"Hey, we’re thieves, man, and we’re good at what we do, but this is way, way out of our league. And you expect us to go catch some psycho with a city killer? A country killer?"
Leverage S05E09 The Rundown Job.
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@kaarchin
"Hey, we’re thieves, man, and we’re good at what we do, but this is way, way out of our league. And you expect us to go catch some psycho with a city killer? A country killer?"
Leverage S05E09 The Rundown Job.

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Look y'all, this reveal means so much to me. So many times in movies these days there are big reveals for the audience’s benefit that mean absolutely nothing in the context of the story or to the characters in it. I’m talking the Thanos cameo in the Avengers’ stinger, I’m talking Benedict CumberKhan in Star Trek, I’m talking about every hackneyed “This character is actually this other character” when in universe nobody knows nor cares about their true identity.
But here? This reveal? This is a Big Reveal for us, Peter B Parker, and Miles, all on different levels. We and Peter both know Doc Ock is a portly dude, not a woman. We know the name Octavius… Otto Octavius. But when she says her name is Olivia Octavius we’re clued in to the fact that Doctor Octopus is a woman in this universe. And she has Peter captive.
Miles, if he was paying attention in science class earlier in the movie, would have known her name was Olivia Octavius, but that doesn’t mean anything to him, why would it? Liv has apparently been very good about keeping her supervillainy a secret. She’s in educational videos shown in high-schools. So to Miles, the reveal here is this scientist lady, who he knew enough about to know was the head scientist at Alchemax, is a supervillain. He gets the reveal a second or two after Peter.
And the movie? It was dropping hints the entire time, confident in our expectations blinding is to the truth. Olivia’s name was partially visible when Miles got to science class. Her glasses are octagonal. The lights in her lab are octagonal. We know she’s working with the Kingpin. Why wouldn’t she be a supervillain? Because she’s hot? Hell, Peter even says he needs to reexamine his internal biases. Maybe he was telling us that we should too.
It’s a reveal for us, and for our heroes. It means something, both in-universe and out. And that makes it infinitely better than other similar reveals.
I’m not reading all that I want her to dissect me
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Everyone say thank you sanitation workers we owe you our lives sanitation workers
my self-indulgence. happy fucking pride.
My latest cartoon for New Scientist
To be clear, this isn't a bit. This is what they actually did. "Its too late" is the new "Climate change isn't real"... And its still a lie!
Every serious climate scientist agrees that there is no such as thing as too late, just as there is no such thing as too early. We should have done a lot more than we have to fight climate change, and the world will suffer for our inaction, but there is no point of no return. We can always work to reduce the amount of suffering that occurs, and eventually turn things around to the point where our planet is healing once again. Do not believe anyone who says it's "too late".

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🔞 part 2 of the karaoke saga is out!
you can see the 2 new pages here
part 1 is here
PS: the tumblr post with part 1 has been flagged for being too ✨spicy✨, so idk if you can still see it. if not, you can see part 1 by clicking the associated link. sorry about that 🫶
If someone is about to walk into a situation that could range anywhere from inconvenient to harmful for them, the courteous and fair thing to do is to give them a warning.
For example, you're using a public bathroom, and there's no toilet paper left for the toilet you're using. If someone was waiting outside and is about to use the toilet / stall you were just using, it's fair to warn them first "hey there's no toilet paper left in that one" so they can use a different toilet if they'd prefer (or maybe grab some paper towel from the sink first if they'd personally rather improvise like that).
Another example of this is in many places it's common for cars to flash their lights at oncoming cars if there's any sort of danger or obstacle in the road ahead, like a flooded road, or an accident, or rubble/debris in the road.
Or say you used to work somewhere, and the work environment was really toxic (verbally abusive boss, co-workers who are bullies, they repeatedly "accidentally" paid you less than they were supposed to even after you called them out on it, etc) and someone you know is going to apply working there or was just offered a job there, it's fair and considerate to warn them about your experiences.
Or maybe you took a class that was way harder than you thought it would be, and had a much higher rate of people who fail or drop the class than you anticipated, it would be fair to warn a friend and/or classmate who says they're going to take that class.
The point of giving warnings is that you can save someone else a lot of trouble. Even if they still decide to proceed, it's better for people to go into a situation prepared and knowing what they're getting into rather than being completely caught off guard. Even just knowing about something ahead of time can make a difference.
my most sick and twisted fantasy
Luke Skywalker in The Mandalorian but it’s Toxic by Britney Spears
I’m gonna propose something: if your combat/ass-kicking sequence can’t fit to a top 40 female-vocalist Banger like “Toxic” or “Mama Mia” or “I Need a Hero” you’re not Doing It Right.
At this point its starting to feel like Editors are using 140-150bpm as a standard for action sequences, and I cant say I hate it.
I agree wholeheartedly with every point above but I watched this first with the sound off because I forgot that was an option and what struck me most is how efficient Luke's lightsaber style is. Almost every flourish he makes and all of what, 2 entire spins?, is defensive to better parry blaster fire while nearly every offensive swing he makes is basically a head or chest level kill shot. If I had to make a guess about his character I'd say this vintage twink has probably Seen Some Shit and maybe comes from a background where resources are scarce and help is far away so if you get in a fight you have to end it before it starts or you're dead meat
deeply want a time travel fic where Luke visits the old republic and the Jedi are like “that’s not a dueling style” and luke is like “yea am not doing much dueling tbh”
ever wandered around in an open world video game and noticed there are no children? no elderly people? no fat people? no one using a wheelchair? no one with a guide dog? this is supposed to feel like a living world and there's so much of life that's just not there

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Can everyone who makes video content do a Deaf bitch a favor? Watch your shit with the captions on and the sound off, and then do another round of editing to fix things including but not limited to:
Captions cover the spot on the screen you put the information I need
The dialogue is captioned but not the song you have playing that the dialogue is responding to
You only captioned the person on the screen, not the person off screen who is also talking
No captioning of critical sound effects (alarms, bells, dogs barking, etc)
Speakers are not labelled at moments where it is not clear on the screen who is talking.
Captions cover the spot on the screen that you put the information I need!
Other d/Deaf people welcome to add.
This post brought to you by the fifth video tutorial I could not follow because the bad, auto-generated captions covered what I was trying to watch today.
a post about when someone tags someone else on your post
this is simply too funny
Campaign 4 episode 1 // episode 28
[Image ID: 5 screenshots from Critical Role Campaign 4 with captions. The first three show Valeus and Thaisha speaking to each other, with Murray sitting between them. The captions read: "THAISHA: I don’t know if an elf like yourself has experienced enough loss to know that the way you are speaking is incredibly rude and will not be tolerated." / "VALEUS: That’s true, I haven’t experienced any loss in all of my years" / "THAISHA: Well other than your god, 70 years ago." The last two show Valeus speaking to Hannan. The captions read: "HANNAN: Who did you lose?" / "VALEUS: I lost them all." end ID]
Have you guys seen that clip
Go off Kermit
we're just normal men
Why the heck is this dude trying to confirm if the frog puppet is hetrosexual???
assessing the situation before he shoots his shot
And this is important!
The muppets usually work by improv rules. And the golden rule of improv is that you basically never say "no." It shuts down the scene and ruins the fun. It's always "yes, and," to help keep the energy going.
So if someone (person or muppet) actually goes out of their way to squelch something, it's a statement. It's saying that something is too important to keep "yes, and"-ing. In this case, shutting down bigotry is more important than keeping the scene going.

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"Kattigan has soo high charisma he wouldn't be like this!!!"
Have you also considered that he likes fucking with people on purpose
Like the Weird Man From The Woods agenda gets him exactly where he wants to be, and that is third wheeling and interrupting poignant moments, and honestly, good for him
CRITICAL ROLE: CAMPAIGN 4 Episode 28: Chasing Shadows