I was gonna include it and then decided against it, but ok, yes, here it is

hey, grappling with this is normal. if you’ve ever heard the phrase “kill the cop in your head,” that’s partly what it refers to. reframing what justice means to us and the kinds of justice we can envision is one of the first and most important steps of thinking about abolition.

luckily, abolitionists have been organizing, thinking about, writing about, dreaming about, and sharing this information for decades. people who are new to abolition don’t have to imagine a new kind of justice. in many areas, that justice is already in practice.

i’m going to link to and mention a lot of information here, so i really advise that interested folks take their time and come back to these resources as they’re able.

Abolition Journal put together a study guide here that’s full of great resources. i recommend checking the whole thing out, but Week 6 in particular goes into alternatives to prison.

Transformharm.org, created by Mariame Kaba, is truly a treasure trove of resources, articles, and curricula for people who are new to transformative justice.

The Abolitionist Toolkit created by Critical Resistance is another great resource that I frequently share. (Critical Resistance in general is a terrific place for more info.)

Survived and Punished is an amazing organization and they’ve curated a bunch of resources here.

Here’s a Police and Prison Abolition Resource Guide (PDF) with just. So many links to resource kits, articles, videos, etc etc etc.

Many of the above guides and hubs combine written, audio and visual resources so I hope people are able to find what works for them. If you have specific access needs, let me know and I’ll see what I can round up.

For podcasts, I highly recommend Rustbelt Abolition Radio.

For books that I personally have read/own, I recommend Are Prisons Obsolete? by Angela Davis; Conflict is Not Abuse by Sarah Schulman; The Revolution Starts at Home (anthology); and We Do This Til We Free Us by Mariame Kaba.

What even is this??? Why are there so many shapes? Why is there a fake mining tunnel with cars about to drop off a bridge like in a bad western?

There is just. So much going on here. And I love all of it. Supposedly that garage fits 11 cars and comes with a lift and a painting setup.

IMAGINE the DND games you could have right here.

Look at this fucking castle shit. Apparently there’s a huge dumbwaiter to bring up your firewood. And does that support pole have a tiny rock climbing wall???

OH MY GOD IT DOES. And there’s a piano with…rails? IDK.

I have 10% of an idea what’s happening here but is that…bench? covered in a string of heads??? With some kind of…prayer kneeling thingy at the end there? What is happening. What kind of weird religious bastard built this place?

I have so many questions about this random mining tunnel thing. So fucking many.

Structurally speaking, ATLA did something important with Zuko that, in a purely mechanistic sense of narrative development, I think a lot of people don’t notice immediately, and that even fewer people who want to emulate what was done with him get.

Which is Zuko is made a protagonist VERY early, and the show goes out of its way to continually place Zuko into situations where the audience empathizes and roots for him.

This happens in literally the second episode of the series, if we count the two-part premiere as a single episode, which I think we should. The A-plot of that episode, “The Southern Air Temple,” is Aang reckoning with the genocide of his people… but the B-plot?

The B-plot is the introduction of Zhao, and more specifically, his introduction in a way that is calculate to shift the audience, whose introduction to Zuko did NOT engender a ton of sympathy to him, directly and forcefully onto his side. They want Zuko to kick Zhao’s ass.

This continues all through book one and book two. Remember, Zuko is never, ever the main villain of this series. That’s initially Zhao, followed by Azula and Ozai. (Plus various temporary players like Long Feng.) Whenever Zuko isn’t placed into direct conflict with the other protagonists, he’s always written and presented in a way that is careful, VERY VERY careful, not to make him too monstrous, and to make us root for him. He’s placed right next to Iroh, who is designed for people to like, and that reflects back onto Zuko; we want Zuko to be better than he is because we want Iroh to have good things.

1.) 

He made a deal with Aang to leave the Southern Water Tribe alone if Aang went with him. When Aang escaped with help from two of those tribe members, Zuko didn’t demand they go back and destroy what was left of the tribe as revenge. He didn’t even think of it as an option. There was no split second where he went, should I/shouldn’t I?

2.) 

This is repeated. He corners the Avatar somewhere, causes some damage to the area in the ensuing fight, but does not stick around to raze the village/monastery to the ground and kill the people when he doesn’t get what he wants. Doesn’t consider this a necessary action even once.

3.) 

The Iroh&Zuko relationship is juxtaposed with the Zhao&Zuko relationship. Both older men have more power over him. Iroh is a retired War General and Prince who is not banished. Zhao is a Commander in favor of the Firelord, who is also not banished. We could tell early on that Iroh is wise and despite being on the bad side, seems to be pretty chill. We took a liking to him immediately. Zhao is the opposite. He is very much like early!Zuko. Impulsive, rude, loud, cocky, etc… But why is he more annoying? Why do we root for Zuko as opposed to him? 

Because we see what Zuko is like with his Uncle Iroh. Iroh does not rub in the fact that he’s banished. He doesn’t use that when reprimanding him for his attitude or his failings. That is a hot iron and he knows it. It’s to the point where Iroh can bend fire in Zuko’s face and Zuko is perfectly relaxed over it and doesn’t once believe his uncle will hurt him. There is a lot of faith in Iroh, from this angsty teenager, and it’s very obvious with their interactions.

Zhao is not trustworthy from the start. We’re shown this by how both Zuko and Iroh are hesitant to interact with him and don’t want to linger in areas he has control over, for too long. They even lie to him despite him obviously having more favor in the Firelord’s eyes than either of them do. Zhao’s personality opposes both Zuko and Iroh. And as we like Iroh, we want him to win and have nice things, as stated above. But Zuko&Iroh is a package deal. And as Zhao reveals himself more and more to be nasty even if it’s subtle, we want Zuko to win even harder.

And even when Zuko wins and he’s in the prime position to do to Zhao what Ozai did to Zuko for also ‘speaking out of turn’… he doesn’t do it. He walks away. He is the bigger man in that scenario. And Iroh further puts shame onto Zhao when he goes against the sacred rules of the Agni Kai because he can’t handle a loss to a banished teen. We are shown that Zuko follows rules and has honor, which is reinforced by Iroh’s, ‘even in exile, my nephew is more honorable than you’. Iroh’s Word is basically Law at this point. Sf he says it is so, then he must be right and the audience accepts that. He knows Zuko better than us and hopefully we’ll get to understand more as the story progresses.

Already by the 3rd episode, we’re shown that Zuko is in no way the worst person from the Fire Nation. In fact, we’re given a sort of scale now from the four major Fire Nation people we know of. Iroh–Zuko——-Zhao–Firelord.

We’re also hoping that Iroh rubs off on Zuko enough for him to also become wise and learn to chill out.

4.) 

When “The Storm” finally rolls around, we’re pretty invested by then in the Iroh&Zuko relationship and that episode gives us so much more info into Zuko’s character and we are shown that Iroh is right. He has honor and he cares for others. And yet it’s obvious the Firelord doesn’t because we see Zuko do the right thing(protesting the plan to treat new recruits as cannon fodder) in the wrong place, and then his face gets burned off by his father because of it. And further, he’s banished for refusing to fight his own father. What sane parent wants to do battle with their own child? What sane parent banishes their child for speaking out of turn at the defense of their own peoples’ lives? What the fuck is wrong with the Firelord?

Zuko was punished severely for showing compassion and having a kind heart. And Iroh(and the ship crew even) is properly mortified by the punishments his nephew received for it, which in turn affects the audience’s perception of this situation. Iroh doesn’t like it, it’s especially bad then.

Now we start wondering why does Zuko wants to go back to the guy who burned his face off?! Iroh, talk some sense into him! PLEASE!

Halfway through S1, they got us to the point of wanting Zuko to have a redemption arc. 

GETTING KRUNK

TOUCH MY JUNK