2025 on Tumblr: Trends That Defined the Year

YOU ARE THE REASON
AnasAbdin
Peter Solarz

Product Placement
trying on a metaphor
Show & Tell
hello vonnie

â

if i look back, i am lost

JBB: An Artblog!
Misplaced Lens Cap
Sade Olutola
art blog(derogatory)

#extradirty

shark vs the universe
One Nice Bug Per Day
tumblr dot com
Cosimo Galluzzi

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@labdean

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had a character chart idea
the irredeemable pervert is generally well regarded among their friends for their insightful thoughts and all around pleasant demeanour
itâs not weird to find fanfiction from 2021, or 2017, or 2014 that youâve never read and actually taking your time to read it.
itâs not weird to love it and comment and leave kudos because the author will probably still see it someday and it will make them happy.
itâs not weird to like said authorâs work so much that you want to go look for other fics from them.
itâs not weird to go through the authors profile and look for other fics from the ships you like (or maybe some that youâll give a chance because you liked the author) and maybe bookmark them for later.
itâs not weird to read these other fics and like them too and comment on them because you actually like them and you want to let the author know.
itâs not weird to read fanfiction from 5, or 8, or 10 years ago and actually enjoy and engage with it because itâs perfectly normal to relate to something thatâs less than a decade old!
letâs stop treating fanfiction like theyâre instagram posts that stop being interesting in 24 hours! fanfiction is NOT social media, fanfiction is art!!! and art doesnât get old in one day, one year, or even a decade!
read fanfiction! write fanfiction! comment on fanfiction! letâs not let fanculture die people!!!!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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i don't even gaf about shipping discourse because i'm a big boy and a bad person for other worse reasons but if i can be real for a moment "proship DNI" in bio means nothing to me. if you want to keep me out you're going to need to line your blog with salt and iron or rat poison or something.
actually if i were to be less flippant and more brutally honest with you all my disdain for it stems from how much of it is just a thinly veiled excuse for people to fight about their fictional relationship preferences or simply for the sake of arguing without any investment in the reality of what they're claiming to represent and then take pride in their empty, performative activism. i still recommend the rat poison though.
girl help they are calling me a pedophile sympathiser in the notes for trying to point out that being disgusted by something is not the same as meaningfully working to prevent and safeguard against it by critically engaging with the complex reality of it. can i please just have the rat poison.
awww the like button turns into a rainbow when you press it! that's so cute...hey staff what's with all the trans women you keep nuking?
i think we should be ridiculing them more for this. you don't get to try and go all "queer website" when your staff likes to go on nuking sprees targeting the trans fem users
would be remiss not to mention that the rainbow notably straight up just removed the trans flag colors from it. like theyâre gone. itâs the progress flag minus the trans flag colors.
thatâs not the whole flag, now is it
Is this post mature content, though? Or is there maybe something else that staff doesn't like about this post
pride month!!!
Is that a miette?
Pride for you! Pride for a thousand years!!
you COME OUT to miette? you come out to her as queer? oh! oh! pride for mother! pride for mother for One Thousand Years!!!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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this is how new yorkers @ mamdani
have you guys heard about the greenland shark. some crazy shit happening there.
they are sexually mature at ONE HUNDRED AND FIFTY YEARS OLD.
their (live!) young gestate for. wait for it. eight to eighteen (??) YEARS. can have up to 10 at a time. good grief.
longest lifespan of any vertebrate, up to five hundred years
toxic flesh
has giant eyes but is usually blind because of a weird little crustacean that's evolved to live on and eat their eyes. this doesn't seem to bother them much.
lives in deep cold water and has the lowest swim speed and tail-beat frequency for its size across all fish species. just generally lives life in extreme slow motion
largest genome of any shark
eats everything including moose and polar bears
ma'am you are delightfully strange and I'm privileged to share a planet with you
some days are really hard and it can be difficult to understand why. but usually its probably because my blood is haunted
Russian Doll (2019 -)
ok i am curious. how long is the longest song in your library (not counting tracks that are like several songs in one file like a full album mix or symphony recording or whatever) (also if it is longer than 20 minutes say the name in the tags i am curious)
how long
< 3:00
3:00â3:59
4:00â4:59
5:00â5:59
6:00â6:59
7:00â7:59
8:00â11:59
12:00â15:59
16:00â20:59
21:00â24:59
25:00â30:00
⼠30:00
ok i would like to clarify it has to be music and it can't just be a short song that's been looped a bunch. that still counts as several songs in one file, it's just several of the same song in one file. no audiobooks no podcasts no plants vs zombies theme 2 hour loop

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She played bass on 10,000 songs, including the most-played track of the twentieth century. She was paid $55 per session. Her name never appeared on the albums.
Gold Star Studios, Los Angeles, 1964. A woman in a cardigan walks past the receptionist, a Fender Precision bass in her hand like a briefcase. She doesnât sign autographs. She signs a timesheet.
Her name is Carol Kaye. In three hours, she will record what will become the most-played track of the twentieth century. Sheâll pocket fifty-five dollars and head to another studio, on the other side of town, for the next session.
The record label will never put her name on the album.
Between 1957 and 1973, Carol Kaye took part in roughly 10,000 recording sessions. Not as the featured artist, not as a guest, but as a hired hand. She was part of an anonymous collective nicknamed The Wrecking Crewâelite studio musicians who actually played the instruments on your favorite records while the famous bands posed for promotional photos.
The work was relentless. Three albums before the day was over. Stale coffee in paper cups. No rehearsal. The charts arrived minutes before the tape rolled. If you couldnât read a chart and nail the take in two tries, you didnât get called for the next session.
Carol could do it on the first try.
She started playing guitar in grimy bars at fourteen because her family couldnât pay the electric bill. Music wasnât a romantic dream for her. It was survival. It was a jobâfactory work with better acoustics and lower pay.
But she was faster and sharper than almost everyone else. She corrected charts in pencil while the producer was still explaining what he wanted. In one session in 1968, she told a famous producer his arrangement sounded like a dying dog. She chose her own line. They kept her version.
That descending bass line that drives the Beach Boysâ âWouldnât It Be Niceâ? Carol Kaye. The propulsive groove of âThese Boots Are Made for Walkinââ? Carol Kaye. The acoustic-guitar intro to âLa Bambaâ? Carol Kaye. The iconic theme from Mission: Impossible? Carol Kaye.
She invented techniques on the spot, out of sheer necessity. When the bass sound was too muddy for AM radio, she stuck felt under the strings and used a hard pick instead of her fingers. The tone cut through the static like a blade. It became the sonic signature that defined 1960s pop.
Bassists spent yearsâdecadesâtrying to crack the secret of the Beach Boysâ gear to get that sound. They were studying the wrong people. They should have been studying Carol.
She received no royalties. No residuals. No gold-record ceremony. No credit on the album sleeves. When âYouâve Lost That Lovinâ Feelinââ hit number one, Carol was already back in a studio cutting a soap jingle.
The biggest bands mimed her bass lines on TV variety shows. New York marketing departments decided a mom in classic clothes didnât fit the rebellious-youth image they were selling. So they simply left her name off the album credits.
For thirty years, almost no one cared. The truth only began to surface in the late 1990s, when music researchers found the same union contract numbers on thousands of hit records. The very documents meant to preserve studio musiciansâ anonymity betrayed them.
Think about it. Every time you heard âGood Vibrations,â âRiver Deep â Mountain High,â the Righteous Brothers, Nancy Sinatra, or Sonny and Cher, you were hearing Carol Kaye. She composed the soundtrack of an entire generationâs youth.
And yet the records still say nothing. Sheâs now over eighty. She wrote instructional books. She trained countless bassists. She is finally starting to be recognized by music historians who uncovered the truth about The Wrecking Crew.
But she never got what she deserved: her name on those albums. Credit for the music that defined an era. Recognition that those bass lines everyone associates with the âBeach Boysâ were, in fact, Carol Kayeâs.
Fifty-five dollars a session. Ten thousand sessions. The most-played track of the twentieth century.
And the world didnât know her name.
She was admitted to the Rock & Roll Hall of Fame in 2025 but refused, fuck yeah, Carol. Her official website is incredible.
comics suck right now because no one wants to commit to a long term status quo in ongoings like omg who caresssss about the newest world ending event of the week or twenty issue mindblowing arc i donât even know where the characters are living rn. i donât know what they do in their day to day lives. i donât know what civilians they hang out with