the "I don't want them to change me. turn me into something I'm not" to being turned into a mutt version of himself pipeline

Usually prequels are a dangerous thing to write because unless they’re planned out well in advance, they risk contradicting lore in the main series. Even still, we knew barely anything about Haymitch’s games. They were the perfect stomping ground for new information, with a rough series of events but without a close temporal connection to the main books.

But though she had this freedom and safety net, while she could have just written a story that aligned with what we knew, Collins leaned into the idea of contradicting past lore head on and made it the damn thesis of the book; that yeah, actually, it did play out entirely differently from how the characters saw it, and yes that contradicts what you were told, that’s the point.

We didn’t really know what happened in the 50th games until we read it from Haymitch’s perspective, because what little information we did have was spliced up and edited. The video evidence was processed through the Capital, and twisted to serve their purposes.

OMG. Somebody said it out loud.

Disney is absolutely not the only studio doing this though.

It seems to have become standard practice across movies and series everywhere.

Anything that doesn't do it is like a breath of sunlight and fresh air inside a dank musty cave.

It's part of the 'fix it in post-production' epidemic sweeping through the studios. Fix it in post is often used as a time/money-saving measure - and is absolutely part of the same mess that the WGA is fighting against currently.

Rather than fixing things on-set - audio, lighting, something in-frame that shouldn't be, etc. (which is all handled by unionized crew) - they leave it for the CG folks (not unionized) to edit later.

(on ridiculously tight schedules that leave them scrambling, cutting corners, and working inhumane hours)

See also: that part where scripts aren't finished, because the studio won't fully staff the writers room, and won't pay to have writers on-set for day-of-filming script questions and fixes (which could resolve issues such as 'what kind of lighting do we need here?')

Anyway, all this shit we, as audiences, keep complaining about - bad lighting, bad sound, wonky visual effects, over-usage of not-great CGI, stilted acting on green-screen sets, scripts that seem not-quite-finished, costumes that look like they're cheap and flimsy, terrible hair and makeup, films and series that aren't as polished as they could be...

Plus the complaints we have about streaming services and their shenanigans...

hobi core | (2/3)

aegon: