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SUMMARY: Fallon Ford is good at many things - drinking others under the table, doing impeccable Dutch braids, making perfect tea, quoting any movie on demand, and being probably one of the nicest people on her university campus. She has a reputation as a Great Writer™ and her senior year is where she gets to prove that. She only has two problems - 1.) She’s going through the worst case of writer’s block and 2.) the only person who’s helping her is Dane Jacobs. And Dane Jacobs is as much to Fallon Undesirable #1 as Harry Potter was to the Ministry of Magic in the Order of the Phoenix.

WORDS: 5.4k

WARNINGS: hope y’all like a cliffhanger because i’m good at them

previous chapter: ch. 22

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Fallon followed behind Dane without a word, because her insides were boiling. She’d never contained so much rage within herself before, as someone who always wore her heart on her sleeve and was usually open about how she was feeling.

But Dane’s words struck a very deep spot in her heart that she’d been attempting to push away for so long, and now Dane was spitting those words into her face like venom that he’d known all along.

I know what I did to you and I don’t feel bad about it, is essentially what he’d suggested.

C’mon Tony Stans, we seriously gonna let Jeniffer Aniston joining instagram be the pop culture moment of 2019 instead of Tony Stark who we’ve loved for 10 years sacrificing himself huh??? 👇

every

single

person

there are over 128,000 notes and i still got one

https://www.thedailybeast.com/state-department-to-lgbt-married-couples-your-out-of-wedlock-kids-arent-citizens

REBLOG THIS.

RE-FUCKING-BLOG THIS.

Rian Johnson, The Last Jedi — completely ignored & disregarded the 3-film narrative arc J.J. Abrams has planned out for the sequel trilogy, and instead developed his own messy narrative full of subversions for the sake of subversion, and completely disrespected the legacy of Luke Skywalker’s character (Mark Hamill himself has reported several times that he doesn’t recognize the character).

Russos, MCU — give out fake scripts, actors play against green screens and are cut & pasted together in post, show fake/edited scenes in trailers, throw away previous character development (Thor, Ragnarok vs Infinity War and especially Endgame).

D&D, Game of Thrones — throw away a decade of foreshadowing and character development for shock value, not to mention they missed a whole ass Starbucks cup in a shot in 8x03 (either on set or in post, somebody should’ve noticed this).

I’m sick and tired of this. It’s not good writing, and it’s no longer entertaining to fans when the characters they know and love become complete strangers. There’s good shock value — “No, I am your father,” for example — and then there’s ignoring years of character development and turning a kind and caring character into a murderous maniac. There’s a difference, and I think writers still know what that difference is, but they’re pressured to create an ending that fans can’t predict because of this mass panic over “no spoilers”.

This needs to stop. Give me a happy ending. Who the fuck cares if we guess what comes next? That means the writers have done their fucking jobs. If we can guess what comes next that means the writers have successfully developed their characters and foreshadowed future events as you’re supposed to do in a well-written narrative.

TEASER | PART 1 | PART 2 | PART 3 (coming soon>>!)

Pairing: Tom Holland x Reader

Summary: Hanging out with someone you’ve never hung out before would normally stress you the hell out–– but he makes it so easy.

Warnings: Awkward fluff, introspection, and minor millennial anguish 

Word Count: 9K accent pillows

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Tom: Be there in 5

This is one of the few times you were startling early–– the fault of mild panic, you can rightfully accuse. But oh girl, there was just no way you could be caught looking a damn mess in front of an old crush, not while you could help it.

You: See you soon

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