she got the ick
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@incomprehensible-ants
she got the ick

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grout white shark
Thinking about the rape survivor from earlier in the season telling Dana “He was drunk. He didn’t mean it.” And then Emma being physically assaulted by a drunk man… I AM NOT OKAY!
The way women are conditioned to blame themselves and justify men’s sickening violent behavior for their own survival in a world that won’t believe them.
I’m even more frustrated by people not picking up the ways both covert and overt misogyny are harming the women on the Pitt. This is life under patriarchy. And yes even your faves are a part of the system that’s harming them. Especially the women of color, who are also living at the intersection of patriarchy and white supremacy. They are facing threats like ICE and both overt/covert racism all the while giving their all to their work.
Emma Nolan has quickly skyrocketed to one of my favorite characters oat. strong and kind and gentle. soft-spoken and sweet but not one to give up or back down. sees people as people. the quiet way she's reassuring Dana, recognizing her distress and soothing it by silently saying "look, I'm okay, I'm alright. I've been through worse. I'm okay."
she is genuinely such a beautiful character. her moments with digby are some of my favorites of the season. digby is such a beautiful, well-written side character as well, the whole subplot fleshed out to make you care so deeply about this guy that we truly barely know.
"did you dance with your daughter at the wedding?" "..yeah." "then she'll remember you forever."
anxious in her first day but steadfast in pushing through. strong without losing her softness. ohhh I adore you Emma Nolan
you 🫵 leave your dirty clothes 👕 everywhere 😠 you eat 🍽️ all of my avocados 🥑 as soon as they ripen ⏰ you keep 🙄 pausing the tv 📺 to ask❓the dumbest questions 💀 and no ☝️ i'm going back 🔁 to the avocado thing 🥑 because i've never 😤 seen someone 🧍 consume so many 😋🍴 it's disgusting ‼️🗣️‼️

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what makes the pitt great is that i actually DO care about every character and their interactions and dynamics. i WANT to know what ogilvie’s deal is. i LIKE that robby is an asshole and a great doctor. i am ENJOYING the langdon/trinity tension. i think its INTERESTING that javadi hasn’t found her footing yet. that’s good tv!!!! yay!!!!!
imagine your mom coming into your place of work and immediately accusing you without any evidence of making a mistake in front of like 7 of your coworkers and your boss. now imagine it's the ER, your patient is coding and you're fucking 20.
The thing about The Pitt is that every character is nuanced and contains both good and bad within them and you have to see everything in shades of gray...
...except for Dana Evans, who has done nothing wrong ever in her life and I will break the nose of anyone who says otherwise.
Normal groceries like milk or bread or whatever running out is whatever. Just anotha day. But when stuff like salt or cooking oil or rice runs out it feels like You’re supposed to be here for me and you’re leaving. You’re just like everyone else
pynch is awesome because adam thinks of ronan as being a bad influence that corrupts his innocent straightlaced nature by getting him to act like a reckless teenage boy instead of being the model scholarship student. its not that there isnt any truth to it. ronan is practically defined by reckless behavior. but the stuff ronan talks adam into doing is like. getting into a shopping cart and rolling across the grocery store parking lot. or dragging each other behind the back of a car on a skateboard. and adam is like ronans dangerous hes a savage hes sharp like a knife hes a dark enigma i dont know why i go along with his antics (he does)....but when its adam convincing ronan to do something its "lets fabricate evidence of our latin teacher abusing and murdering little kids and stand outside in his yard and throw a bag of chopped up body parts at him to run him out of town" girl HUH? and ronan is like yeah i basically view adam as an object of worship. and youre like wait hold on you think of him like hes a saint? and ronans like no. hes going to hellll 😁🩷

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First time I see the full lyrics without it being take me to snurch (snail church)
What really makes this for me is that OP could have phoned it in on the chorus and just repeated the same fics, but no. They found a unique one every time. Class act.
imagine you meet god and he’s literally just some lame bisexual millennial with anger issues. this happened to my good friend harrowhark nonagesimus
i tried to make a venn diagram but my migraine is ironically too bad for me to have the brain power to take the time to fix the proportions and then i locked one of the text layers and got pissed off and gave up. but i kind of like it all fucked up like this
When I say that Chosen is a great series finale to Buffy the Vampire Slayer, what I mean is that Chosen makes a number of very correct choices that I think bring Buffy's (and Buffy's) story to an incredibly graceful and satisfying end.
I'm talking about the refusal to have Buffy define her future by choosing one potential romantic partner over another; about having Buffy remind us that she's still a young woman with her whole life ahead of her (and as such "I'm not finished becoming whoever the hell I'm going to be"). I'm talking about the spell to activate the Potentials, and Willow's central role in that, and how that manages to both work as both an end to the story of Willow's ambivalence around her magical powers while also finally giving Buffy a way to break free from the shackles that have been tying her down since the start of the show ("In every generation there is a Chosen One. She alone...").
I'm talking about the way the show finally gives Buffy a chance to make her own path. To stop being "she alone" without dying or giving up her powers or knowledge of the supernatural. I'm talking about the show finally taking seriously the ideas of multiple Slayers it's been playing with since Season 2; I'm talking about the shots of new Slayers being called all over the world. I'm talking about the Core Four all making it out alive; I'm talking about the symbolism of all of Sunnydale collapsing into a crater; I'm talking about the last spoken words of the show being Dawn asking her sister what they're going to do next, and Buffy smiling without answering as she imagines a previously impossible tomorrow.
When I say that Chosen is a great series finale to Buffy the Vampire Slayer, what I don't mean, and would never want to imply, is that Chosen is a good episode of television.
Nona the Ninth says important things like "even in the cruelest most broken world love can still matter" and "righteous fury is still fury and can be so destructive" and "mass suicide cancelled I forgot there was a dog"

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On one hand, there is a fundamental disconnect between Gideon and Harrow's attitude to their relationship by the end of GtN; Harrow wants to stop using and exploiting Gideon, and Gideon meanwhile has decided to embrace being used and exploited by Harrow. But I think Gideon's understanding of their relationship post-pool scene is also influenced by the fact that Harrow asks Gideon to return to the Ninth. Gideon has just forgiven Harrow for trapping her in a life of abuse and slavery on the Ninth, in large part because Harrow expressed such intense regret about it and displayed a level of empathy for Gideon's pain that she had never shown before. And then Harrow immediately... tries to trap Gideon into abuse and slavery on the Ninth again.
And from Harrow's perspective the request makes sense! She doesn't want Gideon to die for her, but she has a responsibility to stay alive in order to care for the Ninth and Alecto. So this is the obvious compromise. And it's also her attempt at reversing the power dynamic of the necrocav relationship, and asserting that Gideon's life is more valuable than hers.
But at the same time, you can see it as a cheap way of trying to "make amends" in the technical sense, and therefore assuage Harrow's guilt, while also doing nothing to actually help Gideon. Harrow gets to die "saving" Gideon, feeling righteous, making up for the sin of her birth, etc, and Gideon has to go back to the Ninth. In one way, the request is yet another instance of Harrow exploiting Gideon to meet her own needs and desires.
She's also reasserting the idea that Gideon has a duty to the Ninth. When Gideon's supposed duty to the Ninth has always been used as a justification for their abuse and exploitation of her, and when she has just learned that they tried to kill her as a baby and spent the next eighteen years punishing her because she didn't die for their heir. With this context, insisting on Gideon's duty to the Ninth is essentially the same as insisting that Gideon is still the Ninth's property, and therefore still Harrow's property.
I think when Harrow asks Gideon to return to the Ninth, what this tells Gideon is that their relationship will always be a fundamentally exploitative one. Even if Harrow feels bad about it, even if she tries to do better or to make it into something different, she will always prioritise the needs of herself and the Ninth above Gideon. Even if Harrow thinks she's building a better relationship with Gideon, she will always be using Gideon for her own ends, while maybe not even realising she's doing so.
Harrow is devastated about Gideon's death, of course, but I think one thing she doesn't realise is that by asking Gideon to go back to the Ninth she essentially told Gideon how to relate to her, and how to treat her, and what the terms of the relationship would be. And Gideon accepted the relationship on those terms, because she realised that she was genuinely important to Harrow, in a way she had never been for anyone else. So of course Gideon sacrificed herself for Harrow, and of course Harrow was surprised by it; Gideon understood what the relationship was, and always would be, in a way that Harrow didn't.
And of course you have the ambiguity around Gideon's self-sacrifice as well... The way it is the ultimate display of Harrow's domination and exploitation of Gideon, with Gideon making herself into an object for Harrow to use and consume... And at the same time it's Gideon forcing herself on Harrow, using Harrow for her own ends, asserting power over Harrow... Dying for Harrow in a controlling and exploitative way, as Harrow wanted to do for her! Forgiveness!
Rick Rolled a entire stadium full of people, epic.