Certified Marsh Creature™

1.) I don’t understand how that can be

2.) But I’ve never done fieldwork from a car before (!!!) so I’ll take your word for it.

“Heeeey”, she said, like someone gently broaching a topic I should have noticed, “Why does the lane next to us have diamond shaped symbols on it?”

That is! A subtle and friendly way of asking why we’re sitting in traffic when there’s a carpool lane Right There! I laughed and pulled into the lane and started driving.

Unfortunately. That isn’t what she was implying, she was genuinely asking. So we were stuck in traffic, she asked about what was clearly a breakdown or emergency access lane, and I laughed and started driving in it. She was Alarmed.

“Hello! Excuse me! We can’t drive in this lane! No one else is driving in this lane!!”

“Oh! I should have said — this lane is for people with more than one person in their car.”

“That is RIDICULOUS. You are lying. You are lying about what this lane is for and we’ll get arrested! (ma’am it’s fine but if it weren’t it would be more of a “ticket” situation) we’ll get a “ticket”! (Ma’am again it’s fine but were it not I alone would get the ticket) because that IS NOT the purpose of this lane. That is a RIDICULOUS lie.”

“I’m sorry, I should have said — I thought you were being subtle about my oversight. Please observe the carpool sign.”

“I don’t know what a carpool is and I don’t believe you.”

“How about you look at all the cars stuck in traffic and see how many have more than one driver, and if there are at least five I’ll get back into the traffic jam.”

“FINE!”

<a pause>

(With dawning horror) “none of these cars have more than one person in them.”

“I know.”

“None of these cars have more than one person!!”

“If you weren’t here I’d be right there with them.”

“OK but there was no train to where we needed to go.”

“There’s no train to where they needed to go either.”

“I know McDonalds and Burger King sell Burgers, but what does Wendy’s sell?”

“Burgers”

“And Sonic?”

“Burgers.”

“Jack in the Box?”

“Burgers.”

“In’n’Out?”

I really haven’t had to pretend to have a gun that many times!

We were staying in a cheap hotel, she was coming out of the shower wrapped in a towel. Someone shoulder-slammed the hotel door and popped the lock open and started fumbling with the security chain. I snarled “GET AWAY FROM THE DOOR, I HAVE A GUN.” and the person left.

She was WAY way WAY more concerned about me traveling with a gun (ma’am I do not have a gun) why would I SAY I had a gun if I couldn’t back it up? (Ma’am to get him to stop trying to break in) But why would he THINK I had a gun? How would that even work? Please tell her where I keep the gun. (Ma’am I promise there is no gun.)

The debate continued through my call to the front desk and our packing and being protectively escorted to our car by a young man who I could absolutely take in a fight. (“What is she mad about?” “I told the guy I had a gun.” “Smart! Maybe you should get one if you’re gonna travel like this!” “Haha yeah” “So why is she mad?” “She thinks I have a gun.” “WHY WOULD SHE LIE ABOUT HAVING A GUN?!?!”)

So far I've only mixed up the main batch of colors, but I'll split them up and create a palatte of tints and shades once I have access to a scale again.

I don't have any fancy tools and have been blending the fiber by hand, so it's probably best I have a forced break for the sake of my fingers. Once I'm done I should have a very useful set of 57 2g swatches to play with! (Plus 5 more for a set of grayscale swatches)

The ratios are presented in the same order as the wool swatches in the photo above it. I didn't simplify any of the ratios so you'll have to deal with 2:2s instead of 1:1s, oops.

This is what I drew after this situation 👇

Wally Dion, born 1976, Saskatoon, Saskatchewan.

Fabric Star Quilts.

Wally (Walter) Dion is a Canadian artist of Saulteaux ancestry living and working in Upstate New York. Working in a number of media including painting, drawing and sculpture.

Wally explains:

"The first fabric star quilt was made as part of a 2022 residency at Wanuskewin Park. It was my way of reflecting upon prairie tall grass and the reintroduction of bison into the Great Plaines. I wanted to make several transparent quilts and superimpose them; one in front another... a quilt for the microbiome, another for the bison, their manure & hooves, another for the summer fires that scorch the ground and a final quilt for the sweetgrass braid.

I was considering how all of these things worked together for thousands of years to create what is known as the 'prairie tall grass ecosystem'. A vast and fertile expanse of land stretching from the foothills of Alberta to the banks of the Mississippi. I wanted to highlight the invisibility of systems when everything is working well, as it should be.

I started with the green quilt because it is the colour of the sweet grass braid that is exchanged in ceremony and relationship building. I considered the nature and tradition of quilting; impoverished craftspeople using tiny scraps of fabric. I considered the act of offering fabric and adherence to tradition. I thought of a thousand tiny prayers and how that might look; invisible acts of respect and adherence to protocols spanning decades. My thoughts travelled across the land, imagining the trees and rocks collecting these prayers like a bush of cloth, or an etched boulders."