Get High And Notice Basslines

Origami Around

#extradirty
art blog(derogatory)
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Sweet Seals For You, Always

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occasionally subtle
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The Stonewall Inn
let's talk about Bridgerton tea, my ask is open
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@junkmanserenade
Get High And Notice Basslines

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7.02 — “Sand and Water”
Cinestill 800T
ER (1994-2009) 10.3 — Dear Abby
Brian, he moved back to Idaho a few days ago. And he took all his stuff with him.
ER (1994-2009) 8.18 — Orion in the Sky

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Cliffs of Moher, Ireland 🇮🇪
Daphnis and Chloé (also known as Narcisse) (c. 1870) by Édouard-Théophile Blanchard, oil on canvas, 64 x 168 cm, Musée d'Orsay, Paris
(x)
I never thought i would compromise I never thought i would compromise I never thought i would compromise
anjelica huston in 'les genres' shot by robert graham in vogue paris dec/jan 1994-5

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Wheel and call, cloud dreams all, Amalia Tsakiri
sometimes the absence is more compelling. let's lack something and then feel its presence forever in the empty space where it should be.
The Invite (Olivia Wilde, 2026)
cinematography: Adam Newport-Berra
THE INVITE (2026) dir. olivia wilde

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“There is a moment in the film where [Penélope Cruz] improvised a kiss with me. I was like, ‘Oh, hair in the gate. Do it again!’ I was so shocked when she did it that I actually turned my head and looked directly into the lens and through to my camera operator. He was like, ‘Olivia!’ and I said, ‘Namaste.’ For some reason that was the only thing that came to my mind, ‘namaste.’ And everyone was like, ‘What?’ And I was like, ‘I don't know. My mind went blank.’ My mind went blank because I was so struck by this moment. I lost control. I was so madly in love with her.”
Olivia Wilde on kissing Penélope Cruz in The Invite
Lawrence, Kansas
March 3, 2025