Plum Dandy

- they’re Opawz pet specific dyes. Non toxic made specifically for dogs. Once they’re set and rinsed they can groom themselves normally, they pose no danger to her in any way, no fumes, there’s no bleach involved

- my dog is trained with cooperative care skills, the process is not stressful for her, she gets paid heavily for her cooperation and looks forwards to the opportunity to earn extra snacks with the grooming

Man ranting on the internet about the Superbowl halftime show or complaining that something is "woke"? Hobbyless Behaviour. Girls mocking another girl for not looking right? Hobbyless Behaviour. Mindless vandalism? Hobbyless Behaviour.

LineageOS (I use this one)

Graphene OS

Functionally they are virtually identical to stock Android. Android began as an open-source project, and these versions are built off of that.

anyapk is a lightweight Android application installer that bypasses Google's developer verification requirements by using local ADB (Android Debug Bridge) connections. Smoothly install any APK file on your device without restrictions, gatekeepers, or corporate approval.

a tweet by @/Pirat_Nation:

From September 2026, all apps, including those outside the Play Store, must come from verified developers.

No more anonymous sideloads. No quick comebacks for malware gangs.

First: Brazil, Indonesia, Singapore, Thailand.

"Sideloading" is the rentseeker word for "being able to run software of your choosing on a computing device you purchased". There is no reasonable case for an operating system developer having a say over what programs you run on your hardware.

*i've been seeing a lot of phone case hate recently

And finally, FINALLY! having it spread out on the bed atop a dark contrasting color enabled me to see just what was so wrong that it was abandoned to the thrift:

Ch8 and join to make ring.

Into ring, Ch5, (tc, ch2)x7, sl st into 3rd chain of ch5 to join [8 tc spokes]

Ch4 or chainless starting tc, (3tc into sp, tc into tc) around, 3tc into sp, sl st to join [32 tc]

Ch4 or chainless starting tc, tc in same st, tc in next 3 st, ch2, (2tc in 1 st, tc in each of next 3 st, ch2) around. Sl st to join top of 1st ch/tc. [8 repeats

Ch4 or chainless starting tc, tc in same st, tc in next st, ch1, 5tc in same st, sl st back through ch1 just made, tc, 2tc in last st before ch sp, ch2, (2tc in tc, tc, ch1, 5tc in 1 st, sl st back around ch1 just made, tc, 2tc in last st before ch sp, ch2) around, sl st to join [8 repeats]

***that was a weird row, here’s a top view of one of those 5tc bobbles to show how you connect back to that ch1 behind the 5tc to force them to puff out

Ch4 or chainless starting tc, tc in same st, tc in next 2 st, tc into joining st behind the top of the 5tc bobble, tc in next 2 st, 2tc in last st before ch sp, ch2, (2tc in same st, tc into joining st behibd bobble, tc in next 2 st, 2 tc in last st before ch so, ch 2) around, join

Ch4 or chainless starting tc, tc in same st, tc, ch, 5tc bobble, join around ch1 behind, tc in next 3 st, ch, 5tc bobble, join around ch1 behind, tc, 2tc in last st before ch so, ch2, (2tc in same st, tc, ch1, bobble, join, 3tc, ch1, bobble, join, tc, 2tc in same st, ch2) around, join.

Ch4 or chainless starting tc, tc in same st, 2tc, tc in bobblejoin st, 3tc, tc in bobblejoin st, 2tc, 2tc in last st before ch so, ch2, (2tc in same st, 2tc, tc in bobblejoin, 3tc, tc in bobblejoin, 2tc, 2tc in last st before ch sp, ch2) around, join.

Ch4 or chainless starting tc, tc in same st, tc, ch1, 5tc bobble, join, 3tc, ch1, 5tc bobble, join, 3tc, ch1, 5tc bobble, join, tc, 2tc in last st before ch sp, ch 2, (2 tc in same st, tc, ch1, 5tc bobble, join, 3tc, ch1, 5tc bobble, join, 3tc, ch1, 5tc bobble, join, tc, 2tc in last ch before ch sp, ch2) around, join.

Ch4 or chainless starting tc, tc in same st, 2tc, tc in bobblejoin, 3tc, tc in bobblejoin, 3tc, tc in bobblejoin, 2tc, 2tc in last st before ch sp, ch2, (2tc in same st, 2tc, tc into bobblejoin, 3tc, tc in bobblejoin, 3tc, tc in bobblejoin, 2tc, 2tc in last st before ch sp, ch2) around, join

That’s the most of it. I need to stare at the triangle bits to sort out how they attach and how many stitches and such, but I am Le Tired

This bitch

A) remind me and I will look at it, whilst better rested and under better light

2) I write all the above straight to post without double checking or edits. If my abbreviations don’t make sense lmk. If I have egregious typos lmk. If anybuggy does a test make by following these instruction, I would dearly like to see it!

this is what i got by following it as you wrote- i did use US dc for the main body since they seem to match the height in the photos a little more, but kept the US tc for the bobbles to make them puff out more

going by the photos, it almost looks like they attached entirely new strands of yarn for the triangles/lacy bits, but that didn't seem right based on how fiddly it would be (especially for a blanket) or based on how it's coming apart, so instead i tried doubling back with chains, tc, and sc to create it

so for mine the last round was:

ch 3 or chainless starting dc, dc 1 in same sp, dc 13, 2dc in last st before ch sp, ch 2, (2dc in same st, dc 2, place marker, [dc 5, place marker] x 2, ch 4, turn, tc 1 in 2nd marked/center st, ch 8, tc 1 in same st as previous tc, ch 4, sl st to 1st marked st, ch 1, turn, sc 1 in top of same st as sl st, sc 4 in ch4 sp, sk tc, [sc 5, ch 3, sc 5] in ch8 sp, sk tc, sc 4 in ch4 sp, sc 1 in last marked st, dc 1, 2dc in last st before ch sp, ch 2, 2dc in same st, dc 13, 2dc in last st before ch sp, ch 2) around

(separated out for readability since that was a block of text)

You can do it

You can be people who create also, the magic is inside you

If your magic requires permission for activation purposes, I provide that now. Proof! It is I, your fairy craftmother, activating in you the ability to go fuck around with stuff and learn from all the things that go wrong, and keep trying things, and watch other people make things and ask them questions sometimes too, so that you can learn from their shit, and just.

me: my dude we just woke up!! It’s time for wakefulness and doing things and Productivity

At the same time, that rate of production is high enough that a household which found itself bereft of (male) farmers (for instance due to a draft or military mortality) might well be able to patch the temporary hole in the family finances by dropping its textile consumption down to that minimum and selling or trading away the excess, for which there seems to have always been demand. ...Consequently, the line between women spinning for their own household and women spinning for the market often must have been merely a function of the financial situation of the family and the balance of clothing requirements to spinners in the household unit (much the same way agricultural surplus functioned).

Moreover, spinning absolutely dominates production time (again, around 85% of all of the labor-time, a ratio that the spinning wheel and the horizontal loom together don’t really change). This is actually quite handy, in a way, as we’ll see, because spinning (at least with a distaff) could be a mobile activity; a spinner could carry their spindle and distaff with them and set up almost anywhere, making use of small scraps of time here or there.

On the flip side, the labor demands here are high enough prior to the advent of better spinning and weaving technology in the Late Middle Ages (read: the spinning wheel, which is the truly revolutionary labor-saving device here) that most women would be spinning functionally all of the time, a constant background activity begun and carried out whenever they weren’t required to be actively moving around in order to fulfill a very real subsistence need for clothing in climates that humans are not particularly well adapted to naturally. The work of the spinner was every bit as important for maintaining the household as the work of the farmer and frankly students of history ought to see the two jobs as necessary and equal mirrors of each other.

At the same time, just as all farmers were not free, so all spinners were not free. It is abundantly clear that among the many tasks assigned to enslaved women within ancient households. Xenophon lists training the enslaved women of the household in wool-working as one of the duties of a good wife (Xen. Oik. 7.41). ...Columella also emphasizes that the vilica ought to be continually rotating between the spinners, weavers, cooks, cowsheds, pens and sickrooms, making use of the mobility that the distaff offered while her enslaved husband was out in the fields supervising the agricultural labor (of course, as with the bit of Xenophon above, the same sort of behavior would have been expected of the free wife as mistress of her own household).

...Consequently spinning and weaving were tasks that might be shared between both relatively elite women and far poorer and even enslaved women, though we should be sure not to take this too far. Doubtless it was a rather more pleasant experience to be the wealthy woman supervising enslaved or hired hands working wool in a large household than it was to be one of those enslaved women, or the wife of a very poor farmer desperately spinning to keep the farm afloat and the family fed. The poor woman spinner – who spins because she lacks a male wage-earner to support her – is a fixture of late medieval and early modern European society and (as J.S. Lee’s wage data makes clear; spinners were not paid well) must have also had quite a rough time of things.

It is difficult to overstate the importance of household textile production in the shaping of pre-modern gender roles. It infiltrates our language even today; a matrilineal line in a family is sometimes called a ‘distaff line,’ the female half of a male-female gendered pair is sometimes the ‘distaff counterpart’ for the same reason. Women who do not marry are sometimes still called ‘spinsters’ on the assumption that an unmarried woman would have to support herself by spinning and selling yarn (I’m not endorsing these usages, merely noting they exist).

E.W. Barber (Women’s Work, 29-41) suggests that this division of labor, which holds across a wide variety of societies was a product of the demands of the one necessarily gendered task in pre-modern societies: child-rearing. Barber notes that tasks compatible with the demands of keeping track of small children are those which do not require total attention (at least when full proficiency is reached; spinning is not exactly an easy task, but a skilled spinner can very easily spin while watching someone else and talking to a third person), can easily be interrupted, is not dangerous, can be easily moved, but do not require travel far from home; as Barber is quick to note, producing textiles (and spinning in particular) fill all of these requirements perfectly and that “the only other occupation that fits the criteria even half so well is that of preparing the daily food” which of course was also a female-gendered activity in most ancient societies. Barber thus essentially argues that it was the close coincidence of the demands of textile-production and child-rearing which led to the dominant paradigm where this work was ‘women’s work’ as per her title.

(There is some irony that while the men of patriarchal societies of antiquity – which is to say effectively all of the societies of antiquity – tended to see the gendered division of labor as a consequence of male superiority, it is in fact male incapability, particularly the male inability to nurse an infant, which structured the gendered division of labor in pre-modern societies, until the steady march of technology rendered the division itself obsolete. Also, and Barber points this out, citing Judith Brown, we should see this is a question about ability rather than reliance, just as some men did spin, weave and sew (again, often in a commercial capacity), so too did some women farm, gather or hunt. It is only the very rare and quite stupid person who will starve or freeze merely to adhere to gender roles and even then gender roles were often much more plastic in practice than stereotypes make them seem.)

Spinning became a central motif in many societies for ideal womanhood. Of course one foot of the fundament of Greek literature stands on the Odyssey, where Penelope’s defining act of arete is the clever weaving and unweaving of a burial shroud to deceive the suitors, but examples do not stop there. Lucretia, one of the key figures in the Roman legends concerning the foundation of the Republic, is marked out as outstanding among women because, when a group of aristocrats sneak home to try to settle a bet over who has the best wife, she is patiently spinning late into the night (with the enslaved women of her house working around her; often they get translated as ‘maids’ in a bit of bowdlerization. Any time you see ‘maids’ in the translation of a Greek or Roman text referring to household workers, it is usually quite safe to assume they are enslaved women) while the other women are out drinking (Liv. 1.57). This display of virtue causes the prince Sextus Tarquinius to form designs on Lucretia (which, being virtuous, she refuses), setting in motion the chain of crime and vengeance which will overthrow Rome’s monarchy. The purpose of Lucretia’s wool-working in the story is to establish her supreme virtue as the perfect aristocratic wife.

...For myself, I find that students can fairly readily understand the centrality of farming in everyday life in the pre-modern world, but are slower to grasp spinning and weaving (often tacitly assuming that women were effectively idle, or generically ‘homemaking’ in ways that precluded production). And students cannot be faulted for this – they generally aren’t confronted with this reality in classes or in popular culture. ...Even more than farming or blacksmithing, this is an economic and household activity that is rendered invisible in the popular imagination of the past, even as (as you can see from the artwork in this post) it was a dominant visual motif for representing the work of women for centuries.”

I wanted the birds to look like they were actually in the space so first thing after doing the draft was to do a lighting study

after that I covered the walls in letters in lieu of a projector/vr headset bc i have neither of those :) Then i take a picture of the section of wall and superimpose the lineart over top of it so I can pencil in the lines

et voila

GIVE IT UP FOR BIRD NUMBUH 5, THE CANADIAN GOOSE, Branta canadensis!!!!

bird 5/14, Bluejay, Cyanocitta cristata

birds 6 and 7: American Goldfinch, Spinus tristis, male and female

BIRD NUMBER 8, (yellow shafted) NORTHERN FLICKERRRRR, Colaptes auratus

genuinely made me start questioning my sanity around day 3, it's half the size the of the goose, WHY did it take me 4 days to finish??

Bird number 9: Red-tailed hawk, Buteo jamaicensis

my chains are broken i am FREE. although i did have a great deal of fun with this, the barring on the wings itself took me like four days and i am READY to move on

this was a week and a half of continuous work so please excuse me for getting a little emotional in the bg 🙏

BIRD NUMBER 10!!! The Male Mallard Duck, Anas platyrhynchos

the male and female ones are gonna be posted separately bc they're taking a lot longer lol but yea! super happy i was able to capture the iridescent green of the head, i found metallic green and blue paint at a craft store that really made his head POP. it looks better in person i promise

ALSO!! As this is the 10th one, BIG announcement. The end is in sight!!!!! I plan to finish within the next 3 weeks and there will be a small dedication ceremony/ unveiling happening at the library to commemorate its completion on the 16th of May. If you live in the Western New York region and want to check it out for yourself shoot me a dm!

aaaand another one bites the duck,

we're movin right along with bird numero 11!! The lady Mallard!! Anas platyrhyncos

power couple that they are, here's bird number 12 and 13,

the Northern Cardinals, Cardinalis cardinalis

and NOW that they are complete, ITS GO TIME, in the next five days (library's closed for mother's day 😭😭) i need to have the GBH fully rendered, the names of the birds vectored, weeded, masked, applied to the wall, and then painted, plus additional cattails throughout. I may be able to get away with just getting the GBH done in time for the unveiling and then just have the names and cattails added later, but i'm gonna really try to get it all done in time. BUT, i have a plan. Part of why i take so long on these is because i really am just figuring it out as I do it lmao. there have been many a time where i am sitting on top of the ladder googling "how to paint birds" but I think if i take the time tomorro to do all that figuring out how to approach it beforehand, this will go a lot faster. I may also recruit some of my artist friends to help with the placing of the names... hrmm we'll see.

Anyways, shout out to the librarian who tracked down exactly the thing i needed so i could figure out where to place the highlights in my birds eyes, ur the real mvp

Bird number 14 out of 14,

The Great blue heron, Ardea herodius

thank you to everyone who reached out or got excited about this project, it genuinely gave me the fuel i needed to keep going. In total, the 480+ total hrs it took me to cover this wall pales in comparison to how long its expected to spend on there, hopefully imparting a sense of beauty and love for the natural world to the next generation and here's hoping i'm only getting started with these.