Wherein one Hex Flareheart, amateur writer and possessor of entirely too many characters, resides.
I currently write immortalsorcery and morsstellae, which are sideblogs of this one; if you're an RP blog and this account followed you, that'd be why!
This is long overdue, as I've been meaning to make this, for... checks date literally 10 months. I'm gonna go through the categories I use, what they refer to, and what tags are used for them, and then under a cut I'll go more into what certain specified details mean, mainly relevant to shows, comics, and games.
The Categories
In general, I group the things I review into "Movies", "Shows", "Comics", and "Games". These are mostly self-explanatory, but I'll get into the details hence:
Movies are fairly self-explanatory, and I don't feel any particular need to clarify anything on this.
Shows includes any recurring audiovisual experience that doesn't otherwise fall under the banner of movie, including those that may be associated with other terms first, such as anime.
Comics includes both traditional western comics, manga, and webcomics.
Games includes anything that can conceivably be fit under the umbrella of "video game", whether it's purchasable or not.
Generally everything I review will fall under one of these four categories, but may also be subcategorized in the tags where I feel it's appropriate, such as with notable subcategories (anime under shows, for example) or recurring reviews for works within the same franchise (such as Pokemon).
Each category has its own tag, as well as my overall reviews being tagged alike. The tags for each category can be found on relevant posts, but for convenience, here's the full list:
"hex reviews things" is the general tag for my reviews
"hex reviews movies" is the general tag for movies
"hex reviews shows" is the general tag for shows
"hex reviews comics" is the general tag for comics
"hex reviews games" is the general tag for games
None of these tags are probably surprising.
Next I'll get into some of the general details of how I review things, mostly the auxiliary details I provide at the start of reviews (for everything except movies). For the sake of post length, these'll go under a cut.
The Deets
I have a standard format I try to keep to for the header of reviews; the title, a silly quote relevant to the review, and then a block of information about what I'm reviewing. What exactly is included in this will vary depending on what I'm reviewing, so let's get into specifics:
All Reviews
All reviews will include a line specifying whether or not I recommend what I'm reviewing; this will typically be a yes or no, but may sometimes include a bit of clarification, or sometimes me just screaming. I do color-code these; green and blue are both unambiguous yeses, with the latter being an especially enthusiastic yes, while yellow is used for recommendations that come with a significant asterisk. Orange and red are used for no. There's theoretically a rare and elusive purple, but this may wind up never being seen, as it's hard to get me to be that enthusiastic about something.
This particular detail is the only thing present in the information block for movie reviews, as there's not really a whole lot worth clarifying otherwise.
Shows & Comics
Being explicitly serialized media, these actually have a lot in common, so most of the details to be clarified in the information block are shared between the two.
The big thing for these types of media is Structure. Specifically of the narrative kind. In general, I categorize shows and comics' narrative structure in four ways:
Episodic refers to shows/comics in which individual installments are largely self-contained; outside of the occasional storyline that covers a couple consecutive episodes/issues/strips, these have no overarching narrative structure to speak of. There might be an occasional call-back, there might be some mild changes season-to-season, but there's otherwise no real sense of continuity.
Continuous refers to shows/comics that have a conscious sense of continuity, and have actual overarching narrative storylines, usually built over individual seasons/runs. There might be more episodic-style hijinks thrown into the mix here and there, but the story is mostly continuous and rolling constantly.
Semi-Continuous is a weirder category; this specifically refers to shows and comics that are distinct hybrids between Episodic and Continuous, featuring a large amount of episodic content but also moving the status quo on a semi-regular basis. This is mostly relevant for shows, as a lot of cartoons will often start like this.
Epic is Continuous on steroids. These are shows/comics with one long, continuous story, with a very specific endgame. This isn't just long things (though that is one of the criteria I use), but also things that have one consistent, defined story from start to finish. Continuity is very important.
These of course are not necessarily rigid categories, and often a show or comic will start with one structure and transition into another; as mentioned under Semi-Continuous, this happens a lot with cartoons, which may start as Semi-Continuous and transition later into proper Continuous. I'll usually note if something like this happens.
There are two other relevant things to this: Format and Paid. Format is moreso relevant for comics, but it's generally distinguishing between web media and non-web media. This is also where "Paid" comes in; if it's paid, I'll specify details about it, and if it's not, you'll just see "free". If it's on TV primarily, it counts as paid, even if it's technically available for free via an antenna.
I will also usually specify Length, in whatever format is relevant for the specific work; if it's ongoing, I'll also specify that.
Games
This is where things get more complicated; for games I specify four main things: Genre, Platform, Price, and Length.
Genre is fairly self-explanatory; it's what genre I feel most fits the bill for whatever this game is. Generally I go with whatever the common consensus on that particular game is.
Platform is a bit more nuanced; for this I specify what baseline platforms the game is officially available for. Platforms that are technically available through backwards compatibility are not counted. For PC, I generally try to specify what operating systems the game is available for; if I just specify PC, assume it's only available for Windows. This is unfortunately a very common thing. I will however generally mention if the game runs well on Steam Deck, with a link to the game's ProtonDB page.
Price is exactly what you think it is: what the price for the game is officially, as of when I reviewed it. This is always in USD. I will usually just specify the price, but I may add in other details, such as relevant DLC, or a snide remark about how games shouldn't cost $70. For free games, I will specify whether the game has secondary monetization such as microtransactions, and to what extent they exist.
Finally, Length is just a rough guess at how long a single playthrough will take. This is usually based on my own playtime as of when I wrote the review, assuming I actually kept track properly. Notably, a "single playthrough" constitutes going from the start of the game to the end; I don't include postgame content or replayability in this estimate, but will specify an additional estimate if it's relevant. For roguelikes and similar, this will instead be how long a typical run takes; for continuously-operated games such as MMOs, this will typically be omitted.
The Fancy Number at the End
Final thing to talk about: my final ratings. It bears noting that the numbers I specify should not be taken too seriously. I'm just one guy with some fairly specific preferences; I tend to be very verbose with my reviews precisely because I think my actual outlook on the details is more important and useful than the actual number on the end. Accordingly, the final rating should only be taken as a rough gauge of how I personally feel about the piece of media I'm reviewing.
That said, I do have some mild criteria about how I assign the numbers:
I am theoretically willing to hand out 0's, however this is pretty much reserved for things I loathe with every fiber of my being.
1-2 is, as you'd expect, bottom of the pile. I really don't like this thing.
3-4 is for things I personally dislike, but not strongly enough to outright condemn.
5-6 are average. Usually I have no strong opinion either way, or I have a strong opinion one way that's hampered by a lot of caveats.
7-8 are what I genuinely consider good; 7s are appreciated, 8s are well-liked, but in either case it's not necessarily a strong appreciation. (If it is, I have multiple caveats attached to it.)
9 is for things I really like. Anything that earns a 9 from me is something I have a strong appreciation for, and usually comes with relatively minimal asterisks.
10 is illustrious; if something somehow earns a 10, as far as I care it's one of the greatest things I've ever experienced, no notes. This is not something I hand out lightly, and in fact as of writing I haven't given anything a 10 yet. No, Pizza Tower doesn't count, I've retroactively revoked its 10. Anything that warrants an asterisk (beyond things like trigger warnings) doesn't get a 10. End of story.
As noted, I'm very stringent about handing out 10s, and it is very likely you won't see many at all. Also as noted, don't take these numbers as gospel; they're heavily-generalized statements of my opinion.
Notably, for shows and comics, I may include multiple ratings for different portions of their runs. This will usually be by season or by arc. (For example, for Symphogear you might see me rate by season, with something like an 8, an 8, a 6, an 8, and a 9.)
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please read this even if you're not indian. especially if you're not indian.
you've seen the jokes. india is "dirty", indians are "everywhere", why don't they fix their own country. ok. let me tell you why, and what's happening right now while nobody's watching.
first, the history you skipped: britain ruled india for two centuries and drained it. economist utsa patnaik's research estimates around $45 trillion in today's money was taken. the india that got independence in 1947 was one of the poorest countries on earth. every "why is india like this" question starts there. you don't get to profit off a robbery and then mock the crime scene.
now, what's happening RIGHT NOW:
in may the question paper for NEET leaked. that's the national medical entrance exam. over 2.2 million students took it. cancelled. years of studying, families' savings poured into coaching, gone overnight because someone sold the paper. students died by suicide after. these were kids who wanted to be doctors.
and out of that came a protest movement. a gen z group called the cockroach janta party, started by a 30 year old named abhijeet dipke, got 22 million instagram followers within DAYS. they've been doing a sit-in at jantar mantar in delhi demanding education minister dharmendra pradhan resign.
and then there's sonam wangchuk. if you've watched 3 idiots, he's the real engineer the character was based on. built solar schools in ladakh. invented ice stupas so himalayan villages have water. spent his whole life on education. he's 59 and he's been on hunger strike for 17+ days now. reporters went to see him this week and he was too weak to talk. and the troll armies are calling him "anti national" and "foreign funded". a man starving himself for other people's children. that's the thing here, anyone who asks a question is suddenly a traitor.
it's not one incident, it's everywhere you look:
• infrastructure worth thousands of crores failing within months of the ribbon cutting. tunnels collapsing in regions where heavy rain is a guarantee, not a surprise.
• youth unemployment near 10% for ages 15 to 29, 13.6% in cities. in a country of 1.42 billion where more than half the population is young.
• only about the top 3% of indians earn above 10 lakh a year. meanwhile billionaire wealth keeps ballooning and the headlines celebrate it.
• manipur burned for over two years. an ethnic conflict, tens of thousands displaced, and the prime minister barely said the word manipur while it happened.
• journalists raided. critics' houses bulldozed. activists sitting in jail for years without trial under laws like UAPA. our press freedom ranking has cratered.
• even the petrol is a fight now, ethanol blending pushed through while drivers complain about their engines and get no straight answers.
and through all of it, the PM, who came to power on religious polarisation (americans, sound familiar?), travels abroad for photo ops and has not held one single open press conference in over a decade. not one.
what i'm asking:
if you're not indian: share this. our media mostly won't cover any of it because the big outlets are owned by the same billionaires the government serves. the only reason wangchuk's fast is getting any coverage is people refusing to look away.
if you ARE indian: speak up even if you're comfortable. especially if you're comfortable. join the protests. add to this, correct me, translate it. staying quiet is a choice when nothing in this post touches your life.
india is not "dirty". india was robbed, and it's being robbed again, from the inside this time. but it's also the country where a 59 year old will starve for strangers' kids and 22 million young people will rally behind a party literally named after cockroaches, because cockroaches survive everything.
Please save and share this info where possible. This report has since been removed by Amnesty International due to legal threats of libel from JK Rowling. This information is no longer easily accessible.
Note: this link is (an archive.org version) of Wings over Scotland, a well-known transphobe website. Make sure not to accidentally visit the website itself.
I try not to fall into the "I never liked their work anyway" ditch when an artist/creator reveals themself to be a terrible person
BUT
a feeling I do have and will stand by is "While I enjoyed their work overall I did have some gripes that I overlooked out of affection and whimsy, but now that my loyalty is gone and my affection tainted there is nothing holding me back from enumerating my many grievances, to which the revelations of the creator's shittiness may or may not provide a new and infuriating context."
#such a good summation of this actually#because yeah there’s usually things that were always present#but which were easy to overlook or give the benefit of the doubt#that suddenly become relevant after a revelation about the creator#and it’s really not the same thing as the self-defensive “’I never liked it anyway’
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this is about the death penalty and its also about call out posts about people who have already apologized for things they did a long time ago and it’s also about using ‘toxic’ or ‘abuser’ as if its an immutable class of person, and its also about any other circumstance with permanent consequences or wherein you assume someone is still the same person they were.
"I'm worried about butchering the pronounciation" So there's this cool thing called a search engine. Or youtube. Or you can just you know, politely ask the person. Use that girl's ethnic name and don't try to shorten it without permission
Like I promise you, even if you fuck up the pronunciation we will still appreciate the effort infinitely more than if you just don't even bother. Because it shows that you're willing to try and respect us and our names! And we can correct you if you mess it up and you can know for next time!!
There are also a bunch of great tags on this post and I highly recommend taking a scroll through the reblogs to read all of them
every chapter of deltarune has a secret npc who only appears if you leave and re-enter the room 1225 times while you have a bagel in your seventh inventory slot and the npc is a sentient doorknob and when you talk to them the music cuts out and they’re like “who’s that whispering in the trees, it’s two sailors and they’re on leave, pipes and chains and swinging hands, who’s your daddy, yes i am” and then within four hours there’s a thirty minute long video on youtube titled “ASGORE IS FRIEND??? DADDY THEORY EXPLAINED” and it already has 100,000 views and then a year later people call the next chapter disappointing because it was focusing too much on developing the main characters instead of explaining the doorknob guy
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"old people are usually bigoted" isn't necessarily true, I know some old people who aren’t, but I think a lot of folks forget that *most poor and working class people die younger* and if someone is 70+ there is a higher chance that they're independantly wealthy and, you know, since we live in *this motherfucking system* there's a higher chance that they're white, cis, straight and very comfortable in their privileges. "old people are usually bigoted" is not true but "the people with the most privilege usually live longer" is.
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hot take possibly? but i actually think it’s okay for things to be marketed for adults. it’s literally okay if things aren’t suitable for children. i feel like we are losing the plot