Ateez/Kpop alt: @atiny-queth

JBB: An Artblog!
almost home
Claire Keane
PUT YOUR BEARD IN MY MOUTH
$LAYYYTER

oozey mess

shark vs the universe

❣ Chile in a Photography ❣
TVSTRANGERTHINGS
One Nice Bug Per Day
let's talk about Bridgerton tea, my ask is open
wallacepolsom

Product Placement
dirt enthusiast

⁂

Kaledo Art
sheepfilms

he wasn't even looking at me and he found me
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@ladyqueth
Ateez/Kpop alt: @atiny-queth

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Could you draw a Lan Wangji please. I think even when napping he'd look so graceful and serene
I went to look for Hanguang-Jun just as you asked! However when I found him, he was already having fun with Wei-qianbei, and I wouldn’t dare to disturb them..
Happy Hanguang-June
There's an irony when it comes to Jiang Cheng constantly referring to Wen Ning as a loyal dog to Wei Wuxian and dehumanizing the act of loyalty from friendship, as his stans constantly speak on how deep and complicated his own demands of service Wei Wuxian owed him like a loyal animal, not a person, are because they think Jiang Cheng emotionally views Wei Wuxian as a brother. Even when we have Jiang Cheng consistently bring up that Wei Wuxian is not a Jiang, he is not their blood, he reiterates he is a servant first and foremost and he ultimately uses Wei Wuxian's position as a threat to keep try to keep him in line but Wei Wuxian's own morals will not let him stand down from callous cruelty that Jiang Cheng sees no issue with.
This is further spotlighted when Wen Ning himself tries to bow to Wei Wuxian (out of perceived failures) and Wei Wuxian literally puts himself of the same level of Wen Ning in the share of the consequences of their choices, putting no more blame on Wen Ning then he does himself. Loyalty for Wei Wuxian and Wen Ning is rooted in understanding and empathy. Jiang Cheng does not know how to extend empathy towards others and belittles that in others with the expectations of being entitled to empathy given to his misfortunes.
Jiang Cheng very much is a classist man as he views a clanless Wen Ning like an animal, Wei Wuxian as a disloyal man who doesn't respect social station, and Jin Guangyao as someone yearning for a position he can not be good enough for due to his birth mother's status as a prostitute.
A man who views others in such a way would not think of Wei Wuxian as a brother in spite of their differences in class status. He is the type to believe class status is to remain as such and his is a birthright to be unquestioned, even when his morals are cruel and lackluster. He is willing to hold the line of social boundaries because it he acknowledged anything more, he would have no way to comfort himself that despite all of Wei Wuxian's talents and morals, he is only a lesser man in the eyes of society compared to Jiang Cheng's blood nobility. His sense of self is reliant on dehumanizing those that he views as socially beneath his status.
stolen kiss

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there are some people who unironically believe that no one except wei wuxian and lan wangji got their “happy ending” and the rest of the cast (consisting majorly of antagonists and characters who had previously suffered no consequences for their actions) getting any degree of miserable conclusions is unfair. to which i must wonder... do they realise that for thirteen years before the second timeline began in full swing, these positions were completely reversed and wei wuxian literally died and lan wangji was faced with the most brutal punishment a member of the great sects could be faced with? that we were given a taste of what a “happy ending” could look like for characters like jin guangyao, lan xichen, jiang cheng and the fact that it blew up in flames demonstrates exactly how no one deserves a bump-free aftermath if it means their actions have gone unaddressed.
if our protagonist and deuteragonist were not spared consequences—truly “no good deed goes unpunished”—what makes people think that the characters who were the antagonists and on the fringes and allowed atrocities to occur should get a scot-free end? mind you, i still think alot of people get a mere slap on the wrist for the magnitude of harm they have caused but that is consistent with the themes of the gentry class receiving leniency in every aspect possible.
look, i get wanting your favourite characters to have “good” endings but just think for a second about what these characters have done and why their finish line in the story looks the way it does. what would the weight of mdzs’ narrative remain if after all the rotten actions of people in power were exposed, all the wilful negligence was brought to light, these characters were allowed to go back to normalcy and immediately find a way to enjoy life as if nothing was amiss? as if their actions were meant only to affect other people and never their ownselves? and even then, the thing to remember is that mdzs’ ending is just one point in time. much like the “ending” of the first timeline, things go on, life goes on and characters like jiang cheng and lan xichen won’t stagnate till eternity—they will move past their circumstances shown in the end of the novels, for better or for worse.
it’s not that wei wuxian and lan wangji get to enjoy their happy ending while the rest suffer because in actuality, they have paid the prices for their actions threefold, they have faced their consequences and why should they not get some morsel of happiness after everything they have endured? as wei wuxian rightfully asked the sect leaders—what more would you want from him? why should he not be allowed this more pleasant conclusion because some think his happiness is a slight against the antagonists’ “misery” and feel compelled to have them flattened to the same level to ignore acknowledging why they received the endings that they did?
Paired gift arts
Feng Xiao and Cui Buqu from Peerless; Wei Wuxian and Lan Wangji from Modao
[looking at people younger than me] you have your whole life ahead of you [looking at people older than me] you have your whole life ahead of you [looking at myself] its over
Don’t forget to dry your colonel after a rainy day
His Lan Zhan

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Bothering bothering bothering :3333
Gandalf during the Hobbit: good god I wish Bilbo was more naturally in tune with his Took side I feel like I have to force it out of him
Gandalf during Lord of the Rings: TOO MUCH TOOK FUCK FUCK FUCK WHAT IS WRONG WITH PIPPIN
idk anything about this but I love it
The brief when designing this sport seems to have been that it should be as annoying to set up again as possible.
Just finished reading Mo Dao Zu Shi and i think I'm having withdrawal symptoms. i feel like I'll never read something like this ever again. I'm absolutely in love with that world.

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