iâve watched this like 8 times in a row
Me and my dog post-apocalypse after we find a broken crate of canned peaches washed up on the beach

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Janaina Medeiros

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@iibislintu
iâve watched this like 8 times in a row
Me and my dog post-apocalypse after we find a broken crate of canned peaches washed up on the beach

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I love you, vintage gay Pikachu. Youâll find the boy for you, I promise.
Hi you :)
If you get this, answer w/ three random facts about yourself and send it to the last 7 blogs in your notifs. Anon or not, doesn't matter, let's get to know the person behind the blog!
In any case, have a nice day
hey, hello! thank you for the tag! :)
Hmm, let's see.
i believe this year marks 30 years of fandom-involvement for me! i my first fandom was Spice Girls, if memory serves.
i have enough space between my big toe and my index toe that i could in fact have six toes on both feet.
i can't stand the smell of cheese puffs, it makes me nauseous (ate three bowls when i was little and threw up spectacularly after).
also, tagging @scandalin and @iibislintu here because you don't have ask boxes.
Kiitos tägistä â¤ď¸
ĂĂśh!
1) pystyisin luultavasti elämään loppuelämäni kommunikoimalla pelkästään Eppu Normaalin lauluteksteillä
2) mun sylissä nukkuu juuri tällä hetkellä pieni lämmin koira
3) mulla ei ole minkäänlaista ajantajua. joku sanoi just että oltiin viimeksi tavattu viime kesänä, ja olin vaan että jaaa eikÜ se ollut viime viikolla.
En nää nyt ilmoituksia ja sitä paitsi niistä tyypeistä suurin osa niistä ei osaa suomea joten tägään @dreamyholmes in, @marjaisavarjo n ja @leosoijapoika n!
An old woman will arrive at the station at 2:47 AM, she will not have enough money to pay the fare, let her in anyway. She will then board an unscheduled train at 3:00 AM. DO NOT ATTEMPT TO TURN HER AWAY UNDER ANY CIRCUMSTANCES.
It was either a joke or some train executive's wife, that's what I thought when my manager gave me those specific instructions.
He proceeded to stress them again three more times during orientation. No biggie, I figured, and set a reminder on my phone for 2:45 just to be safe. Other than that I was just shown how to work the ticketing machine and where to find the spare D Batteries for the ancient flashlight they provided me with.
At 11:50 PM the last scheduled train departed. By 00:20 AM all the disembarked passengers had milled off. There was only one other person at the platform, a young homeless man missing a leg. Probably a veteran of one war or the other, there had been so many recently. He was sleeping on one of the benches. My manager had said I was to politely urge any passengers remaining after midnight to leave. He did not seem like a passenger so I let him sleep. It is how I was raised.
At 2:45 AM my alarm went off. I put aside my book, made sure my booth was tidy in case the executive's wife or mother or whoever would come was going to inspect it.
At 2:47 AM she was there.
I did not hear a car, nor approaching footsteps. The Babusia was simply there when she had not been before. A heavily wrinkled old woman, with a crooked nose and a scarf tied around her brittle-looking grey hair. A knobbly wooden walking stick was held by an equally knobbly left hand. She did not seem like the mother of some rich rail tycoon. She reminded me of my grandmother.
But I had never met my grandmother.
"One ticket, please." she requested in a firm voice, placing a small handful of coins on the counter without looking up at me. Most of the coins were obsolete Kopeks, and even counting those it was not enough for half a ticket, but as I was told before I nodded my head and accepted her money. "Of course. "
It suddenly occured to me that I was not told how to print a ticket for this unscheduled train. Before I could remark about it, I saw that the ticket was already at the mouth of the machine. It was green, with red lettering, something the black-and-white printer should not have made. But yet it did. The printing seemed in cyrillic of some sort, but I could not read it.
"Your ticket." I presented, and without thinking added "Do you require assistance to climb the platform stairs, grandmother?" It is how I was raised.
"Yes. Assist me." she replied curtly, beginning to shuffle slowly through the dark station towards the platform. I locked up my booth, and caught up with her just before the stairs. I switched on my heavy flashlight with my right hand, and offered the woman my right to brace herself. Her grip was strong. She probably would have had no issue climbing by herself, but assisting a grandmother was always the right thing to do, even when her sharp fingernails dug painfully into my palm.
We arrived at the platform. The clock hanging from the ceiling read 2:56. She released my hand and took a few steps, then looked at the sleeping man on the bench. "A friend of yours?" she asked. I thought about lying; if she was truly an executive's family, perhaps hosting a friend would be a lighter offense than turning a blind eye?
"No, grandmother." I responded truthfully. "He is not breaking the rules, so I left him alone." It is how I was raised.
The woman hummed. She seemed taller than before. Taller than me. The night draped her shoulders like a shaul and my torch did not reach it. Her gray hair shone like woven starlight, and her eyes were the night sky. I could not look away.
"You are a well-mannered girl." she said, her voice echoing in my ears like silence. She placed something small and hard in my hand.
A train arrived. It had only one car. I think it had a steam engine. It may have walked on chicken legs. I could not look at it.
The Grandmother boarded her train without another word. I was alone in a perfectly dull train station. Almost. The homeless woman behind me mumbled and stretched her legs in her sleep.
In my hand was a wrapped piece of hard candy.
This makes me happy in particular because that's exactly what I was going for
Every time someone leaves kind words in the comments it makes my day! Even if I don't reply to each and every one (mostly because I can't think of something to say usually) I love it, so thank you all!
visited a local anarchist bookstore and they have this thing where if you remove a nazi sticker from a public place and bring it to them to destroy, you get two antifa stickers

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Tsiisus, sain tyĂśhaastattelukutsun
Tänään reissataan sinne ja huomenna takaisin... Noin 400 km suuntaansa, toivottavasti on sen arvoista tavalla tai toisella
Matka on alkanut, matka-aikaa jäljellä enää 8,5 tuntia. Muuten selviäisin max. viidellä tunnilla mut aiemmin sovittujen juttujen vuoksi pitää tehdä hassu koukkaus tässä alkumatkasta. Matkaeväänä on nykyisen tyÜnantajan kustantamaa pitsaa, limpparia ja kivennäisvettä sekä omakustanteinen evässämpylä.
Onks suomitumpulla vinkkejä et mitä Lahdessa kannattaa tehdä, jos vaihtoaikaa on tunti?
Kalevauvan Lahti-biisissä on paljon ehdotuksia mutta suurin osa niistä tuntuis liittyvän mallun polttamiseen torilla kaulukset pystyssä
i feel like im a weird age where i got just a blurry glimpse at the world Before. it used to be cold in the mornings and websites had fun games and the search results showed you what you searched for. covid wasn't a thing. can anybody fucking hear me. did i dream it all????
I don't see what the-- oh gosh
certified door post
I just learned that the Russian word for âladybugâ translates to âGodâs Little Cowâ
Itâs the same in Irish! bĂłĂn DĂŠ!
in hebrew itâs âour rabbi mosesâs cowâ
Oh I love this news!!!!
Multiple cultures upon seeing a ladybug for the first time: âWhoâs cow is this????â
It feels like some early humans were naming things and one of them ran out of ideas.
Human 1: (points at animal) Whatâs that?
Human 2: Cow.
Human 1: (points at bug) Whatâs that?
Human 2: ⌠little cow.
Human 1: But itâs so much smaller. Who would have use for such a small cow?
Human 2: (panicking but in too deep to stop now) God.
The âLadyâ in the name âladybugâ is the virgin Mary. People just cannot stop giving religious names to this bug.
The reason for this was that if you lived in an agrarian society then your survival was a throw of the dice every year, depending on the success of the crops. A failed crop year is a very hard year where deaths are expected. And if you grew a cereal like wheat, there were several things that could cause your crops to fail, but one of the big ones was if you happened to get a fuckton of aphids. You know what eats aphids? Ladybugs! If there are lots and lots of ladybugs around, there was a good chance that itâd be a good crop year! They were little crop protectors! When your family lives or dies on the success of that crop, of course theyâd be seen as a blessing and given an appropriate name!
That is such an interesting etymology!!!!
And entomology too i guess
in German theyâre Marienkäfer which also pretty much means âMaryâs Beetleâ
In French itâs âGood Lordâs Beastâ
Not even a cow, itâs just a little Creature but we know for sure God loves it.
In Dutch itâs âLieveheersbeestjeâ, the Good Lordâs Little Beast
A liddol creeture
speaking of characteristics of old-growth forests, the cycles of great old trees living and dying create effects on the landscape that cannot be fully replicated once destroyed.
there are multiple ways for a tree to die, each with their own impacts on the ecosystem. Many trees die standing, becoming starkly bare pillars of standing deadwood with increasingly fewer branches and more sharply whitened surfaces as the bark falls off and the branches break, the smaller branches first and then the larger ones. Standing deadwood is vital for housing lots and lots of bird species and it also has an undeniable sexiness and charisma
Trees broken by wind, snapping off at some point up the trunk, are often hollow in the middle from heart rot fungi. I don't think the fungi actually kill the tree, since the center of the tree (the heartwood) is dead anyways, but they do structurally weaken it.
One of the most dramatic tree deaths is windthrow. This happens to large trees that are solid all the way through and not easily broken by the forces of wind; instead, the roots are wrenched violently out of the ground, creating a bowl-shaped hole in the ground with a huge mound of twisted tree roots standing 5 or 6 feet tall next to it.
The death of a tree by windthrow feels very sad, because the tree seemed to be thriving up until that point, but the effect on the ecosystem is very fascinating. The hole in the ground where the root ball was torn up creates a shaded, sheltered area, sometimes filling with water to become a small pool. The root ball itself, right next to it, becomes a tall pile of soil and decomposing wood.
When walking in the forest, I often notice strange mounds rising from the layer of leaf litter, covered in lush carpets of moss, like bustling moss metropolises rising out of lowlands that only have scattered moss towns. Elevated from the forest floor, the moss-hills do not become covered with leaf litter. In some cases, these distinctive moss-hills are still visibly connected to the fallen trunk of a windthrown tree; in other cases, the tree trunk has almost completely decayed, and only the mound created by the root ball remains.
I read once in an article that the creation of humps and valleys by the windthrown tree roots is characteristic of old growth forests. That is, the forest has existed so long, with trees living majestically and dying violently in it, that the ground is no longer a smooth plane, but humpy and bumpy and pitted and pooled from centuries of trees dying by windthrow.
My observations seem to agree that these windthrown-tree-humps have unique ecology, particularly in terms of their thriving moss colonies that remain even after the tree that originally died has rotted away. They would create a million little variations on light and moisture level, gathering leaf litter in some places and keeping it away from others. Variations create multiplying amounts of biodiversity due to the increased amount of niches to fill.
Not to mention that hills and valleys increase the total surface area of the forest floor, creating more forest per forest.
The humps and valleys are also called pits and mounds or pillows and cradles! For anybody that's interested in a pretty quick primer on the phenomenon, ecologist Tom Wessels talks about it in the first part of this 3-part series on youtube
This also leads to huge variations in forest structure depending on which tree species were present at different times in the life of that forest.
In my area, one of the first tall trees to shoot up after land is disturbed is the water oak (Quercus nigra. They get 50-70ft tall and 3 feet in diameter in about 50 years. They often have very, very shallow root systems. Because of this, they fall over faster than other trees. They are also more prone to disease, and hollow out from the center faster and more often, and are likely to have dead sections on loving trees, providing even more unique habitat.
So some of our forests that are only 50 years old have old-growth-characteristics because of these trees. And then they fall, or otherwise die, leaving room for our true old growth species to rise up. But the pits and mounds of these fallen early-risers are also shaped differently than those of more deeprooted species. They are shallower pools or valleys, and sometimes form a wall that is perpendicular to the forest floor - completely vertical to the ground.
This is just one example, but understanding it, we can see that the predominance of different species in a forest can drastically change its microclimates and topography! Different species rot in different ways, hollow in different ways, and form different shapes on the landscape. If there are lots of different tree species in your area, then the different proportions they grow in, die in, fall in, and the different timings at which they do so, offer an endless aboundment of variety.
This is why no two forests are the same, and no single wild area is ever truly replaceable, or interchangeable. Because each has developed entirely differently, with so many little factors playing in.
Photo id: 4 photos of a 6ft tall woman standing by an uprooted tree. The wall of roots completely is vertical and flat, perpendicular to the ground, and is several feet taller than her.
Hey op standing deadwood has an undeniable what now?
SEXINESS

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Andi Veskioja
ok anyways. post this beast
I HAVE THE OTHER PART TO THIS PHOTO
happy glorious 25th of may
24 hour comic :3 viiru & pesonen / pettson & findus at pride! I wanted to keep it in line with sven nordqvist's tone, no outlandish silly twists this time
this is fairly understandable just based on the drawings alone I think but english translation in text under the readmore

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Tykkään miten Leevin biisin âPoika nimeltä Päiviâ voi tulkita useilla eri tavoilla ja se voi olla samaistuttavaa monille eri ihmisille yhtä kaikki.
Handing the Google executive currently chained in my basement a piece of paper that reads "Shall I end your torture?" with one checkbox that reads "No" and another that reads "Maybe later."