In which I reblog stuff I like on tumblr and post my fan-works.  Writer of the "Sonic the Hedgehog" Fan Comic "Sea3on": www.sonicsatam.com/sea3on My Art Blog: erictmason.tumblr.com COMMISSIONS OPEN: gojira007.tumblr.com/post/168682813032/yup-finally-diving-into-this-wide-wacky-world
If I had a nickel for every time the "Sonic" franchise introduced a new Dragon character who was notable for being clumsy but nonetheless acted as a Guardian for her species, I'd have two nickels, which isn't a lot but it's weird that it happened twice, right?
(Originally had this idea back in March for my Dragon Theme Month of weekly pics but realized it was a bit too Big an idea for a weekly pic, so I decided to give it the Full Treatment!)
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VERY strong use of the Pokemon as foils and complements to the Trainers here, the way Veronica being atop her Corviknight makes clear what The Relationship between the characters is works nicely, likewise Bodin's Espeon curling around him adds a gentle but meaningful dynamic to the scene. Really loving the expressions too, both how well they're rendered unto themselves and also how well Veronica's big beaming grin is a nice contrast to Bodin's more grounded calmer smile.Â
The way the patch of grass almost acts like a spotlight is very cute and nicely draws our focus to the gentle nature of the scene in the most pleasant, endearing way. The kittens themselves are nicely observed too, fluffy and fluid and adorable, and I love the feel of Coriander's pose. The soft touch with which you handle its turns and angles so that we feel both the intent of its motions and the softness of its approach just clicks so nicely and really lets us feel the moment. Â
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That face, believably animalistic in construction yet so able to express a relatable and charming human emotion, came out really nicely here, as did the soft fluid look of the form; the fun way it flows so gently yet so pointedly from stem to stern is very satisfying to look over across the whole of the pic. The watercolor feel of the colors is also very pleasant, really drawing out the fun cool-warm dynamic of the markings and eyes in an understated but very affecting way. Â
LOVE the sense of scale here, you juxtapose the characters against the scenery perfectly to let us really feel their size. The dynamic of their reactive posing is great too, they have a really strong sense of Power and Anger to them unto themselves and I love how the one leaning forward while the other rears out plays as a dynamic.
Holy MOLY that torchlight is FANTASTIC, both the lovely layered way you render the flame itself and especially the gorgeous way you use its glow to set the scene, both its sense of place and its color scheme. Really love how well you render Hazel's emotions here too; the wide-eyed excitement with which she observes the area, the particular pep in the step of her pose, even just the little curl of her tail all make her character shine through here so wonderfully. GREAT job handling the texturing and weight of her outfit too, I love the particular ways you show it reacting to her motions.Â
Aww, the blend of warm and cool in the colors here, the just-so way you balance a bit of bright pink into the icy blues, is really fun and pretty! I also really love how well you convey the matching emotions of Trainer and Pokemon, the shared heart-highlights in the eyes are a particularly cute touch! And most of all the way Pachirisu curls around the hat, the poked-out paws and looped-over tail fitting to its simple strong curve, is fantastic, just the right way to link the characters together.Â
Ooh the bubbles are a delightful element, they dot the composition to lead our eye across the character really effectively. The floating pose for Beau is great too, as always your touch with underwater weight is really impressive, and I appreciate here especially how well it ties into his bright cheery personality. The way the razor teeth punctuate that personable smile is particularly great in your style, and I REALLY like how well you handle the big curve of the fins and the matching curl of the hair.Â
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America instills violence in men from a young age.
Itâs irrefutable that menâs present anger is lacking in sufficient specificity and articulation. As a feminist movement, this should not be alien to us. There was a time, more than half a century ago, when womenâs anger and frustration were equally inarticulate. In 1963, Betty Friedan wrote The Feminine Mystique in search of illuminating what she deemed to be âthe problem that has no name,â the problem that âlay buried, unspoken for many years in the minds of American women ⌠a strange stirring, a sense of dissatisfaction, a yearning.â Her words from the â60s still ring true today:
"It is no longer possible to ignore that voice, to dismiss the desperation of so many American women. This is not what being a woman means, no matter what the experts say. For human suffering there is a reason; perhaps the reason has not been found because the right questions have not been asked, or pressed far enough."
Might we now, 60 years later, say the same thing of men?
Without a movement to teach them or an analysis to guide them, their present anger lacks the sort of precision that could help us feel comfortable with it. Itâs anger that stems from abstract knowledge, a gut feeling that injustice is being done: words on the tip of the tongue, but never quite spoken. Men donât know exactly what the injustice is, but they perceive it nonetheless. Something is off. A stench without cause. An odor emanating from somewhere.
Hereâs the thing: paucity of specificity and inadequate articulation do not render menâs current frustration illegitimate; if anything, they bolster the case for further investigation and lay bare the urgency of this historical moment. Itâs time we entertain the idea that men might be picking up on something real. There has been hypocrisy, and it is worth being angry about.
Men look at the feminist movement andâsubconsciously, I thinkâask themselves: What is feminism doing to protect me? I need protection, too, you know.
In general, we dismiss this feeling. Protect you? After what youâve spent centuries doing to us? Protect yourself, asshole.Â
Though I understand where it comes from, Iâm afraid this sort of terse reaction stops us from asking the important questions. Namely: If we say we abhor the violence of men and want it to cease, what are we doing to stop boys from being recruited into it?Â
We have not embodied gender equality sufficiently. As a feminist movement, we have worked tirelessly to protect women and girls from the violence that is all too prevalent in their lives but have said next to nothing about the violence facing men and boys. We have fought tooth and nail against institutions that predominantly brutalize women but have done little to combat the institutionsâinstitutions like military bases, prisons, and police training facilitiesâthat so often brutalize men, too. I think thatâs in part because men operate (and benefit from) these institutions, but thatâs no reason to ignore them. Just because a man is in charge, that doesnât mean the institution is safe for other men. Men and boys need protection from the violence of powerful men every bit as much as women and girls do. Powerful menâmen who are used to enacting violence with impunityâare a threat to us all.
Whatâs worse, we seem to have decried menâs anger wholesale. We have labeled angry men as bad men and, in so doing, have lost vital nuance. Because they cannot articulate it to us in sufficient languageâbecause they have yet to locate the precise source of the stenchâwe have denied any possibility that the anger men feel might be righteous.
Hereâs the thing: men should be angry, and their anger is righteous, albeit misplaced. If the culture that raised you sees you as little more than a future agent of military, police, or corporate violence, it would be strange for you not to be angry. Men have been ignored. They have been brutalized. They have been told that it is their job to do the policing and soldiering and brutalizing on behalf of us all. They have endured grave gender-based violence, and rather than help them locate it, weâve mostly told them theyâre making the whole thing up. [...]
What if we encouraged men to trust their noses instead of instructing them to relinquish their frustration? What if, instead of spending energy denying that something is amiss, we dedicate our energy to affirming that something is off and join men as they search for the source of the stench? What if we say to men, âWe agree. Something isnât right. Your body and psyche are being exploited to nefarious ends. You were groomed unfairly,â and then rage and scream and investigate alongside them?
This is where I am flummoxed and exhausted by contemporary popular feminism, if only because it is so obvious. We will volunteer for hours outside an abortion clinic, helping to protect women who are entering from being harassed. We do so because it is both vital and necessary. We do so because we believe in a world where people have agency over their own bodies. But we do next to nothing about military recruitment centers or police academies, institutions whose primary job is to instill violence in menâto take their bodies and their minds and exploit them for the violent ends of the ruling class.
Can we stop scratching our heads and pretending we do not know how America became a nation of such violence? Can we stop acting surprised when, after raising our boys as child soldiers, their violence turns back against us? Can we own up to the truth: that we cannot ask boys to conceptualize ruthlessly killing faraway brown people, then reasonably expect them to turn it off when they come home? That we cannot raise boys to fantasize about guns and war throughout their childhood, then act surprised when they shoot up a school? That we cannot raise our boys to be fine with abusing Afghani prisoners, then expect them not to abuse us, too?
As a feminist movement, itâs high time we pick a lane. Itâs time we take a stand with veterans and against the military. Itâs time we declare that weâre no longer OK living in a violent world. We must decide that the dignity and bodily autonomy of men and boys matter to us enough to fight for them. We must rage against the myriad institutions that insist on making murderers out of our little boys. As a feminist movement, we must categorically decry war, in all its forms.
This article is by Jacob Tobia (they/them), a genderqueer person, and is an excerpt from their book Before They Were Men.
I feel very similarly to Jacob. While people will bring up "feminism helps men too!" as a comeback when relevant, on a large scare (especially with regards to pop feminism, which is a loose and largely useless combination of cultural radical feminism and liberal capitalist feminism), feminism has failed to actually, materially prove this. We have a massive messaging issue, and the failures of feminism for men, all trans people, and women are all interconnected, as are the failures of feminism to be critical of white supremacy, capitalism, and imperialism. It's not that people haven't been talking about these issues - we have for decades - but that hasn't solved anything.
We need to make men's issues feminist issues in the minds of every person who knows about feminism. Feminists need to be the loudest and most passionate on framing war as gendered-based violence for those classed as men, on the lack of awareness for perceived-male victims of sexual violence, particularly forced-to-penetrate rape, on how the patriarchal weaponizes stereotypes of men as having an innate inclination towards physical and sexual violence to dehumanize men of color and all trans and gender non-conforming people.
One goal we should have for feminism, is that the average teenage boy has, on some level, an awareness that feminism is fighting for him. Many teenage girls already have that awareness - even if the are anti-feminist, they still have a sense feminism purports to be fighting on their behalf, for issues that concern them. Whereas many teenage boys - even if they are pro-feminist - do not necessarily view feminism as for them, they see it as for women, and they wish to support women. Meanwhile, this harms all trans and gender non-conforming people, whose place in feminism has always been tenuous and reliant on convincing cis women that we are "just like them" and ignoring the ways that feminism has always been built on profoundly cissexist beliefs and principles. All of this must change for collective liberation to be possible, on a gendered level and a total civilizational level.
The doilies in the backdrop are the perfect framing device, not only for how well placed they are but how well you use them to extend the character's aesthetic across the whole frame in a satisfyingly natural way. That's all especially good here for how well you render that gentle floating pose, the way the folds of motion are rendered so nicely via the layers of the dress. The tinted look of the glasses and the way they nicely accent the expression also works perfectly!Â
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just heard the term "pyramidiots" be used to describe people who promote ancient aliens type theories about the pyramids in egypt and honestly thats a very good term i feel like more people should use it