#6: The Joy of Trans Fangirldom: How McLennon Fixed Me
Yes this is what we're doing today, no I don't know why either. Inspiration is a fickle mistress.
What is there to say of history's greatest gay couple (I guess this is the hill I die on today) that hasn't been already? Not a whole lot but for the uninitiated let's do a recap. Paul McCartney and John Lennon – you know them, from the bug band – were totally head over heels in love, and conviction in this truth has inspired generations of fangirls (whose ranks I am honored to have joined in the midst of my transition into girlhood). The Lord hath said "Let There be McLennon", and it was good (For an actual case in favor of this ship I direct you to this video by the lovely uncarley). And that's about as much as you need to know for the purposes of this rant of mine.
As you may have guessed from the title, Dear Reader, this essay is not necessarily about McLennon. Rather it's about what McLennon and the road to it (which was a long and winding one) have meant to me in my journey of self-acceptance as a trans girl. And that road starts with a lovely little film called The Last Unicorn.
Said film might’ve been my favorite movie ever as a little girl who didn’t know what she was. It was a classic old timey animated princess movie about the titular Last Unicorn who gets trapped into the body of a human woman. Rather than going on to be your average princess protagonist however, she is emotionally destroyed by what is realistically depicted as an imprisonment and borderline body horror. There’s a line from right after she’s first transformed that stuck in my head ever since I first heard it, of her wailing “No no no, I’m a unicorn! I can feel this body dying!” (3 guesses what emotional experience this has aligned with in hindsight).
But the dysphoria reading isn't exactly the key bit to this story, although it's likely what got me hooked in the first place. Speaking of, what I actually wanna focus on is how utterly obsessed I was with the movie, to put things mildly. That's where the trouble arose. I knew on some deeper level that my fixation was abnormal. I was a "boy” and so felt the need to temper my love for such a stereotypically "girly" movie, so as not to draw attention to myself. Seeing as my childhood friend's mother had been the one to first put the movie on for us without thinking, my solution to my self-imposed limitation was to make every effort at subtle nudges (which were definitely not that subtle in hindsight) in favor of rewatching it whenever I was at their house. Eventually in this manner I made my way through the entire rest of their classic princess movie collection, but I remained fiercely tight-lipped about the whole ordeal beyond those moments. That is, except when avoidance curdled into animosity and rejection. When, outside that living room with its ancient CRT TV, I turned on the media I loved more than anything. When, out of a twisted sense of jealousy, I could go from belting Let it Go in private to ruthlessly berating the song, the movie it came from, all others like it, and the girls who were able enjoy them, all in the same breath. God I pity that girl.
This pattern of avoidance towards "girly" media that secretly meant the world to me continued and developed when I stumbled across the old 90s anime Sailor Moon. It was, again, utterly entrancing to me and I went to what felt like the ends of the internet and back to find places to watch it since it wasn’t streaming anywhere big at the time. It spoke to something in me that had been utterly neglected up until then. The cast of girls (my age at the time), were cute and bubbly and did every stereotypically feminine thing together like mall shopping, sleepovers, etc, and it all called to me on deep subconscious level. Their transformations into their superhero alter egos likely fed even more into this fantasy, allowing me to imagine and fantasize a similar transformation into a superhero for myself (that just so happened to also be a girl for no particular gender reason at all). It was a part of me that had never been activated by media or real life before. In hindsight I think it’s pretty safe to say I desperately wanted to be them but couldn’t process that yet. And therein lies another issue. My fixations were starting to evolve. It had begun with liking "girly" media. Now that media had imbued a desperate desire to embody the "girly" community and lived experiences surrounding it. Which is significantly harder to look the other way from.
All that to say, I couldn’t let it go. That is, until I did. At the time, all those years ago, I had no clear answer as to why I stopped watching. The only hint I can point to with the benefit of hindsight is the gnawing awareness that grew in my gut as I had watched that, once again, there was something not right about my obsession with the show. I knew I couldn’t talk about it and the desired experiences it inspired with any of my friends, as it and they were blatantly meant for girls. So what was I doing letting them consume me so completely? That's what was likely going through my head when one day I took the next step from concealed consumption and just stopped watching, burying the show and my memories of it away (The only trace left was the show’s main theme buried deep in my music library that I would stumble on every couple years through an "Old Favorites" shuffle and that would force me to remember it all before I buried it down again).
And now, in continuation of the developing "Hey--Jessie!" tradition, welcome to the desperate-attempt-to-tie-it-all-together-section Third Act.
Enter: Beatlemania (60 years belated). For the purposes of keeping my train of thought coherent, I wanna emphasize that I fully believe that if you cannot see how female community – the fangirls – is/are intrinsically tied to the phenomenon of the Beatles (and frankly responsible for their rise to fame) you're either being willfully disingenuous or blatantly misogynistic. Got it? Good.
By pure happenstance I stumbled into Beatlemania a few months ago after accidentally clicking on Nowhere Man in Apple Music, and coincidentally only a week after finally admitting to myself that I was trans. That'll be important (if it weren't for that bit I would've had no reason to believe that the pattern of obsession and repression wouldn't continue). That said, it wasn't unprecedented, being predated by prolonged interests in Queen, Bowie, and The Smiths. From there, due in part to my tendency to learn about those real life faces behind the art I adore, and a well timed YouTube recommendation showing me the aforementioned uncarley video which turned that tendency voracious, what could've just been a musical interest led me down the road towards the title components of this essay: McLennon, and more importantly, Trans Fangirldom.
For the purposes of this conclusion I define my ideal experience with fangirldom as fundamentally joyful fixation on a given piece of media AND (arguably more importantly) the community/lived experiences surrounding it. Of course, one can fangirl for non "girly" media (the Beatles to that point aren't particularly musically feminine, just the community that formed around them), I'm just calibrating my language to the most impactful contexts in my experience. With that established, it is hopefully clear from my myriad obsessions with traditionally "girly" media and experiences above that (pre-transition) the fangirl experience was one I frequently found myself just on the edge of, or better yet, actively sabotaged myself from entering out of a bitter sense of self-hatred for deriving such joy in things I "should've" been indifferent to. I would consume said media covertly, actively deride those who enjoyed it openly, and ultimately cut myself off from it entirely out of fear of what my love for it would reveal about me.
It was after 20 years of this relationship to fangirldom, after finally accepting this desperately avoided truth about myself (the I'm A Girl bit), that McLennon finally arrived and drew me into Beatlemania. And a lifetime of lost girlhood began to be made up for. Having crossed the hurdle of incongruence between who I presented as and who I felt I was, and the expectations imposed therein, for the first time in my life I wore my fangirliness on my chest (yes I'm cringing as I write this but isn't that the point of learning to be unabashedly myself? I think I've earned it). Ask my poor summer roommates, among the first I came out to, and who for their acceptance have won my unceasing rants on each new bit of evidence (Paul – purportedly – hung a photo of John naked and asleep in his home for heaven's sake!). It's a culmination that, silly as the subject matter may be, was years in the making, and encapsulates a fundamentally landmark shift in my internal mental framework. I'm finally learning not to hate myself for who I am. And I have 2 super-dysfunctional British men (read: lovers) and the generations of fangirls devoted to that truth to thank for that.
So where do I go from all of this? Well ideally, back. Back to the image of that little girl sitting wide-eyed and far too close to that CRT TV. Sitting as she watched a world, a life, a self, unfold before her eyes that she desperately wanted to take part in but tearfully held herself at arm's length from. I'd go back so that I could take her in my arms and tell her that it'll all be okay. That in my life I've seen her grow into part of that world, and wholly that self. And how beautiful she's proven to be.