i love your blog!!! can we get more current gen stark bbs? sansa and arya are my queeeeeens and i would love to see how you draw them â¨đâ¨

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@krahaerys
i love your blog!!! can we get more current gen stark bbs? sansa and arya are my queeeeeens and i would love to see how you draw them â¨đâ¨

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Bran Stark and Bloodraven
whats your favorite piece of art you've created? love your art btw !! you have such a nice art style that rlly suits asoiaf characters
these probably
YâKnow what George, Iâm done with all the moral ambiguity, it's for cowards. It's time for we the people to make some declarative statements.
Jaime Lanister, good or evil
Completly good
Completly evil
completely evil since he went truly revisionist and stopped the wildfire plot and prevented the historically progressive burning down of kl and didnt let the fire spread and kill feudal westeros
this. not enough ppl r brave enough to discuss the abusive behavior of that evil monarchist
literallyâŚ
Little Christmas Cherubs! Joffrey, Myrcella and Tommen.

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i think itâs cute that jaime and cersei used to switch clothes so that they can live each otherâs lives. sorry ur dad sucks, guys. you couldâve been the most iconic siblings at the function, instead ur both just insane.
itâs also sad that cersei saw the potential in herself to be someone stronger than her father but she couldnât achieve those dreams because of her gender. she probably beat up jaimeâs training partners very good.
tyrion is very confused. maybe he never figured out that jaime was pretending to be cersei and still hopes that his sister loves him deep down to some extent
and brienne is the real winner in all of this
the more I read and re-read other fantasy, the more impressive asoiaf becomes to me in its unabashed embrace of the darkness in its characters' POVs. and I don't mean in the "edgelord grimdark" way that so many people (wrongly) ascribe to it, or even in the "historical accuracy" way that so many people use to defend it. I mean more in the way it actually aids in the immersion of the world and story.
other fantasy series will relay the events and the world through their characters, sure, but I never realized just how censored they feel in comparison to asoiaf. things happen, characters feel a certain kind of way about them and relay that to me-the-reader. then they do things, plot happens, etc. sometimes it's quite compelling, even! but in asoiaf, I-the-reader am a brain parasite. the characters think thoughts they would never tell me. I see their worst impulses, their immediate instincts, their intrusive thoughts. a lot of it is unsavory, but it's done in such a way that it all feels deeply real and true to life.
in asoiaf, the characters are not telling me the story; I've invaded their internal dialogue am drinking it in through their biased yet genuine perspectives. I feel less like a reader and more like a ghost that's possessed them through the page. and I think that's the thing that the sets the series apart from others for me
i remember listening to an interview with george on youtube many years ago that i am incapable of identifying and finding unfortunately, but the core of this exact sentiment was expressed somewhere in there by him too, and that particular bit stuck with me because this is precisely how i feel too about asoiaf and its character writing. i obviously cannot get and cite what he said exactly, so honestly i dont find it the best to communicate this vague approximation secondhand and encourage u guys to take this with a grain of salt lol, but what i vaguely remember is that it was something along the lines of not filtering out the darkest thoughts of characters very deliberately, even if it wont reflect their actual actions or the full picture, because that is how people are like. people are dominated by emotions, they are impulsive, they think things, and have facets that are unpalatable. even if they are just thoughts at the end of the day, and all they will be. that is what actually being inside of their heads encompasses. the filter is not there. i do wish people incorporated this into their perspective and analysis and exact read of things too.
The relevant interview (skip to 12:46):
brienne does not change jaime. she does not try to fix him. brienne does not do anything but exist, which is meaningful enough obviously because of what she embodies. and then jaime decides to change himself separated from her. jaime is not even romantically pursuing her as he changes himself
brienne is someone who cares and retains her values and humanity and continuously rejects and contradicts jaimeâs cynical worldview that he uses to justify himself. her very existence is a condemnation of jaime on every level. she is someone who seems undeterred by the contradictions and refuses to become corrupted by them. it doesnt matter that most of her society despises her for what she is and continuously blocks her path instead of rewarding it. she is âno chance and no choice.â that is why she is a catalyst for jaime, but the responsibility and burden of change is on jaime. he is doing that work, not her. and he is doing it for himself, not her.
the thing about jaime is that at the core he wants to be able to actually like himself. he is hungry and aching for love from others, but especially (above all) the self. that is the driving force here. i genuinely cannot comprehend how ppl do not grasp that he hates himself
#I really think ppl are recalling the show so much more often than they think they are #Brienne is not popping up in the books to give Jaime moral instruction #she literally never does this #and he is not doing what he is doing for her approval lol like Jaime has no notion that he and Brienne #will ever get to spend real time together again #Jaime is becoming the guy he wants to be not who Brienne wants him to be #and idk why this is considered somehow anti feminist (via @melrosing)
tyrion's relationship with the rest of house lannister is so poignant because, outside of tywin, cersei, and joffrey, he is deeply loved by his family. jaime's love is the fiercest of course, but his uncles too. gerion brings him gifts and teaches him acrobatics, and kevan treats tyrion with respect even when he thinks tyrion really might have been behind joffrey's murder, and genna had a years-long falling out with her big brother in defending tyrion to him, even in the briefest mentions of tygett we know that he was kind to tyrion. even tommen and myrcella are always nice to tyrion.
the tragedy is that tyrion recognizes the love his family has for him individually, but the deep loathing of tywin and cersei warps his worldview to such an extent that he genuinely feels himself to be incapable of and unworthy of being loved. but everyone else in his family loves him!!!
As the resident expert I know of about asoiaf, could explain to me (a person who knows jack shit about it) what is going on with Cersei and Taena Merryweather?
In the fourth book Cersei is basically de facto the king. She is largely a paranoid incompetent fascist because she is her fatherâs son and sheâs really really scared all the time. Taena Merryweather is a woman at court with her husband who wants to be like an important figure in the Cersei administration, but Taena ends up falling into the role of Cerseiâs evil advisor/yes-man like sheâs in her ear being like yes queen the Tyrells ARE all out to get you definitely act accordinglyyyy.
Cersei trusts her more than anyone. They sleep in the same bed and Cersei tells Taena her deepest darkest secret that is the foundation of her insane worldview that sheâs never told anyone in the whole world, the prophecy she is terrified will come to fruition. They also have sex but as an unrepentant fascist, 20 year victim of marital rape, and Lannister worldview-haver, Cersei can really only conceive of power and intimacy through gendered sexual violence so she spends the entire time basically trying to be her rapist husband. It gets weird.
It could not be more obvious that Taena is mostly manipulating Cersei for her own ends and telling her everything she wants to hear. However, even when Cersei is at her lowest and Taena flees court after Cersei gets arrested, Cersei thinks of her as her dearest and only friend. In this she is a lot more like her brother Tyrion than she thinks.
#Cersei affc is like on the surface funny and then just profoundly intensely sad when you think about it #taena really is Cerseiâs shae. like she thinks itâs real.

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Decided to give my blood raven drawing another pass. Messed around in clip studio paint and liked this on
Can you explain Jon king beyond on the wall endgame to me? I love it but I havenât connected all the dots
Jon starts calling the nights watchmen crows and the wildlings free folk, something really only the wildlings do, and never switches back. He is half bael the bard on his momâs side and half bael the bard metaphor on his dadâs side. Wildlings choose their own king and they are actively choosing to follow Jon across the wall and down to Winterfell when none of the watchmen will back up his attempt to desert. He keeps making power decisions for the free folk like the baby switch or the marriage alliance or the gift or the suicide mission to hardhome. That damn bird keeps shouting SNOW!!! KING!!! SNOW!!!! His presence is causing mass religious conversion to the old gods among nights watch recruits. I say he is de facto king beyond the wall because no one has bothered to tell him yet but after the âdeathâ of Mance Rayder he is the leader of the free folk.
I have long been a truther that this is about jon and indicative of the general direction heâs heading in. what was he doing when he was killed leaving castle black? only going home again.
asoiaf tarot cards by Danni Yu
Behance
melisandreâs insistence that râhllor is the only real god and all the others are fake is really funny considering she exists in the same space as patchface
like imagine you go to church and the priest is preaching about how the christian god is the only one there is but theres a guy that everyone knows was Resurrected By Poseidon running around the church disrupting everything and the priest just ignores him and never adresses that
i mean she does think he's an evil creature. that was a pretty significant thing that happened. like i understand where youâre coming from here but she very much does think he's an evil creature that will do monstrous things.
...Jokes and simplifications aside, the reblogs on this post calling Melisandre "delusional" or "stupid" for this are kind of irritatingly wrong, sorry.
To be clear, nobody in-world thinks Patchface was resurrected by the Drowned God. That's a fan theory only, the Drowned God is never mentioned in any chapter where Patchface appears or is referenced. Hell, we don't know that it's a true theory, there could be some complete other reason for Patchface's return from the dead and prophetic abilities. (Prophetic abilities that nobody in-world realizes are prophecies, or true ones for that matter!) But certainly nobody on Dragonstone ever looks at Patchface and thinks "a symbol of the power of the Drowned God, that totally real and true god that those viking-pirates who live on the opposite side of this continent believe in!"
Secondly, Melisandre doesn't believe that other gods are fake, and thus non-existent and powerless. She does believe that R'hllor is the only true god worthy of worship, but she also believes in the Great Other, the god of evil and death, and that all other gods in the world are actually demons of the Great Other. R'hlorrism isn't monotheistic like Christianity, it's dualistic and manichean like Zoroastrianism and certain sects of Christianity like Catharism. Melisandre doesn't think that the Drowned God isn't real, she just believes that he's actually a demon and his followers are demon-worshippers who are fooling themselves and blind to the truth.
So it's really like you go to church and the priest is preaching about how the Christian God is the only good and loving god and we must fight against the works of Satan (very real and very powerful), and there's a weird rambly guy there who everyone ignores because he's harmless, except the priest who sometimes stares at him thinking, "is he possessed by the Devil? he's dangerous, and I'm gonna have to do something about that soon."
Fancasts From Atop Visenyaâs Hill
-> Golshifteh Farahani as Princess Elia Nymeros Martell
The Princess Elia was a good and gracious lady, though her health was ever delicate.

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cersei âusesâ jaime as a way to complete what she lacks because of her gender; a sword, his right hand, her knight, etc. but how does jaime use cersei? he certainly has a romanticised idea of her and wants her to be his lover but thatâs really it, no? he doesnât use her to complete one of his fantasy?
đŹ 4  đ 38  â¤ď¸ 156 ¡ i rlly like jaimeâs obsession with embodying the âprotectorâ figure and the affirmation it gives him. it relates to the
self-affirmation, knighthood & chivalry & masculinity, coping mechanism/dissociation, self-love
đŹ 2  đ 535  â¤ď¸ 1307 ¡ Jaime and Cerseiâs romanticized idea of being one soul in two bodies is so fascinatingly destructive. So much of their
âi am the blood of the dragon.â the dragon was never afraid.
daenerys targaryen on her wedding day by @adelikashere