Do You Know Enough?

Saw this posted on someone else's tumblr but they had me blocked which is unfortunate cause it's correct and true.

Like wdym you don’t “feel like a girl/woman” it’s just your state of being, like do you feel inhuman being categorized as female?

There is a strong correlation between being the victim of abuse, especially sexual violence, and identifying as transgender and I think sometimes everyone forgets that when theorizing about the way trans identified people think.

Ни одна женщина не свободна, пока все женщины не свободны

it’s not female bodies which are the problem, it’s just the fact women and girls haven’t been deemed worthy enough to understand, and we were barred from scientific fields for millennia

I've already made a TBI post and linked this there, but I think this new info deserves a new post just for itself

An 'invisible epidemic': Survivors of domestic violence on living with traumatic brain injury

Susana Trimarco disguised herself as madam and walked into brothels across northern Argentina, searching for her missing daughter among women trapped in sexual slavery and in the process, she sparked a movement that would free over 3,000 sex trafficking victims. It began in April 2002, when her 23-year-old daughter, María de los Ángeles Verón, left for a doctor's appointment in their city of San Miguel de Tucumán and never returned home. Frustrated by a police investigation she believed was deliberately sabotaged by corruption, Trimarco obtained the names of known pimps and sex traffickers from police files and launched her own search. She posed as a buyer interested in purchasing the captive women and girls - some as young as 14, who could be traded for about $800. One rape victim told her she had seen María drugged, with swollen eyes, in a trafficker's home that doubled as a holding place for newly abducted women. But by the time Trimarco could follow the lead, her daughter had been moved. Though María was never found, Trimarco's relentless pursuit transformed her into one of Argentina's most powerful human rights activists and forced sex trafficking onto national agenda. "The desperation of a mother blinds you," she says. "It makes you fearless." Through this dangerous work, Trimarco discovered the full scope of sex trafficking and corruption within the police and judiciary that kept women trapped in forced prostitution. "The police would hand [the trafficked women] back to the criminals," she recalls. "They used to say: 'Don't leave me. Take me with you.'" Trimarco ended up becoming the personal guardian to 129 survivors of sex trafficking, sheltering them in her home and helping them reunite with their families. Trimarco's relentless advocacy forced change at highest levels. Her work helped lead to first law, passed in 2008, making human trafficking a federal crime; the subsequent reforms have led to thousands of people being rescued from sex traffickers. These successes, however, have come with high personal cost to Trimarco: she has suffered many reprisals over the years including countless death threats, having her house set on fire, and several attempts to run her over in street. As more trafficking survivors and families of trafficking victims reached out to her for help, Trimarco says, "It came to a point where I just did not have capacity to help them all. That is when I decided to open a foundation." In 2007, she founded Fundación María de los Ángeles, a non-governmental organization focused on helping people escape from trafficking and lobbying for legislation to prevent it. Her efforts focused on her daughter's disappearance eventually resulted in trials for 13 people, including several police officers, in 2012; all 13 were acquitted, a ruling that prompted outrage by many and led to impeachment proceedings against three judges. In December 2013, Tucumán Supreme Court reversed acquittals and convicted ten of defendants, who received sentences ranging from 10 to 22 years in April 2014. But despite it all, Trimarco still hasn't found out what she wants to know most: what happened to her daughter. Some witnesses say she was murdered - although her body has never been found and others say she was taken overseas. Twenty-three years later, Trimarco's work continues in her daughter's name and for all survivors. Her foundation remains at the forefront of the country's fight against human trafficking, recently helping to dismantle trafficking rings in 2024 and 2025. In recent years, the foundation has expanded its role as a legal plaintiff in trafficking cases, ensuring survivors have representation throughout the judicial process. Now in her seventies, Trimarco remains internationally recognized for her work, though her search for answers about María's fate has never ceased. "Every woman I help somehow helps María," she reflects. "They represent hope in this new life of mine."

Why is rape and sexual assault actually bad? Like Ik it's traumatising but what if they don't find out?

In 1946, William D. Alexander began the production of a series of one-reel shorts, half-hour featurettes and feature films that would serve a dual purpose. These black cast subjects would be released to theaters that welcomed African American audiences; concurrently, the music segments would be excerpted from the films and released as Soundies. Ultimately, sixteen of Alexander’s musical shorts reached the Panoram screen, spotlighting the bands of Lucky Millinder, Billy Eckstine, Henri Woode and the International Sweethearts of Rhythm. (Alexander actually produced four films with the Sweethearts, three ten-minute short subjects and one feature, although some of the performances turns up in more than one film; only three performances saw release as a Soundie.) The International Sweethearts of Rhythm grew out of a band formed in the 1930s at the Piney Woods Country Life School, an institution – in part an orphanage – for poor African American children. A member of the music department had apparently taken note of the success of Ina Ray Hutton’s Melodears and decided that an all-woman band composed of school members might lead to something special. While they performed locally, the ISR did not begin to hit its stride until it left Piney Woods and became a professional touring outfit in 1941. The band was certainly “international” in nature, and its ranks included African American, Latina, Chinese, Indian, White and Puerto Rican musicians. In 1941, Anna Mae Winburn joined the orchestra as front woman and featured vocalist. During the war years Maurice King joined the band as both arranger and band manager. Born Clarence King in 1911, King played reeds and later became a fine swing arranger. While here we recognize his composition and arrangement for the Sweethearts – he called this tune “She’s Crazy with the Heat ” – King is best known for his longtime association with Barry Gordy and Motown Records for which he served as director of artist development. He worked closely with vocal groups, teaching the singers how to voice and phrase together. “Maurice brought sophistication and class to Motown,” said session musician Johnny Trudell. By 1946, the Sweethearts was recognized as one of the finest African-American bands in jazz. They recorded for Guild and RCA Records, broadcast regularly for the Armed Forces Radio Service, and toured Europe entertaining the GIs. While much of the success was due to Maurice King’s arrangements, the band’s musicians were all strong, and a special nod must go to Viola Burnside, one of the most neglected tenor soloists of the 1940s. I chatted with my friend Roz Cron, a member of the Sweetheart’s reed section, shortly before her passing. When I thanked her for her contribution, she paused and said, “Yeah, we were one of the best, one of the very, very best.” (via Jazz on Film)

Prateep Kochabua

I actually laughed at this. You can tell when the asker is a man 💀