every time someone treats Feeling Loveβ’ as Political Praxis i want to beam this whole Moses Sumney quote into their head
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Lint Roller? I Barely Know Her
2025 on Tumblr: Trends That Defined the Year
trying on a metaphor
YOU ARE THE REASON
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One Nice Bug Per Day

he wasn't even looking at me and he found me
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@hantologie
every time someone treats Feeling Loveβ’ as Political Praxis i want to beam this whole Moses Sumney quote into their head

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POSSESSION (1981) / OBSESSION (2026)
Revolutionaries in Africa understood that the question of African liberation was not just a question of race, that even if they managed to get rid of the white colonialists, if they didnβt rid themselves of the capitalistic economic structure, the white colonialists would simply be replaced by Black neocolonialists. There was not a single liberation movement in Africa that was not fighting for socialism. In fact, there was not a single liberation movement in the whole world that was fighting for capitalism. The whole thing boiled down to a simple equation: anything that has any kind of value is made, mined, grown, produced, and processed by working people. So why shouldnβt working people collectively own that wealth? Why shouldnβt working people own and control their own resources? Capitalism meant that rich businessmen owned the wealth, while socialism meant that the people who made the wealth owned it.
βAssata Shakur, Assata: An Autobiography
This is the only known photo of the first trans woman to have her gender legally recognized in Switzerland.
In 1914, Adine T. sent a letter to her local police to grant her a pass to dress as she pleased. She petitioned that "I be granted permission to live as a woman, to wear female clothing and to pursue female occupations, and to be considered a woman before the world in all and every respect, since my emotional feelings are totally feminine and I feel unspeakably unhappy in male clothing."
Her gender was so clear that even the conservative Swiss government had to recognize it. Obtaining permission to live as a woman "is a matter of life and death for me," Adine added.
111 years ago, it was the first pass of its kind in her nation (although not the first in Europe). When interviewed, Adine described herself similarly to other trans lesbians in the 20th century: "a homosexual woman in a male body.β Source: Matthias Ruoss, "Arnold, Arnoldine, Adine."
Alejandra Acosta illustration for The Brothers Grimm fairy tale The Juniper Tree
My mother killed her little son; My father grieved when I was gone; My sister loved me best of all; She laid her kerchief over me, And took my bones that they might lie Underneath the juniper-tree Kywitt, Kywitt, what a beautiful bird am I!
Read here

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βHeart of the vampire Auguste Delagrange, put down April 7, 1912βΒ by Propnomicon
One hundred years after Virginia Woolf explored the limitations of language in On Being Ill, the Piranesi author reflects on the power of st
The underlying idea is that in some people β and I stress some people β chronic illness might look like this: a very ancient and primitive part of the brain and nervous system believes it has detected danger, possibly a tiger or something like that, and so it produces pain or a whole range of symptoms in an effort to get the sufferer to close down and protect herself. The nervous system does this very effectively and it can carry on doing it for decades. It is really very inventive. I feel that mine ought to be eligible for some sort of prize.
Then I told him that I felt that Norman Bates, if he were a painting, would be painted by Hopper, and he agreed. So we had kind of that discussion, writer and actor, about the character. He had an incredible grasp on Norman Bates and the situation that he was in. I think Tony Perkins must have known what it was like to be trapped. βJoseph Stefano, screenwriter, in The Making of Psycho (1997)
PSYCHO dir. Alfred Hitchcock (1960)
HOUSE BY THE RAILROAD by Edward Hopper (1925)
βOne mourns when one accepts that by the loss one undergoes one will be changed, possibly forever. Perhaps mourning has to do with agreeing to undergo a transformation (perhaps one should say submitting to a transformation) the full result of which one cannot know in advance.β
β Precarious Life
You will think me cruel, very selfish, but love is always selfish; the more ardent the more selfish. How jealous I am you cannot know. You must come with me, loving me, to death; or else hate me and still come with me, andΒ hatingΒ me through death and after.
Sheridan Le Fanu, from 'Carmilla'

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ok joanna russ lets say more
image: screenshot of text starting mid sentence. text reads: this behavior is almost identical with my explanation of K/S: "the woman recognizes in the faggot a socio-erotic position she herself would like to hold, as the recognized peer and the lover of a male, a position impossible for women in sexist culture to secure."[5] /end ID
Emi Koyama has passed. π₯
Extremely sad to see. She was apparently only 51.
Folks, if you don't know who Emi Koyama was, you should. Her website (eminism.org, which is a delightful pun) has a ton of her work entirely for free.
You can read the Transfeminist Manifesto in particular here. Emi considered it a historical document and she wrote a very good self-critique in 2008 (included in the document) on the subject of the Manifesto, white feminism, and the lack of inclusion of trans and genderqueer people who aren't trans women. I highly encourage everyone who wants to involve themselves in transfeminism to read her work, not because it is perfect, but because I do think Emi Koyama's Manifesto represents the best intentions for transfeminism: the desire to challenge cissexism, to take activism seriously and compassionately, and a commitment to being open and honest about where we fall short and how we can do better.
I really appreciate this quote from her, which I hadn't seen before, on the subject of feminism needing to "fit in" trans people:
Cis feminists do not own feminism. We don't need to "fit trans people into feminist theory"; we simply need to challenge cissexism in feminist movements and theories. Trans people do not need to be explained by feminist theory; we need to start from the fact that trans people exist and matter.
And it would be a crime to not mention how hard she fought specifically for women of color, to challenge racism and imperialism (white/western and non-white/non-western) in feminist spaces and in general, as well as her intersex activism, and far more. She had such a drive to contribute to, engage with, and push for more and better feminist discourse.
You will be remembered fondly, Emi Koyama. Thank you for all your work and for all your life.
La pianiste (2001) dir. Michael Haneke // Marnie (1964) dir. Alfred Hitchcock
I remember when I was younger, anytime I watched a movie where the characters have to kill a scary monster/alien, I always thought the act of killing it was intended to be part of the horror. Like thereβs this amazing creature that weβve never seen before, and maybe under different circumstances we couldβve coexisted with it, but itβs trying to attack you and you have to defend yourself, but by destroying it you also destroy the ability to ever understand it and thatβs sad and is supposed to make you feel conflicted.
It was not until well into my adulthood that I realized most people do not have complicated feelings about movies where people have to kill a scary alien monster, nor is that necessarily meant to be part of the narrative (unless it very obviously is). They just want the scary thing to die because itβs scary. I donβt have a real conclusion to this I just started thinking about it for some reason.
Vampyr (1932), dir. Carl Theodor Dreyer

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25-year-old Cab Calloway photographed by Carl Van Vechten on January 12, 1933.
βA capitalist society requires a culture based on images. It needs to furnish vast amounts of entertainment in order to stimulate buying and anesthetize the injuries of class, race, and sex. And it needs to gather unlimited amounts of information, the better to exploit natural resources, increase productivity, keep order, make war, give jobs to bureaucrats. The cameraβs twin capacities, to subjectivize reality and to objectify it, ideally serve these needs and strengthen them. Cameras define reality in the two ways essential to the workings of an advanced industrial society: as a spectacle (for masses) and as an object of surveillance (for rulers). The production of images also furnishes a ruling ideology. Social change is replaced by a change in images. The freedom to consume a plurality of images and goods is equated with freedom itself. The narrowing of free political choice to free economic consumption requires the unlimited production and consumption of images.β
βSusan Sontag, On Photography