・kuranico・

This has been sitting in my docs for exactly a year under the title “stupid freaking meta” cause it was a pain to write. But it’s been on my mind so I thought it was time for another post, based on my experience as a pilot and member of the aviation community. 

As I was making this I realized that this might be some good fanfiction material for y’all, so enjoy. (Fyi: every pilot-related example or description I use in this post is a real life true story/situation that I have heard or experienced! Nothing made up.)

I began learning to fly at age 16, before I learned to drive. I got my pilot’s license at age 19 which was almost 6 years ago, and it’s safe to say I’m just a little obsessed. I spent years around pilots from all walks of life, and very quickly caught on to the fact that there are different types of pilots, but still a common thread that goes through everyone.

When I sat down one day in July 2016 and watched Voltron for the first time, I was immediately smitten. It was everything I loved: space, flying, technology, awesome characters, all rolled into one. Interestingly enough, I can pinpoint the EXACT SECOND I first fell in love with this show…

Tired of having your artwork used for AI training but find watermarks dismaying and ineffective?

Well check this out! Software that makes your Art look messed up to training AIs and unusable in a data set but nearly unchanged to human eyes.

I just learned about this. It's in Beta. Please read all the information before using.

https://glaze.cs.uchicago.edu

&

The team that created Glaze is from the University of Chicago. Their names are each listed in full on the Glaze download website. (This group of students/professors did this for their SPRING BREAK 😱 so go give them some love lol)

It is free to download. No, they won’t ask for or raise money from/for this project.(stated by one of the lead professors of the project).

Glaze is designed to protect artists’ STYLE--which a bunch of ai people have been deliberately fine-tuning their models to mimic (and specifically of current living artists--small or big).

It currently does not protect against composition/trace-like theft (as seen when run through img-to-img) but that would be protected by copyright anyway while STYLE is not.

The University Team has stated that they are dedicated to continuing to improve the tool, like fixing bugs (like overheating older computers by taking up lots of energy when Glazing--it currently runs on CPU so they’re trying to change that to GPU, I believe) and expanding the type of protection given to artists (like working against img-to-img theft).

It currently only works directly on your computer (phones not advised due to current overheating issue, no tablets, or iPads, and no website runthrough since that would be insecure to breaches/scraping/hacks)

It currently works best on painterly artwork, but can still be used on other forms (team is working on improving this)

IT WORKS BY calculating the changes each image needs for the best protection against style theft by AI, and adds tiny changes throughout the piece, so that your style will, for example, confuse the ai into seeing van gogh. But the ai thieves will see a regular image in your style, feeding it into their model labeled as your work (thus starting the “data poisoning”).

Do not post the original unGlazed piece of your artwork after posting your Glazed version (obviously)

The Team worked directly with over 1,000 artists that were being impacted by the ai theft. Because the team listened to those artists, Glaze accounts for regular art thieves too (i.e. Glaze can’t be removed/cropped etc. like signatures or watermarks when reposted. It’s just part of the image, so even if it ends up on another site and scraped, the Glazing is still in effect)

When you run your artwork through Glaze, no information is sent back to the Team. (Aka, no scraping on their part. The app receives information from the Team (like updates) but no information from you is given to them through the app. Basically Team servers ---> You and NOT Team servers <--->You) One-way data street.

Brief misunderstanding happened over an open-source license for the front-end part of the app. (Used open-source coding for front-end, not knowing that code’s use-license states it is only for other open-source uses, not closed-source (the back-end code of the app is private to prevent counter-counter measure developments)). The Team took down the app until they replaced the front-end code with code written from scratch by the team. They are now not in violation of that open-source license since they are no longer using it. (you have 30 days to remedy a license breach once informed; they did so in 2)

The Team is currently in touch with Japanese artists to better expand the tool for use to protect their art styles

From what I understand of it, Glaze is an AI tool designed to be anti-AI (Think Arnold Schwarzenegger in Terminator 2: one Terminator robot vs. all the other Terminators 😂)

There’s a protest going on against AI art over on artstation, so I feel like now is the time for me to make a statement on this issue! 

I wholeheartedly support the ongoing protest against AI art. Why? Because my artwork is included in the datasets used to train these image generators without my consent. I get zero compensation for the use of my art, even though these image generators cost money to use, and are a commercial product. 

Musicians are not being treated the same way. Stability has a music generator that only uses royalty free music in their dataset. Their words: “Because diffusion models are prone to memorization and overfitting, releasing a model trained on copyrighted data could potentially result in legal issues.” Why is the work of visual artists being treated differently?

Many have compared image generators to human artists seeking out inspiration. Those two are not the same. My art is literally being fed into these generators through the datasets, and spat back out of a program that has no inherent sense of what is respectful to artists. As long as my art is literally integrated into the system used to create the images, it is commercial use of my art without my consent.

Until there is an ethically sourced database that compensates artists for the use of their images, I am against AI art. I also think platforms should do everything they can to prevent scraping of their content for these databases. 

Happy birthday to @kuranico, who designed this amazing version of Thunderstorm Darkness! :D

“mine, mine, mine –”

Klance Positivity Week: AU of Choice (Watercast)

(Written for the Rolling 20 zine, which I highly encourage you to check out!  Also, huge thank you to @kuranico for collabing with me on this!  Please follow them, they are an incredible artist!)

Pairing: Keith/Lance (and Pike/Thunderstorm Darkness)

Wordcount: 5023

Read on my AO3 here!

———

“Hey there, big boy,” Pike purred, leaning in with his eyes lidded.  “I don’t think I’ve seen many men in this area quite as … muscular and rugged as yourself.”  His eyes twinkled as he flashed a wink and caught his lower lip between his teeth.  “In fact, I think some free time just opened up in my schedule.  What do you say … you … me … a little privacy?”  He slowly extended a hand, fingers gentle and searching—

———

“I cast Moonbeam.”

“Very well, Keith, please roll for—”

“Hey!” Lance sputtered indignantly, hands flying up in the air as Keith, looking all too leisurely where he sat at Lance’s side, reached for the twenty-sided die.  “I was about to seduce him!  I rolled a seventeen!”  He snatched the die right before Keith could grab it, turning it to the side with the number “17” and shoving it in Keith’s face for emphasis.  “You can’t just barge in and attack him!  I was—I was—”  He let out a groan of sheer aggravation.  “I was really getting into character, too!”

“Yeah, we noticed,” Pidge piped up from across the table, leaning on her elbows and watching Lance’s antics with a bored expression on her face.  “Ew, by the way.  Get a room next time.”

“I was trying!”