No regrets for our youth.

NO! I started watching it because I noticed the almost $4,000 red leather Gucci purse.

And that's how I realized the purse (along with everything else) was color relevant.

So now I am watching it because it's color coded.

But that's not the only reason I'm watching it! I'm also watching it because it's sun and moon coded/light x dark dynamic, which is why an eclipse happened in both timelines.

But also, there's a whole thing about red flowers, specifically peonies, "the king of flowers," and how they are the most beautiful flower in a garden full of beautiful flowers.

(The flowers are her)

Because she was the most beautiful flower blooming in the royal garden before she was plucked and crushed.

But she wasn't always the red flower and her love interest wasn't always the dark cloud.

He was blue. Loyal. Smart. Kind (to her).

And she was pink, even in the current timeline.

So I think the past and the present Shin Seo-Ri are the same person since the grandmother mentioned an accident occurred and Shin Seo-Ri forgot who she was then, so maybe she had an accident at work again and woke up with full memories of her past life . . . but that's not what this post is about. It's about the colors, and how slowly, these two are getting back to their softer colors.

Instead of always being red and black, they are gradually moving to pink and blue one color step at a time.

And it's probably because they found each other again in the midst of an eclipse with a shining red comet included.

Or maybe it's because love (mixed with this bokeh effect) reveals everyone's true color.

Either way, count me in!

81st anniversary of D-Day (6 June 1944)

“The 9000 who never made it home”. Project dedicated to those who died in the D-Day Landings which happened on this day in 1944.

The 9000 Who Never Made It Home was a haunting, large-scale art installation created on the beaches of Normandy in 2013 to mark International Peace Day and honor those who died during the D-Day landings.

British artists Jamie Wardley and Andy Moss, along with a team of over 500 volunteers, used stencils and rakes to etch 9,000 human silhouettes into the sand of Arromanches beach, each figure representing a soldier or civilian who lost their life on June 6, 1944.

“Perhaps sometimes we do have too many monuments, too many holidays, and things of this kind,” Schulz said, “But D-Day is not one of them. No, it’s one of those days we must not forget.”

MIRRA ANDREEVA

Katsushika Hokusai（葛飾北斎 Japanese, 1760-1849）