easier to see what Iâm talking about in this photo of a man squatting:Â
So yeah if you use that measurement when using this technique you should get fairly realistically proportioned legs:
But remember! messing with proportions is an important and fun part of character design! Know the rules first so you can then break them however you please!
HOW THE HELL DID I FIND THIS POST OMG
Licherally in the midst of drawing a guy and crying at how bad the arms are. Thanks Tumbles
I only ever saw the part where people started drawing the limbs outrageously long and genuinely wanted to know how to fix that, so Iâm really thankful to see the rest.
Love this

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How I draw skin Part 2: DONâT DRAW NATIVE PEOPLE WITH RED SKIN!!!! A tutorial
For the first tutorial on how I draw skin, see the post here.
But seriously, Iâve seen too many drawings of Native characters with literal red/pink skin to count so just in case some of you are having troubles with drawing Native people, Iâve provided a guide for you. Please take my swatches if it helps!! and no more red skinned people, please <0<
Disclaimer: this tutorial is mainly about the artistic depictions of Indigenous Peoples in North America, where the slur and redskin caricature originated, but it would still be racist to draw other non-North/Central/South American Indigenous groups like this soâŚ..donât.
WHAT SORCERY IS THIS?!
I discovered something useful today, taking breaks or exercising never helps me but THIS does, sharing to save a life
I just found out that some pro artists that work for companies like Dreamworks etc sometimes hold their pens this or similar way so it gotta work. Recently I spent 5 days on drawing for long periods of time (we talk about min 5 hours in one go to max 12 hours long crunch) and not once did my hand bother me.
For any artist friendos ???
SAVE A (HANDâS) LIFE
Yo @ladyshinga I found a thing
OH MY GOD
Know what Iâm salty about?
In all my art classes, I was never taught HOW to use the various tools of art.
Like yes, form, and shape and space and color theory and figure drawing is important, but so is KNOWING what different tools do.
Iâm 29 and I JUST learned this past month that India Ink is fucking waterproof when it dries. Why is this important? Because I can line something in India Ink and then go over it with watercolors. And that has CHANGED the ENTIRE way I art and the ease I can create with.
tldr: Art Teachers: teach your students what different tools do. PLEASE.
WAIT INDIA INK JS WATERPROOF ONCE IT DRIES????? THE ENTIRE REASON IVE AVOIDED MARKERS MY ENTIRE LIFE IS BECAUSE JNK BLEEDS AND YOURE TELLING ME INDIA INK IS
F U C K I N G W A T E R P R O O F
oh man your teachers did not do there jobs!
-Yo painters, use pencil if u must underdraw beneath an oil painting, the lead is archival but ideally you should be doing underdrawings in a muted earth tones (siennas, umbers, ochres or earth green) with some titanium white added to it. (The white nearly matches the canvas and earth tones naturally blend with all colors on top unless u do super thin glaze washes).
-Trying to make a natural looking warm black? Donât use black straight from tube, Mix alizarin crimson and viridan. add raw umber to adjust for light depth.
-If your into mixed media ALWAYS use acrylic first and oil on top (the gesso on primed canvas is acrylic based and oil sits on top of it great). NEVER put acrylic paint on top of oil, the acrylic will crackle/decompose and fall apart/off the canvas.
-India ink is permanent and if your using ink from a jar it should say itâs permanence. professional art grade pens usually have there permanace listed either on the pen or the companies website.
-Red cinnabar is poisonous, DO NOT EAT IT, no matter how much like fruit loops it smells.
-Translucent and transparent are NOT the same. translucent is *shiny* and a cloudier color, ideal for mixing usually ordor making vibrant colors like for eyes, cars, etc. Transparent is matte and usually a 50% transparency from an opaque color.
-ALWAYS DO A TEST SWATCH OF ANY NEW MATERIAL.
-any paint made with âtrue alizarin crimsonâ âred lakeâ and âchrome yellowâ pigment is a fugitive paint. Fugitive means the pigment fades dramatically and disappears over time, (usually 5 to 15 years) lots of van goghs paintings have this problem. be very careful with these pigments. Alizarin crimson especially smells extremely sweet and like fruit loops or fruit loops, donât eat it.
-gauche is a mix of watercolor and ink, proceed with caution as this material can be an asshole.
-Watercolor can be made darker/thicker by letting it dry slightly in cake form or in liquid form and can be dry brushed if u get the timing down.
-Paint liquid rubber or lay down thin pieces of painters tape on edges in watercolor paintings to Prevent bleeding between lines if u need super sharp edges.
-always tape down the entire paper edges when u paint with watercolor to a board to prevent the paper from curling as it dries.
-add salt directly into wet watercolor paintings to absorb pigment and make shit look like space.
-Always paint in well ventilated areas and avoid getting lots of paint on your hands. lots of paint is made with heavy metals and can cause cancer.
-natural materials arenât always safe, especially
-Ones u collect yourself, do your research before grinding, burning, sanding these things especially indoors.
-use NATURAL bristles on your brushes with oil paint and SYNTHETIC bristles on your brushes for acrylic and watercolor. synthetic bristles literally break off into oil paint and stick into your painting, and natural bristles canât handle the weight of acrylic paint and rip into 15 directions. Use hard boar bristle for the underdrawing/underpainting of an oil painting as it will force the paint into the canvas pours more effectively cause itâs stronger, use softer bristles for outer layers of oil painting and blending, boar will pierce outer layers and is to hard for anything but the first layer. canât tell what u have? clean it up and brush it on your face, softer it is the better it is as doing outer layers of color.
-if you have a decent paintersâ tape, you can prewet your watercolor paper, tape it to a surface & weight it down with some books to press it flat while itâs wet and help keep it from buckling later once dry, this is especially useful because for some reason, watercolor block is half again as expensive or more than a comparable sized pad or large sheets to cut down, even by the same brand
-natural sable is good for watercolor if you can afford it, i have two smaller brushes i shelled out for to try it, and while i probably didnât treat the finer point one right, the other one is a miracle iâve had for nearly 20 years.
-chinese calligraphy brush sets are fantastic for large work and washes and way, way cheaper most times than standard brushes, and it doesnât seem to matter how cheap they are, either. they may shed a little, but they do a really good job holding and distributing water.
Rb for any art students
A trick i learned in art school, if your paper still warps/curls and your piece is finished/mostly finished: dampen the BACK and then press it flat again til dry. This works well with thicker papers! I have not had much success with thinner material. Test it out to get the hang of it before trying on your art!

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idk if anyone will find this useful, but this is how i go about planning my stories. i mostly write fantasy, so thatâs what this is most applicable to. but it could work with other genres too.
so thereâs three major components to a story: the characters, the plot, and the world. creating them individually is the easy part, but they all connect and affect each other in different ways. (like you canât have a character who loves peaches and eats them every day if they live a peasant in a region that doesnât grow peaches, for example.)
so i created a cheat sheet to help connect all three components together.
1) the world creates the characters.
this is related to the peach example above. the characters should be a direct result of the environment they grew up in and the environment they currently live in.
2) the characters are limited by the world.
also related to the peaches. characters canât do anything outside of what the rules of their surroundings and universe allow, such as eating peaches when theyâre not available. this also applies for magic users. they canât have unlimited magic, so keep in mind what you want out of both the characters and the world when creating magic systems.
3) the characters carry the plot.
weâve all heard it before: âbad characters canât carry a good plot. good characters can carry a bad plot.â but we all like a good plot anyway. try to make sure youâre not giving your characters too heavy or too light of a plot to carry.
4) the plot pushes the characters.
if nothing in the plot happens, your characters will remain static forever. if you struggle with plots, try starting with what character development you want to happen, then go from there.
5) the plot depends on the world.
you canât overthrow the evil government if there isnât one. think of what your world needs most and what your plot is centered around, and fit those two together.
6) the world is changed by the plot.
even if your plot is centered around something most of your world would call âinsignificantâ, the world will still experience some change from the plot. either the evil government will be gone, or maybe that one teacher is now way more careful about keeping an eye on the test key. either way, the world will be different from now on.
final note: usually people will be able to write one or two of the components with ease, but donât know where to go from there. i personally canât write plots, but thinking this way has really helped me actually make a story out of the world and characters because i looked at what i needed from what i had. i really hope this can help you too! happy writing!
tl;dr this is a cheat sheet to help anyone who struggles with writing one or two of what i consider the three major components to a story.
Here you go - THINKtober is here - the ULTIMATE Inktoberresource - a MASSIVE collection of my FREE tutorials, all divided into TAILORED SETS for EVERY ONE of Jake Parkerâs 31 OFFICIAL DAILY PROMPTS for INKTOBER 2019! Thousands of FREE ideas and tips, useful no matter what your ability level, I hope they help you all with your awesome creations - enjoy, link, pin share! My VERY RARE two tutorials books are being REPRINTED in OCTOBER, only on KICKSTARTER - send âAdd Me, Lorenzo!â to [email protected] to be on the secret launch week mailing list :) Lorenzo! INKTOBER DAY ONE (Tuesday Oct 1st) PROMT: âRINGâ How to draw HANDS pt 1 How to draw HANDS pt 2
How to draw GOLDHow to draw GEMS
INKTOBER DAY TWO (Wednesday Oct 2nd) PROMT: âMINDLESSâ How to draw MONSTER HEADS
How to draw CREATURE TEETH
How to draw ANGRY EXPRESSIONS
How to draw CHARACTER SHAPES
INKTOBER DAY THREE (Thursday Oct 3rd) PROMT: âBAITâ How to draw TENTACLES
How to draw DOLPHINS
How to draw PIRATE SHIPS
How to draw SEA WATER and WAVES
How to draw WATER REFLECTIONS
INKTOBER DAY FOUR (Friday Oct 4th) PROMT: âFREEZEâ How to draw SNOW
How to draw BREAKING GLASS (for breaking ICE)
How to draw FUR
How to draw SMALL FLAMES
INKTOBER DAY FIVE (Saturday Oct 5th) PROMT: âBUILDâ How to draw WOODEN BUILDINGS
How to draw BRICK WORK
How to draw CITY SCAPES
How to draw JUNK HOUSESHow to draw STONE COLUMNS
How to draw WOOD pt 1Â
How to draw WOOD pt 2
How to draw INTERIOR BASICS
INKTOBER DAY SIX (Sunday Oct 6th) PROMT: âHUSKYâ
How to draw FUR
INKTOBER DAY SEVEN (Monday Oct 7th) PROMT: âENCHANTEDâ
How to draw ANCIENT BOOKS
How to draw FLAMES
How to draw LIGHTNING EFFECTS
How to draw TREE ROOTS
How to draw FORESTS
How to draw CAVES
How to draw MOUNTAINS
How to draw TREASURE CHESTS INKTOBER DAY EIGHT (Tuesday Oct 8th) PROMT: âFRAILâ How to draw PILLOWSHow to draw ROSES How to draw BIRD WINGS How to draw BIRD HEADS How to draw RABBITS
INKTOBER DAY NINE (Wednesday Oct 9th) PROMT: âSWINGâ How to draw VINESHow to draw CHAINS
INKTOBER DAY TEN (Thursday Oct 10th) PROMT: âPATTERNâ How to draw TREE BARKHow to draw BASKET WEAVES
How to draw SHADOW COMPOSITION
How to draw STONE TEXTURES
How to draw WOOD GRAIN
INKTOBER DAY ELEVEN (Friday Oct 11th) PROMT: âSNOWâ How to draw SNOW How to draw FUR How to draw FLAMES How to draw WOODEN HOUSES How to draw WOOD INKTOBER DAY TWELVE (Saturday Oct 12th) PROMT: âDRAGONâ How to draw DRAGON WINGS How to draw CREATURE TEETH How to draw T-REX How to draw SMOKE EFFECTS How to draw ROCKET THRUST (for SMOKE) How to draw IMPACT DEBRIS How to draw LAVA INKTOBER DAY THIRTEEN (Sunday Oct 13th) PROMT: âASHâ How to draw SMALL FLAMES How to draw SMOKE How to draw BATTLE DAMAGE How to draw LAVA INKTOBER DAY FOURTEEN (Monday Oct 14th) PROMT: âOVERGROWNâ How to draw OVERGROWN VEGETATION How to draw VINES How to draw GRASS How to draw MUSHROOMS and FUNGUS How to draw FORESTS pt 1 How to draw FORESTS pt 2 INKTOBER DAY FIFTEEN (Tuesday Oct 15th) PROMT: âLEGENDâ How to draw SHOULDER ARMOUR How to draw HORNS How to draw 3-SHAPE CHARACTERS How to draw SWORD FIGHTS INKTOBER DAY SIXTEEN (Wednesday Oct 16th) PROMT: âWILDâ How to draw GRASS How to draw MUSHROOMS How to draw OVERGROWN VEGETATION How to draw SAND and BEACHES How to draw PEBBLES How to draw FORESTS How to draw VINES INKTOBER DAY SEVENTEEN (Thursday Oct 17th) PROMT: âORNAMENTâ How to draw TIKI STATUES How to draw GEMS AND CRYSTALS How to draw GOLD INKTOBER DAY EIGHTEEN (Friday Oct 18th) PROMT: âMISFITâ How to draw EARS How to draw NOSES How to draw TENTACLES How to draw HORNS How to draw CHARACTER SHAPES INKTOBER DAY NINETEEN (Saturday Oct 19th) PROMT: âSLINGâ How to draw SIEGE WEAPONS INKTOBER DAY TWENTY (Sunday Oct 20th) PROMT: âTREADâ
How to draw SHOES
How to draw HOOVES
INKTOBER DAY TWENTY-ONE (Monday Oct 21st) PROMT: âTREASUREâ
How to draw TREASURE CHESTS
How to draw CHAINS
How to draw GEMS AND CRYSTALS
How to draw GOLD
INKTOBER DAY TWENTY-TWO (Tuesday Oct 22nd) PROMT: âGHOSTâ
How to draw GHOSTS
INKTOBER DAY TWENTY-THREE (Wednesday Oct 23rd) PROMT: âANCIENTâ
How to draw WEBS
How to draw STONE COLUMNS
How to draw MOUNTAINS
How to draw CAVES
How to draw OVERGROWN VEGETATION
How to draw BATTLE DAMAGE
How to draw TIKI STATUES
INKTOBER DAY TWENTY-FOUR (Thursday Oct 24th) PROMT: âDIZZYâ
How to draw EYE DIRECTION
How to draw HAPPY EXPRESSIONS
INKTOBER DAY TWENTY-FIVE (Friday Oct 25th) PROMT: âTASTYâ
How to draw CAKES AND DESERTS
How to draw CHOCOLATE
How to draw BOTTLES AND GLASSES
INKTOBER DAY TWENTY-SIX (Saturday Oct 26th) PROMT: âDARKâ
How to draw THE NIGHT SKY How to draw SHADOWS How to draw CAVES
How to draw SILHOUETTE THUMBNAILS
How to draw CLOUDS
INKTOBER DAY TWENTY-SEVEN (Sunday Oct 27th) PROMT: âCOATâ
How to draw CAPES AND CLOAKS
How to draw FABRIC
INKTOBER DAY TWENTY-EIGHT (Monday Oct 28th) PROMT: âRIDEâ
How to draw HORSE HEADS
How to draw HOOVES
How to draw VEHICLE STANCE
How to draw A JOURNEY Pt 3
How to draw SPACE BIKES
How to draw CATERPILLAR TRACKS
How to draw HELICOPTERS
How to draw TRAIN TRACKS
INKTOBER DAY TWENTY-NINE (Tuesday Oct 29th) PROMT: âINJUREDâ
How to draw BATTLE DAMAGE
How to draw ARMS
How to draw HANDS
How to draw FEET
How to draw ROBOT ARMS
How to draw ROBOT HANDS
INKTOBER DAY THIRTY (Wednesday Oct 30th) PROMT: âCATCHâ
How to draw CAR CHASES
How to draw A JOURENY pt 2
How to draw A JOURNEY pt 3
How to draw HANDS
INKTOBER DAY THIRTY-ONE (Monday Oct 31st) PROMT: âRIPEâ
How to draw TROPICAL PLANTS
How to draw VINES
How to draw CAKES
How to draw BASKETS