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@himejoshevik
the sameer project
dahnoun mutual aid
municipality of gaza
gaza soup kitchen
care for gaza
ele elna elak
mutual aid page on operation olive branch
help hilda nasr - post + chuffed
electronic intifada (weekly news livestream with updates)

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Юность | Youth;
Evgeny Rastorguev, 1957.
finished s2 of hacks reallyyyy into how it’s a love story fundamentally and deborah is a straight woman .

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will to live regained. much like another girl............
I keep trying to distract myself around the house but i just can’t stop crying. The sheer cruelty and gleeful cynism surrounding louis’ treatment is incomprehensible in its magnitude and overtness. it feels impossible to reconcile the compassionate treatment of louis and claudia’s abuse of the previous seasons with the horrifically mean-spirited antiblack and anti-victim writing we’ve had to endure for weeks. As it all settles, there is no way to view any of this other than through the lens of these writers vehemently hating louis and the people who dared regard him with love and empathy by pandering to the most racist confines of this online space.
My heart aches for jacob and the exploitation of his time, talent, and care for louis. My heart aches for the black writers who have to see their work desecrated for cheap twitter jokes and embarrassing failed attempts at virality. My heart aches for the black fans who love louis and earnestly wanted to see his story treated with the same level of care and respect afforded to his abusers and then having to sit through that violence.
Now more than ever, hannah moscovitch’ words saying that "louis would never not be believable as a victim" sound hollow and deliberately cruel and I can only hope this writing team will in time feel a fraction of the humiliation they inflicted on their audience for the crime of loving louis. I’m just absolutely gutted.
the thought i keep coming back to with the finale, and this season in general, is a sense of… infestation, i guess is the best way to describe it. because for the first two seasons, iwtv was a work that— even with all its gothic/horror themes— seemed deeply compassionate at its core, and it remained devoted to beauty and love in a way that felt like a reprieve from (even a small rebellion against) the rising fascism of the culture surrounding it. and now it feels like the hatefulness it was pushing back against has infested it somehow, like a swarm of fuckin termites, which has not only ruined this season but also calls into question the structural soundness of what came before it. like, how did we even get here? was this sort of mean-spirited derision always just lying in wait? idk. i don’t want to make a bad season of tv deeper than it is, but it does feel like witnessing another loss in the cultural battle when a careful, compassionate work that ostensibly cared about the marginalised experiences it depicted becomes just another conduit for hatred toward vulnerable groups. what a fucking bummer, man
NME Playing Cards: 1991 - Kim Gordon ♦️
snoopy of the day

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imagine a german going "haha we all have that friendship we remember with the stoicism of an operation barbarossa veteran" thats literally what that post and any other post deploying the 'vietnam vet' as an unermarkable comedy archetype sounds like if you know anything at all about the invasion of vietnam
wow babe you’re really good at staying up incredibly late and barely sleeping every night
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I've kept poking around online for IWTV props details, and I saw one this morning that broke my heart. No visual but Pop Culture Weasel on Twitter noticed that someone in Dublin was selling off pieces from a larger auction lot, including "loads of handwritten notes that Claudia does for Louis during their travels, stuff like 'gone out looking for books, come find me when you wake' and bits in French about outdoor 'dining'" (source)

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my sweeties
it’s just crazy bc obviously they’re deeply interconnected but even taken separately from one another louis and claudia r both such intricate and compelling characters with two distinct, meaningful, delicately constructed arcs about countenancing trauma and grief like it’s insane andthen to just torpedo . BOTH