
ojovivo
Sweet Seals For You, Always
Lint Roller? I Barely Know Her

bliss lane
tumblr dot com
$LAYYYTER
Misplaced Lens Cap
EXPECTATIONS

Jar Jar Binks Fan Club

izzy's playlists!

blake kathryn
Not today Justin

Keni
"I'm Dorothy Gale from Kansas"

Andulka
★

shark vs the universe
almost home
seen from Chile
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@internalanatomyofagar

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Sigourney Weaver, 1983
Photographer: Helmut Newton
god i need something so bad. but what is it
it’s a pretty well-known phenomenon that you only get a couple seconds with your horror creature fully visible onscreen before it gets “chuckied,” a term coined by yours truly referring to the shift between the first and second acts of child’s play (1988) as the audience gets used to seeing the little chucky puppet moving around and consequently can no longer buy into the film’s serious slasher tone in the absence of the horror of the unknown. the tuunbaq in the terror and the dogomorph in alien 3 (1992) are also famous victims of chuckying—just like how lovecraftian horror usually falls flat on the screen, too much visibility and your scary, amorphous creature will become a very morphous puppet or cgi’d in picture. the easiest way to combat this is of course to keep the creature obscured for as much of the piece as possible; for instance, despite their oppressive presence throughout their respective works, the beast in over the garden wall is shown for less than six frames and the eponymous kaiju of cloverfield (2008) is never properly shown, allowing each to retain their mystery and danger. another route is to simply lean into the campiness of it, like the later child’s play franchise and alien resurrection (1997). in the case of the blob (1958) a mere satirical title sequence song is enough to completely transform a fairly standard creature feature into an enduring masterpiece of hokey fun. the third option to combat chuckying is for the horror creature to constantly transform—the thing (1982), the fly (1986), and aliens (1986) show their creatures in loving detail, but there is always something the audience hasn’t seen yet, something they don’t know to brace themselves for. it’s a fine line to walk, of course, but that’s the nature of the game when you want to turn the concept of the unknown into something knowable enough to bite you
It was nice not having to cover them in blood and soot this time

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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a CRITTER? Carrying a BERRY?? Across a BRAMBLE VINE?????
cemtaurs
it's called a ball python because it is a python(🐍) that ball(🟠)
nothing in the rules says a python can't play basketball
know the difference!
Me and mom learned new English word.
Wow…This is probably the most famous posts on my Tumblr lol.
This is what I drew after this situation 👇

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More on my Patreon 💙
Link in bio ☝️
flock of sharks owo
標識ワニ「ワーニング」陶器フィギュアの通販を開始しました!
this might count as good bird photography, but i think the bird itself is sufficiently horrible
(great egret, fishing)
"a genus of new world pigs" sounds like something rage against the machine might call the american capitalist class. but in fact it refers to the humble javelina

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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🦈 Open wide! It’s Shark Week. Growing up to 40 ft (12 m) long, the basking shark (Cetorhinus maximus) is the second largest fish on Earth. This shark’s name nods to the way it feeds, “basking” at the surface of the ocean, with its dorsal fin poking out of the water. This giant feeds passively on plankton, which it catches with highly developed bristle-like gill rakers that extend between the gill arches visible inside its gaping mouth. Photo: Greg Skomal / NOAA Fisheries Service, Wikimedia Commons