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The Pathologic Russian and English analysis: Bachelor Daniil Dankovsky
So uhhh.... Turns out my priorities aren't as messed up as I thought, which is why it took me a whole month just to finish this thing. Let's cover some basics shall we? The approximate structure will, depending on the length of this analysis, go as follows: I’m gonna tackle Patho Classic and the three healers from each other’s perspective, look at shared dialogue options and then talk about all the other important NPCs and how they interact with the playable characters. Since Patho 2 only has the Haruspex run, we’re gonna move through that a lot faster in a similar fashion, and then we’ll look over Marble Nest.
What I’m going to be focusing on: there’s a huge amount of dialogue between all the characters in the story, and I couldn’t possibly note down all the differences at once. I will mainly be trying to relay the “voice” of the character that is present in the original Russian version and noting the biggest differences. If there are also pieces of dialogue that shine a different light on a few story aspects, I will point these out too. Mainly I will talk about how the characters in these interactions seem to treat each other (which will be difficult, since opinions of characters change frequently in this game), note interesting mannerisms and sometimes quote the fun differences and try and fail to explain why the use of this specific idiom is funny in this context. Sooooo yeah.
The Bachelor
The Bachelor in the other characters’ campaigns is, as we all know, a drastically different character. Before I dive nose deep, I’m gonna establish what kind of impression we have of our English Bachelor, so we can compare and contrast things easily.
Daniil in the English version is, as we all know, a prickly prick. He speaks in a usually rather conceited manner, gets irritated with people easily and likes to throw in latin phrases at random points. He sees himself as smarter than everyone else which then in turn leads to him being manipulated by most people that he meets. He’s having a no good, very bad week and he will let people know about it. In the Haruspex campaign the “asshole” part of his character seems to be a bit diminished, and when watching him interact with Artemy, I almost saw something similar to… Respect? He even appeals to Artemy’s knowledge of the kin, as opposed to his own Capital beliefs, when asking him to save the Polyhedron. In the Changeling campaign the Bachelor’s prickly prick factor is ramped up to a hundred. He’s arrogant, talks down to Clara while also being heavily dependent on her and does his best to seem unaffected by all the shit hitting the fan.
Overall, he does give off an impression of a capital dandy that’s in way over his head in both campaigns, and has a very distinct voice and mannerisms. Partially I’d attribute that to the fact that the speech quirk of “randomly starts speaking latin like a pretentious asshole” was a rather easy thing to translate. So, what do we get when we meet the Bachelor in Russian?
As the Haruspex: Before I even discuss the tone, I want to set a little groundwork - although it might be something people already know if they're that deep into learning about an obscure Russian game. And that is - the use of “you” in the Russian language. Similar to German, we have two versions: formal and informal.
The formal version - “вы” (vy - phonetics are difficult) - is used in Russian when referring to strangers, figures of authority, people older than you, people whom you respect, as well as a group of people.
The informal version - “ты” (ty - once again, phonetics are stupid) - is used when speaking to a friend, someone younger than you (like a child), someone you have no respect for, or someone you’re familiar with. Also family, even if they’re older. This being said, for 90% of the time in the Haruspex campaign, the Bachelor uses the informal “you” when speaking to Artemy. More on that as we get into the nitty gritty.
Dankovsky’s tone throughout this campaign is separated into 2 groups - before and after you receive a letter with his list of Bound, where he decides to dedicate himself to the Kain's cause and to saving the Polyhedron. I’m not sure if that is clearly visible in the English version - reading them side by side has blurred a lot of things for me, but it’s quite apparent in the Russian version.
In terms of consistent mannerisms, there is one detail that I think doesn’t shine as well in English as it does in Russian. You’d think that our bachelor of medicine would speak in a very formal tone, using big boy words and scientific terms only. You would be wrong.
The Bachelor speaks in very “deliberate” sentences. It’s like he is trying to get all the possible clarifications out of the way, before getting to the point of the sentence. That doesn’t make him sound formal or anything. He uses diminutives and “rough” words every now and then, and doesn’t overcomplicate his sentences too much.When I say rough words, I don’t mean cussing, per se. In fact, other than the equivalent of “damn” (which literally translates into something like “imp”) Daniil doesn’t swear at all. Even when he calls the Haruspex a bastard in English, in Russian it’s a lot softer and more akin to “scoundrel.” Rough words, I guess, would be more like… “Lower-class” slang terms. I say lower-class because for a long time many words in Russia were considered to be unacceptable, since they were, or at least were reminiscent of, prison talk. The closest example I can think of in English is the way one person might say “making love” and another one might say “screwing.” Except in Russian, there are “rough” words for eating, going somewhere, etc. And the Bachelor, even though you’d expect him to be a high-strung formal ass, is very liberal with those words. This goes into contrast with what we get in the English version, where he seems to mostly use very formal language, except for a few moments of frustration.
In the first half of the Haruspex campaign, Daniil speaks in an overall warmer tone, starting out with what seems to be boundless enthusiasm. It’s only slightly mitigated by the frustration towards the townspeople. In English he sounds like he’s only frustrated, but in Russian it sounds like he’s frustrated because of how much he wants to help. He expresses a lot of his frustration by riddling his speech with tiny connector words, as if rushing the other person to respond. It’s like if there were a bunch of different alternatives to the word “then,” and you’d see him being like “Well tell me then, what, then, is this thing?” This creates an appearance of impatience, desperation, and helplessness. Which is what I imagine the player would feel at that time in the Bachelor run. Anyways, now onto the fun little details.
Everyone’s beloved “far be it from me to call myself a person of mystical inclinations...” line is, for the most part, pretty accurate. The biggest difference, from what I found, is in the first sentence itself. In Russian, it’s simply “Yes… Mystical feelings/sensations are alien/foreign to me.” Everything else is pretty much the same. Though, tone wise, the sheer presence of an informal “you” makes it a lot more personal. Instead of someone talking about an odd, otherworldly and foreboding feeling, the tone is more of a person bitterly commenting on an unfortunate and cruel burden that they realise they share with another person.
Day 2 and it’s main quest have a fun little detail that I will talk about later when we discuss formalities a little more, but for now I will simply note that throughout all of Day 2, the Bachelor speaks to Burakh using the formal version of “you” (and being addressed informally right back). But also, in one of the dialogues that happens during that quest Artemy says “I’m beginning to like you, oynon” the Russian version instead has “I’m liking you more and more, oynon” which is a fun detail that I think some people may appreciate.After examining the samples, you can ask the Bachelor what he is working on now. In his reply he says he’s looking for the sources of the outbreak and needs hard evidence. In the Russian text, he specifically says he needs evidence of himself being right. In the rest of his dialogues he seems rather open-minded to unorthodox practices, as much as he sneers at them, but in this particular case he seems focused specifically on being correct, rather than right. Not too empirical of him, smh.
I found this difference absolutely hilarious. I imagine the main reason that this line was translated the way it was is because they wanted to maintain the tone of suspicion coming from the Bachelor. In a more literal translation (and keep in mind, this all has a bunch of little words strewn in to pad out the sentences) Dankovsky says something more like “And what sort of specimen is that?” except it’s not “specimen” it’s “subject” which in Russian can point to a person, and it’s very difficult to convey the absolute snark that comes with this question. Imagine a suburban mother in a polka dot apron and red glasses, as she stares down a dead bird that her child has brought in from the backyard. There’s suspicion, a hint of disgust, and a demand to know why this is being brought to their attention. That being said, I don’t know if there was a better way to translate this. Maybe “Who the hell is that?” is the best way to convey this. I just wanted to point out how starkly different it is in Russian.
Interesting difference here: in the English version the Bachelor says “Your father was a natural.” Here, the specific word used usually refers to a gemstone, something extremely valuable. A literal translation of the word would be “self-born.”
Additionally, Dankovsky seems to speak very fondly of Rubin throughout the campaign. Like, it’s something that’s present in the English version, I guess, but in Russian it genuinely seems that the two share a strong bond. There is a lot more warmth when talking about his expertise, and a lot more concern and sadness, when it's implied that he might be in danger.
Two things about this. 1: The whole “half-dead” thing is absolutely hilarious in Russian. Essentially the word that he uses can be loosely likened to smth like “half-corpselings” with the use of diminutives, as if the bacteria were a bunch of tiny little guys that were about to die. More to my argument that the Bachelor doesn’t sound professional, just very deliberate. Secondly, the whole “Oh yes, I would very much like to have a serious talk with Rubin” makes it sound like he’s an angry parent whose kid is absolutely in trouble. In Russian, he sounds like he’s talking about meeting up with a college buddy, or as if the desire to ask for someone else’s assistance is a sudden urge. That comes specifically from the word he uses - охота (okhóta). The primary meaning of this word is “a hunt.” But it can also mean a desire, or want to do something, often paired with the fact that it’s something that you can’t or won’t do at the moment.
Fucking this. I was so flabbergasted by this line when I came across it, because the entire Haruspex campaign these two get along really well. And then this happens, and it suddenly sounds like the Bachelor is spitefully making fun of Burakh for not finding something that they both believe is impossible to find. Like, it was so mean and petty and out of the blue, it immediately paints an image of someone who lashes out the moment they have to admit defeat - which is not something the Bachelor has been doing so far. In the original Russian dialogue? “Yes, after everything you were unable to find this creature.” Or something to that effect. I’m translating the vibes here to my best ability. Oddly enough, this is one of the instances in which the Bachelor uses the informal version of “you” again. It’s not mockery. This is Daniil drawing the line of all that he could accomplish, but also all the things he tried to help realise, all the people he supported, before he is executed (at least he thinks he will be). He mentions being unable to look in the eye of everyone he failed earlier in the conversation, referring to his colleagues at Thanatica, but at the same time - at this point he’s already insisted that he wants himself and Burakh to collaborate and sees their separate goals as one. Artemy’s unfortunate conclusion is one he feels partially responsible for. The meaning and vibe of the sentence goddamn changes near everything about this interaction! It goes from spiteful gloating of a cornered, near dead man, trying to find solace in another person’s failings, to instead something more akin to… Regret? Pity? Empathy? That’s it, Marble Nest, I’m coming for your “oooh, Bachelor Dankovsky has no heart” bullshit.
That being said, after the Inquisitor’s appearance, the tone that Daniil takes on shifts drastically. I wasn’t able to find or remember when he sends his letter about the Bound, but I’m pretty sure it all happens around the same time. And the main idea of that is - the Bachelor has his own agenda now. He’s found out about what happened to Thanatica and is now dead set on preserving the only other miracle he knows of - the Polyhedron. And, maybe I’m getting a little to interpret-y here, but seeing as the Haruspex can help lead to that goal of his, the Bachelor then starts giving Burakh the same treatment that the Kains have been giving him.
His tone becomes a lot more familiar, a lot more personal. He constantly brings up the things that he’s done for Artemy and the looming threat of the town getting shelled. Oh, and I’m pretty sure around that time he also starts calling him by his first name. He does his best to act like he really cares about what the “udurgh” can be, while pushing his own idea, and condemning Aglaya for doing the same. He also doesn’t use those little exasperated and rushed filler words in his speech, despite the situation being arguably a lot worse. I remember seeing some of that even in the English version, but I don’t know if it’s the fact that I got to see all the dialogue, or that some Russian words just hit different, but it’s a lot more apparent when looking at it now.
Now here’s a moment where I’m a bit lost as to what translation I prefer. I want all these characters to get along in a universe where they’re nice and kind to each other, but that’s simply not Pathologic. Besides, if I’m sticking to my interpretation, I should really be telling y’all that the Russian version is more effective. Because in Russian, dude literally says “I’m sorry if you thought I was condescending” or something to that extent that would imply that him being an ass is simply Burakh’s own misinterpretation. But hey, this is also the conversation in which he decided to “play unfair” and pressure Artemy into speaking to the Foreman in his stead, so it’s not like this changes much. Maybe being manipulated for what, a whole week now, has finally gotten to him, or he’s just gotten familiar enough to use such tactics - interpret it how you will.
More fun differences - when asking the Bachelor about how to get into the Polyhedron, he will mention Maria and Khan getting into a spat and not being on good terms. In Russian, he refers to her as “my Maria” which he hasn’t done before or since (at least between these two).
That’s all I’ve got about the campaign as it is, but I’ve also promised a little tangent about formality and so here it is. Throughout the entire campaign, there are only a few instances in which the Bachelor addresses the Haruspex using the formal version of “you.” Those instances are: 1 - when asking him about his inheritance. 2 - when talking about chimaeras and how they don’t exist before heading off to face the Inquisitor. And 3 - when you’re speaking to him late at night. Instances in which he’s either asking you to leave him alone, or offering to use his own bed to rest in. My theory is that the Bachelor - as far as I’ve read in his interactions with Burakh - switches to a formal tone (with people who he’d usually speak to informally) if he is uncomfortable. Consider: he uses the formal version of “you” when speaking to Artemy about his inheritance - because that’s a really awkward topic. He needs to get crucial information from Isidor’s notes asap, but the person he has to speak to about them is the man’s grieving son, who’s still being blamed for his death. Awkward as hell. Next instance? He thinks he’s about to be offed by the inquisitor and is (at least in my interpretation) expressing a degree of guilt for the failures of someone who’s at the very least an acquaintance at this point. Very uncomfortable, especially for someone with an ego as big as the Bitchelor’s. And lastly - late at night, tired out of his mind, having to either turn away a guest, or offer them his own bed. Both awkward and uncomfortable things to do, for a city boy. Now, this is, of course just from what I can see of Daniil in the Haruspex route, my conclusions might change drastically when I get through the other interactions, but it's still a fun difference.
And I would say that about wraps it up for the Bachelor in the Haruspex run. The biggest differences have been mainly the fact that he is a lot less formal than his English counterpart, the interesting insights that come with addressing your fellow doctor formally, and the very precise moment where Daniil’s kind and determined attitude turns to that of a manipulative snake.
On a quick tangent here about that, actually - in both the English and Russian version, you can very much engage in a way that allows Burakh to catch on to the Bitchelor’s tricks, and even start lying back to him, when you’re trying to gain access to the Polyhedron. But there is a certain bitterness present in these interactions that I’m not sure is well conveyed. Maybe it’s in the way Artemy himself speaks like an old soul, a fairytale wiseman, that makes these interactions that much more saddening. It’s especially visible in the dialogue where he tells Dankovsky that they’re dolls - it’s sad in the English version, but god if it isn’t absolutely tragic in Russian. And weirdly enough, I feel like a little bit more of that could have been conveyed if people opted for the clunkier but more literal translation? Like what I imagine the old translation was, that everyone complained so much about. Like, if the line “They don’t love us, but they way.” was instead. “We aren’t loved, by the way.” I think it’s a bit more personal, a bit more sad, and doesn’t have the “they” in it, which I feel makes it a little more… Potent. In fact, for most of that dialogue, the “they” is omitted in Russian, because grammar and all, except for the moments where Burakh explicitly mentions the children. And I like that more, I think. It’s not about what the powers that be are doing in the sandbox. It’s about how their dolls feel. How they’ve been stuck into this situation and how they aren’t loved. Even the line of “I hope my side wins” is different, instead it’s more like “I hope I’m won with” as if these characters were a means to an end and they are!! They are a means to an end! They’re dolls!! It’s a lot. This is already long enough and I have the Changeling to deal with. However, as this turned out to be a lot longer than anticipated, I will have to give that it's own post as well. Feedback, question or recommendations on how to format this better are always appreciated)
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"Time will pass and you'll forget everything that happened
With you and me, with you and me
No, I'm not waiting for you, but know that I loved
For the last time"
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Free to watch • No registration required • HD streaming