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Keni
Sweet Seals For You, Always
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ

⁂
noise dept.
art blog(derogatory)
TVSTRANGERTHINGS

ellievsbear

blake kathryn

Janaina Medeiros
Not today Justin

#extradirty

Origami Around
$LAYYYTER

oozey mess

PR's Tumblrdome
Three Goblin Art
DEAR READER

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@fudgethefudge
Stop trying to be influencers we need good tumblr gifers now more than ever

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the wii is considered a retro console now.
THE WII IS CONSIDERED A WHAT.
Tiny unit

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this is almost certainly a post ive made before but when a character’s grief is so strong it fully alters the form of the narrative itself… moby dick being so much longer than strictly necessary because ishmael’s grief made him stall for time in the telling of the tragedy… harrow the ninth being in second person because harrow was so grief-stricken that she herself was not capable of making narrative sense of the events of the novel and so someone else had to do it…. do u know what i mean
ok WAIT. SO TRUE
i want us to meet again. later on. when we are older and kinder.
the entire point of life is to be silly, kind, and really weird btw.
The best writing advice I ever got from Brandon Sanderson
Taken from the introductory lecture of one of Brandon Sanderson’s classes:
“I want to disabuse you of a few notions. Writing is not about inspiration. Writing is not about ideas. Writing, or more specifically, getting published, is not about luck. What is writing about, then? Writing is about skill. And today I want to try and prove this to you.
“When someone sits down to play piano for you, how quickly can you tell if they’re a good pianist or not? Basically everybody in this room can judge a pianist’s level of skill within a minute or two of play. Not exactly, but you can know if this is someone who’s good at piano, or if this is someone who’s still an amateur at the piano. You can probably tell if this is a master versus someone who’s just pretty good.
“Editors, published writers, people who know what they’re doing, can do the same thing with one page of your writing in the exact same way. That is why it’s not about inspiration, ideas or luck, because in one page I can judge how good a writer you are. People wonder why can editors reject manuscripts or, in this new age, where we’re sometimes bypassing editors, how come the readers just put something down after one page when they haven’t given it a real shot.
“You guys can judge this too. You’ve read enough, you know enough, you can judge if something is going to work for you pretty quickly. Perhaps not as quickly as most editors can, but you’ll know. You’ll read a chapter and you’ll know if that person is a master, if they’re in that medium grade where they’ve got some good things going on (it’s still readable, but they’re obviously not a master), or if this is someone’s first novel they wrote when they were 12. You can tell all these things. So how do you develop this skill? PRACTICE.
“The reason I say it’s not about inspiration or ideas or luck - those things are all important, but it’s not about those things. Let’s take another metaphor. You’re a world star batter on a baseball team. When you step up to the plate to hit that ball and you connect, is that inspiration or ideas or luck? Ideas are the wrong metaphor here, but is it luck? It’s SKILL. You have done that so many times that when you step up to swing you know exactly what to do.
"For the baseball player, it’s not a matter of luck when they connect. It’s a matter of having spent thousands of hours practicing how to do that. One thing that I want to encourage in you is to start looking at writing as a little bit more of a performance art.
"When you sit down to write, all that skill comes to bear, and if you have practiced enough your mind will figure out the problems that you’re trying to work out on the page. It will figure out how to bring out the characters. It will figure out how to create a plot that is really engaging. It will do this all in interesting ways because it’s just natural to you the same way that the pianist sitting down to play that piece doesn’t think about it.
"We’ll talk a lot in this class about the behind-the-scenes. We’ll break it down. We’ll say "This is what writers are doing.” The trick to remember is that most of the time we are not sitting there consciously thinking “I need to follow Brandon’s First Law of Magics” or “I need to build a try/fail cycle for this character”. We’re not thinking that any more than the baseball player is thinking “All right, I bring my bat down to this trajectory at this exact force in order - ” They don’t think that. Perhaps they have thought that on occasion, but they’re not thinking it at that moment.“
~ Brandon Sanderson
In the first poetry workshop I ever took my professor said we could write about anything we wanted except for two things: our grandparents and our dogs. She said she had never read a good poem about a dog. I could only remember ever reading one poem about a dog before that point—a poem by Pablo Neruda, from which I only remembered the lines “We walked together on the shores of the sea/ In the lonely winter of Isla Negra.” Four years later I wrote a poem about how when I was a little girl I secretly baptized my dog in the bathtub because I was afraid she wouldn’t get into heaven. “Is this a good poem?” I wondered. The second poetry workshop, our professor made us put a bird in each one of our poems. I thought this was unbelievably stupid. This professor also hated when we wrote about hearts, she said no poet had ever written a good poem in which they mentioned a heart. I started collecting poems about hearts, first to spite her, but then because it became a habit I couldn’t break. The workshop after that, our professor would tell us the same story over and over about how his son had died during a blizzard. He would cry in front of us. He never told us we couldn’t write about anything, but I wrote a lot of poems about snow. At the end of the year he called me into his office and said, “looking at you, one wouldn’t think you’d be a very good writer” and I could feel all the pity inside of me curdling like milk. The fourth poetry workshop I ever took my professor made it clear that poets should not try to engage with popular culture. I noticed that the only poets he assigned were men. I wrote a poem about that scene in Grease 2 where a boy takes his girlfriend to a fallout shelter and tries to get her to have sex with him by tricking her into believing that nuclear war had begun. It was the first poem I ever published. The fifth poetry workshop I ever took our professor railed against the word blood. She thought that no poem should ever have the word “blood” in it, they were bloody enough already. She returned a draft of my poem with the word blood crossed out so hard the paper had torn. When I started teaching poetry workshops I promised myself I would never give my students any rules about what could or couldn’t be in their poems. They all wrote about basketball. I used to tally these poems when I’d go through the stack I had collected at the end of each class. 1, 2, 3, 4, 5, 6, 7 poems about basketball. This was Indiana. Eventually I couldn’t take it anymore. I told the class, “for the next assignment no one can write about basketball, please for the love of god choose another topic. Challenge yourselves.” Next time I collected their poems there was one student who had turned in another poem about basketball. I don’t know if he had been absent on the day I told them to choose another topic or if he had just done it to spite me. It’s the only student poem I can still really remember. At the time I wrote down the last lines of that poem in a notebook. “He threw the basketball and it came towards me like the sun”

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Nothing brings me more joy than people learning from history and then modernizing it up a bit.
Like you wanna grow your hair long? Stop washing it so often and brush it more to keep it clean. Your hair will be way healthier too. And stop cutting it (and use a boar bristle brush, it’ll work better as it’ll actually absorb the oils, distribute them better, and work a hell of a lot better than non-absorbent plastic would) Edit: Early on, some well meaning person kindly asked me to inform you that the boar bristle brush technique does not work on curly hair, however I have since been informed by multiple parties that it does! My hair is as straight as a pin so use your own judgment!
You want to keep cool in the summer? Out with the polyester and in with the linen and cotton. Natural fibers are going to keep you cooler because they’re literally made to breathe
You want to preemptively stop the underwire in your bra from poking through? There’s a very simple embroidery stitch you can do that the Edwardians used to do to stop their corset boning from coming through.
We don’t have to just learn from our ancestors mistakes, we can learn from their stakes too
We All Got That Friend Who Think They Can Outwit The Gods And Evade Their Fate
I’m losing my SHIT
This is some magical shit
The sad thing is, I don’t know who’s the bigger idiot.
I would argue its the Kara person - because she doesn’t it. Mike is pointing out the obvious
the obvious? what do you mean?
that she played ignorant, was treated accordingly, and that it was silly that she took offense over being deceptive about her understanding
could you explain further? I’m not sure I understand your meaning
I’ve never seen two murders in one post before.
I love memetic communication when it gets to the point of being incomprehensible because can you imagine showing someone this picture
And asking them what Greek god it represents
#my favourite part is the people in the notes being like 'the god of children's hospitals' to be contrary#because the ball is Red#bc like. do. do they know what one of Apollo's areas of Being The God Of This Thing are?#healing and diseases#also he's like#the god of Youths#so like.yeah.#Apollo IS the god of children's hospitals actually Via @mothmammoth
Who's gonna stop her.?
😳🧢😎🔥

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Who said I liked Sophie? Uh… all the girls on the playground. Come on. It’s obvious. You’re avoiding your feelings for Sophie […]
oh, i am finally old enough to know why my parents took so long to grab their coats. why they would ask us to get ready to go only to sit down for another round of coffee. what would i tell myself, at 10 years old? it’s okay. sit down with them too. take in the extra hour with your friend and her family. when you get home, write down every moment in your diary. one day you will be older and you will be waving goodbye to your best friend, and you will turn the key to start your beat up little car engine, and you will look back over your shoulder. her hair will be blowing in the wind and she will be beautiful and you will be, for a moment, struck by all of it. what you will feel is so wide and nameless that it will engulf you. and you will think of being 14 and kicking her under the table in math every time you wanted to whisper something behind the teacher’s back. you will think about how long the days felt, and how you could hold her hand whenever you wished, but you didn’t. and you will think about all of the people you could have lingered with. and you will wish, more than you have ever felt a wish, that the universe just gave you that - more time to linger. more time to say - i love you. i know i need to leave, but i don’t want to leave you. and when i go, i am leaving a piece of my heart that lingers too.
one more round of coffee. the days are so short, and you are so lovely.
“The number of hours we have together is actually not so large. Please linger near the door uncomfortably instead of just leaving. Please forget your scarf in my life and come back later for it.” (mikko harvey)