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happy pride and something something bishova rooftop kiss!
the concept of kate kissing yelena right before her dramatic fall back and both of them feeling so thrilled is sooo đđđ and you know rooftop kisses became their thing đ
this was inspired by olivia rodrigo's song drop dead. highly recommend hallucinating bishova scenes to it
"kiss me and i might drop dead" -> "kiss me and i might do i really cool drop off the building to show off??"
Summary: A forgotten recipe book finds its way home. A lost watch returns after years beneath the water. A man asks for your sister's hand. Across an ocean, an old friend finally decides to come back. And somewhere beneath the armor you've worn for so long, something dangerous begins to stir: wanting. Not duty. Not obligation. Just wanting.
Word count: 11,331
Pronouns: She/Her
Age: 28
Pairings: Natasha Romanoff x reader
Warnings: Mentions of illness and hospitalization, Alcohol, Emotional Burnout
A/N: Hey, guys. I am finally back, AGAIN. I am still on bed rest with a torn ACL. Let's keep fingers crossed for that.
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The office had a way of making Natasha Romanoff feel like an impostor in her own skin.Â
Floor-to-ceiling glass walls reflected the cold geometry of Manhattanâs skyline, the cityscape sharp enough to cut against the horizon, indifferent to the woman lounging in its midst. The desk, a sleek obsidian slab, was polished to an impossible sheen, not a fingerprint, not a smudge, not a stray paperclip, nothing to suggest it had ever been touched by human hands. It was the kind of workspace designed for someone who lived by spreadsheets and strategic silence, someone who thrived on structure.Â
Natasha was currently draped sideways in her chair like a discarded coat.Â
One leg hooked carelessly over the armrest, the other stretched out as if testing the limits of personal space. Her shoes were black, expensive, impractical which had been kicked off at some point, abandoned near the couch in a silent rebellion against professionalism. A tablet rested against her thigh, its screen glowing with a report she had stopped absorbing halfway through the third paragraph.Â
âRun it by me again,â she said, voice smooth as poured whiskey, eyes still fixed on the screen without seeing it. âWhy is this my problem?âÂ
Across from her, Yelena didnât look up either.Â
But for entirely different reasons.
Where Natasha sprawled, Yelena sat with military precision with her spine straight and shoulders squared while her pen moving in precise strokes across the document in front of her. The pages were arranged in a grid so exact it could have been measured with a ruler, edges aligned, corners crisp. She had rearranged them twice already. A third time wasnât out of the question.Â
âBecause,â Yelena replied, tone drier than the Sahara, âyour signature is on the approval sheet.âÂ
âSounds like a clerical oversight.âÂ
âIt isnât.âÂ
Natasha hummed, scrolling idly. âBoooooo.â
Yelena circled a line with enough force to leave an indent in the paper beneath. âThese projections are inconsistent.âÂ
âThey always are.âÂ
âThat isnât reassuring.âÂ
âItâs predictable.âÂ
Yelena finally lifted her head, gaze flat and unimpressed. âYouâre impossible to work with.âÂ
âAnd yet,â Natasha mused, tilting her head just enough to meet her eyes, âhere you are.âÂ
âIâm preventing you from bankrupting this company out of sheer boredom.âÂ
Natashaâs lips twitched, the ghost of a smile flickering across her face. âYou worry too much.âÂ
âI worry the appropriate amount.â
The rustle of paper fills the quiet room as Yelena turns another page in the financial report, her fingers pausing halfway down the sheet. A muscle ticks in her jaw before she speaks, her voice measured but edged with something sharp. "They're deliberately underreporting their operational costs. By at least twenty percent."
Natasha doesn't immediately react. She leans back in her chair, the leather creaking softly beneath her, and lets her head tilt until she's staring at the ceiling's cracked plaster. A slow exhale escapes her lips before she responds, tone so casual it borders on dismissive. "Then we let them."
Yelena goes still. The silence stretches between them. When she finally speaks again, her voice is clipped. "Explain."
Natasha doesn't hurry. She rolls her shoulders in a lazy shrug, still not looking away from the ceiling. "They'll commit to those numbers officially. Put them in writing, stake their reputations on them." A pause. A flicker of amusement in her voice when she continues, "And then we strke. When it's most inconvenient for them, when they've tied themselves to the lie, we ask all the right questions."
Yelena studies her, eyes narrowing slightly. The faintest twitch of a smirk tugs at the corner of her mouth before she schools her expression back to neutrality. After a moment, she nods once decisively. "Fine."
A beat of silence.
Then, dry as dust: "I hate when you're right."
Natasha's grin is all teeth, though she still doesn't bother looking over. "It happens often."
"Not often enough to justify this level of smugness."
Natasha opens her mouth to retort but the door swings open before she can take a word out.
No warning.
No courtesy knock.
Yelena's head snaps up instantly, her posture coiling into readiness without conscious thought. Natasha doesn't move. Not at first. She merely turns her head just enough to glance toward the doorway, her expression shifting from lazy amusement to something more intrigued, like a cat spotting an unexpected mouse.
Pietro Maximoff strides in as if he owns the place.
Which he doesn't.
But he moves with the unshakable confidence of someone who's never once considered that closed doors apply to him. His gaze sweeps the room in one quick, assessing glance before he quirks an eyebrow. "Well," he says, tone dripping with mock disappointment, "this is significantly less dramatic than I was led to believe."
Yelena is already on her feet. Not in a threatening stance but her body hums with alert energy. "You weren't announced," she says, voice edged with frost.
Pietro flashes her a grin that's all charm and zero remorse. "No."
"That's not how this works."
He shrugs, glancing pointedly back at the door, which is still wide open before meeting her gaze again. "Seems to be working just fine from where I'm standing."
A soft, breathy laugh escapes Natasha. She doesn't rise from her chair, but there's a glint in her eyes now, something amused. "Let him stay, Lena," she murmurs, stretching her legs out in front of her. "I want to see how far he gets before he regrets this."
Yelena does not sit down.
âYou walked through security.â
âI walked past security,â Pietro corrects.
âThat is worse.â
âI will take that as a compliment.â
Natasha finally shifts properly in her seat, swinging her leg down and straightening just enough to look like she belongs in this office. âYou are Pietro Maximoff,â she says.
âI am,â he replies, pleased.
âWe have seen your file.â
âAh,â he says, hand over his chest again, âI was hoping I made an impression.â
Yelena crosses her arms. âYou did.â
âGood impression or concerning impression.â
âBoth.â
That seems to satisfy him. He steps further inside, closing the door behind him with a casual ease that suggests he has already decided this conversation will go his way. Natasha watches him with open interest now.
âYou did not come here for talking,â she says.
âNo,â he agrees. âThough I am enjoying it.â
âGet to the point.â
Pietro reaches into his jacket. When he pulls his hand back out, it is holding two envelopes. He places them on the desk with deliberate care.
âFor you,â he says.
Yelena looks at them like they might explode. âThis feels suspicious.â
âIt is not,â Pietro says. Then, after a beat, âWell, not in a dangerous way.â
Natasha leans forward, picking one up between her fingers.
âYou broke into my office,â she says, turning it over once, âto deliver mail.â
âI did not break in,â he says again.
âYou are very attached to that distinction.â
âIt matters to me. Wordplay saves me legal troublesâ
Yelena exhales through her nose. âWhat is it?â
âAn invitation,â Pietro says.
âTo what.â
âA birthday party.â
There is a pause.
Yelena stares at him.
Natasha smiles broadly.
âOf course it is,â she says.
Pietro points at her, pleased. âSee. She understands.â
Natasha opens the envelope. Inside, the invitation is simple. Elegant. Personal in a way that corporate correspondence never is. Her eyes flick over it once. Then again. In meantime, Yelena takes hers, opening it more briskly.
âThis is at your estate,â she notes.
âYes.â
âAnd you came personally.â
âYes.â
âThat is unnecessary.â
Pietro tilts his head. âIs it?â
He considers that. Then smiles. âMaybe. But you are getting the premium experience.â
Natasha glances up. âPremium?â
âPietro Maximoff hand delivery,â he says, gesturing to himself. âVery exclusive. Everyone else got assistants and emails and whatever else my father thinks counts as effort.â
Yelenaâs mouth twitches despite herself. âYou are saying we should feel honoured.â
âYou absolutely should.â
Natasha laughs, low and amused. âThat is a bold claim.â
âI stand by it.â
Yelena finally sits again, though her attention does not leave him. âAnd this is where you expect us to⌠what. Socialize.â
âYes.â
âWith your family and assciates?â
âYes.â
âAnd with her?â Yelena adds pointedly.
Pietroâs grin sharpens. âEspecially with her.â
Natasha does not look away from the invitation. But something in her posture shifts. Just slightly.
âYou are very confident,â she says.
âI am very observant,â Pietro corrects.
âAnd what have you observed?â
âThat this,â he gestures lightly her, meaning more than just the room, âis not something your parents arranged quietly.â
Yelena watches him closely. âNo.â
âSo,â Pietro continues, âyou might as well make it interesting.â
Natashaâs thumb traces the edge of the card.
âAnd how do you suggest we do that?â
Pietro leans back against the edge of the desk, easy, unbothered.
âYou come,â he says. âYou drink something expensive. You pretend you are not evaluating each other like business assets.â
Yelena snorts. âThat last part seems unlikely.â
âI said pretend.â
Natashaâs lips curve. âAnd you think she will indulge this?â
âI think,â Pietro says, and for a brief second there is something a little more deliberate in his tone, âthat you will not get a better chance to figure that out.â
There it is. Not serious.
But real enough.
Yelena taps the invitation against the desk. âYou are very comfortable inviting chaos into your house.â
âYou have not met my sister properly in a social setting,â Pietro says. âShe will match you.â
Natasha glances up at that. Something sharper flickers in her gaze.
âThat sounds like a challenge.â
âIt might be.â
Yelena looks between them, then sighs lightly. âThis is already a bad idea.â
âThat is what makes it a good one,â Pietro replies.
Natasha closes the invitation, sliding it back into the envelope with care.
âWe will come.â she says.
Yelena turns to her. âWe will?â
âYes.â
âYou decided that very quickly.â
Natasha shrugs, relaxed again. âI am curious.â
Pietro beams like he just won something.
âExcellent,â he says. âThen I will stop risking your security teamâs blood pressure and leave.â
âThat would be appreciated,â Yelena mutters.
He pushes off the desk, heading toward the door.
âJust so you know, Itâs still my and Wandaâs birthday. Donât forget that in your own romance.â He throws over his shoulder as he leaves the room. He leaves the same way he entered.
Unannounced.
Unbothered.
And the door closes behind him.
Morning settles over the building in quiet layers of light and routine.
You are already dressed by the time the sun reaches the upper floors. Charcoal suit. Clean lines. Hair pulled back with the same precision you apply to everything else. Your tablet rests in one hand, already alive with numbers, messages, schedules that have no awareness of the date.
You do.
You always do.
You just do not allow it to change anything.
Your assistant begins to speak when you step out of your office, a list of priorities, calls, reminders arranged neatly for your approval. You listen. You respond. You adjust two things without looking at the screen.
Then, when they finish, you pause. Just long enough to interrupt the rhythm.
âHold my morning,â you say.
They blink, once, caught off guard. âFor how long?â
âAn hour.â
There is a hesitation. Not resistance. Just surprise. You do not leave gaps in your schedule. You do not step away from structure without reason. They recover quickly. âOf course.â
You nod once and that is all. The corridor outside your office feels the same as it always does. Controlled. Efficient. Every movement purposeful, every voice measured. It is a world you built into something predictable, something that does not require you to feel anything in order to function.
You walk through it without breaking stride. But there is something different today. Something that is not visible. Something that is not obvious. Just⌠quieter, in a way that has nothing to do with sound.
The hallway outside Wanda's office is quiet in that particular way office hallways get. Your footsteps slow as you approach the familiar door, its frosted glass pane slightly smudged where hundreds of hands have pushed it open over the years. The brass handle is cool beneath your fingertips when you reach for it, your hand hovering there, suspended between action and memory.
The hesitation isn't born from uncertainty because you know exactly why you're here. But this time something deeper pulls you into the past. The ghost of another door surfaces in your mind's eye: painted white, slightly chipped at the bottom. That door had led to a bedroom where a small figure cocooned herself in blankets every morning, stubbornly clinging to sleep like it was the most precious commodity in the world.
âFive more minutes,â she had murmured from under the covers.
âYou said that ten minutes ago,â you had replied.
A groan. A small hand reaching out blindly toward you. Trusting you to be there.
A deep breath draws you back to the present. The office door before you now doesn't open to pyjamas and stuffed animals, but to manila folders and Post-it notes in Wanda's distinctive, looping handwriting. Still, your knuckles rap against the wood with the same gentle rhythm you'd used all those mornings. Two soft taps that say "I'm here" more than "Wake up."
The pause that follows stretches just long enough for you to notice the hum of a computer fan through the door, the faint citrus scent of someone's perfume lingering in the hallway. Then comes the shuffle of papers being hastily rearranged, the telltale squeak of Wanda's chair.
When her voice calls "Come in," it carries that same warm timbre you remember from childhood, though now it's layered with professional composure. The door swings open to reveal an office that's unmistakably hers. Not through any deliberate decoration, but through the accumulated evidence of how she works. Stacks of files form precarious towers along the edges of her desk; each topped with brightly coloured sticky notes fluttering like tiny flags. A coffee mug sits perilously close to the keyboard, its contents long gone cold but still bearing the rings of multiple reheating attempts.
Her cardigan hangs abandoned over the back of the chair, one sleeve turned inside out as if she'd shrugged it off mid-sentence and never circled back. The desk lamp casts a warm pool of light over a half-eaten granola bar still in its wrapper, the corner neatly folded back the way she's always done it since she was seven.
She looks up when the door opens, and in that fractional moment before recognition, you see the flicker of surprise on her face because you don't come here without purpose these days, don't interrupt her workday just to see her face. Her expression softens as she takes you in, the way it used to when you'd finally coaxed her out from under the covers all those years ago.
"Hey," she says, and it's quieter than her usual greeting, already searching your face for clues even as her fingers absently straighten a stack of papers that doesn't need straightening. You close the door behind you.
The click is quiet.
Intentional.
âGood morning,â you say.
Her brows knit slightly. âGood morning.â
There is a beat.
You step forward, placing your tablet down on the edge of her desk without looking at it again.
"Happy birthday, Wanda."Â
Three words. Simple. Unadorned. But they land differently, not just compared to everything else youâve said today, or yesterday, or in the meetings that blurred into weeks. Different from anything spoken in months. Maybe longer.Â
Her expression shifts, though not all at once. First, the briefest tightening of her fingers around the pen sheâs holding, then the slow release. The change starts in her eyes: surprise, quick and unguarded, chased by something warmer. Softer. Something she tries and fails to swallow down.Â
"You remembered," she says, voice quiet. The words escape before she can stop them, before she can reshape them into something less telling.Â
You donât react.
"I always do."Â
She swallows and looks away for half a second. Of course you do. You always have. She just... forgot what it feels like to hear it from you. To hear anything from you that isnât clipped professionalism.Â
Then, without ceremony, you reach into your jacket just deep enough that she catches the faint rustle of fabric and withdraw a small box.Â
No ribbons. No glossy wrapping. Just plain paper, folded neatly, the edges pressed together with the kind of precision that suggests it wasnât done by someone paid to wrap gifts.
You set it gently in front of her.Â
"For you."Â
Wanda stares at it like itâs something fragile as if she moves too fast, it might vanish.Â
"You didnât have to," she says, but the words are reflex.Â
You tilt your head just slightly and wait.Â
"Open it."Â
She does. Slowly. Carefully. Like it matters.Â
Inside is not jewellery. Not anything that belongs in a glass case or a balance sheet.
It is a worn, leather-bound notebook.
The kind that has been opened and closed too many times to still be pristine. The edges softened. The cover marked by years that have left their imprint without apology.
Wanda freezes.
Her fingers hover over it before she finally lifts it out.
Her breath catches.
âYou kept this,â she whispers.
You watch her.
âYes.â
She opens it.
The first page is filled with messy handwriting. Younger. Uneven. Ink smudged in places where hands were too small to be careful.
Recipes.
Not written properly. Not measured the way they should be. Notes in the margins. Corrections. Little comments that make no sense to anyone who was not there.
Mamaâs recipe book.
Or what it became when Wanda insisted on learning too early, too fast, standing on a chair beside you while you tried to keep everything from burning.
âI thought we lost it,â she says.
âWe did,â you reply.
Her eyes flick up to you, confused. Then back down. And she sees it.
The later pages.
Your handwriting.
Clean. Precise. Controlled.
You had rewritten it. Preserved it. Kept every note she made, every mistake, every correction, every memory. Her fingers trace over a line where her younger self had written something wrong and scratched it out three times. You had left it. Exactly as it was. Her vision blurs.
âYou⌠you fixed it,â she says, but her voice shakes because that is not the right word.
Her throat tightens. She closes the notebook slowly, holding it against her chest like if she lets it go, it might disappear again. For a moment, she cannot speak. She does not trust her voice.
You step closer.
Close enough that she feels it before you do it.
Your arms wrap around her.
Not stiff.
Not distant.
Not the brief, careful contact you allow when something requires acknowledgment.
This is different.
This is⌠real.
And that makes Wanda freeze.
For a second.
Because this does not happen.
Not anymore.
Not like this.
Then she melts into it.
Her arms come up around you, tight, instinctive, like she has been waiting for this without realizing it. And it is longer than it should be. Long enough for the world outside her office to disappear.
Long enough for her to remember what it felt like when you used to do this without thinking.
She buries her face into your shoulder. You smell like something clean. Familiar. Controlled. Underneath it, something softer she has not noticed in a long time.
Her thoughts come all at once.
You didnât forget us.
Her grip tightens. She does not want to let go. Because she knows what happens after.
You step back.
You return to yourself.
You put the walls back up like they were never gone.
She knows this and she hates it. All at the same time.
âYou donât have to do everything alone,â she thinks, but does not say.
âYou donât have to carry it all,â she wants to say.
âYou donât have to disappear from us to keep us safe.â
But she does not say any of it.
Because right now, you are here.
And that is more than she has had in a long time.
Her eyes sting. She blinks it back.
You do not move immediately.
Neither does she.
For a moment, it feels like something might shift.
Something might break open.
Then you step back.
Of course you do.
Your hands drop to your sides.
Your expression smooths.
Not completely.
But enough.
âTake care of yourself today,â you say.
It is the closest thing you will give to something softer.
Wanda just nods because she cannot trust her voice yet.
You pick up your tablet and turn toward the door.
Then pause.
Just for a second.
âSave me a dance,â you add.
It is light. Almost casual. But it lands heavier than anything else.
Wanda lets out a small, broken laugh. âI will.â
The door closes behind you. And Wanda stands there, holding the notebook, feeling like something inside her has been cracked open in the best and worst way at the same time.
She presses it closer to her chest.
Heart full.
Because for a moment, she had you back.
And now she knows exactly how much she misses you when you are gone.
The corridor stretches ahead in a line so clinically perfect it could have been drawn with a ruler, all gleaming surfaces and harsh overhead lighting that leaves no shadow unexposed. It hums with the sterile efficiency that permeates every inch of this corporate labyrinth where each polished marble tile placed with mathematical precision, each recessed light fixture calibrated to the exact same lumen output. Your Louboutins strike the floor in sharp, metronomic clicks. Left, right. Like a chess piece advancing across the board.Â
The auditory assault hits you fifteen paces from Pietroâs office in form of an overlapping cacophony of laughter, the screech of ergonomic chairs being shoved back, someone impersonating what was clearly an excruciating client interaction in falsetto. You donât need to see the scene to reconstruct it; his team operates at a frequency just shy of anarchy, yet somehow their deliverables land in your inbox with pixel-perfect margins and formulas so elegant they make your teeth ache. Chaos theory in action.Â
You donât knock so much as rap your knuckles once against the frosted glass. Just a formality you discard mid-motion as you push through without waiting for acknowledgment.Â
The tableau snaps into focus before you. Pietro is perched on the edge of his desk like some dishevelled conductor, shirtsleeves shoved past his elbows, hands carving shapes in the air to illustrate what you suspect was a catastrophic supply chain failure. His team freezes mid-gesture as they notice you, a pen clatters onto a notebook, someone chokes on their coffee, a junior analystâs mouth hangs open mid-sentence.Â
Pietroâs gaze flicks to you. His eyebrows hitch up, but his grin doesnât falter. âAnd that,â he announces, sliding off the desk with a graceless thump, âis why we institute a strict âno interns negotiating with Japanese steel suppliersâ policy. Meeting adjourned.â He flaps a hand at his team like shooing pigeons. âGo. Exist elsewhere. Preferably where accounting canât hear you.âÂ
They scatter with the frantic energy of students caught cheating. The door clicks shut behind the last straggler.Â
Silence pools in their wake, thick as spilled ink.Â
Pietro leans back against his desk; arms crossed over his rumpled shirt. The overhead lights catch the silver streaks in his hair that werenât there five years ago. âEither youâre here to fire me,â he muses, tilting his head, âor someone died.âÂ
âNeither.âÂ
You reach into your jacket, a movement smooth enough that Pietroâs shoulders tense fractionally, as if expecting a weapon. What you extract is sleeker: a matte black case small enough to fit in your palm, its surface so devoid of branding it looks almost clinical. The only flaw is the faint smudge of fingerprints near the hinge, evidence of how tightly youâd clenched it during the elevator ride up.Â
Pietro eyes it like it might contain anthrax. âShould I be concerned?âÂ
âPerpetually.âÂ
He flicks the latch with a thumbnail.
âHappy birthday, Little piety.â
Inside, cradled in charcoal-gray suede, lies a watch. Itâs not one of the gaudy limited editions he collects to needle shareholders with, but the 1972 Seiko reissue. The same model heâd scrimped six monthsâ allowance for at sixteen, only to lose it during a drunken stumble into a Venice canal two weeks later. You can still see the memory like a film reel.
Pietro shivering on the hotel steps at 3 AM, seawater dripping from his hair, grinning like a lunatic while Wanda wheezed laughter into her hands.Â
His fingers hover above the watch face, not quite touching. âThis is-âÂ
âThe exact reissue. Down to the brushed steel casing.âÂ
âI know what it is.â His voice drops to something rough. âHow the hell did you-âÂ
âThe original manufacturer had the blueprints archived in Nagano.â You adjust your cufflink, ignoring the four months of favours it took to extract them. âThey required⌠significant persuasion.âÂ
Pietro exhales through his nose. He turns the watch over. Catches the inscription laser-etched onto the underside: Run faster next timeÂ
His shoulders jerk. Not laughter but something quieter, more seismic.Â
When he looks up, his expression is softer than anything youâve seen from him in a decade. âYouâre the worst,â he informs you, voice scraped raw.Â
âDuly noted.âÂ
He straps it on with fingers that fumble the buckle. The leather is still stiff, the face pristine. When he flexes his wrist, the seconds hand ticks forward with perfect, silent precision.
The word comes out rough, barely more than an exhale, "Thanks."Â
You donât answer with words. Just a slow tilt of your chin downward, a silent acknowledgment that lands between you like a dropped coin. The space between your bodies feels charged suddenly, thick with all the things neither of you ever says aloud.Â
Then you move.Â
One deliberate step forward, your heels scuffing against the concrete floor. His breath hitches, just once, as your arms slide around his shoulders, pulling him in before his brain can catch up. The hug is sudden, but not reckless. Youâve calculated this.Â
For half a heartbeat, heâs rigid against you, all sharp angles and coiled tension, like heâs bracing for impact. Then, like a sigh given form, his muscles unwind beneath your grip. His arms come up almost reflexively, hands pressing flat against your back, fingers digging in just enough to wrinkle the fabric of your jacket. Quick. Easy. Familiar.Â
Itâs nothing like Wandaâs embraces. Hers are sprawling, desperate things, all clinging warmth and whispered pleas. This is leaner. Lighter. A fraction too careful, like heâs afraid of pressing too hard and finding nothing solid beneath his palms. But itâs real. God, itâs real. And that alone makes it rare enough to steal the air from your lungs.Â
"Donât," he starts, voice muffled against your shoulder, "get used to this."Â
The corner of your mouth twitches. "You wonât let me."Â
His laugh is quiet, humid against your collarbone, and then youâre stepping back, because of course you are. The distance returns like a reset button, your expression smoothing into its usual neutrality as if the last ten seconds never happened. The moment shrivels, retreats.Â
You glance sideways at him. "Try not to cause problems today."Â
His grin is all teeth. "No promises."Â
"Expected. Try not to lose this one,â you say, turning toward the door.
Behind you, Pietro adjusts the clasp. âNo promises.â
The corridor swallows you whole. The building resumes its rhythm.
Somewhere, a watch ticks in perfect synchrony with your own.
The corridor greets you the same way it always does. Quiet. Ordered. Predictable. Nothing in it reflects what you just did. Assistants move past you with files tucked neatly against their sides. Conversations remain low, efficient, stripped of anything unnecessary. The soft hum of the building continues uninterrupted, like it has no awareness that something rare has just occurred within its walls. You walk through it without breaking stride.
Your tablet is back in your hand. The screen lights up as if it has been waiting for you. Messages. Numbers. A missed call. The day resumes its shape the moment you allow it to. You do not look at any of it. Not yet. Your reflection follows you in the glass panels that line the corridor. Composed. Unchanged. If anyone were to look at you now, they would not see it. They would not see the way your chest still feels too tight.
They would not see the lingering imprint of Wandaâs grip against your back. The way she held on like she had been afraid you would disappear if she loosened her arms. They would not see the brief, almost startled warmth in Pietro when you stepped into his space without warning. They would not see the moment where you allowed yourself to exist without structure. You see it. You feel it. You do not know what to do with it.
You press your thumb lightly against the edge of your tablet, grounding yourself in something solid. Something familiar. Something that does not shift under pressure. This is what you understand. Not that. Not the way Wanda looked at you. Not the way her voice broke around something as simple as you remembering. You always remember. That has never been the issue. The issue is that remembering is not the same as allowing yourself to feel it.
You reach the elevator. The doors open without delay. You step inside. Alone. The doors slide shut behind you, sealing you into a space that is smaller, quieter, more contained than the corridor you just left. For a moment, there is nothing but the soft mechanical hum as it begins to move. And then your mind catches up.
You should not have stayed that long. That is the first thought. Measured. Immediate. Practical. You should not have allowed the moment to extend beyond what was necessary. You should not have stepped forward first. You should not have closed the distance. You should not have. You stop the thought. Not because it is incorrect. Because it is incomplete.
Your fingers tighten slightly around the tablet. You look at your reflection in the steel panel in front of you. Still composed. Still controlled. Still exactly what you have trained yourself to be. And yet. You remember her voice. Soft. Warm. Certain in a way that had never needed to prove itself. "You are thinking too hard again."
You close your eyes. Just for a second. You can see it clearly. The open window. The scent of lilacs carried in on a breeze that had nothing to do with obligation. The way she had sat beside you like there was nowhere else she needed to be. "What are you dreaming of today?" You had not answered her properly then. You had not known how. Because wanting had felt like something fragile. Something that could be taken away if you held it too openly.
You had learned early that what you held mattered. So you held everything carefully. Tightly. Until it became easier to not hold anything at all. The elevator continues its ascent. The numbers change. You do not look at them. "If you bury all your wants beneath duty, you will become a statue." Your hand shifts against the tablet. Your grip loosens. "Beautiful, yes. But cold, unmovable, and alone."
You inhale slowly. Measured. Controlled. But it does not settle the way it should. Because this morning was not controlled. This morning was not efficient. This morning did not serve a purpose that could be measured in outcomes or numbers or strategy. You had walked into Wandaâs office without an agenda. You had stood in front of her without calculation. You had given her something that had no value in a boardroom and no return in profit.
You had held her. Not because it was expected. Because you wanted to. The realization settles heavier than you expect. You wanted to. You open your eyes. Your reflection looks back at you. Unchanged. And yet. There is something there that was not there yesterday. Something quieter. Something that does not belong to structure.
The doors open. Your floor. The world waits on the other side. Structured. Demanding. Unforgiving in the way it always is. You step out. Your pace resumes immediately. There is no visible hesitation. No one would know that anything inside you has shifted.
You reach your office. The door opens. Closes behind you. The space is exactly as you left it. Immaculate. Controlled. Predictable. Your desk waits. Your work waits. Your role waits.
You did not have to do what you did this morning. There was no requirement. No expectation. No consequence if you had chosen not to. You could have sent something through an assistant. You could have acknowledged it in passing. You could have done what you always do. Minimize. Control. Distance.
You did not. Because of her. Because of the way she looked at you that day by the window. Because of the way she asked you what you wanted, not what you would do. Because of the way she told you that forgetting how to want would cost you more than anything duty could ever demand.
You straighten. Your shoulders settle back into alignment. Your expression smooths. The structure returns. It always does. But this time, it does not erase what came before. It sits alongside it. Uncomfortable. Unfamiliar. Alive.
You reach for your tablet. The screen lights up. The day begins again. And somewhere beneath the numbers, beneath the decisions, beneath the version of yourself you present to the world, something quieter remains. Not gone. Not buried. Just waiting. For you to decide what to do with it.
The quiet in your office feels different today. Not heavier, not lighter, just altered in a way that lingers in the corners and clings to the glass windows where the afternoon light softens the city's reflection. You notice it the way one becomes aware of a room after laughter has passed through it, when something remains even after the sound fades.Â
It's been that kind of day.Â
Earlier, Wanda had wrapped her arms around you while Pietro's voice, too loud and too close, refused to let the moment go untouched. You stood there, motionless as ever, and yet not entirely untouched. The memory sits beneath your ribs now. Not painful, not sharp, just present.Â
You're seated at the smaller table by the window instead of your desk, a half-eaten lunch in front of you. For once, you aren't ignoring it. You take measured bites. Not out of hunger, but discipline. Yet today, something else threads through the act: a quiet awareness that you shouldn't let the day pass through you without pause.Â
Your tablet lies untouched beside you. Your phone is silent. For a few minutes, the world feels manageable.Â
Then comes the knock.Â
Soft. Careful. The kind that asks permission twice before being heard once.Â
You look up.Â
"Come in."Â
The door opens slightly at first, hesitation lingering in the movement as if whoever stands beyond it is still reconsidering.Â
Vision.Â
He steps inside, his posture is composed but not entirely at ease. That, more than anything, tells you something is different. He isn't a man who fidgets, nor one who hesitates without reason.Â
He also doesn't belong here. Not in this building, not in this system of glass and steel and controlled authority. He doesn't work for X-MEN International. His world runs parallel to yours, intersecting only where Wanda is concerned.Â
Which means this visit is deliberate.Â
"Miss Maximoff," he says, his voice steady but quieter than usual. "I hope I'm not disturbing you."Â
"You are," you reply calmly, setting your fork down with precision. "But not in a way that requires you to leave."Â
A flicker of relief crosses his face before it vanishes beneath practiced control. He steps fully inside, closing the door carefully behind him.Â
"I won't take much of your time," he says.Â
"You'll take exactly as much as is necessary," you correct, gesturing toward the chair across from you. "Sit."Â
He hesitates, then obeys, lowering himself into the seat with the wariness of someone entering a space that isn't theirs to claim.Â
You study him.Â
He's chosen this moment carefully. Your lunch break, the only unstructured time in your day. Yet he looks as though he expects to be turned away for it.Â
You don't rush him.Â
Silence settles between you, but it isn't the usual kind. This one carries anticipation, something fragile at its edges.Â
He exhales slowly.Â
"There's a personal matter I wished to discuss with you," he begins.Â
You tilt your head slightly. "I see."Â
Another pause.Â
"I've already spoken with your mother," he says.Â
That stills something in you. Not visibly, your posture doesn't shift. But your attention sharpens the way it does when something meaningful disrupts your carefully ordered world.Â
"When?" you ask.Â
"A few days ago," he replies. "During one of her clearer periods."Â
You nod once. "And?"Â
"She gave her blessing."Â
You don't respond immediately. Instead, you press a button on the discreet panel embedded in the table. A quiet chime sounds before your assistant answers promptly.Â
"Yes, ma'am?"Â
"Two glasses," you say. "And the decanter from the cabinet."Â
A brief, surprised pause. "Of course."Â
Vision watches you, uncertainty flickering across his face. "This isn't necessary," he begins.Â
"It is," you interrupt gently. Not a command, just a decision.Â
He falls silent as you fold your hands loosely in front of you, gaze steady. "For what did she give her blessing?" You knew the answer, but hearing it from his mouth was something you needed.
He meets your eyes fully. "I intend to ask Wanda to marry me."Â
Something in you fractures. Not catastrophically, not sharply, just quietly, like something held too tightly for too long finally giving way. Though, you are more than happy for you little sunshine.
You don't speak.Â
For a moment, you simply look at him.Â
Then the door opens again. Your assistant moves efficiently, placing two crystal tumblers on the table followed by a heavy glass decanter filled with amber liquid that catches the light like something alive. She sets everything down and leaves without a word.Â
The door clicks shut.Â
Silence returns.Â
Vision's gaze flickered from the decanter back to you, his hesitation palpable in the quiet room. His fingers twitched slightly at his sides before he repeated, "That is unnecessary," though his voice lacked its usual conviction this time.Â
Your hands moved with deliberate grace as you reached for the decanter, pouring equal measures into two crystal glasses. The liquid made a soft chime against the glass, the sound echoing slightly in the space between you. Without ceremony, you slid one drink toward him. "Take it," you said simply. He accepted with careful fingers, handling the glass as if it might contain something more volatile than alcohol.Â
As you lifted your own drink, you let the moment stretch. Your fingers curled around the cool crystal, your eyes studying him over the rim. "You chose today," you stated rather than asked. His quiet "Yes" came immediately, but when you followed with "The party is this evening," and then "And you have yet spoken to my father?" his response took longer in coming.Â
"...not yet," Vision admitted after a pause.Â
"And Pietro?" you pressed.Â
This silence lasted longer. "I have not consulted him," he finally confessed.Â
The admission startled an unexpected sound from you. A brief, unguarded laugh that made Vision blink in surprise. It wasn't your usual polite smile, but something more genuine that reached your eyes before you could stop it. "Then you're either very brave," you observed, "or catastrophically unprepared."Â
His lips pressed together in what might have been the ghost of a smile. "I'm beginning to suspect the latter," he conceded.Â
You took a measured sip, letting the warmth spread through you before setting the glass down with precise control. "When do you intend to ask her?"Â
"At the party," Vision said. "With Pietro's assistance."Â
Your eyebrow arched slightly. "You plan to involve him after the fact?"Â
"I'd hoped," he said carefully, choosing each word, "to secure essential approvals first."Â
Now your smile became unmistakable. "So you intend to survive my father, then entrust the execution to Pietro."Â
"Yes."Â
Tilting your head slightly, you considered this flawed strategy. "That's not a plan. That's a gamble."Â
"I'm aware," he admitted.Â
As you studied him over another sip, you noted how unlike Natasha or Pietro he was. Every movement measured, every decision intentional. Which made his current approach all the more significant. "You asked my mother," you noted.Â
"Yes."Â
"You came to me."Â
"Yes."Â
"And you're prepared to ask my father?"Â
"I am."Â
The certainty in his voice made you hold his gaze a moment longer. "Then you understand what this means."Â
"I do."Â
The silence that followed felt different now. Less charged, more settled. You watched the way light fractured through your glass before speaking again, your voice softer now. "Ask him before the party begins. Not after. He'll respect that."Â
Vision nodded. "And Pietro?"Â
Leaning back slightly, you allowed a trace of amusement to show. "Tell him last. He'll be offended regardless. This way minimizes the damage." A pause. "And be prepared for improvisation."Â
"I suspected as much," Vision acknowledged.Â
When you lifted your glass again, a toast without words maybe. But something in your expression shifted subtly. The familiar composure remained, but beneath it now lay something warmer, more approving. "You have my blessing," you said simply.Â
The words landed heavier than their simplicity warranted. Vision stood very still for a moment before his quiet "Thank you" carried a new depth.Â
You inclined your head slightly before adding, almost as an afterthought but not quite, "And my support."Â
This seemed to affect him more profoundly. You held his gaze as you continued, "She'll say yes. Not because it's expected. Because she wants to." Your fingers tightened fractionally around the glass. "Don't make her wait."Â
Something unspoken passed between you. A shared understanding that lingered in the air before dissipating. Vision's nod this time carried more certainty. "I won't," he promised.Â
After another sip, you set the glass down decisively and picked up your fork, returning to your interrupted lunch as if the conversation had been just another item on your agenda. Vision rose to leave.
"I would finish that drink, if i was going to face my father." You suggested Vision. And he takes it in account as he down the contents of the glass in one go before making a face. Not one of disgust, but one that suggests the scotch was one of best one he has had.
"Miss Maximoff," he said as he reached the door. When you looked up, he added quietly, "She's fortunate." To have you as her sister goes unsaid in his mind.
You considered this assessment briefly before responding with the faintest echo of your earlier smile, "No. You are."Â
The door clicked shut behind him, leaving a different quality of silence in its wake. One less charged with anticipation, more settled in its new shape. You finished your meal methodically, neither rushing nor distracted, then stood and adjusted your cuffs with habitual precision before returning to your desk.Â
The party would begin in hours. There was still work to complete. But for the first time in longer than you cared to remember, you didn't feel entirely carved from marble.
The top floor feels different.
Even before the doors open, there is a shift in the air. The hum of the building fades the higher one goes, as if noise itself knows where it is no longer welcome. By the time Vision steps out into the corridor, the silence has settled into something deliberate. Not absence, but control.
The lighting is warmer here. Less clinical than the lower floors, less concerned with efficiency. The walls carry weight, dark wood panels broken by framed pieces that are not decorative so much as historical. Photographs. Agreements. Moments that have shaped something larger than the company itself. This is not where decisions are made. This is where they are remembered.
The assistant outside the office does not stop him. She rises slightly, acknowledges him with a small nod, and gestures toward the door as though the outcome of his visit has already been decided.
Inside, Erik Lehnsherr is seated behind his desk.
He is not reading. There are papers in front of him, but they remain untouched. One hand rests lightly against the surface, fingers still, his gaze fixed somewhere beyond the glass wall that stretches behind him. The city lies beneath it, distant and orderly, reduced to something manageable from this height.
The door closes softly behind Vision.
Erik does not look at him immediately.
He lets the silence settle first.
It stretches long enough to become intentional, long enough to make it clear that this is not an oversight. Then, without turning fully, Erik speaks.
âSo, You intend to propose.â
It is not a question.
Vision steps forward, measured, unhurried. He stops at a distance that is respectful without being hesitant, posture straight, hands at his sides.
âYes,â he says. He doesnât question how the old man knows.
Erik turns then, his gaze landing on him with quiet precision. There is no surprise in it. No curiosity either. Only assessment.
âYou have considered the implications,â Erik continues, voice even. âFor her? For this family?â
âI have.â
A brief pause follows. Erik studies him, not searching for doubt but for its absence.
âAnd you believe yourself prepared.â
âI do.â
The answer comes without delay, without emphasis. It is not defensive. It simply exists.
Erik leans back slightly in his chair, the movement slow, deliberate. His fingers tap once against the desk, then still again.
âBelief,â he says, almost idly, âis a flexible thing.â
Vision does not respond to that. He does not need to. The observation is not directed at him as much as it is placed in the space between them, something to be acknowledged rather than answered.
Another stretch of silence.
Then Vision speaks again.
âI have spoken with her mother.â
That earns a shift.
It is small, almost imperceptible. A slight tightening at the edge of Erikâs expression, a brief stillness that replaces the measured rhythm of his breathing. The name does not need to be said. It is understood.
âAnd?â Erik asks.
âShe gave her blessing.â
Erikâs gaze lowers for a fraction of a second, not in dismissal but in thought. When it lifts again, there is something heavier behind it. Not softness. Not quite. But the sharp edge of scrutiny has dulled, replaced by something more inward.
Magdaâs opinion carries weight in this room in a way few things do.
But it is not enough.
âYou came here anyway,â Erik says.
âI did.â
âAm I to assume that her approval was not sufficient?â
Vision holds his gaze. âIt was not the only one I sought.â
That is when Erikâs attention sharpens again.
A quieter kind of focus now. Less immediate, more deliberate.
âI spoke with her sister.â
A beat.
âAnd?â
âShe approved.â
The room changes.
Not visibly. Not in any way that could be measured. But something settles into place, something that had remained suspended until now.
Erik does not move immediately. His gaze remains fixed on Vision, but it is no longer searching in the same way. The evaluation shifts. Recalibrates.
The silence that follows is different from the ones before it.
Earlier, it had been a tool. Now, it is a conclusion being reached.
Erik exhales slowly, leaning back further into his chair. His hand moves from the desk to the armrest, fingers curling slightly against the leather as his eyes drift, not away from Vision but through him, as though aligning what he has heard with something already known.
You do not make decisions lightly.
He knows that better than anyone.
If you said yes, it was not out of sentiment. Not out of pressure. It was weighed. Measured. Considered from every angle that mattered.
Which means this is not a question of permission.
It is already a decision.
Erikâs gaze returns to Vision, steadier now.
âYou understand that her sisterâs judgment is not easily given.â
A beat.
âAnd yet you believe you have earned it.â
âI believe she would not have granted it otherwise.â
There is no pride in the statement. No attempt to elevate himself. Only a recognition of what your approval signifies.
Erik watches him for a long moment.
Vision does not attempt to fill the silence with explanation or justification. The admission stands on its own, unguarded, unembellished.
Erikâs eyes narrow slightly, studying him again. Not for weakness this time, but for depth.
âYou think that will be enough?â
âI think it is where I begin.â
Another pause.
Longer.
Heavier.
Then Erik leans forward, resting his forearms against the desk, his presence filling the space between them in a way that is quiet but unmistakable.
âLoving her,â he says, voice lower now, âis not a matter of intention.â
Vision does not look away.
âI am aware.â
âShe does not ask for much,â Erik continues. âShe does not demand attention. She does not make her needs known in ways that are obvious.â
âI know.â
âAnd that will make it easy,â Erik says, âto believe she is content when she is not.â
The words settle between them, deliberate, precise.
Vision absorbs them without interruption.
âI will pay attention,â he says.
Erikâs gaze sharpens slightly at that. âAttention is not observation.â
âNo,â Vision says. âIt is presence.â
That earns the smallest shift.
Not approval. Not yet. But something closer to acknowledgment.
Erik leans back once more, the tension in his shoulders easing just enough to signal that the evaluation has reached its end.
For a moment, he says nothing.
Then, simply:
âYou have spoken to her mother and her sister.â
He studies Vision one last time, as though confirming something that has already been decided.
âWhich means you have done what was necessary.â
It is not phrased as permission.
It is not given as a blessing.
But it is acceptance.
Clear. Final.
Vision inclines his head slightly. Not in submission, but in recognition.
âThank you.â
Erik waves it off with a small, dismissive motion of his hand, though his gaze remains steady.
âDo not mistake this for reassurance,â he says.
Vision does not.
âI wonât.â
Erikâs expression settles back into something unreadable, the earlier shifts folding neatly beneath the surface.
âMarriage,â he continues, âis not a solution to anything. Not for her. Not for you.â
âI understand.â
âIf you are looking to fix what you think is broken,â Erik says, âyou will fail.â
âI am not.â
A pause.
Then, quieter:
âRespectfully, Sir. I am not looking to fix her.â
That, more than anything else, stills the room.
Erik holds his gaze for a long moment.
Then, finally, he nods.
Once.
It is subtle. Controlled. But it is the closest thing to approval he will give.
âGood,â he says.
The conversation is over.
The door closes behind him with a soft click.
The silence returns, settling back into the room as though it had never been disturbed.
The venue is louder than it should be for this hour of the afternoon.
Not crowded yet. Not alive in the way it will become once music fills the halls and guests begin spilling through the entrance in tailored suits and glittering gowns. But there is movement everywhere. Staff crossing the ballroom with floral arrangements balanced carefully in their arms. Technicians crouched beside lighting rigs. Caterers weaving through tables draped in linen smooth enough to reflect the chandeliers overhead.
Pietro Maximoff stands in the middle of it all like a man attempting to conduct a storm with sheer force of personality.
âOne inch left,â he says, pointing toward a cluster of lights suspended above the dance floor.
The technician stares at him. âSir, nobody is going to notice one inch.â
Pietro narrows his eyes. âI will.â
The man sighs and adjusts the fixture anyway.
Pietro steps back, head tilted critically toward the ceiling. Satisfied at last, he turns only to nearly walk straight into Vision.
âWell,â Pietro says, recovering instantly. âYou move disturbingly quietly for someone wearing dress shoes.â
Visionâs expression shifts faintly, something close to amusement touching the corner of his mouth. âYou appeared occupied.â
âI am occupied,â Pietro replies. âI am orchestrating magnificence.â
He gestures broadly toward the ballroom around them. The room gleams beneath warm golden light, elegant without feeling rigid. There are traces of Wanda everywhere in the details. Soft candlelight woven carefully into the centerpieces. Deep crimson flowers balanced against ivory arrangements. Music selections spread across an open folder nearby, half crossed-out and rewritten in Your handwriting.
Vision notices all of it.
Pietro catches the look and snorts softly. âYeah, she got involved halfway through and suddenly everything became tasteful.â
âI think it looks beautiful.â
âThat is because my genius laid the foundation,â Pietro says gravely.
Vision hums in polite agreement that is convincing enough to satisfy him.
Around them, staff continue moving through preparations, but Pietroâs attention settles properly now, studying Vision with casual familiarity. There is no tension between them. Vision has long since become a steady presence orbiting Wandaâs life. Holidays. Family dinners. Charity events where Wanda dragged him into conversations while Pietro rescued him from overly affectionate relatives.
Vision had endured all of it with impossible patience.
âWhat brings you here?â Pietro asks. âBesides admiring my work.â
Vision glances briefly around the ballroom before answering.
âI wanted to speak with you privately.â
Pietroâs brows rise slightly at the tone. Not alarmed. Just curious.
âThat sounds ominous.â
âI intend to propose to Wanda.â
The words land cleanly between them.
Pietro stills.
Not dramatically. Not enough for anyone else in the room to notice. But the restless rhythm of him quiets for a brief moment, his attention sharpening fully onto Vision.
ââŚAh,â he says after a second.
A worker passes behind them carrying a ladder. Somewhere near the stage, someone curses loudly after dropping a box of glassware. Pietro does not look away.
âYou are serious.â
âYes.â
The answer comes simply.
Pietro exhales once through his nose, gaze drifting upward toward the chandeliers as though recalibrating several thoughts at once. Then, slowly, a grin tugs at the corner of his mouth.
âYou know,â he says, âI always suspected this was where things were headed.â
Vision watches him quietly.
âShe looks at you differently,â Pietro continues. âCalmer. Less... noisy in her head.â He pauses. âThat sounded less creepy before I said it out loud.â
âIt made sense.â
âGood.â
Pietro folds his arms loosely across his chest now, studying him with a different kind of attention than before. More thoughtful. Less casual.
âAnd you are telling me because?â
âI would like your help.â
That catches him off guard properly.
Pietro blinks once. âMine?â
âYes.â
A short laugh escapes him, quieter than usual. âYou have significantly overestimated my reliability.â
âI do not believe I have.â
âInteresting. Wrong. But interesting.â
Vision says nothing.
Pietro studies him another moment, then shakes his head faintly, amusement softening into something more genuine.
âYou already talked to her, didnât you?â he says suddenly. âSestra.â
âI believed it was important.â
For a moment, Pietro says nothing.
The ballroom continues shifting around them, busy and bright and unfinished, but his attention drifts somewhere quieter. Toward Wanda. Toward you. Toward the strange shape of time passing without permission.
Then he looks back at Vision properly.
âWhen?â
âAt the party.â
Pietroâs grin returns instantly. âOh, that is evil.â
âI was told Wanda appreciates meaningful gestures.â
âShe does,â Pietro says. âBut mostly I meant doing it in front of this family.â He gestures vaguely around them. âHalf of us cry aggressively.â
Vision absorbs that seriously enough that Pietro laughs outright.
âI am joking,â he says. Then pauses. âMostly.â
Another silence settles between them, easier this time.
Then Pietro steps forward, resting a hand briefly against Visionâs shoulder.
It is not dramatic. Not ceremonial. Just sincere.
âYou make her happy,â he says quietly.
The humor has left his voice now.
âAnd she deserves that.â
Vision meets his gaze steadily. âI know.â
Pietro studies him for another second, searching perhaps for uncertainty, for hesitation, for anything that might force this conversation in another direction.
He finds none.
At last, he nods once.
âAlright then,â he says, exhaling lightly. âLet us emotionally devastate my sister in the most elegant way possible.â
The invitation arrives in the middle of a briefing on agricultural exports.
T'Challa barely notices it at first.
The morning has already been consumed by reports, projections, and negotiations that seem determined to outlive everyone involved in them. By the time the meeting concludes, the sun has climbed high enough to flood the royal office with warm afternoon light, painting long bands of gold across polished stone floors and dark wood furnishings.
Only then does his attention settle on the cream-colored envelope resting atop a stack of documents awaiting review. A small smile appears almost immediately. Brief, but enough.
"What is it?" Nakia asks from across the room.
T'Challa turns the envelope over in his hands before answering.
"An invitation."
The response is unremarkable. But his expression is not.
Curiosity flickers across Nakia's face as she watches him open it with a level of care normally reserved for considerably more important correspondence.
For several moments, silence settles over the office.
His eyes move slowly across the page.
Then the uncharacteristic smile returns.
The sort of expression attached to memories rather than events.
Nakia closes the file she has been reading.
"Who is she?"
T'Challa glances up.
She gestures toward the invitation.
"I assume it is a she."
A soft laugh escapes him.
"It is."
"Then who is she?"
His gaze drops back to the card.
The answer should be simple, yet it is not. It takes him several seconds to find.
"An old friend."
Nakia waits. And when nothing further follows, one eyebrow lifts slightly. The reaction earns another quiet chuckle.
"I realize that explains very little."
"An unusually self-aware observation."
T'Challa smiles faintly before extending the invitation toward her. Nakia accepts it. The event itself appears straightforward enough. A birthday celebration. Private guest list. Formal attire. Location included. Nothing particularly remarkable. Yet one detail immediately catches her attention. The invitation is addressed simply to T'Challa.
Not âKing T'Challaâ.
Not âYour Majestyâ.
Not âSovereign of Wakandaâ.
Just âT'Challaâ.
The distinction feels oddly intimate. When she looks up, she finds him watching the city beyond the windows. "How long have you known her?"
For a moment, he doesn't answer. His gaze remains fixed on the distant skyline while his mind is somewhere far away, in a different time of his life. Then, he quietly speaks up again.
"Almost fifteen years."
That surprises her.
Because there are not many people left who knew T'Challa before the crown. Before the responsibilities. Before the endless machinery of state consumed most of his life.
Nakia studies the invitation once more.
"Close friends?"
The question earns her another stretch silence. T'Challa's gaze drifts briefly toward the windows.
"Wakanda attracts exceptional students."
Nakia smiles despite herself.
That sounds suspiciously like a deflection. He knows it. He also knows that she knows it. For a moment neither acknowledges the fact. Then a faint smile touches his face.
"Most of them spend four years making certain everyone is aware of exactly how exceptional they are."
That earns a quiet laugh.
"And she didn't?"
"No."
The answer arrives immediately.
Almost fond.
"She never felt the need."
The room grows quieter. Outside, aircraft move silently between distant towers. Somewhere below, advisors continue navigating the endless complexities of governance. Yet for a few moments, none of it feels particularly important.
T'Challa settles back slightly in his chair, his attention no longer on the office around him but on memories decades old.
"We met during our first year."
A small smile appears.
"She was late."
The smile widens fractionally.
"The professor had already started the lecture. The room was completely silent. Then the door opened."
The memory plays itself across his expression.
"Most people would have apologized. Or looked embarrassed."
"What did she do?"
T'Challa's smile finally reaches his eyes.
"She looked around, realized every seat was occupied, dragged a chair from another room, and sat down."
Nakia laughs. The image is unexpectedly easy to picture.
"That sounds incredibly disruptive."
"It was."
His amusement deepens.
"The professor stopped teaching entirely."
"And?"
"And she asked him to continue."
The office falls quiet again.
T'Challa turns the invitation over once between his fingers.
"Most people spend years trying to become comfortable with themselves."
His voice has grown softer now.
"She already was."
The statement lingers because of the certainty behind it.
Nakia studies him carefully.
The woman he is describing bears little resemblance to the woman she occasionally sees in finance magazines. The woman in those photographs always appears composed. Controlled. Distant.
The woman in his memories sounds... lighter.
"You respected her."
The words leave her before she fully considers them.
T'Challa looks down at the invitation and smiles.
"No."
The answer surprises her.
A moment later, he continues.
"I respected her later."
His thumb traces the edge of the card.
"At university she was simply my friend."
And somehow that distinction feels far more important.
Nakia looked down at the invitation again.
The card seemed remarkably ordinary considering the conversation it had inspired. Yet she suspected that if anyone else had sent it, it would already be buried beneath the mountain of state documents awaiting review.
Instead, it remained in T'Challa's hands.
"Does she always invite you?"
The question drew him from his thoughts. For a moment he simply looked at the invitation.
Then he nodded.
"Every year to anything important to her."
The answer came so naturally that it was clear he had never considered how unusual it sounded.
"Every year?" Nakia repeated.
A faint smile touched his face.
"Every year."
The office grew quiet again.
Outside the windows, Wakanda continued moving through its day. Aircraft crossed distant skies. Meetings began and ended. Decisions were made. Thousands of people went about lives entirely disconnected from the conversation taking place in the royal office.
Yet somehow this seemed more important.
Nakia folded her hands in her lap.
"And you attend?"
The smile became something closer to embarrassment.
A rare expression.
"No."
That answer surprised her.
"No?"
T'Challa shook his head.
"Not once."
A soft exhale escaped him.
"Not because I did not want to. Life simply had other plans."
The words carried no bitterness.
Only acceptance.
The acceptance of a man who had long ago learned that duty rarely asks permission before taking something from you. For several moments he remained silent, turning the invitation over carefully between his fingers.
"I always intended to attend the next one."
A small smile appeared.
"Then the following year would arrive with new duties to fulfil."
Nakia understood immediately.
There was always something.
A summit.
A diplomatic crisis.
Trade negotiations.
Security concerns.
The responsibilities attached to a throne had a way of multiplying when one wasn't looking.
"Yet she kept inviting you?"
The observation escaped her before she realized it.
T'Challa's expression softened.
"Yes."
There was something almost remarkable about that simple answer.
No disappointment or resentment. You kept inviting him. Year after year. Regardless of whether he came. Regardless of whether he could. The invitation always arrived.
The realization seemed to settle over the room slowly.
Nakia had never met Y/N Maximoff.
She knew the name. Knew the company. Knew the reputation. But the woman T'Challa described felt very different from the woman presented to the world.
Because you remembered people.
Even when years stood between you.
Even when distance did.
Even when life did.
"What happened?" Nakia asked quietly.
T'Challa's gaze lowered.
Not because he wished to avoid the question. Because the answer deserved consideration.
"Nothing happened."
The response surprised her.
"At least not all at once. We graduated. The group scattered across the world. Careers began. Responsibilities arrived."
A pause followed.
"That part was normal."
His eyes settled on the familiar handwriting once more.
"What was not normal was how quickly everything changed afterward."
The warmth in his expression dimmed.
"When my father died, I became king."
Nakia felt the weight of those words even now.
Years later.
She remembered the days that followed.
The grief.
The expectations.
The impossible transition from son to sovereign.
No amount of preparation could truly prepare someone for that moment.
T'Challa continued quietly.
"And around the same time, her mother suffered a severe stroke."
Nakia knew that story. Most people in their business circles did. Not the intimate details of course. Not the private pain. But enough.
Magda Maximoff's illness had become one of those events that altered the course of multiple lives at once.
The invitation remained untouched between his hands.
"My coronation was scheduled a few weeks later. She called me herself. And I remember thinking she sounded exhausted."
A faint crease appeared between his brows.
"Not emotional but exhausted."
The distinction mattered because one implied grief and the other implied responsibility. And responsibility had a habit of lasting much longer.
T'Challa looked toward the windows.
Toward a country he was sworn to protect.
Toward a life that often belonged more to others than himself.
"She apologized. She apologized for missing my coronation."
T'Challa laughed softly.
"You understand?"
"I think I do."
"Her mother was in the hospital."
His voice was calm.
Measured.
Yet somehow that made the memory heavier.
"Her family needed her."
Another pause.
"And she was apologizing to me."
The silence that followed felt thoughtful rather than sad.
Neither of them rushed to fill it.
Eventually T'Challa lowered his gaze to the invitation once more.
The years between then and now seemed to gather quietly inside the room.
"We spoke occasionally after that."
A small shrug.
"Less often than either of us intended."
Another truth shared by countless friendships. Not broken, just simply stretched.
"But every year," he said softly, "the invitations arrived."
Not formality.
Effort.
Then, almost absentmindedly, his eyes drifted toward the tablet displaying next week's schedule.
The state visit.
New York.
The diplomatic meetings already scheduled.
The route already planned.
For the first time in years, there was no conflict.
No emergency.
No impossible choice waiting to be made.
Just an invitation and a friend.
T'Challa stared at the schedule for several seconds.
A slow smile appeared.
Real.
Almost boyish.
The sort of smile rarely seen on kings.
For the first time in years, he realized he could say yes.
Not next year. Not someday. Not when things settled down.
Now.
Nakia watched the realization settle across his face.
"You're going."
The certainty in her voice made it less a question than a statement.
T'Challa looked down at the invitation once more.
At the familiar handwriting.
At a friendship that had somehow survived years of distance and silence.
At a door that had never quite been allowed to close.
"Yes, I think I am."
He carefully placed the invitation atop the stack of documents waiting for his attention.
For once, matters of state could wait another minute.
The last time T'Challa had seen you, you were sitting in a terrible cafĂŠ near the engineering faculty, insisting that his presentation strategy was inefficient while stealing fries from his plate.
The next time he sees you, you would be one of the most influential women in the world.
And, if his instincts were correct, a stranger in all the ways that mattered.
For reasons he could not entirely explain, that thought made him want to arrive all the more.
Summary: Just because you and Wanda have been dating a while doesn't mean neither of you have been able to keep your eyes or thoughts off your best friend Natasha. And she can't keep her eyes or thoughts off either of you either. Tonight, the tension is finally broken
Authors note: been awhile since I wrote some WandaNat smut, hope you guys enjoy!
Warnings: smut(grinding, blowjob, fingering, mutual jerking off, double penetration, vaginal & oral sex) subby Wanda, Natasha has a penis, Reader has a penis
Word count: 2,800
WandaNat Masterlist Marvel Masterlist
The music of the club thrums around you, the bass so deep that you can practically feel it in your chests. Natasha takes the lead, grabbing onto your hand as she pulls you and your girlfriend Wanda further inside. She glances back over her shoulder and flashes a smile at both you and your girlfriend that has butterflies erupting in both your stomachs. Not that either of you would ever admit that to her. Eventually she manages to lead you over to a corner booth
"I'm gonna head to the bar, grab us some drinks" she shouts over the music, "You guys want your usual?"
"Yeah, sounds good" you agree
She nods and heads off for the bar while you and Wanda settle into the booth. You watch Natasha wade through the sea of people with ease, her confidence and sharp stare making them get out of her way quickly. You always admired that about her, among other things.
You glance over to see Wanda's eyes still glued on Nat and smirk to yourself. It was no secret to you that your girlfriend fancied your friend, and you couldn't blame her because you did too. The two of you have even started talking about what it would be like to add her to your relationship. Wanda didn't think asking was a good idea, she wasn't sure of the redhead's feelings and didn't want to ruin your friendship with her. But you saw how she looked at Wanda and even yourself at times, you felt how her touch lingered too. You strongly suspected that she wanted more too
Natasha returns with everyone's drink and slides into the booth beside you. She smiles and takes a sip of her beer and you and Wanda start drinking your drinks too. The three of you sit there for a little while, just vibing to the music and enjoying each others company while getting buzzed. Eventually though Wanda leans into your side and her lips find your neck
Your lips quirk up into a smirk as she kisses along your jawline and out of the corner of your eye you can see Natasha tracking the movement, her focus completely on the two of you.
"Come on baby, let's go dance" Wanda murmurs against your ear
You nod and gesture for her to slide out. As she does so you turn to Nat, "We're gonna dance, feel free to join us"
Natasha watches the two of you head for the dance floor before taking another swig of her beer. Your offer was tempting, but she knew that she wouldn't be able to hold herself back. Her hands would have been all over both of you, and God help her if either of you were to grind against her. So she decided she would just sit here and watch, even if that was it's own kind of torture
Out on the dance floor Wanda's hips sway in time with the beat and your hands travel along her waist, pulling her closer. Wanda turns around in your hold and starts to grind back against you, trying to get you worked up. And she could tell it was working. Your breath was coming quickly against her neck and there was a bulge at the front of your pants that was now pressing against her
"Careful sweetheart" you coo, squeezing her hips, "Lots of eyes here, wouldn't want them to see this, would you?"
She bites down on her bottom lip, "Just one of those sets of eyes"
"Natasha?" you ask in a chuckle, "Well, lucky for you, because her eyes haven't left us all night"
Wanda lets out a soft needy sound, "Really?"
"Really" you tell her, leaning down to kiss the junction of her neck and shoulder, "I think we should make a move tonight, what do you think?"
"Are you sure it won't ruin anything?"
"Baby, she's looking at us like she wants to devour us. Trust me, she'll jump at the chance" you assure her
Those words make Wanda subconsciously grind back against you, "Okay, then yes. Please yes"
You smirk at that, "Okay, you stay here and keep dancing. I'll go back to the table, say I'm a bit worn and need to refresh with my drink. Then I'll make a proposition to her. Sound good?"
She nods enthusiastically, "Yes, god yes"
You release your hold on her and make your way back over to the booth. You notice Nat's gaze move down to the front of your pants briefly before she tears her gaze away and looks back over at Wanda. You slide in beside her and start sipping on your drink
"I think she could dance all night"
Natasha chuckles, "Yeah, she seems to have a lot of energy. And moves"
"That she does" you agree, taking another sip, "She's got some other moves too"
The redheads eyes flick back over to you, her expression shifts slightly as she tries to figure out if you're saying what she thinks you are. You smile at her in a way to assure her that you meant it
You slide closer to her, "Would you like to see those moves Tasha? She's just dying to try them with you, and so am I"
Nat swallows thickly as she looks back out at Wanda, "YouâŚyou're both sure?"
"Oh absolutely" you tell her, letting your hand come to rest on her thigh. You slowly slide it further up, watching her breath catch as you cup her bulge, "And it feels like you are too"
"FuckâŚ" she mumbles
You look out at Wanda and when her gaze meets yours she understands everything just by the look in your eyes. She smiles and starts making her way over to the booth. You slide out of your seat as she arrives and Natasha finds herself missing your touch immediately. Thankfully for her you offer her your hand, and she quickly grabs a hold. You take Wanda's hand too and start to lead them both towards one of the clubs back hallways where the rooms for more private encounters are
As soon as the door to the room shuts Wanda goes right for Natasha. She loops her arms around the other woman's neck and presses herself right up against her bulge, "Hi Tasha"
"Hi Wanda" Nat groans as her hands find their purchase on the younger womans waist
"Baby, why don't we let her have a seat, hm?" you suggest
Wanda leads her over to one of the plush chairs in the center of the room and gently pushes her shoulders and Natasha plops down in the chair. She instinctively spreads her legs to accommodate her bulge, making Wanda lick her lips
"Go ahead baby, show Tasha how good you are with your mouth"
Nat's eyes widen as she watches your girlfriend quickly pull her hair back into a ponytail and sink down on her knees in front of her. Wanda gently caresses Nat's thighs and then moves for her belt. She undoes the buckle then slowly pulls the zipper down before she reaches inside to palm Nat through her boxers. The redhead lets out a groan and grips the arms of the chair so tight her knuckles go white
"Mm, nice and hard already" Wanda practically purrs as she pulls the boxers waistband down and frees Nat's length
Nat hums as Wanda's fingers wrap around her cock and then lets out a moan when Wanda leans in and takes the tip in her mouth. She swirls her tongue around a few times before taking more of Nat into her mouth. She starts to bob her head, hollowing her cheeks out as she does so.
"Yes, just like that" she moans, moving one of her hands to grip Wanda's ponytail
"Knew you'd enjoy this" you tell her with a smirk, "She's enjoying it too, aren't you baby?"
Your girlfriend lets out a moan around Nat's cock and the vibrations cause the redhead to throb against her tongue. You chuckle at the look of pure bliss on your best friend's face and honestly you can hardly wait to be the reason she's making it, but you're also content to watch Wanda have her fun
"FuckâŚ.if she keeps it up like this I won't last long" Nat admits, her cheeks going a bit pink
"That's okay Tasha" you assure her, "Let go whenever you're ready"
Wanda doubles down on her movements and brings one of her hands up to stroke the base of Nat's cock. The older woman's hips start to rut forward, and her head lulls back against the chair. She lets out a gutteral moan and then she releases inside Wanda's eager mouth. The brunette swallows every drop then releases Nat with a wet pop
"You taste good" Wanda says, licking her lips
"Come here" Nat tells her, guiding her face closer until she can crash their lips together
Wanda lets out a small sound of surprise before melting into the kiss and by the time Nat pulls back she'd even more breathless. Her cheeks are still an adorable shade of pink and her chest is heaving as she tries to calm down
"Let Tasha catch her breath baby" you tell Wanda as you plop down in one of the other chairs, "But you were such a good girl, You deserve a reward"
Wanda quickly gets up off the floor and makes her way over to you, clearly eager for whatever the reward may be. You chuckle at her enthusiasm and pat your lap. She sits down and looks at you expectatly
You slide one of your hands up her thigh and under her skirt, "So wet already. Sucking Tasha off do this to you?"
"Uh huh" she softly admits as she spreads her legs further apart
Natasha gaze is glued to you both and she can feel her softened dick twitch at the revelation that just getting her off was enough to make Wanda soak her panties
"That's my girl" you coo as you move her underwear to the side
Your thumb finds her clit and you press down on the bundle of nerves before slowly rubbing. She lets out a small moan and grabs onto your shoulders to help anchor herself. And then you push two fingers inside of her dripping core
She lets out a loud moan and tightens her grip on your shoulders, "Feels so good"
"Oh I know it does baby"
You start to thrust your fingers, curling them just right all while your thumb still draws circles against her clit. Her walls flutter around you as you set a decent pace with your movements and she starts to grind down against your hand.
This makes Nat chuckle, "Eager little thing, isn't she?"
"Oh you have no idea" you laugh
Wanda's pussy squeezes your fingers tighter then, she clearly enjoys being talked about in this manner while also not being fully acknowledged. You'd have to file this new information away for later because you were certainly going to use it
"IâŚ.I'm close" Wanda stutters as her clit throbs under your touch, "Please, can I cum?"
"Such good manners" Nat comments, making the brunette blush
"You can cum baby, but you gotta look at Tasha while you do, okay?"
She immediately turns to meet the redhead's piercing gaze and lets out a series of moans as she cums. Her release gushes out around your fingers soaking her panties even more, along with her thighs. You gentle your thrusts helping her through her climax until she starts to shake as overstimulation nears.
You pull your fingers out of her pussy, "You did so good baby"
She smiles at you, "Thank you"
"Of course, now I'm gonna let you rest and go have my own fun with Tasha"
You pick her up, turn around and place her in the chair you'd just been sitting in. You lean in and place a soft kiss against her lips before making your way over to Nat. She looks up at you eagerly and watches as you unzip your pants and pull your own cock free from your boxers
"Come here Tasha"
She stands up and steps closer, her cock nearly touching yours. You close the distance and let them touch, which has her letting out a soft sound of pleasure. You wrap your hand around both your lengths and slowly start to stroke.
"Oh god" she moans, reaching out to grab a hold of your hips, "That feelsâŚ.fuck that feels so nice"
"Mhm, it does" you reply breathily
You tighten your grip slightly and start to stroke faster, pulling a moan out of both you and Natasha. Her cock throbs in time with yours and begins to leak precum all over your hand
"Y/n" she moans as she tightens her hold on your hips
"I know Tasha, god I know" you groan as your own cock begins to twitch, "Cum with me"
She eagerly nods and you swirl your thumb over both your tips and both of you erupt. Cum splatters all over your hand and you both moan and pant as you slow your strokes
"FuckâŚ.that was hot" Nat says, still trying to catch her breath
"It was" you agree before you lean in to kiss her
She melts into the kiss then turns to look at Wanda, "Can we go home and ruin her now?"
Your girlfriend lets out a whimper and you smile, "I thought you'd never ask"
After getting back to your place Wanda almost drags both you and Natasha to the bedroom before you can even get your shoes off. Her excitement was palpable
"Clothes off and get on the bed baby" you tell your girlfriend who is all too happy to comply. She quickly undresses and sits on the side of the bed, waiting for further instructions and you turn to Nat, "You already felt her mouth, wanna feel her pussy?"
"God yes" Nat groans, already palming her bulge
You smirk, "Hear that baby, Tasha is gonna fuck that pretty pussy of yours. So that means I get the pleasure of fucking your mouth"
Wanda lets out a soft whimper, clearly enjoying the idea of having both used at the same time. She lays back on the bed and lets her legs fall open, exposing her dripping core to both you and Natasha. The redhead nearly trips over herself as she strips and she positions herself between your girlfriends legs
"Do you have a condom?"
You chuckle, "You don't need one, she's on birth control. She likes it raw, likes to get filled up"
"Fuck" Nat groans, "I'm really going to enjoy this"
She lines herself up and slowly slides into Wanda, making them both let out sounds of pleasure. She enjoys the feeling of Wanda squeezing her so much that she's unable to stop herself and starts rutting into the brunette right away. You watch for a few minutes before you strip and make your way over to the bed
"Open up baby"
Despite her eyes already being hazy from the pleasure Nat was giving her she obeys and opens her mouth. As soon as you shove your dick in her face she wraps her lips around the tip and swirls her tongue around it
"Fuck, just like that" you moan, taking a fist full of her hair to help her take more of you
"She's so damn tight" Nat groans as her hips slam into Wandas
"God I know" you chuckle, "And her tongue is magical"
Wanda moans around you, enjoying the praise you were both giving her and she hollows out her cheeks as she suck you off. You start rutting your hips forward, fucking her face as she continues to suck. You know at the pace you and Nat are going that neither of you will last too much longer, but you also know that Wanda won't either
"FuckâŚ.I'm close" the older woman mumbles
"Me too" you grit out
All it takes is a few more thrusts and both you and Natasha are falling over the edge. Wanda moans as her own orgasm washes over her, her walls clamp down and milk Natasha while she eagerly swallows around you.
"You did so well for us baby" you coo, stroking her hair as you pull your cock back out of her mouth
"Damn right she did" Nat praises, "Such a good girl for us"
Wanda blushes, "Thank you Tasha"
The redhead crawls into the bed and wraps her arms around Wanda before looking at you and reaching out, "Come on, it's cuddle time"
You smile at her softly and join them on the bed, "I'm glad you joined us Tasha"
A couple days ago, I made a post addressing Pixelberry/Series Entertainment's "It Lives Within." At the time, I wasn't aware of the story, I only knew that the name was the same. Since then, I saw many people accusing it of plagiarizing our game. I decided to look into it more, and after having watched all the episodes on YouTube, the claims of plagiarism unfortunately seem to be valid. As such, I'd like to further address this situation, and provide a list of stolen ideas and art with screenshot proofs and explanations.
A few years ago, I had a video call with one of the original writers for the It Lives Series. Though I knew nothing about their original plans for the game before starting this project (including that they also intended to name the game "It Lives Within"), he told me their plans on that call. It was going to be a survivor-type cave crawl story with giant bug-inspired and creepy crawler monster enemies, where you play as a new character who is attacked by these creatures while camping and separated from their friends. From my understanding, Connor and his crew would be sort of like the Sam and Dean from SPN, acting as these experienced "hunters" who help protect them.
That is not what the story of what Choices "It Lives Within" was. At all.
This means that the AI """writers""" at Series Entertainment/PB were not creating this story based on the original writersâ plans. They made their story idea later - after ILW was completed in its entirety. Therefore, it's reasonable to follow that unlike the title, these similarities are not coincidence. Though even then, the title It Lives Within had to do with the cave setting and going literally into the earth, while the AI version has nothing to do with caves. So the reasoning for the title is not the same as the reasoning for their original title.
With all this in mind, letâs go over the similarities between our game and the Choices It Lives Within AI show. I am going to be putting it beneath a read more, in case there are people who are interested in playing ILW and donât want to get it spoiled.
Major things they stole:
Their villain, Silas, is Matthias. Literally, that's it. He's Matthias.
Silas is an immortal man who looks just like Matthias who's been alive for almost 200 years and was a member of the Westchester cult, where he knew Cora. He wants to sacrifice redfield Noah due to his connection to the Power (Rowan anyone) as part of a complicated ritual he's put together in order to... I'm not quite sure what, exactly, as the story was a bit hard to follow. He thinks heâs all manipulative and the main crew states that "Heâs getting us to do his work for him!â
And then there's his appearance. That's the same hairstyle. He's the same age. Same race. Literally, just like Connor in their story is as recognizable AI-version of his in-game sprite, that's what this guy looks like. All he's missing is the beard.
The gang's base of operations is Coraâs cabin
This one is interesting. It's such a tiny detail, and I'd grown so used to the cabin being their safe place that when Connor was like "We need to get back to the cabin" it literally took me a moment to realize - wait. They had nothing to do with that cabin in the original series. Using that as a home base was literally our idea, an It Lives Within original.
The main enemies are mind controlled townspeople working for Silas
Instead of following the precedent of the previous games and having the enemies be Power-twisted animal monsters, they decided to make their enemies humans that are mind-controlled into zombie-like beings that attack the gang in hordes. There's even a scene where the gang is driving through them in their car. This is a rip-off of It Lives Within's horrors. And on top of that, they copied the carnival scene where Harper driving through the horde of horrors.
Noah and Devon's relationship
Their relationship in this '"TV show" has suspicious similarities to their friendship/romance routes in ILW. They made Devon be redfield Noah's anchor to reality, and even had Devon use memories to help ground Noah, which we showed in the cabin scene where Devon and Noah play baseball together. And I know there were Noah x Devon shippers outside of me before ILW released, but it was never PB's plan to canonize them. So the fact that they are seemingly changing course to canonize them after they grew so popular in the fan version feels a bit too coincidental.
Scraping fan art for their AI animation frames
But what's even more egregious is that they have even stooped to scraping from fan artists, who have nowhere near the same following or exposure as our project does. Seriously, what are the odds that the MC they choose to use matches this artist's MC's race, gender, hair, and outfit exactly, that they used Noah's old outfit, that they are literally positioned on the same sides of the image? It's blatant plagiarism, and it's despicable. @errajay I'm so sorry they did this.
These are the biggest similarities, but considering that it was only like 15 minutes of content, that means that a high percentage of the story was stolen. Sure, the exact details of "Silas's" plan are different (he's like a horcrux for the "entity" aka power and he was split into 43 parts and Noah's one of his parts and he needs to kill him to get it back and be free or something) it's the same concept: immortal man who's trapped making a complicated ritual requiring sacrifice while manipulating people to get everything into place.
If you want to see for yourselves, please find it on YouTube. Do not support them with clicks or traffic on their app. Thank you! Oh, and just in case anyone was wondering, no AI was used in the drafting of this post đ
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Hey, Guys. Quick life update. I was in a bike crash three weeks ago and yeah, I've been on bed rest since then with a brace attached. So, yeah. Life's fucked.
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If the rumours are to be believed then Lizzie is pregnant.
Happy news for Elizabeth Olsen! đ
So happy to hear about her pregnancy
wishing her and her family all the warmth and happiness in the world. Sheâs already given us so much joy as Wanda, and now sheâs onto her next beautiful adventure.
Itâs such a gift to see someone whoâs brought so much light to others step into this new chapter. Parenthood suits her, I think. That same kindness and depth she shares with fans? Now itâll pour into a whole new life. Congrats times a million, Lizzie! đĽ°
My vampires CAN walk into the sunlight but doing so would reveal what they would look like if they aged normally
Younger vampires donât have much to worry about but older vamps have reason to avoid sunlight as they age. They are still immortal, but their aged, sunlit selves are significantly weaker than their non-sunlit forms. Vamps over 100 years old run the risk of crumpling over, fully immobile, but still conscious
Summary: You built your life on discipline, on silence, on never wanting too much. But she lingers anyway in your thoughts, in the quiet of your office, in the cracks you pretend donât exist. Across the city, Natasha studies you like a puzzle she canât quite solve, only to realize youâre not just cold.. Meanwhile, love blooms elsewhere in softer ways with quiet blessings, careful promises, and a brother building something beautiful out of chaos. And for the first time in years, the question returns, stubborn and dangerous: what do you want?
Word count: 9,584
Pronouns: She/Her
Age: 28
Pairings: Natasha Romanoff x reader
Warnings: Mentions of illness and hospitalization, Alcohol, Emotional Burnout
A/N: Hey, guys. I am finally back after the incident. I have written this fic in many parts with many different mindset at times so please bear with me if the pacing fluctuates. There will be regular updates now and I will finish this story in a month. Thank you for your patience and Enjoy!!!
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Your office is quiet, the kind of quiet that hums with its own weight. The city sprawls beyond the glass wall, towers of steel and glass catching the late afternoon light. The sky is streaked in colours that mean nothing to you. An amalgam of amber, rose and violet, all reduced to muted shades by the tint of your window. You stand there for a long while, tablet in hand but you are not reading. The numbers blur into meaningless strings, neat projections dissolving into nothing.
You lower the tablet slowly, placing it on the desk with the precision of ritual. Everything about this room is order. It is a sanctuary you built for yourself, one place in the world where the mask is not an act but a structure, a wall of order keeping the chaos out.
And yet she is here. Not in body, but in thought, relentless and uninvited. Natashaâs laugh curling at the edges of silence. The way her gaze had lingered last night as if she could peel you open without ever touching you. The words she had dropped outside the restaurant, sharp and playful, designed to press against the cracks of your composure.
The room feels larger than usual, or perhaps it is only emptier. The silence presses in, and in that silence the words you never let yourself touch begin to rise. Wandaâs question echoes again, softer this time, more insistent in its simplicity. Is it hurting you?
You told her no. Of course you told her no. That is always the answer. Pain has no place here, not in this office, not in the life you built after the ballroom floor became a battlefield of panic and Erik shoved the world onto your shoulders. To admit to pain would mean admitting to weakness. And weakness has never been allowed.
But beneath that, another question forms, one you never say aloud, one that has no place in your life of strategy and discipline.
What do you want?
You move behind your desk, lowering into the chair, fingers steepled beneath your chin. The leather creaks softly beneath you. For the first time in longer than you care to measure, you allow yourself to wonder what it would be like if Wanda was right. If this arrangement, this mask, this life you have chosen to carry, is not just tiring but wounding. If somewhere beneath the steel, there is still a wound that has never closed.
The thought makes your chest tighten, a pressure you quickly push down with another steady breath. You are Maximoff. You are the one who does not break. The one who does not falter. The one who holds the line when the world collapses. Natasha is irrelevant. That is the refrain. That is the truth you repeat until it sounds solid.
And yet, your mind betrays you. You remember her voice again, low and amused, asking questions she should not have asked. You remember her eyes catching that fleeting slip in your mask outside the restaurant, satisfaction curling at her lips. She had seen what no one else ever does. She had seen you.
Your hand tightens slightly against the desk; knuckles pale against the wood. It is only for a moment, only here where no one can witness it. Then you relax, smoothing your expression into neutrality once more.
Still, the thought remains. What do you want?
Your mind drifts without permission. You see yourself not at this desk, not surrounded by glass and steel, but elsewhere. You picture a life where your time is not accounted for in quarterly reports, where your days are not arranged into schedules tight enough to strangle. You imagine laughter that is not measured, words that are not weighed before they are spoken, a gaze that sees you without calculation.
You inhale deeply, steadying yourself against the dangerous edges of that thought. Want is a luxury. You are not built for luxuries. You are built for endurance, for silence, for composure. The moment you allow yourself to want is the moment you risk breaking everything you have worked to hold together.
Still, the question persists, curling around your composure like smoke. What do you want?
You press your palms against the desk, grounding yourself in the solidity of the wood, in the cool air of the office, in the structure of everything that defines you. You tell yourself you want nothing. You tell yourself you need nothing. And yet, the flicker remains, refusing to die.
The silence in your office tilts, and for a moment it does not feel like the present at all. The steady tick of the clock recedes, the sharp glow of the city skyline softens, and you are not at your desk with a tablet of numbers in front of you. You are younger, seated on a broad windowsill in a different house, legs tucked beneath you, staring at the sweep of the garden outside.
It is late spring, the air warm and carrying the scent of lilacs through the open window. Birds chatter in the hedges, the kind of ordinary sound you would later lose to the drone of boardrooms and the hum of conference calls. You are holding a book you are not reading, your thoughts restless with a future that seemed endless.
Then her voice calls you back. Soft, accented, still rich with warmth. âYou are thinking too hard again.â
You turn your head, and Magda is there. Whole, radiant in her presence, not the shadow she would become. She wears no jewels, no gown. Just a simple dress in a color that suits her, her hair loose, her smile tired but genuine. She crosses the room with unhurried steps and sits beside you, her hand resting lightly over yours.
âWhat are you dreaming of today?â she asks.
You laugh then, awkward and shy, because to you at that age, dreaming felt indulgent. âI am not dreaming, Mama. I am thinking about what Father says. About what comes next.â
She hums, a low sound of disapproval that still holds affection. âYour father is always thinking about what comes next. But I am asking you what you want, not him.â
The words catch you off guard. Want. You remember the word striking you like sunlight breaking through cloud. You look down at your hands, uncertain. Then, cautiously, you answer.
âI want to travel,â you whisper, as though confessing a crime. âI want to see Vienna, and Paris, and Rome. I want to walk streets where no one knows me. I want to hear music that makes me forget everything else.â
Her eyes soften, and she brushes her fingers gently across your hair, tucking it back from your face. âThen you must hold onto that. Wanting is not weakness, my love. It is life. If you bury all your wants beneath duty, you will become a statue. Beautiful, yes. But cold, unmovable, and alone.â
You look at her then, confused and a little frightened by the weight of her words. She smiles to ease it, pressing a kiss to your temple. âPromise me, Y/N. Promise me you will not forget how to want.â
You had promised. Earnest, certain, because you believed there was still time. Time to travel, time to wander, time to laugh without calculation.
And then the gala happened. The stroke. The panic. Erikâs voice filling every silence until your own wants dissolved into the marble floor beneath your shoes. That night the promise cracked, and you never let yourself pick it up again.
Back in your office, you draw in a slow, steady breath, eyes opening to the city beyond the glass. The sky is darker now, streaked with shadows. Your hands are clasped together on the desk, knuckles pale.
You remember your motherâs words with a clarity that aches. Wanting is not weakness. It is life.
But you are not that child anymore and promises made in spring cannot survive the winters you have endured. You lower your gaze back to the tablet, to the order, to the structure. The memory slips back into silence, but its echo remains, unsettling, fragile, alive.
The stillness is brittle when it breaks. First comes the muffled sound of laughter in the hallway, too careless and too loud for this wing of the building. You straighten slightly in your chair, not out of alarm but irritation at the interruption. Few people enter your office unannounced, and fewer still dare to disturb you when the door is closed.
Then the door swings open without so much as a knock. Pietro bursts in first, all restless energy, his jacket half-zipped, his hair still damp from whatever chaos he left behind. He is grinning wide, his phone clutched in one hand like a trophy. Behind him is Steve, steady as ever, his expression a mix of amusement and apology for being dragged into whatever scheme Pietro is carrying.
âSestra,â Pietro exclaims, arms spreading wide as though he has just returned from war. âYou will not believe the idea I have had.â
You blink once, measured and cool, before replying. âYou are correct. I do not believe it.â
Steve chuckles at that, closing the door gently behind them as Pietro ignores your tone entirely and marches straight toward your desk. He plants his phone on the surface with a flourish, the screen already lit with images that mean nothing to you at first glance. It contains balloons, decorations, venues and colour palettes.
âIt is Our birthday in two weeks,â Pietro announces, his grin sharp with mischief. âAnd we are going to surprise Wanda. Big. I am talking lights, music, the whole city stopping to stare.â
You arch one brow, glancing at him with the same dispassion you reserve for shareholders who bring impractical proposals. âThe last time you attempted a surprise, you set fire to the curtains.â
âThat was one time,â Pietro shoots back, waving a dismissive hand. âAnd technically the fire was contained. But this will be flawless. I want to throw her something unforgettable. She has been carrying so much lately, always watching over you, over me, over everything. She deserves more than a quiet dinner and a few candles. She deserves the world.â
Steve finally steps closer, folding his arms across his chest, his blue eyes calm as they meet yours. âHe has been talking about this since morning. He means well.â
âOf course I mean well,â Pietro says, indignant. âI am her brother. If anyone knows how to give her joy, it is me. But-â He points a finger at you, his grin turning sly. âI need you. Without your help, this is chaos. With your help, it is legendary.â
You lean back in your chair, folding your hands neatly on the desk, expression unmoved. âAnd what exactly do you think my help entails?â
âConnections,â Pietro replies without missing a beat. âVenues, caterers, designers. You can call in favours with a single email that would take me months. You can make sure no one ruins it. You can⌠keep me from accidentally burning down the building again.â
Steve suppresses a laugh at that, glancing between the two of you. Pietro, ever restless, begins pacing in front of your desk, his hands moving as he speaks faster and faster. âImagine it, sestra. Wanda walking into a hall filled with lights, with flowers, with everyone she loves waiting for her. Music playing, people dancing, a night where she is not the caretaker, not the one fixing everything, but the one being celebrated. Tell me she does not deserve that.â
The room quiets after his outburst, the weight of his sincerity cutting through the usual chaos. You study him carefully, your face still impassive but your thoughts already shifting. The twinsâ birthday. Two weeks. A surprise. You picture her face, the way her smile can light a room when she forgets herself. You picture the exhaustion she hides too well, the patience she gives even when it costs her.
Pietro leans across your desk, his grin faltering into something closer to pleading. âCome on, sestra. Say yes.â
Steve meets your gaze again, steady, wordless, but there is a quiet agreement in his look. A suggestion that perhaps, for once, it is worth indulging Pietroâs chaos.
You inhale slowly, the silence stretching as Pietro waits, nearly bouncing on his heels with anticipation. The room feels less like your sanctuary now, more like a battlefield where your composure is being tested from a different angle entirely.
You let the silence stretch just long enough for Pietro to begin fidgeting. He shifts his weight from one foot to the other, drumming his fingers on the edge of your desk, glancing between you and Steve as if trying to calculate which of you will give in first. You do not move. You watch him with the calm patience of a cat watching a bird tire itself out.
Finally, you speak. Your tone is even, light, but with that faint lilt that always warns him trouble is coming. âPietro, remind me. The last time you planned something âunforgettable,â did it not end with Wanda threatening to hex your eyebrows off?â
Steve coughs to hide a laugh. Pietro scowls, his hand flying to his hair in mock outrage. âThat was an accident. The fireworks were supposed to go outside, not through the kitchen window.â
âAnd yet,â you continue smoothly, âthey did go through the kitchen window.â You tilt your head, eyes narrowing just enough to be dangerous. âTell me, little brother, are we planning a celebration or a catastrophe?â
He gasps dramatically, pressing a hand to his chest. âYou wound me. You think I would sabotage my own sisterâs birthday?â
âI do not think,â you reply, your lips twitching ever so slightly, âI know.â
Steve chuckles quietly, folding his arms again, content to let the two of you spar. Pietro glares at you with theatrical offense, though his smile betrays him before he can respond. âYou are cruel,â he says. âCold and cruel. I am offering you a chance to do something fun and beautiful and you sit there judging me like a disappointed headmistress.â
You arch a brow. âIf the shoe fits.â
âUnbelievable,â he mutters, running both hands through his hair. âYou have forgotten how to have fun. Once upon a time, you would have helped me sneak out to steal Fatherâs car.â
âI remember,â you say, the faintest hint of warmth threading through your tone. âI also remember you crashed it into the front gate.â
âThat was teamwork,â Pietro protests. âYou said turn left.â
âI said turn slightly,â you correct, standing now, smoothing the front of your suit. âYou heard something entirely different.â
Pietro groans and looks at Steve for sympathy, but the man only shakes his head, smiling faintly. âSheâs not wrong, kid.â
âEt tu, Captain?â Pietro sighs dramatically, then turns back to you, stepping closer, lowering his voice in a mock whisper. âFine. I admit my record is not spotless. But come on, sestra. Do this with me. Wanda deserves something good, and you know it. Let me handle the madness, you handle the miracles.â
You study him for a long moment, your gaze steady and unreadable. Beneath the joking and bravado, you can see what he will not say aloud, the quiet worry, the guilt of never being able to fix things for Wanda the way he wants to. For all his chaos, his heart is earnest. It always has been.
You sigh softly, turning back toward your desk as if to give yourself a moment of consideration. Pietro watches you anxiously, bouncing slightly on his heels. You can feel his energy vibrating through the room like static. Finally, you glance over your shoulder at him.
âI will help,â you say at last; your tone deliberate. âBut under one condition.â
Pietro perks up immediately. âAnything.â
âYou will not make a single decision without consulting me first. No surprise venues, no questionable lighting, no pyrotechnics of any kind.â
He grins, triumphant. âDone.â
âI am not finished.â You step closer to him, voice calm but laced with quiet authority. âYou will let me handle the logistics, the invitations, and the coordination. You will, however, be responsible for one thing.â
He leans forward eagerly. âWhatâs that?â
âThe cake,â you say, deadpan. âIf you are to set anything on fire, let it at least be edible.â
Steve bursts out laughing, turning away to hide it behind his hand. Pietro looks at you, wide-eyed, then at Steve, and finally throws up his hands in defeat. âYou mock me, but I will make the greatest cake this city has ever seen. People will write songs about it.â
âOr insurance claims,â you murmur, moving past him to gather your coat from the stand.
Pietro points after you with mock indignation, though his grin is wide and sincere. âYou will see, sestra. You will thank me when she cries from happiness.â
You pause at the door, glancing back at him.
He laughs, unbothered, already pulling out his phone to start messaging whoever he thinks can help him. Steve follows you out, shaking his head with quiet amusement. The moment the door closes behind you, the weight in your chest feels lighter. Pietroâs chaos has a way of doing that.
You do not allow yourself to dwell on it, but for a heartbeat, it feels good to say yes to something that is not duty, not strategy, not survival. Something small, human, maybe even a little joyful.
Something that almost feels like wanting.
The apartment is quiet in a way that feels almost unfamiliar.
No Yelena pacing the hallway while arguing with someone on the phone. No television murmuring in the background. No music drifting from another room. Just the soft hum of the city filtering through the windows and the faint ticking of the clock above the kitchen counter.
Natasha steps inside and lets the door close behind her with a muted click. For a moment she simply stands there, keys loose in her hand, the stillness pressing around her like something alive. The place is spacious, modern, a careful balance of steel and dark wood and glass. Usually, she likes the way it feels. It gives her space to breathe, space to move. But tonight it feels⌠empty.
She tosses the keys onto the marble counter and rolls her shoulders, shrugging off the jacket she wore to the office. The fabric lands over the back of a chair in an untidy heap. Natasha moves through the apartment with the restless energy of someone who cannot quite decide what she intends to do next. She checks her phone without thinking, scrolling through notifications she already saw hours ago. Emails. Messages from acquaintances. One from Yelena that simply reads: Kate says hi.
Natasha snorts under her breath and drops the phone face down on the counter.
The kitchen lights are dim, warm amber spilling across the polished surface. She opens the cabinet above the sink and retrieves a glass, then reaches for the bottle of whiskey resting on the top shelf. The movement is automatic, practiced. She pours without measuring, amber liquid splashing softly against the crystal.
The first sip burns just enough to pull her fully into the moment.
She leans back against the counter, staring toward the wide living room windows where the city glows in scattered constellations of light. Cars move far below like quiet rivers of white and red. Somewhere in the distance a siren wails briefly before fading into the night.
Normally this is the part of the evening where she unwinds without thinking. A drink. Maybe a movie. Maybe another call from someone who wants her attention. Something simple, uncomplicated.
Instead, her mind drifts somewhere else entirely.
You.
The memory surfaces with irritating clarity. The restaurant lighting catching on the sharp lines of your suit. The way you sat across from her as though the entire room belonged to you, though you never once demanded it. The controlled calm in your voice when you complimented her, the words perfectly polite and perfectly distant at the same time.
Natasha exhales slowly, tilting her head back until it rests against the cabinet behind her.
âUnbelievable,â she murmurs to no one.
She takes another sip of whiskey, slower this time.
The problem is not that you are cold. Natasha has met cold before. People like you usually crumble once she pushes hard enough. They thaw, or they snap, or they reveal something messy underneath all that composure.
You did none of those things.
You stood there like a mountain. Calm. Unmovable. Irritatingly elegant.
And yetâŚ
She remembers the moment outside the restaurant. The flicker in your eyes when she leaned too close, when she tested the line between teasing and provocation. Just a fraction of a second where the mask slipped.
Natasha smiles faintly into her glass. That moment is what keeps replaying in her mind now. Not the dinner itself. Not the headlines that followed. Just that tiny fracture in your composure.
It was real.
She pushes herself off the counter and walks into the living room, drink still in hand. The space is dark except for the city lights filtering through the glass walls. Natasha drops onto the couch, stretching one arm across the backrest as she stares up at the ceiling.
The whiskey warms her chest, but the restlessness remains.
She is not used to this feeling.
Normally things with people are simple. She pushes, they react. She flirts, they melt. She walks away, and they either chase her or disappear. The pattern is predictable. Comfortable.
With you there is no pattern.
Natasha frowns slightly, turning the glass between her fingers.
Is it the challenge?
That would make sense. She has always enjoyed a difficult opponent. Someone who refuses to bend easily. Someone who makes the game interesting.
But the thought does not sit right.
Because when she thinks about you, the first thing she remembers is not the challenge.
It is the way you looked at her.
Not impressed. Not intimidated. Not charmed.
Just⌠aware.
As though you saw exactly who she was and decided she was neither threat nor prize. Just a woman sitting across the table.
She finishes the whiskey and sets the empty glass on the table in front of her.
For a long moment she just sits there, staring at the ceiling, trying to decide which part of this bothers her more.
The fact that she has not won yet.
Or the fact that she is not entirely sure she wants to.
She leans forward slightly, elbows resting on her knees, fingers loosely laced together as she stares at the city beyond the windows.
The lights stretch endlessly, each one marking a life, a conversation, a moment happening somewhere she cannot see. Usually, she finds comfort in that distance. The city is loud and alive and full of people she can dip in and out of whenever she pleases. It means freedom. It means anonymity.
Tonight it only makes her restless.
Her mind circles the same question again, this time with more focus.
You.
Natasha exhales slowly through her nose and reaches for her phone again, the device lighting up the dim room in pale blue. The screen unlocks with the ease of muscle memory. Her thumb hovers over the search bar for a moment before she types your name.
The results appear immediately.
Of course they do. You are not a woman who hides from the public eye. At least not professionally. There are hundreds of articles about you. Corporate profiles, interviews, Vague photographs from galas and press events. The internet is filled with versions of you, each one perfectly composed.
Natasha scrolls through them with a quiet intensity that would surprise most people who know her. She is not skimming gossip this time. She is studying.
The first few articles are predictable. Headlines praising your leadership. Analysts discussing the expansion of your company. A photograph of you at some industry conference, standing beside Erik with that same calm expression you wore at dinner.
Natasha tilts the phone slightly, studying the image more closely.
Even through the grainy quality of the photo, you look exactly the same as you did the night before. Perfect posture. Immaculate suit. Eyes steady and unreadable.
âDo you ever relax?â she murmurs quietly.
She scrolls again.
More of the same. Financial accomplishments. Strategic partnerships. A few vague interviews where you answer questions with careful diplomacy, saying just enough to satisfy curiosity without revealing anything real.
It irritates her.
Not because the information is boring, but because it is so carefully controlled. Every detail of your public life has been polished into something smooth and impenetrable.
Natasha is used to digging through scandal. With most people it takes five minutes to uncover a string of messy relationships, drunken photographs, or embarrassing anecdotes from their youth. Humans are chaotic by nature. They leave trails everywhere.
You do not.
Your life online reads like a corporate report. Clean. Efficient. Completely devoid of anything personal.
Natasha narrows her eyes slightly, leaning back against the couch again as she continues scrolling. The only real personal detail she finds is the one she already discovered earlier that morning. The old article about your motherâs stroke.
Her thumb pauses on the screen again.
She rereads a few lines without meaning to.
The article is clinical in tone, but the implications are impossible to ignore. A gala. A sudden collapse. A daughter stepping into responsibilities that should never have belonged to someone so young.
Natasha remembers the way you carried yourself at dinner. The calm. The restraint. The quiet gravity in your voice.
âOf course,â she murmurs softly.
The pieces begin to align in her mind with unsettling clarity.
You did not become that composed overnight. That kind of control is forged slowly, under pressure. Years of expectation layered one on top of another until the person underneath learns how to disappear entirely behind the mask.
Natasha studies another photograph of you, this one from some charity event. You stand beside Wanda and Pietro, both of them smiling in ways you are not. Your expression is softer there than in most of your professional pictures, but still restrained, as though joy itself is something you only allow in small measured doses.
Her gaze lingers on that image longer than she expects.
âYou look tired,â she says quietly to the screen.
The words surprise her. She did not mean to say them aloud.
Natasha leans her head back once more. The ceiling above her blurs into shadow.
For the first time since she started this little investigation, something shifts in her chest.
Curiosity is still there, of course. The challenge of you still sparks something competitive in her instincts. But beneath that, something else has begun to settle in.
Understanding.
Not complete understanding. Not yet. But enough to recognize that the woman she met at dinner is not simply cold or distant.
You are careful.
Careful in the way people become when the world once demanded too much from them too early.
Natasha taps the edge of the phone lightly against her knee, thoughtful now rather than restless.
âThat explains a lot,â she murmurs.
It does not make you less intriguing.
If anything, it makes you far more dangerous.
Because if she is right, if that calm exterior is built from years of responsibility and restraint, then getting close to you will not be like her usual games.
There will be consequences.
Natasha stares at the glowing screen again, at the photograph of you standing in that quiet composed way of yours.
At first, she assumed it was just discipline. The practiced calm of someone who grew up around power. Plenty of executives carry themselves the way you do. Controlled posture. Polished voice. A quiet authority that fills the room without ever needing to demand attention.
But the more she watches you in those photographs, the less convinced she becomes.
Discipline alone does not create the kind of stillness you carry.
She leans forward slightly, elbows resting on her knees again as she brings your image back onto the screen. This time she studies you the way a strategist studies an opponent before a match. Not the obvious details. The smaller things.
The tension in your shoulders even when you appear relaxed.
The way your hands are always folded neatly in front of you, as if holding something back.
The careful neutrality in your expression, not empty but restrained, like a door that has been deliberately closed.
Natasha has seen that look before.
Not in boardrooms. Not in photographs from charity galas.
She has seen it in fighters.
In the quiet moment before someone explodes.
Her brow furrows slightly as that realization settles into place.
âOh,â she murmurs softly.
The word hangs in the dim apartment.
She tilts the phone again, zooming in slightly on the photograph. It shows you standing beside Erik at some formal event. Your father is speaking to someone outside the frame, his expression animated in that commanding way of his. You are not looking at him. Your gaze is directed somewhere beyond the camera, distant and unreadable.
To anyone else it would look like composure.
To Natasha it looks like containment.
She knows that kind of stillness. She has lived inside it herself more than once. The quiet that comes from locking every volatile emotion behind walls so thick they begin to resemble part of the landscape.
It is not the calm of someone who feels nothing.
It is the calm of someone who feels too much and has learned to bury it.
Natasha exhales slowly, lowering the phone again.
âThatâs not ice,â she says quietly to the empty room. âThatâs pressure.â
And pressure eventually breaks something.
The thought makes a faint chill creep across her spine. Not fear exactly, but something close enough that she recognizes it immediately. Respect.
Because if she is right, if that composure is not emptiness but restraint, then the storm beneath it must be immense. Years of expectation. Responsibility. Sacrifice. All of it packed tightly beneath that flawless exterior.
A terrifying amount of force waiting behind a door you may not even realize exists.
Natasha leans back against the couch again, staring up at the ceiling as the implications unfold slowly in her mind.
She thinks about the moment outside the restaurant again. The flicker in your eyes when she leaned too close. The way your composure cracked for just a fraction of a second before snapping back into place.
Most people break when pushed.
You did not break.
Which means the storm is still there.
Waiting.
The realization unsettles her in a way she does not expect. Natasha Romanoff is not easily intimidated. She thrives on chaos, on unpredictability, on situations where most people would hesitate. But the idea of that kind of contained force sitting quietly behind your calm gazeâŚ
It makes her pause.
Because storms like that are dangerous. Not only to the people around them, but most to the person carrying them.
For a moment she imagines what it would look like if those walls ever cracked completely. The thought flashes vividly across her mind before she can stop it. Your controlled voice turning sharp. That quiet composure dissolving into something fierce and unstoppable.
The image is⌠striking.
And a little frightening.
Natasha lets out a quiet laugh under her breath, shaking her head slightly at herself.
âWell,â she murmurs, pushing herself to her feet, âthat explains why youâre so interesting.â
She walks back toward the kitchen, retrieving the empty glass from the table as she goes. The ice inside has melted into a thin pool of water. She pours another measure of whiskey without hesitation, swirling the liquid thoughtfully before taking a slow sip.
Her gaze drifts once more to the phone resting on the couch behind her.
Most people would see your calm exterior and assume you are unbreakable.
Natasha sees something else entirely.
A storm powerful enough to level cities if it ever escapes its cage.
And the most unsettling part is that you might not even realize it is there.
She leans against the counter, staring out at the endless scatter of city lights again.
For the first time since she met you, Natasha Romanoff feels something dangerously close to caution.
Not enough to make her walk away.
Just enough to make her aware that if she keeps moving toward you, she may be stepping directly into the eye of something far more volatile than either of you understands.
The rehabilitation wing always smells faintly of antiseptic and lavender. The scent is oddly comforting once you grow used to it. It clings to the air in a gentle way, as if the building itself is trying to soften the weight of the things that happen inside it. The halls are quiet this time of day, the midday rush already passed and the evening visitors not yet arrived. Sunlight filters through the tall windows along the corridor, spilling warm gold across the polished floors.
Wanda walks beside Vision with an easy familiarity that has grown over time rather than appearing all at once. Her shoulder brushes his arm every few steps without either of them noticing. She carries a small paper bag in one hand and a bouquet of simple white flowers in the other. The flowers were Visionâs idea. Wanda had teased him the entire drive over about them.
âYou know she is not the queen of England,â she says now, glancing at the bouquet with a playful tilt of her head. âYou did not need to bring flowers like you are visiting royalty.â
Vision glances down at them as if reconsidering the entire concept of flowers.
âIt seemed appropriate,â he replies in his usual calm tone. âMost people appear to enjoy receiving them.â
Wanda laughs softly under her breath. The sound echoes lightly down the hallway.
âShe does. I am just teasing you.â
They reach the door at the end of the corridor. Wanda pauses for a moment before pushing it open. She always does. Even on good days there is a small knot of uncertainty in her chest when she steps inside. Some days Magda is distant, her mind wandering somewhere unreachable. Other days she is clear and warm and so unmistakably herself that it almost hurts.
Today is one of the good days.
Magda sits near the window in a comfortable chair, sunlight pooling gently across her lap. A blanket is draped over her knees, though the room itself is warm. Her hair has been brushed carefully by the nurses and falls neatly around her shoulders. She looks smaller than she once did but there is still a quiet dignity in the way she carries herself.
Her eyes lift when the door opens.
Recognition comes almost instantly.
âWanda,â she says softly.
Wandaâs face lights up in a way it rarely does anywhere else.
âHi, Mama.â
She crosses the room quickly, setting the bag and flowers down on the small table before leaning down to kiss Magdaâs cheek. Vision follows a step behind, moving with the quiet grace that always seems to accompany him.
Magda notices him immediately.
âYou brought the quiet one again,â she says, her voice touched with faint amusement.
Wanda rolls her eyes affectionately.
âHe insists on coming.â
Vision inclines his head politely.
âI enjoy visiting,â he says simply.
Magda studies him for a moment, then gestures toward the empty chair beside her.
âYou may sit. You look too polite to stand there forever.â
Vision obeys without hesitation, settling into the chair with his usual composed posture.
Wanda pulls another chair closer and sits across from them, already opening the paper bag she brought.
âI brought pastries,â she announces proudly. âNot from Pietro. These ones are actually edible.â
Magda chuckles softly at that.
âThat is good. Your brotherâs cooking always worried me.â
Wanda begins arranging the pastries on a small plate while filling Magda in on small things happening in her life. The conversation is light and easy. Wanda talks about a new project at the company, about Pietroâs latest chaotic idea for their birthday, about a movie she and Vision watched the night before.
Vision listens quietly, occasionally adding a comment or answering when Magda directs a question toward him.
The room feels warm in a way that has nothing to do with the sunlight.
After a while Wanda glances toward the empty cups on the small tray near Magdaâs chair.
âI should get tea,â she says, standing. âThe cafeteria downstairs has that lemon one you like.â
Magda nods approvingly.
âThat would be nice.â
Wanda gathers the empty cups and then glances between Vision and her mother with playful suspicion.
âDo not let her interrogate you while I am gone,â she tells Vision lightly. âShe has a habit of doing that when I leave the room.â
Vision smiles faintly.
âI will do my best.â
Wanda leans down to kiss Magdaâs cheek again before heading toward the door.
âI will be back in five minutes.â
The door closes softly behind her.
For a moment the room is completely still.
The quiet that follows feels different from the earlier warmth. Not uncomfortable, but more deliberate. Magda watches Vision with thoughtful eyes, the faintest crease forming between her brows as she studies him.
Vision does not seem uneasy under the attention. He sits calmly with his hands folded loosely in his lap, posture straight but relaxed.
Magda breaks the silence first.
âYou care for her very much,â she says.
It is not a question.
Vision answers without hesitation.
âYes.â
Magda nods slightly, as if confirming something she had already suspected.
âShe smiles more when you are around.â
Vision glances briefly toward the door Wanda exited through.
âThat makes me very happy.â
Magdaâs gaze lingers on him for another quiet moment. There is something perceptive in the way she looks at people, as though she is measuring not only their words but the weight behind them.
She folds her hands neatly over the blanket resting on her knees.
âMy daughter needs patience.â
Vision listens carefully, sensing that the conversation has shifted into something more meaningful than simple observation.
Magda studies him again, quieter this time.
âAnd you understand her?â she asks gently.
Vision considers the question before answering.
âI believe I am still learning,â he says. âBut I want to understand her as much as I can.â
Magdaâs expression softens.
âThat is the correct answer.â
Magda does not speak immediately after that. The quiet stretches, gentle but deliberate, like the slow pause between breaths. Vision remains still in his chair, his attention entirely on her, waiting without impatience. Outside the window the afternoon light shifts slightly, softening into a deeper gold as the sun drifts lower.
Magda studies him in a way that is not unkind but searching.
It is the gaze of a mother who has spent decades learning how to read people, who has watched allies and rivals and strangers pass through her life. The stroke may have taken many things from her, but it has not taken that instinct.
âYou answer carefully,â she says at last.
Vision tilts his head slightly.
âI try to answer honestly.â
âThat is not always the same thing.â
Her tone carries no accusation, only observation.
Vision considers that for a moment before responding.
âYou are correct,â he admits.
Magda nods faintly, satisfied by the admission.
Through the partially open door, distant sounds from the hallway drift faintly into the room. A cart rolling across tile. A nurse speaking softly to someone further down the corridor. Life continuing in quiet rhythms outside the walls of this small space.
Magdaâs attention returns to Vision.
âYou have known my daughter for some time now,â she says.
âYes.â
âAnd you have seen her at the company.â
âI have.â
A faint crease appears between Magdaâs brows.
âShe works very hard there.â
Vision does not answer immediately. He chooses his words carefully.
âYes,â he says finally. âShe does.â
Magdaâs eyes soften slightly.
âShe always did,â she murmurs.
For a brief moment her gaze drifts toward the window, as though she is seeing something beyond the city skyline.
âShe was always the one who tried to make everyone happy,â she continues quietly. âEven when she was very small.â
Vision listens attentively.
âShe would follow her older sister everywhere,â Magda adds with the faintest trace of a smile. âAlways trying to help. Always trying to make things lighter.â
The smile fades gently.
âShe still tries to do that.â
Vision glances again toward the door where Wanda left.
âYes,â he says softly.
Magda studies him again, more closely now.
âYou see these things,â she says.
It is not quite a question.
âI try to,â Vision replies.
Magda seems to weigh that answer carefully.
The silence returns for another moment, though it feels less uncertain now.
Finally, she leans back slightly in her chair, her hands resting calmly over the blanket.
âAnd yet,â she says quietly, âI do not think that is the only reason you came with her today.â
Visionâs gaze returns fully to her.
There is no accusation in her voice, only quiet awareness.
He straightens slightly in his chair.
âYou are correct,â he says.
Magda waits.
Vision inhales slowly, not out of nervousness but out of respect for the weight of what he is about to say.
âMrs. Maximoff,â he begins.
Magda raises one hand gently.
âYou may call me Magda,â she says. âAnyone who cares for my daughter deserves that much.â
Vision inclines his head in acknowledgement.
âMagda.â
He pauses for a moment, choosing his words with the same careful precision that defines much of his nature.
âThere is something important I wished to speak with you about.â
Magda watches him quietly, patient.
Visionâs voice remains calm, but there is a depth to it now that was not present before.
âYour daughter has become one of the most important people in my life,â he says.
Magda does not interrupt.
âShe is compassionate in ways that many people overlook,â Vision continues. âShe brings warmth into every room she enters, even when she does not realize she is doing so.â
Magdaâs gaze softens just slightly.
Visionâs eyes drift briefly toward the door again.
âShe also carries more responsibility than she should,â he adds.
Magda says nothing, but something in her expression shifts.
Vision continues.
âWhen I am with her, I see the parts of her that the world often misses,â he says. âThe humor. The kindness. The way she tries to take care of everyone around her.â
He looks back at Magda fully now.
âAnd I care for her very deeply.â
The words settle quietly into the room.
Magda studies him without speaking.
Vision folds his hands together loosely.
âHer birthday is approaching,â he says after a moment.
Magdaâs eyes flicker with quiet recognition.
âYes,â she says.
Visionâs voice remains steady.
âI intend to ask her to marry me.â
The words are spoken simply, without dramatic flourish.
Magda does not react immediately.
Vision continues before she can respond.
âI plan to ask her on that day,â he explains. âIf she is willing.â
His gaze remains respectful, unwavering.
âBut before I ask Wanda,â he says carefully, âI wished to speak with you.â
Magda remains very still.
Visionâs tone softens slightly.
âYou know her better than anyone,â he says. âAnd I respect the role you have played in her life.â
He pauses briefly.
âI would like your blessing.â
The quiet that follows is deeper than before.
Outside the room, footsteps pass along the corridor.
Inside, Vision waits patiently, his hands still folded, his posture composed.
Magdaâs eyes remain fixed on him.
She does not answer yet.
For a long moment she simply studies Vision, the way someone studies a landscape they once knew well but have not seen in many years. The silence between them stretches gently, not tense, not uncomfortable, but deliberate. Outside the window the sunlight continues its slow descent, the golden glow softening into a quieter evening hue.
Vision does not rush her. He remains exactly as he is, hands folded calmly, posture straight, gaze attentive. Patience has never been difficult for him. Magda finally exhales softly.
âYou are very brave,â she says. Vision tilts his head slightly. âBrave?â he asks. âYes.â Her voice carries the faintest trace of amusement, but it fades quickly into something more thoughtful. âMost people would ask Erik first,â she continues. âHe is louder. More intimidating. Easier to mistake for the gatekeeper of this family.â Her eyes drift briefly toward the window before returning to Vision.âBut you asked me.â
Vision answers simply. âYou are her mother.â Magda nods once, accepting the answer. âYes.â She shifts slightly in her chair, adjusting the blanket across her lap with slow careful movements. âYou say you love Wanda,â she continues quietly. âAnd I believe you do.â Her gaze sharpens just slightly. âBut loving her is not the difficult part.â
Vision listens without interruption.
Magdaâs eyes soften as she speaks again. âWhen Wanda was a child she believed the world was made of kindness,â she says. âShe thought everyone deserved forgiveness. She thought every problem could be solved if people simply spoke to one another long enough.â
A faint smile appears on her lips. âShe used to bring home injured birds,â Magda adds. âStray cats. Once she tried to rescue a fox that had wandered too close to the garden.â Vision allows himself the smallest hint of a smile at that. And Magda notices.
âShe has always had that heart,â she continues. âToo gentle for the kind of world my husband built.â The words are not bitter. Only tired. âYou have seen our company,â she says. âYou understand the environment Wanda works in now.â âYes,â Vision replies softly. Magda nods acknowledging that. âThen you know what it demands.â Her gaze drifts briefly toward the door again, the direction Wanda had gone.
âShe tries very hard,â Magda says quietly. âHarder than most people realize.â There is pride in her voice, but also something else.
âShe stays because she believes it is expected of her,â she continues. âBecause she loves her family. Because she does not want to disappoint anyone.â Her fingers tighten slightly against the blanket. âBut this world was never meant for her.â
The words fall into the room with gentle certainty. Vision does not dare to interrupt. Magda looks back at him. âHer sister understands it,â she says. âThe company. The pressure. The endless calculations.â
A shadow passes briefly across her expression.
âYour Wanda does not.â
There is no criticism in her tone. Only quiet truth.
âShe feels too much,â Magda continues. âShe sees people where others see opportunity. She hesitates when others would strike.â Magda shakes her head faintly. âThat kind of heart does not survive well in boardrooms.â Vision considers her words carefully as Magda continues speaking before he can respond. âOne day,â she says softly, âWanda will leave the company.â She does not phrase it as speculation. It is simply a certainty. A truth unspoken yet carved in stone.
âI have known it for years,â she adds. Her gaze drifts again toward the door. âShe will try to stay longer than she should,â Magda says. âOut of loyalty. Out of guilt.â Her voice grows slightly quieter.
âAnd when she finally walks away, she will believe she has failed us.â Visionâs brow furrows slightly. And as always, Magda notices that too.
âYes,â she says gently. âShe will think she disappointed her father. Her sister. Her brother. Everyone.â She sighs softly. âThat is the burden of being kind in a family built on strength.â
For a moment neither of them speaks as the evening light deepens in the room.
Magda finally looks back at Vision, her gaze steady again. âThat is the moment you must be ready for,â she says. Vision leans forward slightly, giving her his full attention. âWhen that day comes,â Magda continues, âshe will need someone who tells her the truth.â Her voice grows firm despite its softness. âThat she did not fail.â
âThat she simply chose a different life.â
Vision nods slowly. Magda studies him carefully.
âYou must understand this,â she says. âIf you marry Wanda, you are not only marrying the woman she is now.â
Her eyes soften.
âYou are marrying the girl she was. The girl who still believes the world can be kind.â
She pauses, letting the words settle.
âAnd you are marrying the storm she will become when she realizes it often is not.â Vision remains quiet, absorbing every word.
Magdaâs voice softens again. âShe will need someone strong enough to stand beside her when that moment comes.â Her gaze searches his face. âNot someone who tries to change her.â
âSomeone who reminds her she was right to believe in kindness after all.â
Another quiet moment passes as Magda leans back slightly in her chair.
âYou say you love her,â she repeats gently.
Vision meets her gaze.
âI do.â
Magda watches him for another long moment. Then, slowly, a small warm smile appears. âGood,â she says.
Finally Vision inhales slowly. When he speaks, his voice is calm as it always is, but there is a softness to it now that reveals something deeper.
âI understand what you are telling me,â he says.
Magda watches him closely as he continues.
âWhen I first met Wanda, I was struck by how naturally she cares for others. It is not something she performs. It is simply part of who she is.â
He glances briefly toward the door again where Wanda disappeared down the hallway.
âShe notices when someone is uncomfortable before they speak. She remembers details about people most would overlook. She tries to ease tension even when she herself is tired.â
Magda listens without interrupting. Visionâs expression shifts slightly, the faintest hint of warmth appearing in his eyes.
âThose qualities are rare,â he continues. âAnd they are often misunderstood.â
Magda nods faintly. âYes,â she says.
Vision leans forward slightly now, resting his forearms gently against his knees.
âI do not see her kindness as weakness,â he says. His tone grows more certain. âI see it as strength.â
Vision continues speaking, his voice steady and sincere.
âThe world she works in may not value that kind of strength. But that does not make it less important.â
He pauses briefly.
âIn truth, I believe it makes it more important.â
Magdaâs gaze softens slightly.
Visionâs tone becomes gentler now.
âI love Wanda not because of the role she plays in your family or the position she holds within the company.â
He allows a small pause.
âI love the person she is when she forgets she must be responsible for everyone else.â
Magdaâs eyes flicker with recognition.
âWhen she laughs without thinking. When she becomes excited about something small and simple. When she speaks passionately about people she cares about.â
A faint smile touches his expression.
âShe is extraordinary in those moments.â
Magda remains very still, absorbing his words.
Vision straightens slightly again.
âIf the day comes when she believes she has disappointed her family,â he says quietly, âthen I will remind her that her family loved her long before she worked for them.â
His voice remains calm but unwavering.
âAnd if she chooses a different life, I will stand beside her while she builds it.â
Another moment of quiet passes.
Vision looks directly at Magda.
âI cannot promise that life will always be easy,â he adds.
âBut I can promise that she will never face those moments alone.â
Magda studies him for a long time after that.
Vision waits patiently. He does not rush her. After a while Magda exhales softly.
âThere is something you should know,â she says. Vision tilts his head slightly, attentive. âI have watched many people come into this family,â she continues. Her voice carries a quiet authority now.
âBusiness partners. Rivals. Friends who hoped to become something more.â
She shakes her head faintly.
âMost of them were drawn to our name. Our influence. Our power.â
Her eyes return to Vision. Magda shifts slightly in her chair, her gaze steady.
âMy husband would ask different questions,â she says. âHe would want to know your plans. Your ambitions. Your ability to protect this familyâs interests.â She pauses. âBut I am not asking those questions.â Vision listens quietly. Magdaâs smile grows warmer.
âI am asking whether you will protect her happiness.â
Vision answers without hesitation.
âYes.â
Magda studies him one last time. The silence stretches just long enough for the weight of the moment to settle. Then she nods slowly.
âThen you have my blessing.â
The words land softly but with unmistakable certainty.
Vision exhales quietly, relief flickering briefly across his composed expression. Magdaâs smile deepens just slightly. âYou may ask her,â she says. Vision inclines his head respectfully.
âThank you.â
Magda lifts one hand gently, stopping him before he says anything further.
âThere is only one thing I ask in return.â
Vision waits as Magdaâs voice softens again, returning to the tone of a mother rather than a matriarch.
âTake care of my girl.â
Visionâs answer is immediate.
âI will.â
Magda nods, satisfied.
Outside the hallway footsteps approach again, faint but familiar.
Wanda is returning.
Magda leans back comfortably in her chair, her expression settling into calm neutrality. Vision sits upright once more, his usual composure returning though something in his eyes has changed.
The door handle begins to turn.
The city lights blur past the car window like smudged paint as your driver navigates the late-night streets. You donât remember when you stopped noticing the skyline. Your reflection in the glass stares back, sharp and hollow-eyed. The CEO. The sister. The ghost of what a happier version of you used to be.Â
The elevator ride is silent. You press your thumb to the scanner, and the doors slide open to a hallway so quiet you could hear a pin drop or rather a speedster vibrating through the walls. But tonight, thereâs nothing. Just the muffled hum of the building settling around you. Your heels click against the hardwood, measured and deliberate. Keys materialize in your hand before you reach the door. Muscle memory.
Inside, the apartment smells faintly of lemon cleaner and something burnt. The lights are off, but the glow from the skyline paints the living room in blues and golds. Home. Or whatever approximates it when you spend more hours in the office than anywhere else. You toe off your shoes, leave your briefcase by the door.Â
Three steps into the kitchen, you freeze.Â
Chaos.
Not disaster, just Pietroâs particular brand of enthusiasm, which is somehow worse. The counter looks like a paper bomb detonated. Sticky notes cling to the cabinets like barnacles. A pen rolls lazily near the island, abandoned mid-thought. Notebooks sprawl open, pages splayed like wounded birds. You pinch the bridge of your nose.Â
"Christ, Pietro."Â
You pick up the nearest sheet. The handwriting is a hurricane of words. They are slammed onto the page as if theyâd bolt if given half a chance. At the top, scrawled in all caps: BIRTHDAY PLAN (DO NOT TOUCH, SESTRA, I MEAN IT).Â
You snort. Underneath is a list:
- Lights (the spinny ones Wanda likes?? But does she?)Â
- Music (not the sad shit)Â
- Cake (LEMON. FROM THAT PLACE.)Â
- More cake (backup cake)Â
The next page has a doodle that might be a cake or possibly a nuclear reactor. Three lopsided tiers, something erupting from the top. EPIC CAKE, it declares, underlined twice. You set it down, lips twitching.Â
Another sheet slides under your fingers, which is much neater. A list titled âThings Wanda Actually Likes (Not Just What I Thinks She Likes)â.Â
- That piano piece from the black-and-white movie she watches when sheâs sadÂ
- Lemon cake from the bakery on 8th (NOT the one with the weird frosting)Â
- Those paper lanterns from the festival last summerÂ
Your throat tightens. You flip to the next page. Names. Dozens of them. Old college friends, professors, even the grumpy neighbor from her first apartment. All people sheâs mentioned offhand, all people Pietro somehow remembered.
You exhale slowly.Â
This isnât just a party. Itâs a grenade of love lobbed into the quiet of Wandaâs life. Pietroâs way of saying âI see youâ when words fail.
You drag a chair out and spread the papers like a conspiracy board. Venue options range from ârent out the botanical gardensâ to âmaybe the roof?? (weather check needed).â The guest list swells and contracts like a living thing. At one point, heâs circled âEVERYONEâ with a note: âOr is that weird?â
You grab a pen.
Three hours later, the chaos has shape. Your neat columns march beside his frantic scribbles. The venue: secured. The guest list: trimmed but not butchered. The cake order: placed (with a backup, because Pietro wasnât wrong).Â
You lean back. The kitchen clock ticks. The city winks beyond the glass.Â
On top of the stack, the epic cake doodle grins up at you. You trace the jagged lines with your thumb.Â
Tomorrow, youâll tell Pietro his plan needs work. Tonight, you let the mess linger.Â
Somewhere between the papers and the quiet, for once the apartment feels like more than just a place to sleep.
Uh guys, my dad just passed away. I might need some time off. The fics will continue after sometime. I'll finish them I am promising you. But I need some time. Thanks to everyone who enjoys my writing.
Summary: You return to Wandaâs cafĂŠ after a first date you canât stop thinking about, drawn to her warmth despite your secret life. That night, you lead a covert mission, but the victory feels hollow and youâre left wondering what it all means.
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Itâs been three days since that first date, and despite everything-your workload, your calculated attempts at detachment, and your usual airtight routine-you find yourself standing outside her cafĂŠ again.
You tell yourself itâs just coffee. Youâre in the neighborhood. Itâs convenient.
But even you donât buy that lie anymore.
You step inside, the bell above the door chiming softly. The warm scent of espresso and cinnamon wraps around you like a memory, and you spot her almost immediately-Wanda, behind the counter, her hair pulled back in a lazy ponytail, laughing softly with a customer.
She doesnât notice you at first, and you take that moment to breathe. To watch her.
Sheâs not glamorous in the way high society defines it, but sheâs radiant. She wears her heart on her sleeve and never pretends to be anything sheâs not. Thereâs a kind of bravery in that. And you, with your hidden knives and locked-tight truths, feel your resolve loosen a little more.
When her gaze finally finds you, her eyes light up. Not the polite smile she gives strangers, but something softer. Familiar.
âHey, stranger,â she calls out, already reaching for a cup.
You raise an eyebrow. âThree days and Iâm a stranger again?â
Wanda grins. âYouâre the one who disappeared. I figured you got swept away into some billionaire meeting or CEO summit.â
You smirk, tilting your head. âSo you know about that, huh?â
She shrugs, handing you the cup. âI may have a nosy brother who likes to name-drop impressive-sounding titles. You didnât tell me you were fancy.â
You lift the coffee to your lips, eyes narrowing playfully. âI distinctly remember saying I manage some things.â
âThatâs one way to describe it,â she says with a snort. âAnother way is âowns half the damn skyline.ââ
You raise both hands in mock surrender. âGuilty of selective truth-telling.â
âIâll allow it,â she says, leaning in across the counter, eyes glinting with mischief. âBut only because you came back.â
You pause, then offer a small smile. âI couldnât stay away.â
The words hangs there-truthful, unguarded.
Wandaâs eyes soften at that. Not in a romanticized way, but in that real, heart-fluttering kind of warmth that makes your chest feel oddly tight. Youâre not used to that feeling. Itâs⌠new.
And you donât run from it.
Instead, you set the coffee cup down and say, âAre you free for lunch?â
Wanda lifts a brow. âIs this you asking me out again?â
You nod once. âYes. Thought Iâd take you somewhere casual this time. Less rooftop, more⌠walkable.â
She pretends to think for a moment, one finger tapping her chin dramatically. âWell, well, Miss 'Manages Some Things' -two dates in the same week? If I didnât know better, Iâd think you were smitten.â
You smirk. âMaybe I am.â
Her grin breaks wide. âGuess that makes this our second date then.â
You glance down at your watch and back at her. âLetâs make it official. Iâll pick you up when your shift ends?â
Wanda leans across the counter just a little, voice low and playful. âIf you bring me something sweet for dessert, Iâll consider wearing the good lipstick.â
You shake your head with a quiet laugh, already feeling the tension ease from your shoulders. âItâs a date, then.â
The docks reek of salt, oil, and something foul you donât care to name. Midnight is the hour of the desperate and the dangerous - but you are neither. You are Y/N Fury, and this city bends to you, whether its criminals like it or not.
From his perch atop a rusted cargo container, Clint watches the scene below, his bow unstrung but within reach. Natasha leans against a crate beside you, casual as ever, as if this were a routine stroll instead of the prelude to chaos.
âThe shipmentâs late,â Clint murmurs into the comm. âOr theyâre stalling. Either way, I donât like it.â
You adjust the cuffs of your suit, fingers grazing over your engraved cufflinks, a reminder of who you are, what you stand for. âTheyâll come. They always do.â
Natasha exhales through her nose, scanning the empty docks. âLetâs hope they donât bring friends.â
Headlights cut through the night. Two black SUVs roll up near the loading bay, and moments later, a cargo shipâs horn blares in the distance. Right on schedule.
âTheyâre here,â Clint whispers.
You tighten your gloves. âThen letâs get to work.â
The first men to step out are bottom - feeders - tattoos, leather jackets, the kind of guys who think a gun makes them dangerous. They spread out, scanning the docks, but they donât look hard enough. You count six outside the SUVs. More inside. Then thereâs the crew unloading the shipment from the ship.
Thirty seconds later, a well - dressed man steps out of the second SUV, adjusting his watch.
âThatâs our guy,â Natasha mutters. âJonas Greco. Middleman for the Vasquez cartel. Likes to think heâs untouchable.â
You smirk. âLetâs show him how wrong he is.â
You move first - silent, controlled, a shadow slipping between crates. Natasha mirrors you from the other side, while Clint stays above, bow drawn.
The first crate touches the ground. Thatâs the cue.
A flick of your wrist, a blade slicing through the dark - it buries itself in a thugâs shoulder before he can reach for his gun. A muted scream, a body hitting the ground. Chaos erupts.
Natasha is already moving, her combat knife flashing under the moonlight. Clint loses an arrow, striking a manâs hand before he can fire.
Greco turns, panicked, reaching for his radio. Youâre faster. You grab him by the collar and slam him against the SUV.
âDrug shipments donât happen in my city,â you whisper, voice like steel. âAnd if you so much as breathe the wrong way, Iâll make sure you donât leave this dock in one piece.â
Greco gulps. His men are already down. This isnât a fight - itâs a message. A reminder of who owns this city.
You tighten your grip. âYou tell Vasquez that if he wants to keep playing this game, he better be ready to lose.â
Greco nods frantically.
You shove him away. âNow get the hell out of my city.â
The job is done. The shipment wonât reach the streets, and the message is sent.
Later, you, Clint, and Natasha load the seized drugs into the back of a nondescript black SUV. The weight of your victory isnât in the product you confiscated - itâs in the statement you made.
The drive is silent, the city flickering past in streaks of yellow and white. You pull into the back entrance of a precinct - one of yours. The cops stationed here arenât just officers; they owe their careers, their silence, their survival to you.
A uniformed officer steps out, his expression unreadable.
âY/N,â he greets, voice low with practiced respect. âGot something for us?â
You nod toward the cargo. âStraight from our competition. Make it disappear. Usual procedure.â
He signals to his men. The crates are hauled away.
âThisâll cause a stir,â the officer says. âSomeoneâs bound to come looking.â
You smirk, tucking your hands into your pockets. âLet them. If they want to play in my city, they play by my rules.â
The officer shifts nervously. âAnything else we should know?â
You shake your head. âJust keep your ears open. If anyone asks, this never existed.â
With a final glance at the disappearing crates, you turn back to the car. Natasha follows without a word, while Clint chuckles under his breath.
âCold as ever,â he muses, sliding into the passenger seat.
The door clicks shut. Natasha behind the wheel, Clint beside her, and you in the back, where the weight of your choices sits heavier than usual.
The city blurred past in streaks of yellow and white, neon signs casting fleeting glows against the SUV's tinted windows. You sit in the back, head leaning slightly against the cool glass, but your mind is far from the familiar rhythm of post - mission silence. The docks, the takedown, Grecoâs panicked eyes - all of it played out exactly how it was supposed to. Another operation, another loose thread cut before it could unravel. It should feel like a win.
So why doesnât it?
Clintâs voice cuts through the hum of the road. âAnything on your mind, sport?â Heâs trying to sound casual, but you know him too well. Heâs fishing.
You donât answer immediately, just run your fingertips along the smooth leather of the seat, grounding yourself in something tangible. Natasha doesnât say anything, but you feel her gaze in the rearview mirror, steady and unreadable. She doesnât need to push - she waits, lets the silence do the work for her.
âYouâre awfully quiet,â Clint adds, shooting you a glance over his shoulder. âNot like you.â
Heâs right. Normally, adrenaline would still be buzzing under your skin, driving you forward. But tonight, thereâs something else. Something you donât want to put words to.
âYou good, Y/N?â Natasha finally asks, voice low, lacking its usual sharp edge. Itâs not an order, not a demand - just a question. An offering.
You hesitate, then shake your head, trying to clear the fog. âJust⌠thinking.â The words feel clumsy in your mouth. You hate the hesitation in your voice.
Clint raises an eyebrow, leaning into his smirk. âThinking about the mission or something else?â
You donât answer right away, which is already an answer in itself. Natasha flicks her gaze toward Clint in warning, but he just shrugs, settling back in his seat.
âItâs nothing,â you finally say, forcing a small exhale. âJust things I need to figure out.â
Clintâs teasing edge fades, replaced by something quieter. âWell, whatever it is, you know you can talk to us, right?â
His words sit between you, an unspoken invitation. Natasha doesnât echo them, but she doesnât have to. Her grip on the wheel tightens slightly, her expression unreadable, but you catch the way her eyes soften for just a moment.
You meet her gaze in the mirror for a second before looking away.
âLetâs just get back,â you say, voice steady again. Thatâs safer. Thatâs easier.
Neither of them push further. They just share a glance, the kind that says weâll wait. The hum of the engine fills the silence, the city lights casting fleeting shadows across your face.
You let your head rest against the seat, closing your eyes for a brief moment. Youâll deal with it later.
For now, the job comes first.
The late - night hush of SHIELD was a familiar kind of silence - the kind that settled over tired souls and heavy thoughts. It wasnât empty, not really. The low murmur of voices blended with the occasional clink of ice against glass, the soft scrape of a chair moving, the distant hum of a jukebox playing something slow and bluesy. Dim lights cast longshadows across the bar, stretching over well - worn leather seats and whiskey - stained tables. The air smelled of aged wood, liquor, and the faint trace of gunpowder clinging to your jacket from the mission.
Natasha Romanoff sat at the bar, her posture relaxed but her eyes sharp, watching the door like a predator waiting for its prey. She cradled a glass of whiskey in one hand, swirling the amber liquid absently, but her mind was elsewhere.
On you.
She had noticed it on the mission - the weight on your shoulders, the slight hesitation in your eyes when you thought no one was looking. You had done your job flawlessly, as always, but something was off. It wasnât just exhaustion. It was deeper than that, something burrowing beneath your skin, dragging you down.
She had seen it before. In herself. In Clint. In too many people who had lived too many lives in too short a time.
She exhaled slowly, nursing another sip of whiskey as the door to the back office swung open.
Nick.
He stepped into the room with the same commanding presence he always carried, his sharp gaze sweeping over the bar, taking in every detail in a single breath. When his eye landed on her, there was something unspoken in his expression - a silent question.
Natasha raised her glass slightly in greeting before setting it down. "Everything go alright?"
Nickâs voice was even, measured, but there was something beneath it. Concern.
"It went fine," Natasha replied, but there was no real conviction in her tone. It wasnât a lie, but it wasnât the full truth either.
Nick caught it immediately. "But?"
Natasha exhaled through her nose, leaning forward slightly, resting her forearms against the worn wooden bar. She didnât like dancing around things - never had. But this wasnât an easy conversation.
"But thereâs something off about her," she admitted, turning her gaze toward Nick. "She handled the mission like she always does - sharp, focused. But afterward? Sheâs been... different. Quiet."
Nick didnât respond right away, his fingers drumming against the bar in thought.
"You think sheâs not handling the threat?"
Natasha shook her head. "No. Itâs not that. Itâs something else. Something thatâs been there for a while, I think." She paused, swirling her drink absently. "You know how she is. She compartmentalizes, holds everything close. But tonight... it felt like she was fighting something. And I donât think it was just the job."
Nickâs expression didnât change, but Natasha had known him long enough to recognize the way his jaw tightened slightly, the way his fingers curled just a little too tightly around his glass.
He had noticed it too.
"You think I should talk to her?" His voice was quieter now, carrying the weight of a father, not a director.
Natashaâs eyes softened slightly as she met his gaze. "I do."
Nick let out a slow breath, rubbing a hand over the back of his neck - a rare tell.
"She trusts you, Nick," Natasha continued, her voice steady but gentler now. "Even if she doesnât always show it. And if somethingâs weighing on her, she might need to hear it from you. Just... donât push too hard. Let her open up when sheâs ready."
Nick was silent for a long moment, staring at the dark amber liquid in his glass as if it held an answer.
"Iâll talk to her," he finally said, his voice low, resolute.
Natasha nodded, satisfied.
"Sheâs strong," she added after a moment. "Stronger than most. But even she has her limits. Just be patient with her."
Nickâs lips pressed into a thin line, a flicker of something close to a smile ghosting across his face.
"I always am," he murmured.
And with that, he pushed away from the bar, his decision made.
Natasha watched him go, watched the way his shoulders squared, the way he carried the quiet weight of responsibility on his back as he walked toward the one person heâd break every rule in the book for.
She hoped youâd let him in.
You had done everything right tonight. The mission had gone smoothly, your team had made it back in one piece, and yet, something felt⌠off. Off in a way you couldnât shake, no matter how many times you replayed it in your mind. You werenât distracted during the op - your instincts wouldnât allow it - but now, in the quiet aftermath, it was creeping in, slipping through the cracks you swore you had sealed.
Natasha was already here, perched at the bar like she belonged there, whiskey glass in hand. Her sharp green eyes flicked toward you as you entered, taking you in with that silent, calculating look that said she already knew something was wrong. She always knew.
She didnât say anything right away. Just took a slow sip of her drink, letting the quiet stretch between you. You appreciated that about her. She never forced you to talk before you were ready, but that didnât mean she wasnât waiting.
A presence shifted in the room, drawing your attention before you even saw him. Nick.
You didnât need to turn to know it was him. His steps were always measured, deliberate, carrying the weight of someone who had spent his life walking through battlefields, even when they werenât made of bullets and blood. He wasnât just your boss. He was your father. And tonight, he was here for you.
He walked past Natasha without a word, his sharp gaze settling on you, assessing. There was no reprimand, no immediate questioning - just that quiet kind of concern he rarely let show.
You swallowed hard, forcing your posture to stay straight.
"Got a minute, kid?"
The words were simple, but something in his voice made them heavier. Not an order. An invitation.
You hesitated, your fingers tightening into a fist before you forced them to relax. Then, finally, you nodded. "Of course, Dad."
Nick sat across from you, his hands resting on the table between you both. You could see the tension in his shoulders, the way his jaw tightened slightly small, almost imperceptible things that only you would notice. He wasnât here as Nick Fury. He was here as your father.
"Everything alright?" His voice was steady, but there was an edge of something softer beneath it.
You wanted to say yes. To give him the answer that would make this easier. But when you opened your mouth, nothing came out at first.
The truth sat in your chest like lead, heavy and immovable.
"Iâm fine," you finally said, but even to your own ears, the words sounded⌠thin. Like an excuse instead of a truth.
Nick didnât push. He never did. He just watched you, waiting, his patience steady and unwavering.
You exhaled slowly, your gaze dropping to your hands. You didnât want to do this. You didnât want to admit that something was clawing at you from the inside, making it hard to breathe.
"I just..." You hesitated. "I donât want to put anything on you. Youâve got enough to deal with."
Nick let out a quiet breath - almost a huff - before reaching across the table, his rough, calloused hand resting over yours. The gesture was small, but it anchored you.
"Youâre never a distraction, Y/N," he said, his voice quieter now. "Never. Youâre my daughter. And Iâm here for you, always. Whateverâs going on, weâll figure it out together."
The words hit something deep inside you, something you didnât even realize you had been holding back. The weight of them settled into your ribs, pressing against the ache you had refused to acknowledge.
For a long moment, you just sat there, letting the warmth of his hand seep into your skin.
Then, without thinking, you squeezed his hand - tighter than you normally would. He didnât flinch.
"Thanks, Dad," you whispered.
You didnât say anything else. You didnât need to. Because in this moment, in the dim glow of the bar, with the scent of whiskey and gunpowder lingering between you, he knew.
And for the first time in days, maybe weeks, the weight on your chest didnât feel quite as heavy.
After days of seeing you distracted and unsettled, Nick Furyâs instincts kicked in. It wasnât like you to be unfocused, especially during operations. And when Clint, Natasha, and even Yelena started noticing your distant demeanor, it became clear to Nick that something - someone - was on your mind. Nick wasnât blind to the signs. He knew you, better than anyone, and recognized the subtle shift in your behavior. Your rare absentmindedness when you are usually be laser focused. it was enough to make Nick realize that you had someone new in her life. The question was: who? You hadnât revealed much, and the name "Wanda" hadnât been spoken aloud. But Nick had seen enough. His daughter, as independent and fierce as she was, wasnât immune to the pull of human connection. And it was clear this was more than just a passing distraction. This woman was important. So Nick, doing what he did best, began his investigation. His first stop? Wanda's cafe.
The bell above the door chimes softly as he steps inside.
Itâs a small place - cozy, warm, the kind of spot that invites people in and convinces them to stay. The scent of fresh coffee lingers in the air, blending with something faintly sweet, like cinnamon or vanilla. The lighting is soft, golden, a stark contrast to the cityâs cold steel and fluorescent harshness.
Not his usual setting.
And certainly not yours.
The soft hum of the espresso machine and the quiet chatter from a couple of patrons were the only sounds in the room. Nickâs sharp gaze swept over the place quickly, registering the details - small but cozy, intimate in a way that screamed comfort, not the kind of place a hardened operative would frequent, yet it seemed to draw people in nonetheless.
Wanda was behind the counter, her attention on a small tray of pastries. She didnât notice him right away, absorbed in her task, her movements fluid and precise. As Nick approached the counter, he casually adjusted his coat and waited for her to look up.
Wanda turned around, and when her eyes met his, she offered a warm smile. It wasnât the kind of smile that belonged to someone trying to be overly charming - it was genuine, like she was truly happy to see him. A stark contrast to the cold masks people in his world often wore.
âCan I get you something?â Wanda asked, her tone friendly, and her accent, though soft, betrayed her Sokovian roots.
âJust black,â Nick replied, keeping his voice low and steady, but with an undercurrent of authority that most would sense but never acknowledge. He didnât need to announce who he was. It wasnât his style.
âComing right up,â Wanda said as she turned to prepare the coffee. As she worked, Nick took in the quiet rhythm of the cafe - the soft clinking of cups, the murmur of voices, and the faint background music that added to the peaceful ambiance. It seemed almost out of place in the cityâs constant hum of chaos.
âSo, youâre the owner?â Nick asked casually, resting his arms on the counter, his eyes never leaving her as she moved around the space with ease.
Wanda glanced up briefly, her brow furrowing slightly as she focused on the coffee machine. âI am, yes. It is a family business, sort of. Though, at this point, I mostly handle it alone.â
Nick raised an eyebrow. âMust be a lot of work for one person.â
She laughed softly, shaking her head. âIt is manageable. It keeps me busy, though. I like it that way.â
Nick studied her for a moment. There was something about her - something that seemed so unassuming. Yet, the way she carried herself, the ease in her demeanor, suggested she was no stranger to overcoming challenges. In his line of work, it was hard to miss the subtle signs people gave off. She was different, and that intrigued him.
âYouâre not from around here, are you?â he asked, the question slipping out more naturally than he had planned.
Wanda stopped mid-motion, looking up at him. âNo, Iâm originally from Sokovia. You might have heard of it,â she said, a hint of playfulness in her tone. It was clear she was aware of the gravity the name carried, but her delivery was light, as if it did not hold the weight it once did.
âIâve heard of it,â Nick replied, his gaze narrowing just slightly, as if weighing his words. âQuite the place, if I recall correctly.â
She shrugged, her smile never faltering. âIt was. Not anymore, though. Just⌠memories now.â
Nick nodded slowly, processing her words. There was something guarded about her response, a glimpse into her past that she did not offer up easily. Yet she remained composed, the walls around her emotions constructed but not entirely impenetrable. It made him more certain of one thing - there was more to her than met the eye.
âHow come you donât have much staff here?â Nick asked again, trying to keep the conversation going, though he was not sure why. He had his answers, but there was something about her that he could not quite place.
Wanda tilted her head, pausing as she considered his question. âIâve had a few people help here and there, but this is my thing. Keeps me busy⌠and keeps my mind occupied.â
Nick felt his eyes linger on her for a moment longer than he intended. She was giving away so much without realizing it, and yet, her openness was as guarded as it was inviting. You, his daughter, had obviously found something in her. But was it enough for you to let your guard down completely? Thatâs what Nick needed to figure out.
âHmm. Keeps you occupied, huh?â Nick said, his voice smooth as he leaned back just a little, taking another slow sip of his coffee. âSeems like a good place to clear your mind. But⌠is it really enough?â
Wanda paused again, a flicker of something in her eyes. âMore than enough,â she replied softly. âI find peace here. Thatâs all I need.â
Nick studied her for a moment longer, the pieces falling into place in his mind. There was something about Wanda that was⌠serene. Detached, even from the chaos of the world. And it was this, more than anything else, that likely drew you to her. Wanda was a contrast to the danger, the turmoil, that you lived with daily.
Nick set his cup down and gave her a small, almost imperceptible nod. âYou know, Iâve been to a lot of places like this. Not quite like this, though. Youâve got a good thing going.â
Wanda smiled, a little shy now, as if the compliment had caught her off guard. âThanks. I try.â
He stood, taking one last look around the cafe before he headed for the door, his presence lingering just long enough to leave a subtle mark on her. He hadnât gotten all the answers he wanted, but he had enough. The mission was far from over. Nickâs curiosity about Wanda was piqued, and he wouldnât rest until he understood what was really happening between her and you.
But for now, heâd leave it at that.
Nick stepped out of the cafe, the bell jingling softly behind him as the door closed. The crisp New York air greeted him, carrying with it the distant hum of traffic and the faint aroma of freshly brewed coffee that clung to his coat. He paused on the sidewalk, his hands tucked into his pockets and glanced back at the warm glow of the cafeâs windows. Wanda Maximoff.
She didnât fit. Not into your world, not into his. And yet, he could see why you had been drawn to her. Wanda was a beacon of calm, of normalcy, in a city riddled with chaos - a city that you navigated with the precision of a chess master but at the cost of your own peace.
Nick exhaled slowly, his breath misting in the cold air. He had seen the way Wanda moved, the way she spoke. She wasnât naĂŻve, but she wasnât hardened, either. She had the resilience of someone who had faced hardship and survived, but she hadnât let it turn her bitter. It was a rare quality, and perhaps that was what made her so dangerous - not to the world, but to you.
Because you were falling for her. Hard.
And as much as Nick wanted to protect his daughter, he also knew there were some battles you had to fight on your own. He couldnât shield you from the risks of loving someone outside your world, someone who had no idea of the darkness that lurked beneath the surface.
But maybe⌠just maybe, Wanda was exactly what you needed.
With a decisive nod, Nick turned and walked toward the black SUV parked a few feet away. His driver opened the door for him, but Nick waved him off. âTake a break. Iâll drive myself.â
The agent hesitated but nodded, stepping aside as Nick climbed into the vehicle. He needed the solitude, the drive, to think.
The bar is quiet tonight, the kind of quiet that isnât peaceful but heavy, thick with unspoken words and the weight of sleepless nights. Itâs dimly lit, the amber glow of old bulbs reflecting off the dark wood, casting shadows that stretch long across the floor. The hum of the city outside is distant, muffled by thick walls, but you can still feel it - the pulse of New York, always moving, never resting.
You sit alone, a small glass of whiskey in front of you, untouched. Your fingers trace slow, absentminded circles along the rim, the cool glass grounding you in a way nothing else can right now. Your mind is elsewhere.
On her.
Wanda Maximoff.
Itâs maddening - the way she lingers in your thoughts, like a song you canât shake. Her smile. The way her voice softens when she talks about things she loves. The warmth in her eyes when she looks at you, like she sees something worth knowing, something worth holding onto.
And thatâs the problem, isnât it?
She doesnât know. Not about you. Not about the life you lead, the ghosts that follow you, the blood on your hands. She sees the parts of you that you allow, the carefully measured pieces, the edges smoothed just enough to look harmless.
But if she knew?
If she knew the kind of things youâve done, the kind of things you still do?
Would she still smile at you like that?
The thought makes your chest ache, and you donât even realize how deep in it you are until a familiar voice cuts through the quiet.
âMind if I join you?â
You jolt slightly, your body tensing before your brain catches up to the sound. Nick.
You look up, and there he is, standing at the edge of the bar, coat draped over one arm, his expression unreadable. Itâs not a request. It never is.
âDad,â you say, straightening your posture, forcing yourself back into the present. âWhat are you doing here?â
He doesnât answer right away, just moves to sit beside you, his presence as solid as ever. âI was in the neighborhood,â he says simply, his tone casual. But you know better. Nick Fury doesnât do casual.
You narrow your eyes. âRight. In the neighborhood. At this hour.â
He doesnât react, just picks up your untouched drink, examines it for a second before setting it down. Then, without pretence, he says it -
âYouâve been distracted.â
The words settle between you like a loaded gun on the table.
You stiffen, defences snapping into place. âIâm fine.â
Nick just looks at you. That look - the one that sees straight through you, past the layers, past the walls, past the carefully controlled exterior.
âSure you are,â he says, voice calm, measured. âBut âfineâ doesnât keep you up at night, staring at a drink youâre not going to finish.â
You clench your jaw, looking away. The ice in the whiskey has started to melt, little droplets of condensation sliding down the glass. You hate how well he knows you.
âIâm handling it,â you say finally.
Nick exhales through his nose, slow, deliberate. âI know you are,â he says. âBut you donât have to handle it alone.â
Something in his voice makes you pause.
You turn back to him, caught off guard by the softness there. Nick Fury is many things - calculating, ruthless when he needs to be, a man who sees the world in shades of war and strategy. But right now? Right now, heâs just your father.
And heâs giving you an out.
Before you can figure out what to say, he speaks again. âDoes she make you happy?â
Your breath catches. The question is so simple, so direct, that it feels like a knife slipping between your ribs.
âWhat?â
âThe woman youâve been seeing,â Nick clarifies, his tone even. âDoes she make you happy?â
You donât answer right away. You canât. Because saying it out loud makes it real, and youâre not sure youâre ready for that kind of vulnerability.
But when you finally speak, your voice is quieter than you mean it to be.
ââŚYeah.â
Nick nods, like he already knew the answer. Maybe he did.
A small, almost imperceptible smile tugs at the corner of his mouth. âThen donât screw it up.â
You blink. What?
âYou heard me,â he says, standing up, grabbing his coat. âYouâve got a good head on your shoulders, Y/N. Use it. But donât overthink it.â
You watch him, still trying to process what just happened.
He walks toward the door, but before he leaves, he pauses, glancing back over his shoulder. His expression is unreadable, but his voice is certain.
âAnd for what itâs worth⌠Ms. Maximoff seems like a good one.â
Your throat tightens. You donât move, donât say anything.
You just watch him go, the weight of his words settling deep into your bones.
For the first time in a long time, hope flickers at the edges of your carefully controlled world.
And maybe - just maybe - you can find a way to keep it.
Def have some thoughts on this.... @justarandomreaderxoxo
⢠My dude wanda/elizabeth is a literal goddess. No one is as beautiful as her
⢠I cant believe yn didn't see wanda for 3 days. I would have shown up first thing the next day lol
⢠Okay so pietro mentioned in the drabble to tell him when they kiss again. But I'm assuming they haven't kissed yet?? Since I def would have loved to have read that part lol
⢠Of course wanda was missing yn since she called her a stranger lol
⢠And not her reaching for a cup straight away ;_; oh my gosh what if she eventually had a cup that's yns only ;_; like it's a different colour or a unique pattern.
⢠Exactly, I'm surprised yn didn't assume wanda was gonna find out at some point due to her name. She could have told full truths instead of half's. I mean not tell her straight away what she does but how she's well known.
⢠But wanda forgives her since yn came back;_;
⢠Gosh I wish with the way yn describes how she's feeling when wanda looks at so softly I wish I could experience that ;_; I bet its wonderful.
⢠Exactly I wouldn't run from it either
⢠Okay I may need an answer. Does wanda run the store herself? Does she need to shut it when she goes for lunch or has she got cover lol. Or does she just eat something when its empty? What if she needs a bathroom break?? If yn is asking her out for lunch XD maybe someone is cleaning tables or in the back cause we haven't met another character in the cafe.
⢠Of course yn is smitten, the girl in question is the dream girl!!
⢠No offense but how would yn know wanda finishes soon. What if wanda didn't finish till midnight? Also if she's taking her for lunch wouldn't that just be a lunch break lunch not a shift finished lunch? Lol I know I'm asking silly questions but I like to ask in detail ones sometimes.
⢠The goooood lipstick !?!?@ ohhhh you mean one that wouldn't smudge;) oh lord, who needs food, maybe I'm sweet enough for her to eat lol ;)
⢠But if she did ask me that I would probs be standing at a bakery and being like this is Sophies choice having to choose the perfect one. But also needing to know what she didn't like, or any allergies. Like I love Tiramisu, but would she? Or if I went with a London cheesecake (it's like a coconut pastry with jam) would she like it!?!?! So many choices Aaa
⢠So. Have these two kissed ghem!?!?! Or is she hinting yn might get kissed!!!!
⢠So skipping ahead to when nick meets wanda.
⢠If he hadn't heard the name wanda how did he know wanda was the girl in question? Did he have yn watched or just accessed that the person behind the counter was the person on yns mind. And how did he know it was this cafe?!?@ lol what did yn say to nick that gave him clues as to where to go?
⢠Also does wandas cafe name indicate that she owns it like her last name used in it? I know he has eyes everywhere but I'm curious how he was able to find out so quickly
⢠Not his or yns usual setting lol
⢠Okay exactly how did he look her up? In terms of geting a picture to a name to know what wanda looks like?
⢠okay so him asking whether she's the owner probs also makes him know this is def the person he needs to talk to
⢠Lol did pietro help? I bet he helped wanda buy the place and helped her set up I can't imagine him running it with her tho lol
⢠I'm sorry but asking wandaa that she's not from around her.. mmm thata a little ofennsive, I'm surprised wanda doesn't feel slightly unnerved
⢠What Fury said about wanda not telling her past to anyone, when we know she's spoke n about it to yn ;)
⢠THIS IS WHAT I MEAN where is the staff!!! Surely she can't really handle this all on her own I mean she must be doing 10 -12 hour shifts every day ;_; girl needs a break to sit down now and then.
⢠So maybe she hires staff during the busy periods? So does she have a proper break then or does she shut the shop for 15 while she has a break? I need the detail lol
⢠When wanda said she finds peace here and that's all she needs I found that interesting I wonder if there is a hidden meaning there. Do you remember writing this and what you meant by this
⢠Oh yes wanda is a calming presence
⢠Shes the light in this tunnel that is the city
⢠Dawwwww the compliment nick said about the place that's sweet but it's also true
⢠Err I hope he paid and tipped her plenty lol
⢠Dude my girl has been through the destruction of her country and the loss of her course she's been through a lot but my girl survived and built a cafe!!
⢠Of course wanda is exactly what we need!!
⢠Oh I'd love to sit and listen to wanda as she spoke aboyt anything and everything
⢠Damn i wish she could look at me and see my worth;_; and I'm worth her wanting to know
⢠Fury gave yn the approval of wanda whoop that's all yn needed. But well I can only hope it doesn't end badly and yn and wanda can lead a peaceful life.
+ There is a issue here regarding her staff which at the time was not actually in my mind when I wrote it, so apologies for that, but at some point in the past I think I have mentioned that she hired staff when needed, so let's assume the staff is present during rush times.
+ As for Pietro, he and Wanda came together so of course he helped her find the place and setup the store, he sometimes serves alongside her when he feels like it. He is kinda free spirit freelancer going gig to gig.
+ Also they came from a war torn country, that's why Wanda is kinda unsettled by the horrors of war she saw, but their parents are alive as I didn't want to make her too sad (there's enough of that canonically).
+ As much as I remember, no they haven't kissed yet. But I think their first kiss happens off screen, I may be wrong but I don't exactly remember.
+ As for Nick, that's the fun part. Canonically Nick Fury is the Head Spymaster of the biggest covert op agency, right? Now how did he find out we may never know as he himself wouldn't tell us. (This is my plot armour, Fury can find out anything he wants đ)
+ I think I clarified all your questions but if I missed any please tell me
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