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@fearlessmvmt

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Body Language Cheat Sheet for Writers
As described by Selnickās article:
Author and doctor of clinical psychology Carolyn Kaufman has released a one-page body language cheat sheet of psychological ātellsā (PDF link) fiction writers can use to dress their characters.
For The Masses:
http://gen.lib.rus.ec
http://textbooknova.com
http://en.bookfi.org/
http://www.gutenberg.org
http://ebookee.org
http://www.manybooks.net
http://www.giuciao.com
http://www.feedurbrain.com
http://oll.libertyfund.org/index.php?option=com_content&task=view&id=380
http://www.alleng.ru/Ā
http://www.eknigu.com/Ā
http://ishare.iask.sina.com.cn/
http://2020ok.com/
http://www.freebookspot.es/Default.aspx
http://www.freeetextbooks.com/
http://onebigtorrent.org/
http://www.downeu.me/ebook/
http://forums.mvgroup.org
http://theaudiobookbay.com/
More Here
no one coulda reblogged this a month ago when i spent 500
momentsbymarcus
Look at KB coming through
Every time you see this, reblog it. There is always someone in college that will see this.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Spooky Shopkeeper: The price may be more than you expect to pay.
Me: Yes, I know how US taxes work, too.
Shopkeeper, increasingly exasperated: Iām trying to tell you that Iām evil and offering these wares with no regard for the harm they will do!
Me, also increasingly exasperated: I know what capitalism is too goddammit
Someone: hires a woman
Men: āTHIS IS LITERAL OPRESSIONā
The automatic assumption that recruiting women equals hiring less qualified people is some serious sexism at work.
*googlesĀ āhow to nominate reporter for Peabody Awardā*Ā x
I literally just got dehydrated from all the salt in that one paragraph
I want to know who the 3 presidents are that are ranked lower than Trump
1. Nixon (asshole)
2. Reagan (super asshole)
3. Zachary Taylor (died after one and a half years of presidency like a bitch)
Trump is ranked lower than William Henry Harrison, who died after just 31 days in office. He ranked lower than a man whose presidential legacy is that his inauguration speech was so damn long he gave himself pneumonia because of it andā¦died.
I mean, damn.

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Fuckā¦
You gotta have a planā¦
This is the mist motivational and inspiring thing Iāve seen all goddamn week
This is incredible.
Rational thought is Gandalf and I love this
KILOMĆTRES MORALES ASDGHASDJASJKDKJA

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Your character is driven by 3 emotional motives. See? I even made a graphic.
(Iām proud of the graphic, too.)
Mood:Ā The immediate (and temporary) emotions of your character. A feeling of joy after kissing the girl they like; frustration after a busy day working a summer job at the fair; despair after somebody eats the last Oreo.
Situation:Ā The plot and relationship contexts of your character. The apprehension they feel with a friend in the weeks following a nasty fight; the nerves felt in the week leading up to their big championship game; the frustration and boredom of being grounded after crashing the family car into the county creek.
Struggle:Ā The core, deepfelt pain of your character, which often emerges from their background. The fear of failure from overly demanding parents; a deep longing for a family they never knew; a desperate need to be accepted after spending years as an outcast.
How these 3 motives influence your character
The above emotional motives all play an important role in driving your characterās actions, muddying or even overriding their more logical intentions ā just as it happens to the rest of us. (Weāre all human, after all.)
That being said, while your characterās mood and situation will shift throughout the story, their struggle will remain constant: their true north, emotionally speaking. This struggle will always be at the root of their actions, even as you swap in new situations and moods.
Take Bethany as an example
Letās say your characterās name is Bethany, and her struggle is this: a deep fear of failure, stemming from her parentsā impossible academic expectations, which conflicts with her own desire to finallyĀ experienceĀ the life she sees passing her by.
Her actions, while primarily driven by that struggle, are going to vary quite a bit depending on her situation and mood. For example, if itās the night before a big test, she might blow off a friendās invitation to a party so she can study.
But if the party is a weekĀ before the big test, and she finds a handwritten invitation in her notebook from Emma (the girl on the lacrosse team she has a crush on), Bethany might act differently. Maybe she feels a lightness and warmth in her cheeks as she reads Emmaās note. Maybe she puts those textbooks away, and maybe, just maybe, sheĀ sneaks out the window and goes to the party.
But if Bethany finds the note after her parents just chewed her out for being ungrateful and not studying hard enough? Maybe Bethany doesnāt go to the party. Instead, maybe she reads Emmaās note, trembles, then rips it in two, knowing she canāt disappoint her parents like that. Then she spends the rest of the evening studying. Alone.
Mood. Situation. Struggle.
All three kinds of emotional motives are important. Your characterās struggle is the anchor, but their mood and situation are the ever-shifting masks you use to express their struggle in fresh ways.Ā
And by the end of the story, hopefully your character will overcome their struggle ā putting awayĀ the textbooks, sneaking out the window, and meeting their crush at a party. Maybe even having their first kiss.
Whatever the character, and whatever their struggle, Iām sure youāll do great.Ā
So good luck! And good writing.
ā ā ā
For more tips on crafting theme, meaning, and character-driven plots, check out the rest of my blog.