frog.

Over fifty years of data show a peak in PFAS (also known as "forever chemicals") content in seabird eggs in the 90s, followed by a decrease as regulations went into effect. The most recent findings show a 70% decrease of most common PFAS.

We are making genuine progress! Producers are dramatically altering how much they use PFAS and how much gets released in effluent, but also there's a lot better understanding of how to remove PFAS from the environment!

Beethoven’s “Hammerklavier” sonata, first published over two hundreds years ago, is notoriously considered one of the most difficult-to-play piano pieces of all time.

In particular, when Beethoven sent it to his publisher in 1818, he allegedly said, “Now you have a sonata that will keep the pianists busy when it is played 50 years hence!”, and much has been made of the fact that it wasn’t publicly performed in its entirety until eighteen years later, by Franz Liszt himself.

Except that’s a bit of a deceptive statistic. See, when Beethoven published Hammerklavier, public solo piano recitals/concerts weren’t really a thing yet. Symphonies, sure; concertos, definitely. But sonatas were “parlor” music—a thing played by amateurs, often skilled amateurs, but amateurs nonetheless, in little sitting-rooms for a bit of entertainment after dinner, or at private salons with a guest list in the low dozens. (And mostly they were meant to be sight-read! The culture of obsessively polishing a piece to make it “performance-ready” wasn’t as much of a thing, back then.) People bought these things the way they bought novels, and, just as someone might buy a copy of Joyce’s Ulysses today and enjoy puzzling over the thing, even if they never read the whole thing or feel like they fully “get” it, well… some folks would enjoy sonatas the same way.

So yeah, Hammerklavier didn’t have its first public performance until Liszt played it in the Salle Érard. But also, Liszt basically invented the format of “star virtuoso pianist hogging the stage for two hours” in order to get a public audience at all.

But in the meantime—I think about how wonderful it must’ve been, tooling around on the piano during that 18-year-span where there was no evidence that thing even was playable, or that, if playable, that the thing even made sense. Beethoven was nearly totally deaf by this point, after all, a fact that was publicly known—had he totally lost it? people had to wonder. And the only way to find out would be… well, trying it out yourself!

It has the sound of a gimmick. And I’ll bet it was, at least a little bit—but just because something’s more interesting to play than listen to doesn’t mean it’s failing in its goal. (Though fwiw it is very interesting to listen to.)

It also has the sound of, like, Dark Souls, to be honest. Proto-video game culture. A new game drops and people are asking each other: can anyone beat this boss? can you beat this boss? do you still consider your time on the game well-spent even if you never 100% it?

Biographies generally agree that Beethoven’s metronome markings (which only appear in his later work, and only *some* of his later work) are preposterous—often borderline-unplayable, and certainly not very musical. I couldn’t find a recording of anyone trying to play Hammerklavier at the marked 138bpm tempo, so I got a computer to do it—and burst out laughing at the result because, yeah, 138bpm is fucking NUTS. But whether intentional or accidental, I love the audacity of its being there, like a taunt: I dare you to do more. I dare you to do better. I dare you to try.

Much has been made of how difficulty’s a way of keeping people out—but it’s also a way of inviting people in, I think. It says: do this hard thing and you will be rewarded. You will be rewarded in the trying. Because the trying is the thing that makes the music live; there is no music without you.

Here’s an old bit from an interview with the game designer Porpentine:

“The purpose of a puzzle [in a game] is to provide resistance. For me, that resistance doesn’t need to be coercive or challenging, just interesting and aesthetic. My mechanics are to be touched. Games are perhaps the most intimate art because the player must remain touching at all times. They must touch or the game does not exist.”

09/04/2026 • every time @softinvasions writes a villanelle about how sonnets suck i write another suckful sonnet*. metrical malpractice!

friend 1: just folded laundry for 3 hours 😊

friend 2: i think my stomach wall is eroding guys idk what to do

friend 3: have u seen a doctor yet???

friend 2: well nooo...

friend 4: someone is at my door 😰

friend 1: just cleaned the sinks and toilets 😍

friend 2: no really the light is fading from my eyes

friend 4: a tree fell on my neighbor

you: just got off work is anybody free

I am begging the UK trans community and its allies to attend the Mass Lobby at Parliament on June 25th, 11am-4pm, organised by Trans Solidarity Alliance.

The new EHRC Code of Practice pushes trans people out of toilets, hospital wards, and community spaces. It normalises gender policing based on appearance and stereotypes. It becomes statutory guidance in the UK by the end of June.

Trans people are now legally their assigned gender at birth and must join gendered spaces accordingly, but if they are perceived as their lived gender, they can also be ejected from those spaces. The guidance says: either break the law, or don’t pass too well.

A mass lobby is where you invite your MP to discuss your concerns with you in-person. Ask your MP to:

Demand full parliamentary scrutiny, debate, and use their free vote on the EHRC Code of Practice.

Support any motions rejecting the EHRC guidance. As of June 4th, Labour MP Nadia Whittome has submitted a prayer motion - Early Day Motion 240.

Write to Bridget Phillipson, the Minister for Women and Equalities about our concerns

Your MP does not have to be an ally, they do not have to respond to your email for you to show up and greencard them (details below the cut.) What matters is that as many people as possible show up.

I cannot stress this enough: Showing up in person matters. It is much more effective than petitions, emails, and letters.

It is a horrible, stressful time, and I am so sorry if you're trans and live in the UK. But I was at last year's mass lobby and the line for greencarding alone stretched around the back gates. It was a record breaking mass lobby and made us impossible to ignore. Let's do even better this time. Details under the cut:

so here's a super long post about strokes in general, and mine in particular/what I went through.

It's like how a bunch of celebs were big on body positivity and fat liberation...until Ozempic dropped and it turns out no, none of them ever believed any of that! They just pretended to bcs up until now healthy, long term weight loss was impossible so they had no choice but to cope by learning to love themselves no matter how they looked...but now that it's here we can go back to the truth! Being fat is ugly and gross and unhealthy and you should starve yourself and take experimental meds right now so you can be skinny which is what ALL humans are clearly supposed to be!! Yeah that body positivity stuff was fun, but come on. We know you actually just wanna be skinny and think being fat is a fate worse than death.

That's what it feels like to me. Every single time. Honestly in a lot of other areas too, one of the big issues with the left is that they really do seem to think that Republicans are right about how things work and should work but we just pretend otherwise because it's the right thing to do and it reduces suffering. Which seems fine, but you cannot be an effective leftist like this. You do actually have to deconstruct your beliefs and biases and world systems, you can't go around like "well yeah we aren't gonna kill disabled people that's eugenics and it's wrong" when you clearly don't actually think it's wrong. You think eugenics would work but implementing it would be uncivilized, and it shows. You have to actually understand that racism and ableism and all other forms of bigotry are not just cruel, but entirely incorrect.