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Daily grind

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I maintain that the best summation of my feminist beliefs are that men and women are not fundamentally different. There are a few quantifiable differences if you average out every woman and every man, but they are not qualitative. And most of them are socially constructed, and would be fixed if we started treating men and women the same. Neither is inherently smarter, neither is inherently kinder, neither is inherently more stoic or stronger or angrier or softer. Everyone is obsessed with the differences between women and men, with finding them and creating them and distancing themselves from the "other half". It's fucked up
This was the mainstream feminist belief like. A decade ago. Thats how hard we’ve regressed within mainstream feminism and it’s mainly because of right wingers/radfems/TERFs deciding trans women need to die.
I went to a library book sale this weekend and I found a very old book called “Electronic Life: How to Think About Computers,” which was published in I think 1975? I’ve been reading it kind of like how I would read a historical document, and it’s lowkey fascinating
There’s a whole paragraph that’s like “okay, find the keyboard. Don’t panic if it has more keys than a typewriter, that’s normal. Really, it’s fine. The extra keys don’t make things harder. It’s FINE”
Thought this section was particularly interesting:
Can the computer create something? At first glance it seems obvious that it can. Animated computer graphics, with their fluid transitions and whiplash perspectives, look strikingly new. And if one watches the machine doing animation work, there seem to be lengthy periods when the computer is acting “on its own.”
But if one observes these processes in more detail, it becomes clear that creation is not occurring within the machine. First of all, computer graphics are not unique. Computers have yet to generate anything that cannot be done by hand—and usually already has been done. Second, the apparent ability of the computer to “act on its own” is the outcome of thousands of hours of patient human effort to refine its instructions. The computer can manipulate a shape for us if we have already informed it what a shape is, what the rules for shape manipulation are, what this specific shape is, and so forth.
You can start an automobile engine and it will run by itself, too, but that doesn’t mean it’s being creative. It’s just running.
Somebody in 1975 had a better understanding of why artificial intelligence is not in any way “intelligence” than the majority of today’s intellectual minds.
Apparently Tuesday was Be Nice to Bugs Day, so here are some belated little bees~
No death cab for ugly? Ugly has to walk?
it’s so stupid that he would write this strip about me

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Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
woke up today and realized that tumblr entirely killed fuck ya life bing bong so here ya go again
Strange haunted photo where Winifred looks like she's a painting
I have placed her in a more fitting setting
For the first time in my tenure on tumblr, it's "THAT'S A PHOTOGRAPH?" and not "THAT'S AN OIL PAINTING?"

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nature documentary but the narration is just weird enough to make you question it
“Some fish can walk out of water, so remember that next time.”
“You might think you’re safe, but horses are omnivores”
please watch the round planet on netflix it’s exactly like that
There’s a catastrophic female loneliness epidemic happening rn but nobody gaf bc women aren’t going out and hurting people about it we just betray and destroy ourselves for nothing