
titsay
One Nice Bug Per Day

blake kathryn
he wasn't even looking at me and he found me
Acquired Stardust

Kaledo Art
let's talk about Bridgerton tea, my ask is open
Keni
occasionally subtle
I'd rather be in outer space 🛸
$LAYYYTER
noise dept.

Origami Around
Sweet Seals For You, Always
PUT YOUR BEARD IN MY MOUTH
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith
Jules of Nature

seen from Malaysia
seen from Brazil
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United Kingdom
seen from United States
seen from United States

seen from United Kingdom

seen from United States
seen from United States
seen from United States
seen from United States

seen from Türkiye
seen from United States
seen from United States
seen from United States

seen from Türkiye
@birdcafe

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During her studies, she came across the single, “Once in a Lifetime,” an Afrobeat-inspired tune from Talking Heads. Encouraged by the African sound of the record, Angelique Kidjo told her fellow students about the rhythms she heard. They insisted — incorrectly — that it was rock. “I said, ‘That’s not rock and roll,” she told the L.A. Times. “It’s African music.”
Perhaps fueled by that experience, Kidjo’s Remain in Light recreates the 1980 LP as an authentic Afrobeat record that dives head-on into the Fela Kuti-inspired aesthetic of the Talking Heads original. Though a widely heralded classic, the group’s album only scratched the surface of West African funk. They synthesized the sound, blending it with pop and rock to make it more palatable for mostly white American listeners. Conversely, Kidjo’s interpretation feels more legitimate and offers an unfiltered representation of the Motherland’s polyrhythmic dance.
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the crazy detail that we should consider is that she was friends with david byrne throughout this process. like one day she heard her buddy david’s classic album remain in light and was like “hm. i see what u did here, let me up the ante in a way that u literally never could as a white scottish-american man” and she gave us this absolute masterpiece. her mind!
Sadamasa Motonaga
Silver Jews - People (1998)
“The drums march along at the clip of an IV drip, like sparks from a muffler dragged down the strip.”

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Lily van der Stokker, Nothing really, 1992-2016
Salman Toor (Pakistani, b. 1983), The Confession, 2019. Oil on panel, 20 x 24 in.

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𝓼𝓾𝓷𝓼𝓮𝓽 𝓼𝓽𝓻𝓸𝓵𝓵
2020-02-24

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Forest doors
Nintendo DS BIOS