Rivers of London quotes 1/?

if i look back, i am lost
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@eruvadhril
Rivers of London quotes 1/?

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okay but why are we celebrating being morbidly obese. Or deathfat people. Whatever. Like MORBID? DEATH? Do those words mean nothing?
you’re not in a place where you’re open to hearing it, so all I’ll say is this: the relationship between size and health is far more nuanced and complicated than I have the energy to explain again. take a look through my page if you want to know more. but. unhealthy fat people exist. they aren’t going to magically stop existing. humans cannot exert that kind of control over their bodies, and you and I certainly can’t control other people. just because someone is unhealthy, it does not make them unworthy of dignity, visibility, and respect. end of sentence. fat people get enough vitriol every day of their goddamn lives. hell fucking yeah I’m going to celebrate them.
@esterjesque love what you wrote here!
I do tend to be suspicious of art that really lauds and worships the idea of being an artist. Like yes, art is cool, I think it's valuable, there's a reason I make it. But let's not get overly self congratulatory here
I think it's okay to love what you do, and even celebrate that. But there's a line that gets crossed sometimes where the art goes... "unlike all of those stupid people, who just dont get it." And it's like... hey... who are you making this for, exactly?
reminds me of that "artists fuck better because we turn sex into art, mattresses are our canvas" post or however that goes. always makes me laugh
also relevant
I think the more grimdark and edgy you try to make your setting the more racist it will be. And I think it's an inevitable consequence of trying to make whole societies (cultures, civilizations, species, races) villains. The more you want to make "this culture is EVIL and everybody who lives them is EVIL and lives for WAR and CONQUEST and TORTURE"...
...you have to wonder, hey, if this civilization is so evil and only thinks about war and torture and kicking puppies, then where they get their food from? who builds their cities, or if they're (racist) savage nomads, their tools and who trains their animals? who raises their children and how? who keeps cultural practices of "being evil" alive? why hasn't their culture of backstabbing and rule of the strongest collapsed a thousand times already?
Basically, if you have beings that have a physical, natural existence, they need to eat, they need to have shelter, and to raise the next generation. And yes, even raising them communally or in hatcheries or whatever counts. You cannot have a whole civilization dedicated to being evil or even to war; for every soldier, there is someone carrying his supplies and making his weapons and a family at home. If we're talking about spiritual beings of pure evil, literal demons that don't need to eat or sleep or reproduce, that's another thing. But if we are talking about beings that live in the world, that are part of the physical world no matter whatever fantasy features or traits they have, that have societies and culture, then you have to wonder; where the food comes from, who raises the children, who makes the weapons, who trains the warriors yes but who trains the farmers, the toolmakers, who teaches the children to speak, who tells the stories.
This was the same problem that haunted Tolkien about his Orcs by the way, and you won't escape it if you think about it for more than 10 seconds. And you shouldn't escape it. Do you have a nation, culture, race, species, as "villains" in your world? Think about it. Think about it for more than 10 seconds.

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Top 3 things people love insisting they don't have despite it being impossible
Pronouns
An accent
Bias
Companies that rushed to replace human labor with AI are now shelling out to have IRL workers to fix the technology's screwups.
Delicious. We love to see it.
@ralfmaximus
Ultimately, she spent 20 hours redoing the copy from scratch — and with her $100-per-hour rate, that meant her client was shelling out $2,000 for copy that likely would have ended up being far cheaper had a human just written it in the first place.
I love stories like this.
Get peer reviewed!
liking a ship but disliking the distinct set of stock fanon that they have been assigned is like one of those punishments dante came up with when he wrote the worldbuilding for hell in inferno
There's a recurring online tendency to aestheticize consensus itself. The imagined future village is full of emotionally compatible people who enjoy communal gardening, conflict resolution circles, acoustic folk music, mutual aid potlucks, and repairing bicycles together at sunset. Which is nice for the people who genuinely enjoy that lifestyle. But plenty of humans are solitary, prickly, obsessive, urban, nocturnal, sensory-seeking, technologically attached, contrarian, novelty-seeking, private, or just plain difficult. Those people do not evaporate after the revolution. They do not get Left Behind while you are Raptured into the Utopia. They become your neighbors.

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this comment on that vulture article about the "fanfic-to-romance novel pipeline" is very interesting and not something i've seen articulated...much to think about...
RPG rules are bad, this much we know. Whenever you're using the rules that's not roleplaying, that's what I like to call ruleplaying. Or rollplaying if you're nasty. The most important part of roleplaying games is that the rules are bad and the enemy. And that knowing that you have to ignore the rules is the most important part of being a GM. We have to keep buying the rule books though so we can not read them. Just so we know which rules to ignore. There can be no such a thing as a good rule because rules means that you're not roleplaying. Asking for game rules to be good instead of bad and to be ignored is like asking me to roleplay while I am rolling the dice (rollplaying). My favorite game is D&D 5e, a game famous for not having rules.
Ideally whatever you play should have a lot or most of its page count dedicated to rules for something you don't want to do so that you can ignore them harder
The person who tagged this as "Brennan Lee Mulligan:" has seen the light of the truth.
I think what I appreciate about Terry Pratchett's writing the most is how much it sucks to have hope and want a better world, even as you keep working towards one. I feel like the hope brigade tends to shift towards toxic positivity because "hope is punk!", acting like people who have legitimate reasons to despair and need that validation are just being cynical edgelords who need to be shamed. But Pratchett is like "yeah, it sucks. it never stops. god this sucks. anyway time to roll up the sleeves and get to it."
it's pretty validating
mr. green? how do you deal with people trying to Perceive You and make assumptions about you based on the writing you share with them?
i just had a professor read the first chapter of something and go on and on about how i must relate a lot to a character, because her disability resembles mine (i had not been injured at the time of writing it), and i get this dreadful feeling like people are going to make assumptions like that again and again.
I kind of hate it!
But it's very difficult to be like, "The author is dead! Do not pay attention to the author! Do not interpret the text into the author's life! But do follow the author on tumblr!"
Like, there is something fundamentally out of whack with the entire affair, which is kind of what my new book HOLLYWOOD, ENDING is about.
For a hot minute, a lot of people had opinions about me who did not actually know me, which was extremely disorienting and much less pleasant than I'd assumed famed would be. So I spent the last eight years writing about that.
I wish you well in your writing--and promise not to overly read you into your stories.
There's an awful trend in reading that's this CinemaSins kind of rejection of abstract concepts and suspension of disbelief, that makes people say it's bad writing when authors use descriptions that aren't immediately one to one with physical reality.
Like it's bad when a "tattoo is undulating" (as opposed to... "drawn in a wave like pattern on the skin"?), or when hair is "wet wheat from a late Summer field" (as opposed to "sort of brownish light yellow that dries lighter, but is not actual wheat stalks growing on someone's head but kind of reminiscent of the color and texture"?), or when when ice cream tastes like midnight at the fair" (as opposed to "ice cream flavour bringing back memories of undefined ice cream flavours that are individually popular but always tied to a memory of late evening at the fair ground and probably smelling vaguely like popcorn and sugar"?).
Please. We have to get back to understanding abstract descriptions that evoke feelings and memories and mental images or things we haven't experienced yet. This hyper utilitarian way of reading and judging text is killing fiction. it's robbing you of experiencing things you haven't actually personally experienced.

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For context: Jonis Josef is a famous Norwegian comedian.
"you don't like mpreg?" i don't even like fpreg