The ceramics teacher announced that he was dividing the class into two groups. All those on the left side of the studio, he said, would be graded solely on the quantity of work they produced, all those on the right solely on its quality. His procedure was simple: on the final day of class he would bring in his bathroom scales and weigh the work of the “quantity” group: fifty pounds of pots rated an “A”, forty pounds a “B”, and so on. Those being graded on “quality”, however, needed to produce only one pot — albeit a perfect one — to get an “A”. Well, came grading time and a curious fact emerged: the works of highest quality were all produced by the group being graded for quantity. It seems that while the “quantity” group was busily churning out piles of work-and learning from their mistakes — the “quality” group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay.
David Bayles, Art & Fear: Observations on the Perils (and Rewards) of Artmaking (via exhaled-spirals)
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Are you from the 16th century? Are you a whaler? Are you a Basque whaler? Yeah, me neither. But would you like to look like one?
Saw this post. Thought, I want that hat. Made it. Wrote the pattern. Bon appetit.
PATTERN ↓
From 1530 until the early 1600s, Basque whalers annually crossed the Atlantic Ocean to Canada. During the ice-free months of June to January, scores of workers established a semi-permanent station dedicated to processing the harvest on the shore of the Strait of Belle Isle, a narrow channel on the whales' migratory route between Newfoundland and the mainland of Labrador.
In the winter of 1577, the sea ice set early, trapping ships. Unable to return to their homeland in northern Spain and southern France with a full hold of processed whale oil, many were forced to stay in Labrador, where they died of exposure and scurvy.
In the 1970s, the site was rediscovered. More than 62 graves and the remains of 140 whalers were found in the cemetery. Some of the graves contained textile fragments.
(Piecework Magazine, Jan/Feb 2014)
NOTES I am still a beginner knitter. I started this hat without a plan, I just looked at the pictures and tried to make something that looked kind of similar. Used a ball of mystery yarn from my nan. And it turned out great! And then I blocked it. And it was too big (the guy who never knits swatches finally got bit in the arse, who would've thought). My tension is okay-ish but on the tighter side, so if your head is bigger than mine, you'll be grand. Also, I've never written a pattern before, so I hope it makes some sense.
YOU WILL NEED
≈ 80g of DK weight yarn
A set of 4mm (US 6) double-pointed needless
Darning needle
A piece of cardboard (or something else to wrap the yarn around to make a tassel)
Scissors
SIZE ↕ 31cm (12”) (without the tassel) and ↔ 25cm (9.5”) (my head is 55cm (21.5”), and it fits quite well, but it could stretch a bit more and still look good)
DIRECTIONS
SEED STITCH STRIPES
Cast on 84 stitches and join in the round
Work in seed stitch for 11 rounds (round 1: *K1, P1*; staring with round 2 you just P the knits and K the purls)
Purl 1 round
Knit 8 rounds
Purl 1 round
Work in seed stitch for 7 rounds
Purl 1 round
Continue in stocking stitch (*K*) until the hat measures 11-12cm (4.5”) from cast on edge
CROWN DECREASES AND PURL STRIPES
(It's a lot, I know. But I like the look of these better than the usual crown decreases, they're a bit less visible)
Dec#1: K5, *K2tog, K10* × 6, K2tog, K5 [77]
Knit 4 rounds
Dec #2: K5, *K2tog, K9* × 6, K2tog, K4 [70]
Knit 3 rounds
Dec #3: K4, *K2tog, K8* × 6, K2tog, K4 [63]
Knit 3 rounds
Dec #4: K4, *K2tog, K7* × 6, K2tog, K3 [56]
Purl 1 round
Knit 1 round
Dec #5: K3, *K2tog, K6* × 6, K2tog, K3 [49]
Knit 1 round
Dec #6: K3, *K2tog, K5* × 6, K2tog, K2 [42]
Purl 1 round
THE CONE (idk what to call it)
Knit 2 rounds
Work 5 rounds of *K1tbl, P1* rib (you don't have to twist the knits if you can make the 1×1 rib look neat. I can't, so…)
Continue in stocking stitch for 7-8cm (3”) (or more, depending on how floppy you want your hat to be)
Dec #1: K3, *K2tog, K5* × 5, K2tog, K2 [36]
Knit 3 rounds
Dec #2: K2, *K2tog, K4* × 5, K2tog, K2 [30]
Knit 2 rounds
Dec #3: K3, *K2tog, K3* × 5, K2tog, K1 [24]
Knit 2 rounds
Dec #4: K1, *K2tog, K2* × 5, K2tog, K1 [18]
Knit 1 round
Dec #5: *K2tog* [9]
Cut yarn and thread it through the remaining 9 stitches, pull tightly (I usually do it twice), secure on the wrong side
TASSEL
Make a tassel (I used a paint brush case instead of a piece of cardboard and wrapped yarn around it 45 times)
Attach it to the hat
FINISHING
Weave in all ends
Block the hat
CONGRATULATIONS
You can go whaling reread Moby-Dick and rewatch The North Water in style!
If you know what you'd have to do to solve a problem, but you just don't want to do it, your main problem isn't the problem itself. Your problem is figuring out how to get yourself to do the solution.
If your problem is not eating enough vegetables, the problem you should be solving is "how do I make vegetables stop being yucky". If your problem is not getting enough exercise, the problem you should be solving is "how do I make exercise stop sucking ass". You're not supposed to just be doing things that are awful and suck all the time forever, you're supposed to figure out how to make it stop being so awful all the time.
I used to hate wearing sunscreen because it's sticky and slimy and disgusting and it feels bad and it smells bad, so I neglected to wear it even if I needed to. Then I found one that isn't like that, and doesn't smell and feel gross. Problem solved.
There is no correct way to live that's just supposed to suck and feel bad all the time. You're allowed to figure out how to make it not suck so bad.
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ok so, I approached my local library with a proposal to donate a mural as a way to A: build portfolio/gain practical experience and B: give back to a beloved public institution. The director was very enthusiastic about it and i've been working on it since the beginning of March. Come with me as I endeavor to paint what is in all honesty an excessive amount of birds
I wanted the birds to look like they were actually in the space so first thing after doing the draft was to do a lighting study
after that I covered the walls in letters in lieu of a projector/vr headset bc i have neither of those :) Then i take a picture of the section of wall and superimpose the lineart over top of it so I can pencil in the lines
et voila
and that was a whole week on it's own so next comes the paintin' >:)
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I love your agreeable and amenable and flexible nature and how none of your wants and needs ever get priority and how nobody even knows what they are to begin with and how you never start or engage in conflicts and never express even mildly unsavory opinions and get along with everyone from every conceivable group, that’s so trustworthy. hey quick question. do you happen to have an enormous pressurized reservoir of rage and resentment you feel like you can’t ever analyze or express because that would break the rules for the kind of person you are and if so, do you think a lifetime of squashing it down might ever backfire?
Lots of thoughts recently. Everything feels plastic.
I could go on and on about why all that AI "art" is bad. I could mention theft, lack of creativity, it's impact on the work field and environment, but countless people have already said all that. I wanted to touch on something that to me is the most utterly wrong about all of it.
Art is more than just something pretty to look at or listen to. It's therapeutic. It's a form of communication. A tool for human connection. It's a pure, human need.
My self-drafted egg sweater is finally complete... made it partially out of an unraveled thrifted sweater. The green yarn is a gift from a friend. The duplicate stitch detail was done from thrifted yarn and leftovers from yarn I bought in England.
Being a crafty person and making a bunch of things often prompts people to ask "oh wow did you make that?" And like, the short answer is: yes I did, but the long answer is: well, no, the pattern isn't mine, but I did choose and buy the fabric/yarn and sewed it together/crocheted it/knitted it myself. I used a reference for that drawing/painting, I didn't come up with it myself. That ceramic piece was insired by a poem and a painting made by different people. What I'm trying to say is, everything I make requires other people to make their own thing first, and then I get inspired by them to do my own thing. So I can't really call anything truly mine, because really it's just a bunch of inspirations and experiences of others (and me) put together by my hands. Does that answer your question
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