LARENZ TATE as Darius Lovehall Love Jones (1997), dir. Theodore Witcher
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LARENZ TATE as Darius Lovehall Love Jones (1997), dir. Theodore Witcher

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lisa nicole carson by tony ward for vibe december 1998
the latest additions.
Classic material
you can be my lover | subject to change womb amnesia 1993

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Angie Stone photographed by Ruven Afanador for her debut album Black Diamond (1999)
Paris Is Burning (1990) dir. Jennie Livingston
Time stopped.
xzibit + his son tremaine by sue kwon for the source july 1997

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artwork for new avatar by Kelela, photography by Neva Wireko, hair by Matt Benns, makeup by Raisa Flowers, nails by Dawn Sterling, creative direction by Yasser Abubeker, graphic design by Seenahm, styling by Jahleel Weaver, May 2026
dispatches from hanif abdurraqib. on june jordan.
BOBBY McFERRIN, TORONTO 1988
Bobby McFerrin was about to have his life changed when I photographed him in the spring of 1988. McFerrin had been developing his unique vocal style for years before he released his first album in 1981, and he had released two more well-reviewed records before Simple Pleasures and its massive hit single was released in 1988. "Don't Worry, Be Happy" would win three Grammy, top the Billboard Top 100 and win gold records in the US, UK, Sweden and Denmark. (It would go platinum in Germany.) But its reputation as a one-hit wonder and a novelty record made it stand out uncomfortably in McFerrin's career, and he rarely if ever performs the whole song in concerts any more.
Bobby McFerrin comes from a musical family - his mother was a singer and teacher and his father an operatic baritone - and he was famous for his vocal skills before the hit that changed his life, bringing a capella and vocalese back into jazz over a decade after it had its heyday in the '50s and early '60s with acts like Lambert, Hendricks and Ross. Influenced by Keith Jarrett's improvisations, he has performed and recorded with jazz luminaries like Chick Corea, Herbie Hancock, the Marsalis brothers and Tony Williams, and he guest conducts symphony orchestras all over the world. In the last few years he has focused on working with vocal ensembles, on record and at a weekly session he holds at a venue in Berkeley, California.
I still have no idea why Bobby McFerrin was moved to mug constantly during my portrait session with him back in 1988, and with time I have also forgot where this was shot and who I was working for. What I do know was that McFerrin restlessly pulled faces for most of the shoot, and that the memory of being unable to control my subject cast a shadow over this session - so much that I skipped it altogether when I was going through my files for my old blog several years ago. Since then, however, the strangeness of these photos has papered over whatever lingering memory I might have had, and legendary Welsh photographer Chalkie Davies recently told me that McFerrin did the same thing with him. So this is probably the first time these photos have been seen since whoever hired me for this assignment published them, nearly forty years ago.
searching | pete rock & c.l. smooth the main ingredient 1994

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C. Daniel Dawson (photograph), Amiri #10, (gelatin silver print), 1970 [Whitney Museum of American Art, New York, NY. Collection of the artist. © Daniel Dawson]
every day, i make an intentional effort to slow down; to stay in my body and experience the present; to linger and submerge myself in where i am.
maybe because life has been moving so quickly.
maybe because life has always been so precarious.
maybe maybe because because because…
every day, i make an intentional effort to remember to slow down
…and to breathe.