Atra Bilis @grotto-esque - Tumblr Blog

Kenne Gregoire (Dutch, 1951) - Still Life with Flowers (2002)

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epistrophian

Street Scene, 1990s (detail)

Color Photograph by Ejlat Feuer

Scanned from brochure taken from El Museo del Barrio, NY.

lamignonette

#landscape

thefugitivesaint

Richard Müller (1874-1954), ‘Was ist Ruhm, was sind Namen?’ (What is fame, what are names?), “Grosse Berliner Kunstausstellung”, 1914 Source

frmarino

Photographer: Michael Leonard

Reclining on a Sofa, c.1970

#gaze

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househunting

$2,955,000/4 br/2.5 ba

Rhinebeck, NY

Built in 1870

Roller Printed Day Dress

c. 1815

Augusta Auctions

#hc #1810s #textiles

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theoriginalsupermodels

Ghost - Fall 1999 RTW

#fashion

worldscoolest

Sony Building in Ginza, Tokyo, 2009.

#exterior

enchantedbook

"Three Foxes" by Ludwig Hohlwein, Jugend Magazine, 1900

tar0

(Manet’s Bar at the Folies-Bergere (Getty Center Exhibitions)から)

nyantara

[…] the conversation that many have assumed was transpiring between the barmaid and gentleman is revealed to be an optical trick—the man stands outside the painter’s field of vision, to the left, and looks away from the barmaid, rather than standing right in front of her. The barmaid’s frontality is also deceptive. Rather than standing parallel to the bar and looking straight ahead, she stands slightly askance, facing the offset viewpoint.

Most ironically, the reflected edge of the bar, which in an offset view would tilt more acutely to the right, is revealed to be a visual decoy, leading us to believe that the vanishing point lies directly behind the barmaid. Thus, the paintings most obvious perspectival clue turns out to be its most subversive perspectival violation.

From Getty Center article

archiveofcanvas

Edvard Munch (Norwegian, 1863 - 1944) Landscape, Kragerø (1912)

#landscape

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kooler-king

flixmix

Sun Ra.

massoflesh

Martin Johnson Heade, Gremlin in the Studio I, ca. 1865-75

#landscape

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