Anthony Perkins photographed by Philippe Halsman in 1956.
(Photo: International Center of Photography)

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Anthony Perkins photographed by Philippe Halsman in 1956.
(Photo: International Center of Photography)

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honey magazine october 1971
ROSAMUND PIKE photographed by Grace Difford for GQ Hype (2026)
Anna Loginova aka Vin the Artist aka Анна aka Anna Lorinet aka Vindront aka Anna Vindront (Russian) - Fragile Beauty, 2026, Painting
Dmitri Cavander (American b.1969), Ferry 5, 2024, Oil on canvas

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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[DAZED FROM BLOOD LOSS] hey not to kill the vibe completely but i think i am in love with you
Rosengarten Massif, Dolomites, South Tyrol, Hugo Hodiener (1886-1945)
Wall painting on black background from the Roman Imperial villa at Boscotrecase, depicting an aedicula and miniature landscape. Artist unknown; last decade of the 1st cent. BCE. Now in the Metropolitan Museum of Art.
douglasrhall

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looper
solid perfume necklace in the shape of a mussel from estée lauder, 1974
George Skibine and Marjorie Tallchief in L'ange gris (The gray angel). First given by the Grand Ballet du Marquis de Cuevas at the Deauville Casino Theatre on August 29, 1953. Story by the Marquis de Cuevas. Music by Claude Debussy. Decor and costumes by Gaston Sébire. Choreography by George Skibine. Photo by Serge Lido.
horse bridle made from watsonia leaves by Hannah Thornhill
Does the word realism have any meaning to you as an actor? No. When you say realism, I think of naturalism, and I think about natural acting. And when I think about natural acting, I think about natural behavior. And I think sometimes that destroys movies, you know? Because we don’t just want to see imitations of life. We want to see something that is beyond that. Cinema is not just about telling stories. Everybody clings to this. Telling stories, telling stories, telling stories! It’s about light. It’s about space. It’s about tone. It’s about color. It’s about people having experiences in front of you, where, if it’s transparent enough, they can experience it with you. You become them. They become you. That’s the communion. That’s the experience.
--Willem Dafoe summing up my feelings about the obsession with realism and an impoverished notion of "storytelling" in film in an interview with Matt Zoller Seitz

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yatti
“Untitled” from Fata Morgana series (2016) ⌇ Rafael M. Milani aka Strange Old Things