Man, I officially donât know what the hell a deconstruction is. I mean I knew that but Iâve been reminded. âDeconstruction is when itâs a particularly grounded example of the genreâ? Like man, I donât think those things are deconstructions but I canât give you a definition that excludes them either. Deconstruction is when you show something that somebody else telling a similar story didnât. I fuckin guess.
the difference between a parody and a satire is that a parody does not have to have an underlying thesis, while a satire does not have to be particularly funny.
the categories are not mutually exclusive, but that doesn't mean they're synonymous.
a parody that has nothing in it of satire is relatively unlikely to qualify as a deconstruction, due to not containing enough intellectual meat, but exceptions certainly exist. particularly when the thing being parodied is literary in nature.
meanwhile not all satires are deconstructions, because you can satirize things like 'the recent political drama' in ways that don't really involve deconstruction per se. (a lot of the time you will do this via parody.)
the distinctive element of a deconstruction is that it arises within the context of interpreting things structurally. this is a very common intellectual framework nowadays so this distinction can get lost, but the shift away from the platonic view, where any given sort of thing was assumed to have a single true self that you were trying to find or reach or understand, rather than arising through the interaction of contextual forces, was a big deal when it was happening, and opened a lot of new doors in terms of how to conceptualize...everything, but especially everything we now categorize as a 'social construct.'
which is why there's a sort of assumption that to 'deconstruct' something is necessarily to approach it in an intellectually complex or rewarding way.
not true. can have stupid deconstruction that technically qualifies. arguably can even have trite one. (can also just say something is a deconstruction when it isn't but that's another issue lol.)
this is because in the context of literature and related art forms this assumption disappears up its own ass fairly quickly, since writing about writing is one of the oldest tricks in the book. that doesn't mean you can't deconstruct a genre, or convention within a genre, etc, in an interesting and philosophically profitable way. just that being metatextual doesn't actually guarantee you have anything of value to say, either.
which is why saying you're doing a deconstruction while actually just engaging in sophistry and light satire is really easy, and thus attractive to people trying to look and feel intellectual without having to try too hard.
meanwhile literary deconstructions don't have to be remotely like either satire or parody, because the only thing they actually have to be doing is engaging directly with the structural assumptions of a genre in a way that draws out something about their constructed nature and. does something with that. basically.
it's just easiest to make this engaging to an audience (especially one already at least mildly accustomed to thinking in structural terms and thus less impressed by it) in the parody/satire/subversion format, so they tend to occur together and thus get balled up together a lot.
and so people who want to sound intellectual increasingly say 'deconstruction' and 'subversion' where they only very dubiously apply.
so...yeah, none of these are mutually incompatible, and you can stack them all at once but also find them separately, because they're talking about different things.
that was way more than three minutes let me go again.
'Parody' emphasizes the stylistic engagement with the subject; the main thing you say by classifying something as a parody is that an unflattering depiction, arrived at through exaggeration of some kind, and usually oversimplification as well.
'Satire' describes the...ideological engagement with the subject, is i think the most accurate generalization i can make. the main thing you say by categorizing something as satire is that it is making an argument about something through the way in which that subject is depicted. a critical argument.
parody is a technique you can use in creating a satire, but is not mandatory, and if it's the only technique you're using your satire is necessarily rather cartoonish.
'Deconstruction,' finally, describes the intellectual engagement with the subject. the main thing this label says is that you are applying certain specific critical lenses to a thing (that doesn't physically exist) which explore how it is made, at least in part by taking it apart to look at the metaphorical gearwork.
they're hard to distinguish because they aren't separate silos of Things, but operating at different conceptual strata.
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[leftistly] [secularly] having sex causes a hard to quantify but unmistakable change in your personality and being that can be detected by others. Having sex for the first time imbues you with qualities and deep understandings that you did not have in your pre-sex state.
Tumblr user standing at the front of the classroom picking petals off of roses and crumpling and uncrumpling paper and showing you that the tape is never the same amount of sticky again after being used: -except I think this is a good thing
Sat next to a guy at the market and we were chatting about how ppl make assumptions on gender etc as a Muslim and a Jew, and i was saying that part of why some ppl read me as racially ambiguous as a white guy is a combo of my dark colouring and associations of femininity and queer mannerisms w Different, Other masculinities
Him: it's like they're doing Gay or European
Me: yes. Although in my case it's more often Gay or Middle Eastern
Him, delighted: GAY OR MIDDLE EASTERN... WE CAN REWRITE IT
yo does anyone who is chronically ill have tips on dealing with barometric pressure changes? i have a lot of work to get done but my brainfog is So Bad i cannot comprehend any of it
so i have no idea if this will help you but i used to have a really rough time with sudden falling pressure and i started taking creatine (5g daily) and after about 10 days i started noticing an improvement and after a few weeks i felt like certain symptoms had gone away
in my case i also had a lot of joint and tendon pain with the sudden pressure drops and it was hard to sort out whether i had brain fog as a symptom of its own or i was just having trouble concentrating because i was in so much pain, like from my perception it was trouble concentrating because of the pain, but it could have been that i had brain fog on top of that and just didn't notice through the pain
at any rate that is one thing worth trying
and yes there is some evidence that creatine has cognitive benefits too, it is not just for muscle/joint/tendon building or repair. some people take a higher dose (20mg/day) for the cognitive benefits but there is less safety information on these doses. the lower 5g dose is established to be safe for most people.
i have hypermobility (sub-clinical collagen variant moving in the direction of EDS but not quite EDS) for reference and there seems to be a consensus that people with hypermobility and/or EDS tend to benefit more from creatine
THANK YOU SO MUCH!!! ive actually been recommended creatine before so having another positive account is extremely helpful. iâll ask my doctor about it!!!!!
âThe LEGO Movie was my favorite movie of 2014, but it strikes me that the main character was male, because I feel like in our current culture, he HAD to be. The whole point of Emmett is that heâs the most boring average person in the world. Itâs impossible to imagine a female character playing that role, because according to our pop culture, if sheâs female sheâs already SOMEthing, because sheâs not male. The baseline is male. The average person is male. You can see this all over but itâs weirdly prevalent in childrenâs entertainment. Why are almost all of the muppets dudes, except for Miss Piggy, whoâs a parody of femininity? Why do all of the Despicable Me minions, genderless blobs, have boy names? I love the story (which I read on Wikipedia) that when the director of The Brave Little Toaster cast a woman to play the toaster, one of the guys on the crew was so mad he stormed out of the room. Because he thought the toaster was a man. A TOASTER. The character is a toaster. I try to think about that when writing new charactersâ is there anything inherently gendered about what this character is doing? Or is it a toaster?â
â Bojack Horseman creator Raphael Bob-Waksberg commenting on how weird gendered defaults in entertainment are, and why we should think twice about them. Excerpted from this longer original post.
(via 360degreesasthecrowflies)
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To get Caroline Bingley's character right, you have to understand that she is a foil for both the Bennet sisters and Mr. Darcy.
She is the more rational choice for Darcy vs. the Bennets. She has education, manners, a fortune, and clearly, relatives that he likes. So many fan fiction authors make her vulgar and/or unfashionable, but she isn't! That is why Darcy enjoys hanging out with her in the beginning; he would not have her at his house if she was embarrassing. Even when angry with Elizabeth, Caroline does not dare go further in attacking Elizabeth at Pemberley. She has self control. She understands boundaries, which Jane and Elizabeth mostly do, but the rest of the Bennet family struggles with. This is why she's a foil for them.
As for Darcy, at the beginning, Caroline is a nearly perfect mirror of his opinions and snobby attitude. She is doing this on purpose as a way of flirting, but it's probably pretty close to her real personality anyway. She's right that Darcy looks down on Elizabeth's uncle being a lower class lawyer. She's right that he finds the Bennet family intolerable to marry into. However, as Darcy falls in love with Elizabeth and then reforms, Caroline's mirror distorts. That shows his growth in the novel. She, like Elizabeth, fails to update her priors, though to be fair to Caroline, she didn't build her knowledge of Mr. Darcy on first impressions. It's harder to change her mind because she did once know him very well.
Side note: this is also why people woobyfying Darcy hurts Caroline as a rational character. They start in a very similar place and love mean girl gossiping together, then he changes. When Darcy's flaws are erased, it makes Caroline look super irrational and much crueller.
Lastly, Caroline is above all else, pragmatic and strategic. She does not hold grudges once it becomes more advantageous to drop them. She would never, ever, now that she is connected by marriage to the Bennets, mock them in public. Because that reflects on her! Caroline would be in London talking up that the Bennets are a very old gentry family with an ancient estate or something. She's going to be giving them a PR makeover to all her fancy friends because they are HERS now, for better or for worse and whether she likes any of them or not. Yes, in private she might be mean, as she is in the novel, but again, she's not vulgar and she has nothing to gain in public. She has manners, she has self-control; being a mean girl doesn't override that.
#gotta point out that while I absolutely love the scene where Darcy shuts Caroline down#(every time I watch the 1995 show zrayak yells âGET REKT CAROLINEâ at the tv it is SO funny)#heâs specifically shutting down something that they used to do together#she reminds him that he said âIâd as soon call her mother a witâ because HEY REMEMBER HOW WE USED TO DO THAT?#REMEMBER HOW FUN IT WAS? THAT THING WE USED TO DO ALL THE TIME?#like imagine if your main bonding activity with your bestie was getting drunk and watching bad movies and making fun of them#and then one day your bestie starts dating a screenwriter and NOW every time you bring up bad movies you get shut down#'oh no we shouldn't mock other peoples' hard work! that would be mean! :('#my brother in christ we watched the room (2003) & you said it was the dumbest thing you'd ever seen in your life what are you TALKING about#jane austen
Exactly! (tags from @bemusedlybespectacled)
Darcy is rejecting the self that he used to be as much as he's shutting down Caroline.
Love the idea that Caroline becomes the Bennetsâ fiercest defender and PR managerânot because sheâs had some miraculous change of personality and stopped being the mean girl, but because those monkeys are her circus now, dammit, and like hell is she going to let them drag her down. If anything, sheâs going to become more manipulative and scheming than ever, but itâs for the benefit of these idiots.
Exactly! It doesn't take any change of character, she defends her own and marriage is forever. The Bennets are now her own! And she will defend Jane too for the same reason (so many people are like, "Poor Jane has to live with Caroline." Jane will be fine.)
I wrote a sequel to Pride & Prejudice once and Caroline was encouraging Kitty during her first season in London. People said I was writing her way too nice for canon, but Kitty is one of hers now! A good marriage for Kitty is a good connection for Caroline. It's self motivated and exactly in character.
One time I was talking about Robin Hood with some coworkers and one guy was like âhe was bad because the people he helped learned to expect handoutsâ and I wanted to be like⌠okay can you explain how that flawed capitalist propaganda applies to feudalism
Thatâs an exaggeration. What was invented in the 16th century was mercantilism. Capitalism really dates for the beginning of the nineteenth century, with the rise of industry and cash crops over artisans and merchants. Vulture capitalism, with the notion that companies have no duties other than generating profit, is even younger.
I think a lot of this comes from the fact that most people donât know the formal definition of capitalism. We all know the word, weâve all seen the jokes, but very few people bother to actually define it unless theyâre talking about political theory and philosophy, so itâs easy to end up with the impression that Capitalism = Money Can Be Exchanged For Goods And Services.
Capitalism is the economic system where most of the means of production (i.e. everything people need to have to make the stuff that everyone wants) are owned by private individuals or corporations, who then hire people to provide the labor necessary to produce things, with the intent of selling the output at a profit. Itâs the difference between âyouâre a carpenter and you make a chair and you sell itâ and âyouâre Richard Q. Richington who owns a chair factory, and you pay people to sell the chairs you paid other people to make and then all the excess money goes back to you.â There have been Richard Q. Richingtons on and off throughout history, but that being the norm for every single industry is a pretty recent development.
Game companies hate emulation, but none of them seem to understand that a lot of us would just buy ROMs from them directly if we could. I don't want a fifth remake of Final Fantasy IV, I want to pay five bucks for the 3MB file you already made bank with thirty years ago. Nobody who wants to play something for the purpose of retro gaming is going to consider a $40 remake as the alternative option, and we're certainly not going to let the original dissappear. They're crying about opportunity cost for a product they're not even selling.
op i know you're probably talking about like, video games, etc, but this is also critical for research science - my lab has so much abandonware, either because the company's out of business, or the company decided to not maintain it, and it's a fucking nightmare. we have two windows 95 computers that are CRITICAL for performing experiments/data analysis because the software needed is abandonware. one of the main roles for a guy in my lab is to maintain these little dinosaurs because if they go out, we lose access to ~20 years of raw data for research. part of why is that these companies also make their own file types, and make it difficult-to-impossible to convert those file types without their specific software. by habit, i convert all research files to more generic versions (txt, pdf, tif, etc) so that i minimize risk of losing my shit, but some stuff can't be converted.
for example, we have a microscope that is perfectly functional, good microscope, but its software is abandonware because the company refused to maintain it. the company is still in business, still makes essentially the exact same software, but they made all of the old tech incompatible with new software to force people to buy the new microscope tech. it would cost a quarter million dollars to replace this microscope. this perfectly good microscope.
so like, i know a lot of people look at the original post here and go "well op just wants old video games to play" (which is valid! games companies should not be able to push shit to abandonware and then close it off) but also this is critical for like. biomedical research. if y'all had any idea how much basic infrastructure built on science relies on shit that is technically abandonware, you would probably be horrified.
You know whatâs extra funny? Jedi: Fallen Order takes place in 14 BBY and Obi-Wan Kenobi takes place in 9 BBY, which is five years after JFO.
WHICH MEANS means that when Cal Kestis dropped the entire fucking ocean on Darth Vader to get away from Fortress Inquisitorius by cracking one of the windowsâ
âDarth Vader apparently said, âIf I had to have the entire goddamned ocean dropped on me, Iâm not fixing that shit, and weâre leaving it exactly the way it is, so the rest of you shitstains can experience the same fucking thing, because if I have to suffer, so do the rest of you.â
And thatâs exactly what happened five years later.
They knew those windows could crack, they knew they were vulnerable to that, and Darth Vader didnât give two shits about it, despite that it canât have been that hard to cover those windows up, what the fuck do you even need them for, like what are you looking out those windows for??, despite that the Inquisitorâs are Vaderâs to boss around he doesnât fix any of this shit, because Darth Vader IS THE WORST BOSS IN THE ENTIRE GALAXY.
IF HE HAS AN OCEAN DUMPED ON HIM, SO ARE THE REST OF YOU IDIOTS.
WHO CARES THAT HE HAS THE FORCE TO SAVE HIM, THE REST OF YOU CAN JUST KEEP UP OR DIE. HE DOESNâT CARE WHICH.
GOD HEâS THE WORST I LOVE HIM.
THE ONLY WAY THIS COULD HAVE BEEN FUNNIER
IS IF VADER HADÂ BEEN THERE AND GOTTEN THE ENTIRE OCEAN DUMPED ON HIM A SECOND GODDAMNED TIME
I WOULD HAVE LAUGHED UNTIL I CRIED BECAUSE ANAKIN SKYWALKER THATâS WHAT YOU WOULD HAVE DESERVED
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thinking about orientalism and cultural appropriation by people who see themselves as more cosmopolitan for it. thinking about digital blackface and the conversation around non-muslim over- (and often mis-)use of terms like mashallah and inshallah. thinking about how so many would rather invert previous racial, ethnic, religious hierarchies than undo the hierarchical system to begin with, and how that often loops back around to a noble savage trope. thinking about how rather than advocate for another distinct group's liberation, many feel they must (even if only aesthetically) paint over difference and distinction and emphasize and distort any similarity, and the inability to advocate for an Other and the need to domesticate the Other into the Self before one can speak out for them
Honestly, this modern belief that folklore creatures worked on arbitrary and incomprehensible rules is mostly wrong. They worked on rules that made sense in cultural context. If they don't make sense to you, that's a knowledge issue.
they're not "dating" they're not "a couple" they're intrinsically connected and intertwined with each other for eternity. they're bound together like the stars. get with the program
so just because i ahve a rare and incurable condition where i can only understand human suffering thru the lens of showtunes and cartoons aimed at preteens means my posts about labor disputes aren't insightful? tch [turns on my heel and like five pins fall off my little backpack with nothing inside except the leather journal i'm writing my fantasy novel in] [turns back around immediately] so yeah it's sort of a chaotic found family story and it's like really wholesome but feral AF and there's a lot of queer representation
Person from a country with the most valuable monetary unit, the most powerful passport and whose language is spoken by most people on the planet: YOU DON'T UNDERSTAND HOW HARD IT IS FOR US TO TRAVEL
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Thereâs a term that has gotten thrown around since long before I even entered the space of TTRPGs, ârules lawyer,â and in the time Iâve been in TTRPGs Iâve seen it take a massive shift in how people use it and what they intend it to mean. I think thatâs been a very bad shift, not because language or definitions can never be allowed to shift, but because the shift itself is downstream of a much larger issue of TTRPGs not being treated as art, Hasbroâs dishonest marketing, and game design not being treated as real.
I'm gonna go over the new definition i keep seeing, then explain the original definition, compare them, and explain why the new definition is bad.
How I Keep Seeing âRules Lawyerâ Used Now
âRules lawyerâ was always a pejorative term with very negative connotations, but super often in the past few years Iâm seeing the term ârules lawyerâ used pejoratively towards people for no other reason than they know the rules of a given TTRPG, want to play by those rules, and want to use the rules to their/their PCâs advantage. Hereâs a few examples of where I have seen someone be called a ârules lawyer.â
Example 1
Like, saying in any context that you should try and understand and play by the rules of a game before you start modifying, overriding/ignoring, etc. the rules so that you actually understand what youâre modifying.
Example 2
Saying that people should find games whose rules natively support a certain type of campaign they want to play, and play by those rules, instead of changing all of D&D5eâs rules to sort of look like that concept.
Example 3
Saying that itâs good to read and be familiar with a TTRPGâs rulebook at all.
Example 4
A player reads the rules of [TTRPG with a heavy focus on combat] and figures out that by combining certain equipment and abilities, their PC can be very good at a certain aspect of combat. I.e. battle axes get bonus damage when used by characters with high Strength, so if they pick character options that maximize Strength, and pick a battle axe, their character can be very powerful with that battle axe.
Example 5
A GM says âIf you want your PC to kick the gun out of [NPC]âs hand, they have to succeed on a Disarm Action because thatâs what the rulebook says is the mechanic for when one character tries to knock a weapon out of another characterâs hand. They canât do it automatically just because it would be cool.â
Example 6
A character attacks another character in a game where this requires a roll, and the roll at first appears to be a success at the bare minimum number required to roll, and everyone starts going with that as the outcome. Then, the ârules lawyerâ speaks up and says âWait, since [character] was behind cover, according to the rulebook there should be a -1 penalty to the attack, so that would actually be a failure.â
What âRules Lawyerâ Means Originally
âRules lawyeringâ or âbeing a rules lawyerâ by the original meaning actually doesnât even always have as much to do with knowing the rules as it does relying on other people not knowing the rules, to get away with cheating. âRules lawyeringâ by the original definition describes a specific form of cheating.
It involves making spurious arguments you know are wrong or otherwise against the intent/spirit of the rulebook to gain an unfair advantage, and applying those spurious interpretations of the rules selectively rather than consistently. I.e. conveniently ignoring the rules interpretation you made just minutes ago now that it no-longer favors your character to interpret it that way.
Iâm going to take the examples above and rewrite them to actually be examples of ârules lawyeringâ by the original definition. I'm going to skip examples 1 and 2 because there is no way to possibly twist them into fitting this definition.
Example 3
Saying âIf you arenât cheating, you arenât trying hard enough.â
Example 4
A player reads the rules of a TTRPG with a heavy focus on combat and figures out that the rulebook says âA character can attack once per turn with each weapon held in their hand.â but it never specifies exactly how many weapons a character can fit in one hand. The player gives their character 20 swords and argues that because the rulebook doesnât place a limit on the number of swords per hand, his character can make 20 attacks per turn by carrying 20 swords. (Extreme example for demonstration purposes, an actual rules lawyer would probably more realistically only try this with like 3 swords.)
Example 5
A GM enforces the rules arbitrarily and inconsistently, either relying on the culture of GM fiat and ârule 0â to get away with it or just getting by on nobody else at the table being familiar enough with the rules to argue, leading to the rules not actually mattering, since they only get brought up in defense or support of something the GM has already decided is going to happen no matter what. (Usually this will also be combined with the GM lying about their dice rolls or lying about the stats of NPCs/changing them arbitrarily in their head but thatâs not really ârules lawyeringâ thatâs just more conventional cheating.)
Example 6
When the rules lawyerâs PC is attacked, he says âThe rulebook says âCoverâ is âany object a character could hide behind from an attackâ and [PC] was hiding behind the curtains when the bad guys saw him and started shooting, so the curtains should count as Cover and they should get -1 penalties to their attacks. Also, the rulebook says âCharacters who are moving when they attack get a -1 penalty to the attack,â and the bad guys had to move to draw their guns and pull the triggers, so theyâre moving and should get another -1 penalty.â Notably, earlier in the session when a character was getting shot at while hiding behind a small chair, the rules lawyer stayed silent and didnât bring up the Cover section of the rulebook at all. Next turn after the bad guys miss their shots the rules lawyer has his character shoot back. (Even though his character would have also needed to âmoveâ to draw a gun and shoot and so accounting to him would have a -1 penalty, he stays quiet and hopes nobody is paying enough attention to realize this.) When the GM says âGoon #2 is hiding behind the bed so he is in Cover and the attack has a -1 penalty,â the rules lawyer says âOh come on, bullets can go straight through a feather mattress, thereâs no way that counts as Cover.â
What is This Shift Downstream of and Why Should You Stop Using the First Definition?
Besides the regular Dunning-Kruger Effect of people having a couple of D&D5e rules explained to them and then thinking they know everything there is to know about TTRPGs as an artform, this is, like most things in the hobby right now, ultimately traceable to Hasbroâs dishonest marketing of D&D5e and its resulting toxic play culture.
This post
đŹ 39  đ 777  â¤ď¸ 880 ¡ I donât know whatâs more detrimental to the health of TTRPGs as a medium, D&D5e players who think that TTRPGs are âcol
sorta gets into it with a lot more detail, but the short version is D&D5e wasnât really created with a lot of thought put into how it would actually play by its rules, but that doesnât matter to the shareholders as long as it makes money. To make more money, Hasbro/WotC has to maximize the number of people playing D&D5e. To do this, they market D&D5e as âthe game that can be whatever you want it to beâ and encourage a culture of play where if you donât like the rules you can just change or ignore them (instead of playing a different game that already has rules that you would like following).[1]
[1. Sidebar] I promise that learning a different gameâs rules is not as hard, time consuming, or expensive as you might think. D&D5eâs rules are at the upper end of all of these metrics. Even rulebooks which have twice as many pages are often easier to learn than D&D5eâs rules.
By treating any of the first set of examples as a faux-pas and subject of derision or mockery you are playing straight into the hands of a monopoly that has a deadly stranglehold on the TTRPG industry. Ironically by treating the rules text of D&D and by extension other TTRPGs as essentially meaningless, youâre actually more of a corporate bootlicker than you would be otherwise.
How Does this Affect People Who Enjoy Playing by the Rules? Canât They Just Mind Their Own Business?
I am extremely aware of the fact that many people who play D&D(or some other popular TTRPGs but mostly D&D) donât really care about the game part of D&D, but rather treat it as a sort of âsocial lubricant,â an excuse to hang out with friends more so than a specific activity. They would be just as happy (perhaps even more happy) if D&D was swapped out for any activity on earth, like bowling, sitting around a campfire talking about anything, watching a movie, etc.. To these people, being told to pay attention and understand the game theyâre playing is an offense. After all, âitâs just a stupid game, who cares, arenât we here to have fun?â
Yes, we are here to have fun, but have you considered that the fun of the people asking you to pay attention is being disrupted just as much? Would you have the same reaction to somebody leaning over and telling you not to talk or use your phone in a movie theater? Come on. Or even in a home viewing experience, your friend asks you to come over and watch this movie he really likes, and youâre just blowing it off as some stupid movie, not caring if you talk over all the cool scenes he wanted you to see. In simplest terms, thatâs rude.
The shift of the pejorative ârules lawyerâ from âcheater who makes spurious arguments about the rules to gain an unfair advantageâ to âplayer who wants to play the game by a written-out and consistent set of rulesâ is making the guy who actually wants to do the activity everyone nominally said they would do into the bad guy. Imagine if it was the activity or piece of art that you were passionate about.
Convincing people that itâs not âjust some stupid movieâ becomes much harder for that person when it was already hard as hell because of the Dunning-Kruger effect. Many people donât realize that it can be anything more than âsome stupid movieâ because they never paid attention to a movie before. They are skeptical that paying attention might result in them having more enjoyment than just talking, and now getting them to pay attention is that much harder because the act of going âshh, donât talk over the movie.â is the subject of mockery.
I am also extremely aware of the large percentage of TTRPG players who are passionate about D&D and other TTRPGs, but are passionate about the version that Hasbro marketing presents(this is completely synonymous with the âfolkloric version of the gameâ that exists in oral tradition and ânot letting the rules get in the way of the storyâ), not the version that actually exists in the rulebooks. This post has already gone on long enough and beyond this point I would just be repeating things I have already written other essays about so Iâm going to just link a few posts. The TL;DR of these posts is that buying into this marketing of the rules not mattering supports Hasbro and disadvantages anyone else who wants to make it in the industry or even just cares about exploring and evolving the medium as it exists. As Hasbroâs marketing goes, if the rules donât matter because you donât let them get in the way of âthe story,â then there really is no reason to move away from D&D5e.
đŹ 85  đ 5158  â¤ď¸ 7202 ¡ I've had a couple of people ask for a digestible version of the whole "the real problem with Dungeons & Dragons is f
đŹ 39  đ 777  â¤ď¸ 880 ¡ I donât know whatâs more detrimental to the health of TTRPGs as a medium, D&D5e players who think that TTRPGs are âcol
đŹ 39  đ 777  â¤ď¸ 880 ¡ First of all thanks for the good faith response.
The thing is youâre pretty much right, but I think it would be more
If you object to anything being said in the last paragraph, read these posts before arguing.
Reducing the calories does not inherently increase the healthiness of your food.
Reducing the fat content does not inherently increase the healthiness of your food.
Reducing the sugars does not inherently increase the healthiness of your food.
The only way to increase the healthiness of your food is by adding additional nutrients to it.
I saw a video of someone complaining that fucking chicken tikka masala "wasn't healthy" so they made a "healthier version" that was, in fact, LESS HEALTHY. Because they made it with only fat free dairy products, rendering many of the vitamins they would have otherwise gotten from that meal utterly useless, because the body needs fats in order to absorb them properly.
Two tbsp of brown sugar does not render a meal "unhealthy." Full fat dairy products do not render a meal "unhealthy." Calorically dense foods do not render a meal "unhealthy."
If you're really concerned about your health, add more nutrients. Eat extra veggies or extra protein. But you're not actually worried about your health. You're worried about your weight.
You're worried that in the process of eating a homemade meal with lean protein and veggies and a rich, delicious sauce you will consume more energy than you can use today.
You're worried that energy might be stored so that your body can use it when it needs to later.
You're worried that your relationship with gravity might change. You've been taught to worry about that. You've been taught to misconstrue manufacturered body issues as being "health conscious." But you're not doing things to promote health. You're just trying to reduce your energy consumption no matter what.
And I am begging you to consider, that this is not actually a "health conscious" mindset at all.