In which I reblog stuff I like on tumblr and post my fan-works.  Writer of the "Sonic the Hedgehog" Fan Comic "Sea3on": www.sonicsatam.com/sea3on My Art Blog: erictmason.tumblr.com COMMISSIONS OPEN: gojira007.tumblr.com/post/168682813032/yup-finally-diving-into-this-wide-wacky-world
If I had a nickel for every time the "Sonic" franchise introduced a new Dragon character who was notable for being clumsy but nonetheless acted as a Guardian for her species, I'd have two nickels, which isn't a lot but it's weird that it happened twice, right?
(Originally had this idea back in March for my Dragon Theme Month of weekly pics but realized it was a bit too Big an idea for a weekly pic, so I decided to give it the Full Treatment!)
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The radiant burst of light at the center of the composition is really good, I especially appreciate how well it highlights both the unfurling hair and the intense eyes. The richness of the golds and yellows REALLY came out nicely.
Poems To Read While The World Burns is a brief workshop exploring several poems that discuss the end times, the apocalypse, or the collapse of society as we know it. More info here.
some people read an awful lot, but don't read very well. deep reading is itself a skill. being able to untangle the threads of theme, subtext, characterization, narrative style, and more are all things that it takes time and intentional engagement to learn.
if you've ever watched a movie with your film buff friend and chatted about it afterwards, that friend might have pulled hours more of conversation out of the same 90 minutes of screentime, and wondered how the fuck they did that - it's not raw intelligence, it's a skill that's been honed. And I learned a lot about film from talking to friends who knew about film, and reading critique by film scholars
literature works exactly the same. so if you want to get more out of your reading, there are things you can do to train that.
Find a book or short story you think you've got a pretty good grasp on, preferably from a widely read & respected author like Ursula K Le Guin or Ray Bradbury (if you're new at this don't swing for the Toni Morrison or the Samuel Beckett yet unless you feel very comfortable with the complexity of the text - the point is to develop a complicated new skill on good foundations). Then go to JSTOR, create a free account, and look up criticism on the story you've chosen. Find something that looks readable to you and at least somewhat interesting. Read that article, and look at what that writer got out of the same story you've read that you didn't get. Do you see the critic's points? Did they teach you something about the text? Go reread that story and see if the criticism has changed how you read it. Are you seeing more? Are you thinking about the implications of a line that you hadn't noticed before? Does the story feel richer now?
there are other more involved ways of finding criticism. Learning to use academic databases, going to your local library to do interlibrary loans, finding critical voices you appreciate; these are all useful subskills. Literacy isn't just being able to read words, it's being able to read words in context and think about what they tell you about the text, the author, or the time and culture in which the text was produced. Literacy is the skill of being able to look at the world with open eyes and think clearly about how its parts are connected. It'll change your life
this keeps getting shared around and ive seen some different tags responding differently so i just want to make some important clarifications and distillations
you don't have to read more deeply if you don't want to (but i'd recommend it, i genuinely think it makes you a better person)
if you want to learn to read more deeply, the resources are out there. try to find critical literature (that is, academic writing that analyzes the text) on works your familiar with so you can get a sense for how to do that analysis too
learning to deep read literature can help you deep read many areas of your life
writers tend to put a lot of work into their stories. if you learn to read that work you'll (probably) appreciate the stories you love even more. And if not, then you'll have developed your taste. This too is worth doing
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I do so love that this is exactly how they would watch movies together.
The great way you fold teeny little Noelle into Big Ol' Susie is absolutely delightful, intimate and playful in equal measure, and I LOVE all the little touches you put on both characters; Susie's freckled arms, Noelle's white chest-tuft, they're such delightfully clever extensions of the established designs.
Hot take, but even if you ARE punching up (instead of punching sideways at a group that is in the same boat as you), there's a limit to what you can say without sounding like a violent facist but woke this time.
Making fun of a group of people that are privileged over you is one thing, but wishing non-cartoonish violence and death on them ("they should fall off a cliff" vs. "they should be wiped out"), wishing sexual violence on them, dehumanising them, claiming that they're less capable of creating art or living meaningful lives, saying that their relationships are inherently shallow and fake - these things are fucked up. I understand venting and saying extreme things when in pain, but when you find yourself regularly posting about wanting certain people tortured and killed, you need to examine that.
When the only thing stopping you from completely dehumanising someone is your own judgement regarding their privilege level relative to yours, you are not a safe person to be around.
"convince your followers that their Oppressor Class (whether real or imagined) is less deserving of human rights" is the oldest and most reliable trick in the book to incite mass violence, and you're not immune to it because you're a Good Person with Correct Opinions. you will continue to be a potential breeding ground for fascist thought until you stop dehumanizing people in any context, regardless of whether they deserve it or not, or how serious you are. there can be no acceptable targets.
In the spring of 1994, the small African nation of Rwanda was engulfed in a maelstrom of violence that saw at least 800,000 Tutsi and modera
I always think of the Rwandan Genocide when it comes to this. Thank you for bringing it up.
In particular, from that second link:
As we have already seen in this series of articles, Rwandaâs ethnic division between Hutu (around 85 %) and Tutsi (around 14 %) had deep roots in colonial rule. Under Belgian administration, identity cards fixed ethnicity as a rigid category, and the Tutsi minority was favoured for education and government work. After independence in 1962, this hierarchy inverted, and Hutu elites consolidated control. [...]
When RTLM launched in July 1993, it combined pop-culture style with extremist ideology. This hybrid made hatred sound normal, even entertaining. Music, jokes, gossip, and death threats co-existed in the same broadcast. [...]
RTLMâs language fused entertainment with ideology. It mocked Tutsis as arrogant âcockroachesâ (inyenzi), accused them of conspiring to enslave Hutus, and encouraged listeners to âworkâ to eliminate themâa euphemism for killing. Humour, music, and familiarity disguised the lethal message.
TikTok is a fundamentally evil app however the reason i use it is because you occasionally stumble across gems like the Chinese power transformer manufacturer who posts kawaii edits of their power transformers
Some things about this post since getting quite a few notes:
1. If you see this post, highly recommend taking it as an opportunity to set a timer for 15 minutes and switch over to ACTIVITY YOU ENJOY. if after those 15 minutes, you want to go back to scrolling, that's okay!
2. Huge shout out to this popping up in my notifs often, bc I do go back to activity.
3. I think there are times where scrolling is fine. Right now, for example, I'm being connected to a machine for two hours to donate plasma and platelets. Yes this is a brag but it is also a time where scrolling is one of the few things I can do. (Though I will probably also read or watch something on phone lol)
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You actually cannot skip to being good at a creative endeavour that you haven't put much practice into. You cannot trick your way out of the 'knows that your work is not what you want it to be but don't know how to improve it' stage by planning or reading or talking about it really really hard. At some point you just have to craft through it until your brain finds it's own unique way back to the 'everything I make slaps' stage and be prepared to start the cycle all over again. You just have to make that project you're excited about slightly less good than you want it to be. (Says this standing in a pool of blood and covered in blood and also coughing up a little blood)
Aww, the puffy texturing of the Tribbles is really well rendered here, and it's used so nicely to add to the bubbly Romantic mood of the scene. REALLY nice work on the posing too, well observed in its delicacy and affection.
In social justice communities and in call-out culture, we often treat people like theyâre disposable when they mess up. What if we tried thi
1. The Revolution Is a Relationship
[âŠ] Something that worries me about social justice communities is that we tend to conceptualize ârevolutionâ as a product, as a place and time that we expend all of our energy and anger to create â often without regard to the toll this takes on individuals and our relationships. [...]
In our â often justified â anger and disappointment at the failure of ourselves and our communities to uphold the dream of revolution, we lash out. [...]
What if revolution isnât a product, some distant promised land, but the relationships that we have right now?
What if revolution is, in addition to â not instead of â direct action and community organizing, the process of rupture and repair that happens when we fuck up and hold each other accountable and forgive?
2. The Oppressor Lives Within
[âŠ] Iâve started to believe that I canât engage in authentic activism, I canât create positive change without recognizing and naming my own participation in the oppressive systems that Iâm trying to undo.
Coming from this position, Iâm forced to have compassion for the people around me who I see also participating in oppression, even as Iâm also angry at them. With compassion comes understanding, and with understanding comes belief in the possibility of change.
When we become capable of holding that contradiction in our hearts â when we can be angry and compassionate at the same time, at ourselves as well as others â entirely new possibilities for healing and transformation emerge.
3. Accountability Starts in the Heart
[âŠ] I often wonder how different things would look if it were more of a cultural norm to understand accountability as a practice that comes from within the individual, instead of a consequence that must be forced onto someone externally.
What if we taught each other to honor the responsibility that comes with holding ourselves accountable, rather than seeing self-accountability as a shameful admission of guilt? What if we could have real conversations with each other about harm, in good faith?
In a culture of indispensability, I cannot ignore someone when they tell me I have harmed them â they are precious to me, and I have to try to understand and respond accordingly. [âŠ]
4. Perpetrator/Survivor is a False Dichotomy
There is an intense moral dynamic in social justice culture that tends to separate people into binaries of ârightâ and âwrong.â [âŠ]
âPerpetratorsâ are considered evil and unforgivable, while âsurvivorsâ are good and pure, yet denied agency to define themselves.
Among the many problems of this dynamic is the fact that it obscures the complex reality that many people are both survivors and perpetrators of violence (though violence, of course, exists within a wide spectrum of behaviors).
Within a culture of disposability â whether it be the criminal justice system of the state or community practices of exiling people â the perpetrator/survivor dichotomy is useful because it appears to make things easier. It helps us make decisions about who to punish and who to pity.
5. Punishment Isnât Justice
[âŠ] It isnât inherently wrong to want someone who hurt you to feel the same pain â to want retribution, or even revenge. But as Schulman also writes, punishment is rarely, if ever, actually an instrument of justice â it is most often an expression of power over those with less.
How often do we see the vastly wealthy or politically powerful punished for the enormous harms they do to marginalized communities? How often are marginalized individuals put in prison or killed for minor (or non-existent) offenses?
As long as our conception of justice is based on the violent use of power, the powerful will remain unaccountable, while the powerless are scapegoated.
6. Nuance Isnât an Excuse for Harm
[âŠ] [I]ndispensability means that everyone â especially those have experienced harm â are precious and require justice. In other words, we cannot allow the fact that something is complicated or scary prevent us from trying to stop it.
Trapped in the perpetrator/survivor dichotomy of understanding harm, it might seem like we have only two options: to ignore harm or to punish perpetrators.
But in fact, there are often other strategies available.
They involve taking anyoneâs â everyoneâs â expressions of pain seriously enough to ask hard questions and have tough conversations. They involve dedicating time and resources to ensuring that anyone who has been harmed has the support they need to heal.
7. Healing Is Both Rage and Forgiveness
If the revolution is a relationship, then the revolution must include room for both rage and forgiveness: We have to be able to tolerate the inevitability that we will be angry at one another, will commit harm against one another.
When we are harmed, we must be allowed the space to rage. We need to be able to express the depth of our hurt, our hatred of those who hurt us and those who allowed it to happen â especially when those people are the ones we love.
It is up to the community to hold and contain this rage â to hear and validate and give it space, while also preventing it from creating further harm. [âŠ]
8. Community Is the Answer
[âŠ] Perhaps the reason we tend to recreate disposability culture and trauma responses over and over is because we are all, secretly, that frightened runaway kid, constantly searching for a home, but not really believing we can find one.
Maybe we donât create communities of true interdependence â of indispensability, of forever-family â because we are terrified of what will happen if we try.
But I believe, have to believe, that true community is possible for me and for all of us. The truth is, we canât keep going on the way we have been. We need each other, need to find each other, in order to survive.
And I have faith that we can.
can you imagine being a parent in the pokemon world and your kid comes home with one of those straight up basically human pokemon. i know those motherfuckers can talk.
its morning. i see my childs Throh getting some oj from the fridge. 'morning', i say. he doesnt catch himself in time and says 'morning' back. he freezes and we both stare at each other knowingly. 'throh,' he says, but its too fucking late
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okay but if I asked really nicely would you tell me about gold/cain đ„ș
THIS ONE'S GONNA BE LONGER I'M SORRY
cain "gold" maple is a hybrid who was born in holon (the area which in the real world is venezuela). gold's a fairly kind-hearted person but he's also very much a cat at heart so he gets himself into trouble constantly. he's pretty good at getting himself back out of it though, so it's fine.
gold's the grandson of russet maple, a japanese man who bought up most of the old world aviation companies during the collapse and whose company is still the majority air travel provider worldwide. his mother, amber maple, is a very skilled pokemon trainer who took it up when pokemon training was new, and his father, julio ramirez, was a posthuman with mew genes.
julio was chased out of holon city before gold was born, as people had a tendency to treat posthumans as carriers of dxz and drive them out of civilisation during the period after the third plague. amber stuck around with baby gold for as long as she could in the hopes julio would come back, but eventually the negative opinions of her psychic child lead to violence, so amber took gold and moved them both to orre. they stayed there for several years, during which time gold got run over by one of those american-style trucks, which left him with longterm chronic pain and mobility issues. they ended up moving again, to johto, when gold was 14 after it became obvious the public opinion of hybrids was becoming quite positive in the greater tohjo region thanks to lance and the rest of the pack.
because of his disability, amber didn't allow gold to go on an adventure at 15 (minimum age to get a pokemon trainer's license in any jurisdiction). instead he ended up interning at cherrygrove's pokemon centre until he was 17, when the Incident where silver stole totodile occurred and gold chased him to violet. gold challenged falkner and got the zephyr badge after silver gave him the slip as a sort of souvenir, then elm argued w amber that gold is clearly capable and also kinda depressed, let him go do the fun thing he wants to do
so gold dips into his trust fund to buy a motorhome (bc with his issues, a tent isn't gonna cut it) and starts off on a journey. he and silver end up becoming good friends and then start racing each other to see who can get eight badges first (silver does by a technicality bc gold definitely beats him to blackthorn).
gold meets lance when the lake of rage event occurs, which is about two years after gold starts journeying; the radio signal affects hybrids as well, so lance and drago have to rescue gold from the consequences of trying to punch the red gyarados in the face. he helps lance clear out the hq, they both need to collapse for a few days afterwards because of the damage the radio signal does to them, and it leads to them talking more casually and deciding to keep in touch.
so in that period where silver is out in the middle of the forest gold and lance are chatting over texts, hanging out in lance's free time, gold is patching up lance's injuries for him because he doesn't want to get scolded by the doctor in blackthorn Again, lance is deducing gold's romance author pen name and reading him for filth, they're both dealing with the aftereffects of being exposed to the radio signal in different ways, lance gets himself shot, lance loans gold one of his dragonite so gold can start learning to ride one safely, they start taking down rockets and poachers as a team, they start dating. lance is demi so it takes him a while to begin developing feelings for people and without the earlier friendship building those wouldn't have happened.
by the time the radio tower stuff happens, gold has pretty much settled down in blackthorn w lance but he still has the goal of making it to the league and fighting his boyfriend there. which he does a couple years later. and kisses him on live tv before proposing after he wins. go big or go home
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