phaedrus | he/him | 22 | tme | I AM NORMAL ABOUT THE CW'S 2005-2020 TELEVISION SERIES SUPERNATURAL. | 2014 interests through a 2024 lens (I am crazy) | My Art Portfolio
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one time i was making potato soup and i needed broth for it but i was out of broth. but in my dog food cabinet there was a carton of chicken broth that i had bought for my dog. now the box did say HUMAN GRADE and the ingredients were just bog standard chicken broth. it did say something about joint health for dogs on there. but the ingredients were normal. i even compared the ingredients list to some normal person broth and they were the same. so i did put dog broth in that soup and it did taste completely normal. but i did use the dog broth.
Inflation has made me not understand prices anymore in the sense that I no longer understand what an appropriate price for any food is. Is a $5 bag of chips a good deal? Because that sounds fucking insane to 2018 me. And yet, that is how much they cost.
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i know it's been said on here and said again but people do so desperately need to genuinely do intentional work to build distress tolerance and start figuring out how to recognize the differences between danger, discomfort, and when a situation that is merely uncomfortable is triggering an emotional flashback in your bodies because it resembles a past situation that actually was dangerous which makes it difficult to realize/believe that this moment is merely uncomfortable.
i spoke to an allistic person who said their autistic classmate had a meltdown in class, during which the autistic classmate collapsed to the floor in the middle of the room, screaming and crying. they said it was "terrifying" and they were arguing for the autistic student to be removed permanently from the program.
when i asked whether their autistic classmate's meltdown was dangerous or merely uncomfortable, they said, "i felt like i was in danger!"
yes you should, actually. that's life. upsetting things happen. no one should have to experience any discomfort. but we do. we get stung by bees and sunburns and headaches. we live in bodies in the world.
autistic people are human beings who have the right to exist in society, including during meltdowns. having one class of your entire semester interrupted by a singular meltdown is not anymore of an infringement upon your entitlement to education than having your class interrupted by a fire alarm or cancelled for a snow storm.
one of my peers once experienced a cardiac event 10 minutes into class. it was terrifying. it was desperately upsetting. i was contacted by the school and offered counseling because i happened to be the one who managed the situation until paramedics arrived. everyone was worried about my classmate first and foremost, and then about me. no one blamed anyone, and certainly when my classmate happily recovered and returned to school, no one thought they should be removed from the program.
the difference being that people believe a disabled personal, especially with cognitive disabilities, in crisis are not experiencing something outside of our control, but instead that we are in fact making a choice to make a scene, out of malice.
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genuinely wild that billboards are legal, btw. intrusive and distracting advertising with the explicit intent of distracting drivers. and people are just okay with this
Between-songs Transcript - Nashville, Tennessee, USA (13 August 2026)
I wish it was this hot every show so they’d always go talking like this. Under the cut 🙏
FIRST SET
[before disappear]
[Gerard]: Nashville! How are you, my dears? Tonight’s programming is brought to you by the Ministry of Complementary Reconditioning. Write that down. It’s not important, but it’ll be on a test, I think. And the man responsible for bringing us here, tonight, to Nashville, Transylvania; Draagred Magazine’s Most Eligible Bachelor, twenty-seven years straight in a row, please, make some noise and put your hands together like our lives depend on it, for His Grand Immortal Dictator! Yes. Yes. It’s good, right?! We are supported by the Draag National Auxiliary Band, please make some noise, and us, up here, the fifty-second regiment, of The Black Parade, are we ready to go?! Then let’s continue.
[before i dont love you][elexecution]
[Gerard]: Ugh! Ugh! Oh, that’s the right—for those of you watching at home, welcome back! Our four contestants have made it to the final round, and the final question. Contestants, can you hear me? Contestants? For all prizes, which of the following regiments of The Black Parade died in The Great Car Fire of 1916? Was it, A: the 8th regiment? B: the 22nd regiment? Or C: the 51st regiment? Contestants, push that button when you’re ready, we’re right here. [making trumpet noises] You’re outta time! The correct answer is all three, literally, you coulda said A, B, or C, and you woulda been winners, bunch of losers! But you won’t go away empty-handed, let’s show them! Let’s decide for them, what exactly they’ve won. You got these signs? Ya! You got red, you got black. Okay. Are they gonna get—yea? A trip to Lake Tahoe? Or nay—a trip straight to hell? Well, let’s show them what they’ve won. Garçon, if you will roll! Ready! Aim! Fire!
[during mama interlude] [introducing Marianne]
[Gerard]: Hello! Marianne! How wonderful it is to have you back with us, Marianne! Please wave to everyone, there’s people all about you, up and down. Wave to the top! Wave over there! Wave to the front! Wave to the side, and the people way up top! See, the thing about Marianne is, when she sings, she can see everything. So we’re gonna count her in, you guys are gonna help, okay, how’s that sound? We’ll practice first, okay? I say one, two, you say one… we’re gonna practice that again, but you’re excellent so far. Are you ready? I say one, two, one… now, this time, for real! Are you ready?
[mama outro]
[Gerard]: Thank you Marianne. Thank you, Marianne! Sweet, sweet Marianne. [laughing] [wailing] [wailing and crying]
[before disenchanted]
[Projection Guy]: Our time has come. The button pressed, and a single act has meaning. A single word repeats across the stars, and then our hearts: greatness. And then comes a time when all must ask—what cost to hide? What loss so great, to scrawl our names in sand, or chisel them in concrete? Goodnight, my friends. Goodnight to all.
SECOND SET
[before venom]
[Gerard]: Thank you Clarice, please make some noise for Clarice Jensen. Death!
[before zero percent]
[Gerard]: Nashville, how are you! Let’s just cool off a little. Heh. Ha. Fuck, thank you for having us tonight. Fuck, let’s just—let’s just fucking, bang into ‘em, man. This is a B-side. Off of Danger Days. That’s it. Zero. Percent.
[before save yourself]
[Gerard]: Hi. Nashville. Some thank-yous are in order. Please, make some fucking noise for Pierce The Veil. We wanna thank Pierce The Veil so much for playing with us tonight, I had a mouthful of Gatorade, so, but thank you for playing with us, please make some noise for Jarrod Alexander right here, been with us a long time, we love you very much, Jamie Muhoberac right here, the Draag National Auxiliary Band, please make some noise for Clarice Jensen, Kayleigh Goldsworthy, Tucker Rule, we wanna thank cast of Long Live, the whole crew, Long Live fandom, the cast are interchangeable, too, for the most part. You know, you just plug it in, put an eyepatch on someone, you know what I’m saying? [horrible green box noise] Oh, that sounds really good tonight. [horrible noise again] Here’s the next song. This song’s called ‘Save Yourself, I’ll Hold ‘Em Back’.
[before our lady of sorrows]
[Gerard]: This song’s off the first record. It’s called ‘Our Lady of Sorrows’!
[before not okay]
[Gerard]: I’ll let you know, man. I’ll let you know, Frank. I’ll let you know where we’re going, um, I’m just doing this right now. So, uh, it’s real hot. You know, one time, we did a show, it was the hottest show we ever played. It wasn’t Sweden. And, and, um, it was so hot, I said, wow, we’re gonna die. You know, went outside, literal—smoke, just coming—looked like, I don’t know, the Green Goblin, some shit. It’s—like the pumpkin—pumpkin bomb went off, smoke everywhere. ‘Cause it’s—you know. He’s right, and—you know how science works. Putting—think this is fucking hotter, man. [indistinct] microphone like this, you’d think you’re wearing a dead-skin face. [indistinct] you’re wearing a dead-skin face. This song is called ‘Not Okay’. Let’s go, Nashville! I loved [indistinct], until I grew the fuck up!
[before ambulance]
[Gerard]: Let’s make ourselves throw up. Some people can’t do that, it weirds some people out, you know? Show of hands, who can’t make themselves throw up? Like, with your—with your fingers, you know what I mean. ‘Cause it’s a real thing. It’s very common, don’t be shy. I can’t, so I’m not raising my hand. But, you can’t do it, huh? Can’t—can’t do it? Wow, man, I can’t say you’re—I can’t say you’re missing much, but, you know. Gets the job done. Gets it out of you. Gets, like, some bad chicken or something, just, like, this needs to go, man. Anyway. I’m sick, I think I’m gonna throw up. Let’s do it, though. Before we do this next song, we were all just talking, I was like, I was like, ugh, Frank! [whiny voice] I don’t know if I can sing this song. It’s too hot out and it’s too hard! Mom to who?! And he said, Gerard, I believe in you. He said, I believe in you, let’s throw up together. So, this song, it’s called ‘Ambulance’.
[before vampires]
[Gerard]: Sucking blood. Buying little tiny vampires. To find throughout the evening. Calling on Count Chocula. Talking about going to Las Vegas. Grabbing some dice. Making some moola! Blood! It’s what’s for lunch.
[before boy division]
[Gerard]: Shout! Shout hooray! And let each one of the crowd try and shout it very loud, in honour of an animal of whom you’re justly proud, when the toad… came… home! When the toad came home! Do I need a key for this one to ride[?] Here we go. Uh, that’s okay. Jamie’s got me, right there. Sure. [laughs] I’m fucking with you, yeah, man, we’ll play that. [laughs]
[before na na na]
[Gerard]: Well, it’s smooth sailin’ now! I gotta tie my boot. Yay, I’m safe! I won’t break any of these old bones! Alright, killjoys, make some noise. Merci. Merci. Let’s go!
[before helena]
[Gerard]: Bang! Go the drums! So the soldiers, they are shooting. And the soldiers are saluting! And the motor-cars are tooting, and the cannons, they are shooting. As the toad came home! When the toad came home! Alright, Nashville. We were told this is the largest US show we’ve ever played, most fucking people in one place, that’s what we’re told, right? Fucking wild. We played here, and what gets me, was our first tour, our—our—like, first van shit, tour, thing, ever, we weren’t even gonna go on tour, we just got the honour of playing, we were, like, some drifters that rolled in here, played right here in Nashville, stuck in a parking lot for four days afterwards. But, anyway. There’s a lot of you here tonight. Way up in the fucking top, all the fuck around. We got one more for you, Nashville. You can all sing along to it, way the fuck up there. What you laughing at? Don’t judge me, dude, I’ve been singing all fucking night. How about you start singing? Alright, well, we’re gonna sing along right now.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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its bonkers that its like. public knowledge. to the point of being a trope. that all cops hate internal affairs. and people still try to act like cops are capable of morality.
popular media has done an excellent job convincing the public that the job of an internal affairs department is to make sure billybob the baby murderer gets away so he can kill more babies instead of like. double checking that the cops are respecting peoples most basic human rights. which they aren't.
stormborns
2087
gracieabrams
romaincrisis
