lets just turn abandoned shopping malls into affordable apartments and keep the food courts and comfy palm trees and fountains and places to sit that’d be real nice
Deep Space Nine

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@frogtrek
lets just turn abandoned shopping malls into affordable apartments and keep the food courts and comfy palm trees and fountains and places to sit that’d be real nice
Deep Space Nine

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Star Trek: Deep Space Nine - Runabout Interior Concept Art by Jim Martin
the very idea of straight spock fills me with so much irrepressible rage I genuinely can’t stand it. you only arrive at straight spock by ignoring everything about spock. slash notwithstanding i genuinely think if you watch tos and come away thinking spock is straight you have missed the entire point by a mile.
Patrick Stewart dancing and singing on the bridge of USS Enterprise-D. Originally filmed in 1991 as a birthday suprise for Gene Roddenberry, it wasn't meant for public viewing but a copy was made and later included as a DVD bonus.

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Uhura
Spock in the abandoned temple on Vulcan (markers)
It was fascination, I know ♪〜
Seeing you alone with the moonlight above ♪〜
herakles, euripides, trans. anne carson / star trek: deep space nine, s2 e22: "the wire"

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[ID: Three panel comic in black and white of Spock and Kirk from Star Trek: The Original Series. They are both lying on a blanketed surface, and Spock's head is resting on a pillow. He says: captain, after further analysis i am inclined to agree with your assessment that, in your words, " this edible ain't shit"
Kirk then grips Spock's sleeve and raises his head to look at him, his other hand gripping the sheets. With a disturbingly detailed and high look on his face, he simply says: "spuh" /End description]
thinking about Data & Deanna Troi, who may look like polar opposites on the surface (one feels everything, the other feels nothing), but they both recognize in the other the experience of being unique and surrounded by people who feel regular emotions. yes i say unique for Deanna too because she does not experience telepathy like her fully Betazoid peers either, she's the only human-betazoid she knows, just like Data doesn't know anyone with a brain built like his, not even Lore. and the way Deanna and Data try to understand each other is different from the way their human crewmates try to understand either one of them. the care and respect with which they both approach the other's perception of the world is what makes their friendship so special to me.
two outsiders on a starship <3
They are all waiting for you outside the bathroom
70s ICONS. Linda Ronstadt and The Gorn sing "You're No Good" on an episode of The Sonny & Cher Show in 1974.

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Star Trek: Enterprise writers: and you're sure? You've checked everything?
Some poor intern or something, eye bags darker than the dried coffee stains on their shirt: Confirmed. There's no mention of it in any existing Star Trek franchise. Across 25 total seasons of 5 shows, and 10 movies, over the last 40 years, there is absolutely zero conclusive evidence that Florida survives to see the founding of the Federation
ENT writers: excellent. Fkin send it.
They keep trying to make trek for modern sensibilities but they’re just making tos look excessively slutty
Exhibit A
I liked these tags but I had something to say about it
I already assumed that the dresses were a choice made by the female crew, mostly for my own sanity. They do show (very infrequently) women in tos wearing pants
And they show men wearing dresses in tng, but only ever in the background (unless you count the dress uniforms)
And obviously I like that these were included, but they were clearly a cop out decision.
“Yeah see men can wear dresses, women can wear pants. They just don’t choose to” reads as “of course I’m not sexist, women just like wearing tiny little dresses in the future”
And thinking about it from a late sixties perspective, many women did see more revealing clothes as an empowering choice to make. Men wanted women covered and modest, understated makeup, only exposed or done up for male enjoyment. Some women took that in the opposite direction and chose to wear more extravagant makeup, revealing clothing, and brighter colors. It was a progressive time, and some of the choices made in an attempt to highlight that in the show did not age well.
But at the same time, you can clearly see that some of these “progressive” points were only added in as a write off.
And thinking about it from a late sixties perspective, many women did see more revealing clothes as an empowering choice to make. Men wanted women covered and modest, understated makeup, only exposed or done up for male enjoyment. Some women took that in the opposite direction and chose to wear more extravagant makeup, revealing clothing, and brighter colors.
I think it's worth emphasizing that this very genuinely is the main reason for the "sexist" miniskirts. IRL, women were often not choosing between sexy miniskirts and non-objectifying pants, but long skirts (respectable) and short skirts (rebellious). Deliberately wearing short skirts as rebellion against patriarchal control that mandated long skirts or maaaaybe loose slacks on a good day is still hardly unknown among girls/women leaving conservative communities in the USA, and was only more commonly coded that way at the time.
Sally Kellerman, the actress for Elizabeth Dehner, found the close fit of the supposedly more feminist pants uncomfortable and is often given something to hold in front of her because she was so intensely self-conscious about them. Grace Lee Whitney (Janice Rand) loathed the more "proper" initial look and worked with the (gay) costume designer, William Ware Theiss, to design a different, more daring and cool-looking aesthetic for women of the future that appealed to her personally. That was what resulted in the miniskirt uniform design. No doubt it served the objectifying tastes of various straight men involved, but literally zero of them were responsible for the design of Whitney's and Nichols's uniforms.
Not only did Nichelle Nichols not consider herself suffering from the miniskirt, she admitted later to sometimes deliberately lifting the skirt even higher at Uhura's station to show off more of her legs because she hadn't worked so hard on her body to not show them off. Meanwhile, Jill Ireland, the actress for Leila Kalomi, was nervous that she might have to wear the kinds of revealing costumes so many other TOS actresses did, and Theiss instead designed her the comfortable overalls she wears as Leila in "This Side of Paradise."
The kneejerk backlash against short skirts (in decidedly more reactionary eras of both Star Trek and US culture) led to both the large-scale disappearance of the skirts and the snide commentary on them throughout later iterations of Trek, with zero consideration of the fact that they were designed by a gay man to suit the preferences of the leading actresses at a time when they commonly represented rebellion. The Berman-era Star Trek productions tut-tutting at the old costumes while actually putting actresses in uncomfortable, form-fitting uniforms they disliked is ... uh, something else.
Even while the female Starfleet costumes shifted towards pants (and militarism) in the movies, btw, Nichelle Nichols insisted on getting to wear skirts as Uhura—because she liked them and she had little patience for 80s respectability.