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@kintsugisjournalofcrisis

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kung chi pak chi โโญห.โ
angry reminder that "fujos are gross and they fetishize gay men" is terf shit
"but we talking about cishet women--"
no you're not, since the beginning this rethoric has been used in western fandom spaces to degrade, demonize and invalidate gay trans men
the end of that sentence in quotations at the top is "...and they fetishize them so bad they start wanting to be men so they can force and trick cis gay men into fucking pussy"
that idea is only ever used to hurt cis queer women who are passionate about erotic art and fiction, closeted individuals who try to explore their sexuality and gender in a safe space, children who definitely should not be in these spaces but no one knows how to keep them out so obv they have no idea how to react to the inappropriate content they consume and out mlm and nblm trans individuals who want to create art representing them
Artists Against AI
In an era when artificial intelligence (AI) is alarmingly encroaching on creativity and copyright, SEVENTEEN are artists who are blatantly, loudly, and immovably protesting against the use of AI, precisely through their own artistryโunquestionably declaring their stance through music of their own creation.
In their award-winning performance of their song "Maestro" at the 2024 Mnet Asian Music Awards (MAMA), where they were awarded the daesang (grand prize) for Album of The Year and Artist of The Year, they open their stage with this:
A robot acts as the conductor that SEVENTEEN and their dancers seemingly try to follow, yet it is clear that the resulting music is discordant and everything is in disharmony.
It is here that S.COUPS, SEVENTEEN's General Leader, steps forward and grabs the baton from the robot, declaring without a doubt who the real Maestro of that stage should be.
The Two Captains then follow suit, with S.COUPS now relinquishing the baton to Performance Team Leader HOSHI, who now takes centerstage as is his command, as Vocal Team Leader and Producer WOOZI reclaims control of the music as he plays on the piano.
HOSHI is now the real Maestro of the stage, WOOZI the real Maestro of the music, and S.COUPS the real Maestro of the group and their rapt audience.
SEVENTEEN's three leaders will always be the only ones the members will follow.
Here, they declare without a doubt who the real Maestro are:
It will always, always be human creators.
You can watch the full performance here.

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Happy 11 years to SEVENTEEN my first ever boy group in 23 years of my life and I am happy it is them, 10/10 cosplays for the anniversary get together and I have been a Carat for 5 months now so this is my first anniversary with them, really happy I got to know 13 people who are so dedicated, passionate and cannot live a day without doing their jobs and on top of that they look like they enjoy doing it with one another, that kind of energy inspires me to do things I love with passion and enjoying the process of it.
Happy Seventeen Day to everyone who celebrates it, looking forward to celebrate more anniversaries with them ๐๐๐
Do you, Niall Brandon Kennedy, take Albert Franklin Safadi as your lawfully wedded partner?
Carmen Maria Machado in Queer for Fear: A History of Queer Horror
The way all of that fits for Half Man and some of the discourse Iโve seen around it.

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thank you ao3 for protecting writers and never allowing censorship to plague your platform. we love and respect you for this
i just keep on fallin' in your blue
For your listening pleasure, here is Maul whimpering in episode 10.
If you close your eyes, wonderful things can happen...
FAKE FACT LIPS + Text Posts

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hoshi and his favourite maknae
HAPPY BIRTHDAY, WOOZI! ๐๐ (1996.11.22)