so i have a lot of media stored up, and we don't like the corporations having controlled access, so here is the link (to a google doc) to all the musicals, tv shows, and movies i have! free access yall
i don't do bad sauce passes
I'd rather be in outer space 🛸

roma★
Cosmic Funnies
Game of Thrones Daily
almost home
Stranger Things
Sade Olutola
Cosimo Galluzzi

ellievsbear
Claire Keane
will byers stan first human second
Lint Roller? I Barely Know Her
tumblr dot com

pixel skylines

titsay

Janaina Medeiros

seen from United States

seen from Singapore
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seen from Australia

seen from Malaysia
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seen from T1

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@fandomscraziness22
so i have a lot of media stored up, and we don't like the corporations having controlled access, so here is the link (to a google doc) to all the musicals, tv shows, and movies i have! free access yall

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And with the convergence of all the tables in the latest episodes of Critical Roles Campaign 4 I can finally present my sticker designs I worked on. I cannot wait to see the next episode when shit is going down guys.
You know what. Parker never got to commit enough arson on the show. They should let her blow more stuff up. Its enrichment for her. Get on that john rogers
in general, but last episode especially, I think, every time yanessa talks to wic, all i can think of is mother gothel from tangled. its like SUCH a balance with the whole "the world is so so scary and would eat you up immediately" and "and i love you so much but if you disobey me there will be Consequences"
he is beauty he is grace he got kidnapped into space
Project Hail Mary (2026) dir. Phil Lord, Chris Miller

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March, 2021
Those are some of the other fanarts that I made of “Julie and the phantoms”.
(My artstyle changed a little since then, but those are still so cute, especially the first one.)
HE WAS MEAN TO BETH!!
the dancing scene in Tangled always gets to me because like... the king and queen are grieving, this is the hardest day for them, they don't take part in the celebration other than lighting the first lantern. but she's right there she's in the town the person you miss she's in the town she's painting the streets she's singing she's playing with the children. the person you're grieving is here and she's alive and she's dancing outside your window
@cass-the-knight your tags are too good
my blog’s theme is me. a compilation of every single thing i love. every interest. every musing. and everything in between.
Grace + Skittles Project Hail Mary (2026) dir. Phil Lord, Chris Miller

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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This is literally Ali and Nahri I’m crying
quick warmup sketch of nahri from the daevabad trilogy
Hey working gays, don’t spreadsheets, spread…cheeks…
is this anything?
in the past i've described my experience of being an ace with a sex drive as being hungry with no appetite, but actually my experience is more like being hungry and never going out to eat because i always have all the tools and ingredients to make exactly what i want, exactly how i want it, at home. i don't want other people in my kitchen and i certainly don't want to be in anyone else's kitchen. love reading about fictional kitchens, though.
i want to preface this by saying that this is NOT a hater post because i love marisha and i have very much enjoyed murray as a character she is badass and cool and a fascinating take on a wizard.
that said! i am fascinated by the way that murray seems a little blind to struggles that aren’t in line with her own until she’s directly and pretty aggressively confronted with them.
we get to see this first with occtis, and how she sees his name and knows his house and immediately assumes that he’s just like the rest of them. she doesn’t see the implication of a child of a sundered house having to resort to studying wizardry when he should have all manner of magic at his fingertips without a lick of effort by his birthright. she doesn’t see the truth of his situation, doesn’t look for it at all, until occtis is dead at her feet, murdered by his own family.
on the other hand, there’s demodus, who has the same struggle as her in her eyes, of not being taken seriously with the talent he’s studied to cultivate, and working for the funding and freedom to continue studying as murray has fought for continued funding and freedom for her school
and then there’s azune, who she’s taught same as demodus, and who has struggled on his own the same as demodus and she have. but his struggle ends with him aiming to be useful, it’s ended with him in a position of power (as much as being a magic cop under the thumb of a noble who has said azune should be afraid of him is holding some power), and murray doesn’t seem to see how hard that is for him, even when he says in no uncertain terms to her that he worries she hates him for his position in a corrupt system. it’s not until he’s devolving into a gasping panic in front of her begging for her help and saying he’s scared and can’t do this anymore that she sees that he’s truly, severely struggling with the burden he’s under.
and even then, she tells him he’s a boy scout, and one of the good ones, and that he has to keep going he has no choice. in the same breath that she’s telling him that demodus, who is only maybe 4 ot 5 years younger than him, is too young and innocent to risk, she’s telling azune that he is worth risking for the cause and he has to buck up and get over it. he has made his bed and must lie in it.
which is true, he has made this bed for himself, but only because he’s been living in this level of isolation where he only interacts with what passes for his support system when thjazi needs something from him, to the point where even thimble doesn’t know where he lives or if he has anything to go home to.
but that’s not a struggle murray understands and so her view skates right over it until she’s confronted with it, and even then it’s dismissed because there is a job to do and even though she sees that azune is struggling, it can’t matter right now and even if it did, murray can’t see the heart of the struggle or the impact it’s having on him because she can’t see herself in it or relate to it and so it’s like her vision skates over it to the point where she is getting suspicious or skeptical or paranoid of azune and his actions or motives. which is a fascinating character choice for marisha to make for murray and i really want to see what the pay off is gonna be eventually when she has to confront these struggles she’s been a little blind to.

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actually looking through the information we have about the people of araman and the sundered houses and i’ve realized that there are like no orcs represented in any of these positions of great power that control the world’s political machinations
and it makes the halovar’s control over and manipulations of hal’s theater even more despicably evil because that is the site of the rungjani’s suffering. it’s the site where their people were forced into worship and where they are trying to reclaim their history and a bunch of human houses blessed by the gods (who are dead and gone and who cares about them anyway), are throwing their weight around with it. the council, or the chamber of the lords advisory decided whether or not hal got this site. the halovar are deciding what history gets told there. not a single orc is involved in that decision making. and when thaisha calls this out, that it’s her people’s history and truth that yanessa’s reshaping, she’s completely dismissed, despite the fact that she is right and also her family name should give her a level of status that the halovar should respect, if not consider an equal (not that she should need that status to be listened to).
it’s despicably evil. and as brennan says “YOU CAN’T PROVE THERE’S ALLEGORY HERE”
I think this has been said to death already but goddamn Aabria is so locked in on the thematic resonance of this campaign it’s crazy, any time Brennan touches on something Thaisha is connected to, Aabria picks it up immediately and spins it into something beautiful,,, her druid magic and calling, the Circle of Ancients, the Lloy family, the Pariah Blades, the treatment of the orcs and their liberation, Thaisha’s feelings about the Shapers and the War,,, she uses it all to cut so incisively to the emotional core of these big themes
It’s such good character creation because Thaisha isn’t just connected to the history of Araman, its personal to her it’s all so personal to her,, Aabria hasn’t just written an interesting factual history, she’s seen some of the questions and conflicts at the core of this worldstate and made a character who has deeply held beliefs and strong emotions in answer to those questions and it lets her make character choices that both make sense for Thaisha as an individual and connect to the themes of the campaign at the same time and it’s so good it’s just so good Aabria Iyengar you’re very good at this we should be telling you this every day