Lethologica

Center of the Universe

The so-called Center of the Universe in downtown Tulsa is marked by a small concrete circle in the middle of a larger circle of bricks. It’s not much to look at, but looking isn’t really the point.

The “Center of the Universe” is a little-known mysterious acoustic phenomenon. If you stand in the middle of the circle and make a noise, the sound is echoed back several times louder than it was made. Even more strange, no one standing outside of the circle can hear a thing. It’s your own private amplified echo chamber.

As the legend goes, a foghorn could be going off in the center of the circle and those on the outside wouldn’t hear it. This may be an exaggeration, but your voice does sound extremely distorted when heard from outside the circle. It’s an incredible effect. Still, though many people have studied the cause of the odd anomaly there’s no clear consensus. (Source)

A liquid mixture developed by Imperial College London and a company called Fabrican lets you spray clothes directly onto your body, using aerosol technology. After the spray dries, it creates a thin layer of fabric that can be peeled off, washed and reworn. It was made by British fashion designer Manel Torres. (Source)

My friends have created this site for tracking your images, it’s called copypants.com.

It sucks finding people who repost your art without crediting you. On top of finding your images, Copypants acts as a middleman for interacting with the reposters. They make it really easy to send credit requests to people reposting your work.

Women have always been at the forefront of literature, the first novel (what we would consider a novel in modern terms) was written by a woman (Lady Muraskai’s the Tale of Genji in the early 1000s) take your snide “Isaac Asimov” reblogs and stick it

even in terms of male scifi authors, asimov was predated by Jules Verne, HG Wells, George Orwell, you could have even cited Poe or Jonathan Swift has a case but Asimov?

By the time you realise that they can traverse water, it’s too late. The surviving members of your unit manage to make it back by shedding their excess gear and running for their lives; the slower ones were crushed to death within minutes.

You later describe the creature to one of the humans you captured, wanting to know the name of the monstrosity that will haunt your nightmares for cycles to come.

The human smiles as it speaks a single word, slowly and distinctly, in its barbaric tongue.

And at first you are, you’ve learned how to dodge. You’ve learned where their territories are. You know how to defend yourself.

But then one night you are sleeping in your shelter. You’re in a tree covered temperate part of earth. It seems benign. There are been no sightings of the dreaded “hippos” around. Not even any bears. But there is a slight rustle of the undergrowth. You try and ignore it telling yourself it is just the wind.

Then you hear the rustle again. closer this time.

You peer out into the darkness but see nothing amongst the trees.

The rustle again and now you realise you can smell something. It’s musky and slightly foul. It’s the smell of an omen, a warning. But what of? Where is this smell coming from.

You sit up, but it’s too late. The foul smelling creature is on you. You are hit with 17kg of coarse fur and vicious bites. Long dark claws tear in to you and you are pinned down white the striped creature tries to bite your throat.

It takes some doing but you manage to wrestle free. Blood drips from your wounds and already they itch with the sign of infection. The creature has a bloodied snout, rust rad, mingling with the black and white hairs. It lets out a terrifying growl from the back of its throat and looks to attack again. It’s between you and your knife, so your only choice is to back away.

Eventually the creature gives up and snuffles off in to the undergrowth, down a hole near your shelter you hadn’t noticed before.

When you make it back to your base you once again consult the captive human.

BAMrumblerumblethumpcrash!!!

You lost Jaxurn to a plant. Not even a mobile or carnivorous plant, just one that caused a vicious allergic reaction on contact that killed him in less than a rai'kor. Commander Vura'ko died to an insect bite, a tiny local pest that sucked a tiny bit of her blood and apparently replaced it with a bit of its last meal, which was full of disease. Backwash. She died to bug backwash. And yet you honestly envy them after that… thing you encountered…

When you got back to base the quarantine officer refused to let you inside. They had to roll a containment tank outside to put you in, because you all knew there would be no chance of eliminating the smell if it got into the ship’s air ducts. Smell. You wonder if your nasal slit will ever recover from this stench.

And the smell would. Not. Leave. After incinerating your gear the Q.O. had you use every cleansing agent they could think of, including a few janitorial ones, and still everyone fled the stench if they were downwind of your tank. Desperate to protect everyone’s nasal slits from the smell the quarantine officer interrogated the humans. From them, a glimmer of hope: there was a cure. Somehow the juice of a certain fruit on this mudball was the only thing that could break up the chemicals in the little horror’s spray. Immediately the Q.O. sent a team to recover buckets of the stuff and made you bathe in it. That was hours ago and it didn’t seem to be working, though. All it was doing was turning your blue skin an interesting shade of purple.

Sighing in frustration you wave the med-assist on duty over, who only approaches after checking the wind direction. Annoyed, you flip on the tank`s vox speaker.

It came for someone almost every night. 

Any soldier alone was a viable target for this native monster that moved unseen by any but the security viewers, usually only spotted in hindsight.  They were taken as silently as this earth-monster moved.  Sometimes they’d find the remains in the morning taken up a tree and hung there, mostly eaten, as if it were a grisly reminder that the monster was still there, waiting unseen, to strike again. 

What little they saw of the monster on the vidfeed showed true horror.  Yellow eyes that shone with all the light it could gather.  It had fangs as long as his grasping digits.  Claws half that size formed curved hooks that allowed it to climb up their fortifications with impunity.  And in the underbrush, its spots made it almost impossible to see clearly in the undergrowth, if it could be seen at all.

Even the native sentients, the humans, had a healthy respect and fear for it. 

The earth natives called the monster a leopard.  

It was a constant fear that muddied the senses, and let the monster hunt even more effectively as the soldiers were always on edge.  Sleep deprived with fear, it made them even better targets for the monster. 

But rumor was that there was worse on this planet.  Rumors of a monster like a leopard but larger, and bigger in every imaginable sense. Stripped instead of spotted, which leaped from the underbrush with a sound.

The troops were not-quite-looking at her in the way troops do when they don’t want to be seen to contradict a ranking officer, but can’t quite muster a correct Expression of Enthusiastic Assent.  “The name of this species,” she pointed out, “is synonymous with dullness and slowness in the language of the Earth barbarians.”  Well, one language out of several thousand—these creatures needed Imperial guidance more than any other world on record—but there was no point in confusing the rank and file.

“I would warn you not to fuck with us, mate.” Their forced guide, a prisioner, had warned with a chilling grin upon capture. “If you think a moose is bad, wait until you tango with a red back.” To this day Tar'van fears the creature known as the red back, and what horrors it would bring.

The prisioner turned out to be of little help,the stubboness of his people causing them to refuse the danger that the captured human warned of. Tar'van recalls a moment when one of his squad members approached a creature know as a dingo, insistent they had seen these creatures before and they were tame. They barely escaped with 5 of the original 7 members of his squad.

Another moment Tar'van recalls was the brutal mauling they witnessed by the hands of a creature called an ‘Emu’

“Don’t feel too bad,” the prisioner mocked. “We lost a war to the Emu’s as well.”

Now with only 4 members of their squad left, including themself, Tar'van had learned to listen to the prisoner, to be wary of the simplest of creatures. This human was of the sub-species of ‘Zookeeper’ after all.

The ‘Zookeeper’ looks off to the distance, where the creature is.

“It’s a kangaroo, leave it be and you’ll be fine.” Tar'van nods, a human signal of acknowledgement if they are correct. The human smiles a bit.

“That creature cannot possibly harm us.” Tar'van’s squadleader protests. “It is so docile. I will aproach it and bring back it’s head to show this human is a fearmongering liar.”

The human reels back, a look of disgust crosses their face and anger passes through their eyes.

“Fucking do it mate, I dare ya.” The human hisses. The squad leader puffs up their hoinn gland, a sign of pride to their species, and aproached the so called ‘Kangaroo’.

“This will be unpleasant.” A squadmate mutters as they watch their leader raise their fist and bring it down on the creature. The ‘Kangaroo’ looks a little stunned by the impact, before it raises itself upon its strong tail and uses its powerful heind legs to launch their squadleader backwards through the air.

Their squadleader lands upon the ground, unmoving with black blooded oozeing from them. It appears Tar'van is the squads leader now.

“I don’t know what they expected.” the human says, smugness filling their tone. “Kangaroos are fucking shreaded. 8-pack and all.”

Tar'van steps forward to the human, whom inches back in a sign of fear as Tar'van pulls their blade from its holster, and in their first act as leader, frees the human of the bonds around their hands.

They had faced Emu’s. They had lost one in the battle but had experienced them. But this was no emu.

Looking to their guide, they all stare in horror as his face changes from calculating to fear. Pure, heart consuming horror as he stares at the large bird. “Cassowary…” They mimic him in fear. Squawking the horrific name as another joins the first in the mad run towards them.

“Excuse me,” the native Terran guide speaks up in a tired tone, and the squad’s cheers die on their lips. “This is Japan. You haven’t seen what–”

“Silence, worm! No sting can penetrate this plating!”

The guide tries to warn them once again, merely earning a blow that throws them to their knees. The troops set out, morale high, certain in their ability to brave the wildlife now and thirsting for vengeance against the non-sentient native species. One soldier thumps his fist against a tree. A hollow sound follows.

In an instant, the soldier is the centre of a storm of the striped insects. At first, no one pays it any mind. Their little stings cannot penetrate the new plating, after all.

But then the soldier falls to his knees, and the squad stares in horror as the insects enclose him in layer upon layer of their own bodies, all moving. The squad’s medic yells a warning at everyone to stay back, watching the readouts of the unfortunate soldier’s armour on their diagnostic screen with undisguised horror. The insects aren’t even stinging. They simply keep moving, one atop the other, and the soldier’s body temperature is slowly rising until he drops to the ground, quite literally cooked alive. The insect swarm takes off, unharmed save for the ones that were crushed when the trooper fell.

The human bares its teeth. A smile, they call it. Something humans do when they are happy. Yet you can’t help but think of all the creatures with the their large fangs and sharp teeth. (What kind of species uses a threat signal as a sign of happiness?)

“Persistence and ingenuity.” The human answers, still smiling. 

first letter of your first name

last two letters of your last name

humans: we’re going to plug two of them together and see if we go twice as fast

vsa: last time we gave you a warp core you threw it into a sun to see if the sun would go twice as fast

humans: hahaha yeah

humans: it did tho

vsa: IT EXPLODED

Impulsive, passionate to a fault, the social structures they build to try and regulate this hotheadedness ironically creates even greater levels of sheer bull-headedness. Even their “cooler” heads take action in months or weeks.

vulcan science academy: get what

klingons: you vulcans are a bunch of stuffy prisses but you’re also tougher, stronger, and smarter than humans in every single way

klingons: why do you let them run your federation

vulcan science academy: look

vulcan science academy: this is a species where if you give them two warp cores they don’t do experiments on one and save the other for if the first one blows up

vulcan science academy: this is a species where if you give them two warp cores, they will ask for a third one, immediately plug all three into each other, punch a hole into an alternate universe where humans subscribe to an even more destructive ideological system, fight everyone in it because they’re offended by that, steal their warp cores, plug those together, punch their way back here, then try to turn a nearby sun into a torus because that was what their initial scientific experiment was for and they didn’t want to waste a trip. 

vulcan science academy: they did that last week. we have the write-up right here. it’s getting published in about six hundred scientific journals across two hundred different disciplines because of how many established theories their ridiculous little expedition has just called into question. also, they did turn that sun into a torus, and no one actually knows how. 

vulcan science academy: this is why we let them do whatever the hell they want. 

Vulcan Science Academy: Let us guess - you’re not here to return the two warp cores we loaned you for experimentation, and you’re here to tell us that both of them were destroyed at once while you were trying to turn a sun into a torus again

Humans: well, half right

VSA: Wait, what is this

Humans: This is sixteen warp cores

VSA: How is this

Humans: Turns out that at the center of the stellar toroid there was a subspace anomaly that—

VSA: PLEASE don’t

Humans: —caused a refractive tachyon emission that—

VSA: This is literally impossible in every sense of the word

Humans: — depolarized the warp fields and in short—

VSA: Just no

Humans: — the warp fields got cloned and we ended up with four.

VSA: But you brought back sixteen

Humans: We had to repeat the experiment a couple of times to make sure it wasn’t a fluke

VSA: What about the “stellar toroid” of yours

The family home of architect Sami Angawi, Jeddah, Saudi Arabia.

So I looked at it and knew it was using the open courtyard and the pools and fountains to do a lot of the work of cooling the house, but it’s also got drip irrigation for all of those plants (which adds more moisture to the air and also helps cool it in addition to being an effective and efficient way of watering the plants), it’s got a roof garden and other eco-conscious stuff. It combines modern construction techniques with classic Arabic art and architecture.

And his home is a cultural center.

He holds lectures, concerts and salons in his home, with guests and speakers from around the world. He’s founded multiple institutions to preserve Islamic history and architecture. He’s an activist against the extremist factions he says are trying to hijack Islam.

His home is going to be part of an international institute offering degrees in Islamic history and science, as his legacy, housing a collection of over one hundred thousands of his photos, drawings and writings about Islam and the holy cities of Mecca and Medina.

This is serious real-life Islamic solarpunk for real.

Tumblr likes the idea of solarpunk, even if there’s not a real body of work about it yet. Well, we’re missing that people are already doing this for real, and have been for a long time.

On the flip side, green and blue are both cool colors with a sharp contrast to the iris, so when that beautiful cool color is exposed the most it’s in situations of fight or flight when the iris constricts (rather than times of close intimacy where you might be staring into someone’s eyes). Don’t worry cool eyed people, when the pupil diolates it will also be large and shiny and send the same cues. But Brown is warm all the time and it reads that way.

Artist removes 1 inch off the peak of England’s highest mountain; Brits want their inch back.

It is still England’s highest mountain, but Scafell Pike is ever so slightly smaller now after an artist stole the top inch of the summit to display in a gallery.

Oscar Santillan, 34, was accused of vandalism after removing the stone pinnacle of the 3,209ft Lake District peak for an exhibition in London.

like when you ask people “what is horror?” they’ll tend to give examples of monsters, of killers, of dark places, of sharp teeth and too many legs and lots and lots of blood. which is true, that can be used as horror! but i’d like to call that “the horror of being eaten/hurt/killed” or more succinctly “the horror of vulnerability”. it’s a horror that something, whether it’s a killer or a monster or some phenomenon, has the ability to cause us harm. we see large amounts of teeth and we think “that thing is going to tear us to pieces with those teeth” or we see spilled blood and we think “someone has been hurt, there’s a chance we can be hurt too by whatever spilled this blood”.

but what certain modern sculptures can do is elicit a very physical visceral reaction of a completely different kind of horror. 

it’s “the horror that something is a thing that SHOULD not exist, and you are absolutely powerless to understand what it is, but it is existing in your space, right now, it is real and you cannot make it unreal no matter what you do”

or perhaps, in a shorter fashion, it’s “the horror of wrongness”

like one of the sculptures that made me feel this way is this sculpture here, named “Monekana” located in the American Art Museum in Washington D.C:

“okay,” you say, with a shrug. “it’s a horse made of wood? what’s so scary about that?”. but this is the lie of the photograph! a photograph of a sculpture rarely grasps the experience of standing next to a sculpture. you have to picture yourself walking into this room, practically devoid of people, and coming face to face with this sculpture that is very large and very real.

and your brain screams that “THIS IS WRONG. MAKE IT GO AWAY. THIS IS WRONG”, like at any moment you expect it to move, to twist its head, to follow you with eyes that aren’t simply there. it looks like a horse but it is no horse. you could almost argue that maybe it isn’t even an art piece at all, but it wandered in from god knows what kind of world and it’s blending in with everything else. maybe it’s fooling you. maybe it isn’t.

anyways, i’m not trying to say that this sculpture in particular is SUPPOSED to be scary, it may make other people feel nothing at all (or even positive feelings!), but what i’m trying to say is that feeling i had that day, when i saw this thing, when i felt this fearful instinct to stay away and not stare, it’s THAT feeling that i feel so many writers and makers of horror don’t completely understand. you don’t need teeth. you don’t need blood. you don’t need to make Spooky Scary Skeletons or chainsaw-wielding villains. all you need is to create something wrong in its existence, something to make parts of us fear the fact that we can’t entirely rationalize what we’re seeing.

The experience of sculpture absolutely gets lost in images. I’ve walked into museums and been like WOW THE FUCK even when I knew it was coming.

I love this subject, though. I love “implication horror.” You see something, and the realization of what it means, which often comes a few moments later, is where the real horror lies—not in how splattery or gratuitously shocking it is. The wrongness of a thing in fiction, when done well, is the best. I was watching Melancholia the other day, and what a terrifying example of wrongness horror.

Examples: The Halifax shipyard building made me feel almost nauseous, and I have to drive past this cold storage building in Winnipeg every time I go to visit my boyfriend’s parents. I do not like it one bit. Also, I got to see that sculpture of a giant newborn baby last year. That was very surreal in the way that is described here.

Honestly, I’m so glad so many people have responded and reblogged this post with examples and stories of their own!! It’s so cool to see just what people think and perceive as this horror of “wrongness”. I also see some people saying that this is essentially the uncanny valley effect, which is only an aspect of this kind of horror - the uncanny valley primarily deals with something we perceive that looks close to human and yet doesn’t quite make it there. It’s just one subset of a really uneasy sort of horror that can be found in so many forms, which may really honestly differ from person to person.

Then I got to talking about how we see people on roofs all the time during the day and are never afraid, and I wondered what about the night made something usually benign seem suddenly terrifying.

Ultimately, we realized it was because people just Do Not hang out on roofs for any Normal reason at 3 AM. In the daytime our brains automatically categorize people on a roof as “Not A Threat” because we can excuse it as something usual like construction/roof repair. Or even someone just hanging out for a smoke or the view.

But at night? What could anyone be doing at night on a roof? They can’t be working. They can’t be there for the view or for photos; it’s too dark. And they can’t just be hanging out or taking a smoke break, because the building is closed for the night.

It would be Wrong if someone were on that particular roof after dark.