hi hi! Sunny here, I'm non-binary, I go by he/him most of the time, adult, mexican, english is NOT my first language so I don't speak it that well
this is a fandom account, i blog some times n reblog a lot :) (trying my best) feel free to interact 💛
I'm running @dailyhenryhart if u wanna follow ⭐
Current fandoms: Henry Danger & NIRVANA
let's be real, this blog is just an excuse to list some of my interests
other stuff I like:
seals / some other nick shows / horror media / music / criminal minds / stray kids / santos bravos / house m.d / the pitt / sherlock holmes / kamen rider build / love live / twilight / berserk / hannibal / card captor sakura / spongebob / sesame street / the adventures of tintin / detroit become human / childish gambino / board and logic games
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For your "I wish you would write a fic where", I wish you would write a fic or excerpt of a fic where Henry gets humbled/roasted by one or more of the Danger Force kiddos.
Henry frowns when they walk into the Nest, looking a mix of annoyed and dejected. “I thought you guys were going to grab something to eat from that food truck behind the megaplex.” He matches Ray’s red 4 with a green 4 and ignores the irritated look he sends him.
“Well, we wanted to,” Miles tells them, “but they apparently only take cash.”
“And…?” Ray replies, brow arched. He ends up drawing three more cards before finally putting down a green 9.
“And nobody carries cash anymore! What is this, the 2000s?”
“Wait,” Henry tells them, making sure to set his cards face down on the table. It takes a few moments of digging through his pockets before he unearths his bounty. He holds up the slightly crumpled fifty dollar bill triumphantly before holding it out to the kids. “Here. Bring me back a chili dog.”
They all lean back in unison, gasping dramatically.
“Henry.” Mika says, sounding betrayed. “I expected this from Ray but not from you.”
“Yeah, how old are you?” Miles asks, like he’s not completely aware of Henry’s age. He doesn’t deserve this ridicule. He’s not Ray.
“Dude, it’s not that big of a deal.”
“Oh my god.” Chapa sounds horrified. “You’re turning into Ray.”
“I am not!” He hears Ray start to snicker from across the table, happy to not be their target for once. This is why he doesn’t visit much.
Bose starts to tear up, and yeah, they are definitely messing with him. “We always knew this was going to happen. Just not this soon.”
“Look,” Henry replies peevishly, pulling the money back. “If you don’t want it–.”
Chapa reaches out and snatches it from his hand. “No, we’ll take it.” She grabs Bose’s arm and pulls him away while he continues to cry theatrically. The other two skitter after her, the lure of free food no doubt winning over any desire to continue to try and bully him.
Henry grabs his cards and turns back to the game with a sigh.
Ray just eyes him. “You’re really going to let them just take the money after all of that?”
“Yeah, it’s fine. I took it out of your wallet anyways.” He throws down a draw 4 and declares, “Uno.”
I always see people praising that movie but I watched and I feel pretty neutral tbh
this answer your question lol
but in all seriousness, my thoughts about last days under the cut;
i watched this movie almost a year ago at the zenith of my nirvana hyperfixation (i'm still hyperfixated dw, it's just when i was first starting out lol) and i hated every second of it. i don't remember most of the details since i only watched it the one time but i distinctly remember thinking that gus van sant did not seem to give a single shit about kurt from the way he portrayed him. or "kurt" in this instance since it's not really him but we can read between the lines. in any case, van sant bought into the rock and roll martyr myth that permeates kurt and decided to make a movie about it for some reason. why? we'll never truly know.
for those who are unaware; last days is a pseudo kurt biopic that follows him after his escape from the rehab center he'd been checked into at the time and what his last few days might've looked like before taking his life. i'm already quite sensitive to depictions and discussions of kurt's passing but this one really struck a particularly harsh chord with me. it felt less like an empathetic view of kurt's mental health struggles that were exacerbated by drugs, touring and the struggles with fame and more like an exploitative what-if fanfic scenario van sant dreamed up one night in a haze. like "what if i directed a movie that's about kurt cobain, but not really kurt cobain, and made him out to be the most miserable piece of shit on the planet? what if i inserted my own ideas of what he was like at that period of his life without consulting with loved ones beforehand? jackpot! someone get me a producer!"
it doesn't feel humane, it feels like a cash grab well over a decade after his passing. i hate it.
the movie itself is mundane at points, very quiet and barely legible since kurt is mumbling his dialogue for the majority of the time he's on screen, which was van sant's intention as he wanted to emulate slow cinema movies. though, i think in some parts it works well, other parts feel like they drag on longer than they should while others feel unnecessarily short. did we need the scene with kurt donning a dress to be so long? or in the movie at all? like yeah look he's wearing a dress, which he did all the time, do you guys know who the inspiration was for this? huh? do you? or did we need the scene with two male house dwellers hooking up randomly in kurt's house? (i personally think we don't, like yes gus van sant we know you're gay but do we really need this in a pseudo biopic about kurt cobain of all people?). also why is kim gordon there playing a record exec??? hello?? completely unnecessary, idk why she was cast in this movie. from what i've read, she was allowed to improvise the dialogue between her and kurt, so i guess she said some things she wished she'd said to kurt but still. feels very gross and unnecessary.
van sant's depiction of kurt also gets under my skin. he's a quiet, muttering man who stumbles through his mansion doing random things, having half-assed conversations with invasive roaches clinging to his wealth and home and being miserable until he offs himself in the greenhouse at the end. if you've been on my blog for any period of time, you're probably well aware of my views on kurt and how media has depicted him in the over 30 years since his death. if not, then i suggest you read through my posts i made for the nirvana doc project. the myth of the rock and roll martyr as well as the tortured artist have clung to kurt's corpse for decades now, reshaping his image from what he actually was like to what we're familiar with in popular media. was he a depressed drug addict? yes. did he make poor decisions that impacted his relationships and isolated him? yes. did he surround himself with people who thought about his optics more than his well being toward the end? yes. did he refuse help? yes, multiple times. those are truth's about kurt's life before his passing. but what i cannot stand is this caricature reanimated before our very eyes only a decade or so after his passing.
while he was struggling with his addiction, that did not mean he turned into a loathsome, bumbling, incoherent waste of a person like how the film depicts him. people loved kurt, which is why they tried to get him help at a rehab facility before he escaped it without telling anyone. fucking krist tried to drive him to rehab only to jump from the backseat and run off. it was the last time he'd see kurt alive. he was still creating even at the worst of his drug addiction. have you listened to "you know you're right" or "do re mi"? the guy still loved making music at his core. and though his drug addiction clouded his senses, kurt still deeply adored his daughter, frances. yes, it is upsetting that she had to grow up without her father or concrete memories of him, that i will not deny. it's a terrible thing to do to a child. however, when he was alive, he was as attentive as he could be with her. loving on her, making her laugh with silly faces and noises, doing everything possible not to emulate his own upbringing. to be the difference for his young daughter that he never got. watch any interview where frances is present or the snippets of home video where she's featured, there's no denying he loved that little girl with his whole heart. does this come across in this movie? nope. not even in the slightest. there's no attempt to humanize him, only mythologize and suck the cock of someone who is most certainly not kurt cobain, the man. but kurt cobain, the legendary rocker.
is this how he'd want to be remembered? i'm not sure nor do i want to dwell on that. we will never know kurt's intentions for taking his life or what he was truly doing during those last days in april of 1994. speculating on his life any further is of no use, you're just imposing your own biases and beliefs onto someone you have no relation to. which is exactly what van sant did here with last days.
i detest this version of kurt. i detest it, i reject it and refuse to acknowledge this movie exists. also to add more salt in the wound, vant sant had met kurt at some point in 91, going on to describe him in an interview as, "[...] very quiet. Extremely quiet." (from this interview with royal ballet and opera), though also went on to say, "It was definitely interesting to meet him – he was a legend." just tells me everything i need to know really.
anyways don't watch last days. it's not worth the energy or time. anyone who praises this movie doesn't know anything about kurt and who he actually was. they just want to be fed the myth over and over to satisfy their biases about someone they put on a pedestal he never wanted to stand on.
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why do you think ray treated jasper the way he did compared to how he treated charlotte or even piper later on?
anonnn hello. If you've seen the movie, there's a line that Henry has that's like "you made me sidekick... to Jasper?" I think it's the same vibe w Ray. Until his s5 revamp, Jasper is the opposite of the dudebro, machismo, hypermasculine superhero ideal Ray projects. Picture Ray, who seemed like a mild-mannered and earnest child with a flair for the arts/theater, but didn't get to pursue that because of Father of the Year™, Carl Manchester. Now, Ray has to deal with an annoying (no offense, Jasper), try hard child who gets to be 100% unapologetically themselves - something Ray was denied. I think Jasper reminds Ray of himself, only Jasper's "undesirable" behavior didn't get stamped out. I also think Char/Piper were less bumbling and more helpful from the getgo. And of course, there's Henry, refusing to be compliant, adamant in preserving Jasper the way that he is. Ray has to contend with that and projects additional exJasperation onto him once he gets to join he Man Cave.
So yeah, in short, 1.) Jasper annoys Ray, 2.) Jasper subconsciously reminds Ray of Ray, and 3.) Jasper takes attention away from Ray's favorite person, Henry (S3 marks a shift in R+H's relationship too, once Jasper joins).
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