while i slouched, nearly stooping, suddenly there came a booping, as of someone gently booping, booping at my chamber door. tis some mutual, i said, booping at my chamber door. only this and nothing more.
Edgar Allan Boop
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@sowearecleariamhere
while i slouched, nearly stooping, suddenly there came a booping, as of someone gently booping, booping at my chamber door. tis some mutual, i said, booping at my chamber door. only this and nothing more.
Edgar Allan Boop

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my manuscript has a lot of potential if you ignore the current situation
i don’t need discipline. i need a wizard to hit me with a staff and say “finish chapter 12”
unfortunately my story needs a middle. i personally think this is excessive
writing tip: put words on page. hope this helps. i will not be taking questions because i have not done this

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i’m not procrastinating. i’m allowing the story to ferment. like kimchi. or a crime scene
"just write a little every day" ok but what if i write nothing for 3 weeks and then suddenly type like i’m being hunted by god
insane to me how, to some people, this is not a common sense
non-writers will never understand the mental illness of writing an entire conversation in your head while doing dishes and then forgetting every word the second you open a blank doc
this and also the only difference between fanfic writers and writers who sell their own original works as careers is that fanfics aren’t monetized. that’s all.
being a “professional” writer doesn’t mean your works are inherently better than fanfics. I’ve read so many fics that are more professionally written than some published books.
whether or not a piece of writing is monetized has nothing to do with its quality.

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a lot of writing is sort of watching the film in your head like oh sorry can’t write the chapter yet i have to repeat hallucinate the dialogue first
the reality of being a writer
heres how to fix it
affirmations for writers: i know how to write. i have seen sentences before, and i know how to make one. i can identify up to several words and their meanings. i am not afraid of semicolons.
I am so tired of short-attention-span, trim-the-fat culture. All writing advice these days is for how to write like Chuck Palahniuk. "Cut 'think', cut 'feel', cut 'wonder' - only action, only pushing forward, show and move and move and move." What if I could emulate this style, and still don't want to? What if I want to write like Henry James, with three paragraphs of introspective musings between each dialogue line? The music advice is, "make it shortform, make it Tik-Tok compatible, make it punchy, hit the refrain as soon as possible." What if I want that 10-minute prog rock piece? What if I want that symphony? What if I want it slow and luxurious and lazy? Movies. Series. Poetry. Bodies. Everything is "trimmed trimmed trimmed trimmed, stripped bare, you have three seconds to win me over, make it airport chic." I don't want to win you over, then, I guess. I want the fat left it. I want the pleasure and the indolence and the indulgence. Fuck this art-advice that's always "your art needs Ozempic."
in 2026, remember how GOOD writing feels. remember how satsfying it is to get your characters to the point you have been dying to get to, where they will experience the love, fear, relief or whatever the feeling you want to bring to life may be. let this year be the year of writing, prgress and of satisfactory endings.

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nothing prepares someone for the moment a parent’s hands start looking old
The craziest thing about Luigi is that he's not necessarily more anxious than Mario, it's just that his one phobia is ghosts, and the only games with his name exclusively in the title happen to be games where he has to fight ghosts. Therefore leading to the assumption that he's cowardly or anxious. Which is the sort of thing that could only happen to Luigi really